Author: Thomas A. Walters
Publisher: WestBow Press
ISBN:
Category : Art
Languages : en
Pages : 111
Book Description
Michelangelo and the Apocalypse: The End Time Codes Revealed This book is written for an engaged general readership as well as academics, Renaissance scholars, students and those readers with a broad interest in art, art history and religion. As of late there has been a continuing interest in Renaissance art and the enduring popularity of the book of Revelation and end time events. This work is an interdisciplinary and multidisciplinary approach to analysis of both the book of Revelation and Michelangelo’s Sistine Chapel ceiling fresco. This approach will involve analyzing the structural dynamics of both the Biblical Book of Revelation and the Sistine Chapel Ceiling, exploring how their creative structures and themes may be similar in many ways or divergent. Michelangelo and the Apocalypse offers a fresh and deeply influential approach to the art, life and spiritual evolution of one of the Renaissance’s greatest artists Michelangelo Buonarroti. Could Michaelangelo and the Apocalypse and their structural codes reveal a language of an end time symphony?
Michelangelo and the Apocalypse
Author: Thomas A. Walters
Publisher: WestBow Press
ISBN:
Category : Art
Languages : en
Pages : 111
Book Description
Michelangelo and the Apocalypse: The End Time Codes Revealed This book is written for an engaged general readership as well as academics, Renaissance scholars, students and those readers with a broad interest in art, art history and religion. As of late there has been a continuing interest in Renaissance art and the enduring popularity of the book of Revelation and end time events. This work is an interdisciplinary and multidisciplinary approach to analysis of both the book of Revelation and Michelangelo’s Sistine Chapel ceiling fresco. This approach will involve analyzing the structural dynamics of both the Biblical Book of Revelation and the Sistine Chapel Ceiling, exploring how their creative structures and themes may be similar in many ways or divergent. Michelangelo and the Apocalypse offers a fresh and deeply influential approach to the art, life and spiritual evolution of one of the Renaissance’s greatest artists Michelangelo Buonarroti. Could Michaelangelo and the Apocalypse and their structural codes reveal a language of an end time symphony?
Publisher: WestBow Press
ISBN:
Category : Art
Languages : en
Pages : 111
Book Description
Michelangelo and the Apocalypse: The End Time Codes Revealed This book is written for an engaged general readership as well as academics, Renaissance scholars, students and those readers with a broad interest in art, art history and religion. As of late there has been a continuing interest in Renaissance art and the enduring popularity of the book of Revelation and end time events. This work is an interdisciplinary and multidisciplinary approach to analysis of both the book of Revelation and Michelangelo’s Sistine Chapel ceiling fresco. This approach will involve analyzing the structural dynamics of both the Biblical Book of Revelation and the Sistine Chapel Ceiling, exploring how their creative structures and themes may be similar in many ways or divergent. Michelangelo and the Apocalypse offers a fresh and deeply influential approach to the art, life and spiritual evolution of one of the Renaissance’s greatest artists Michelangelo Buonarroti. Could Michaelangelo and the Apocalypse and their structural codes reveal a language of an end time symphony?
Michelangelo
Author: Miles J. Unger
Publisher: Simon and Schuster
ISBN: 1451678789
Category : Art
Languages : en
Pages : 448
Book Description
Among the immortals--Leonardo, Rembrandt, Picasso--Michelangelo stands alone as a master of painting, sculpture, and architecture. He was not only the greatest artist in an age of giants, but a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse and promoting the novel idea that it was the artist, rather than the lord who paid for it, who was creative force behind the work. This is the life of perhaps the most famous, most revolutionary artist in history, told through the stories of six of his magnificent masterpieces.
Publisher: Simon and Schuster
ISBN: 1451678789
Category : Art
Languages : en
Pages : 448
Book Description
Among the immortals--Leonardo, Rembrandt, Picasso--Michelangelo stands alone as a master of painting, sculpture, and architecture. He was not only the greatest artist in an age of giants, but a man who reinvented the practice of art itself. Throughout his long career he clashed with patrons by insisting that he had no master but his own demanding muse and promoting the novel idea that it was the artist, rather than the lord who paid for it, who was creative force behind the work. This is the life of perhaps the most famous, most revolutionary artist in history, told through the stories of six of his magnificent masterpieces.
Michelangelo's Nose
Author: Paul Barolsky
Publisher: John Wiley & Sons
ISBN: 0271032723
Category :
Languages : en
Pages : 194
Book Description
An exploration of the ways in which Michelangelo created himself.
Publisher: John Wiley & Sons
ISBN: 0271032723
Category :
Languages : en
Pages : 194
Book Description
An exploration of the ways in which Michelangelo created himself.
The Apocalypse and the Shape of Things to Come
Author: Frances Carey
Publisher: University of Toronto Press
ISBN: 9780802083258
Category : Religion
Languages : en
Pages : 356
Book Description
The Book of Revelation's legacy of visual imagery is evaluated here, from the 11th century to the end of World War 2 illuminated manuscripts, books, prints and drawings of apocalyptic phases are examined.
Publisher: University of Toronto Press
ISBN: 9780802083258
Category : Religion
Languages : en
Pages : 356
Book Description
The Book of Revelation's legacy of visual imagery is evaluated here, from the 11th century to the end of World War 2 illuminated manuscripts, books, prints and drawings of apocalyptic phases are examined.
Dialogue on the Errors and Abuses of Painters
Author: Giovanni Andrea Gilio
Publisher: Getty Publications
ISBN: 1606065564
Category : Art
Languages : en
Pages : 282
Book Description
Giovanni Andrea Gilio’s Dialogue on the Errors and Abuses of Painters (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Catholic Reformation. Relatively little is known about Gilio himself, a cleric from Fabriano, Italy. He was evidently familiar with Cardinal Alessandro Farnese’s lively court circle in Rome and dedicated his book to the cardinal. His text—available here in English in full for the first time—takes the form of a spirited dialogue among six protagonists, using the voices of each to present different points of view. Through their dialogue Gilio grapples with a host of issues, from the relationship between poetry and painting, to the function of religious images, to the effects such images have on viewers. The primary focus is the proper representation of history, and Michelangelo’s Last Judgment fresco in the Sistine Chapel is the exemplary case. Indeed, Michelangelo’s painting is both praised and condemned as an example of the possibilities and limits of art. Although Gilio’s dialogue is often quoted by art historians to point out the more controlling view of art and artists by the Roman Catholic Church, the unabridged text reveals the nuanced and provisional debates happening during this critical era.
Publisher: Getty Publications
ISBN: 1606065564
Category : Art
Languages : en
Pages : 282
Book Description
Giovanni Andrea Gilio’s Dialogue on the Errors and Abuses of Painters (1564) is one of the first treatises on art published in the post-Tridentine period. It remains a key primary source for the discussion of the reform of art as it unfolded at the time of the Council of Trent and the Catholic Reformation. Relatively little is known about Gilio himself, a cleric from Fabriano, Italy. He was evidently familiar with Cardinal Alessandro Farnese’s lively court circle in Rome and dedicated his book to the cardinal. His text—available here in English in full for the first time—takes the form of a spirited dialogue among six protagonists, using the voices of each to present different points of view. Through their dialogue Gilio grapples with a host of issues, from the relationship between poetry and painting, to the function of religious images, to the effects such images have on viewers. The primary focus is the proper representation of history, and Michelangelo’s Last Judgment fresco in the Sistine Chapel is the exemplary case. Indeed, Michelangelo’s painting is both praised and condemned as an example of the possibilities and limits of art. Although Gilio’s dialogue is often quoted by art historians to point out the more controlling view of art and artists by the Roman Catholic Church, the unabridged text reveals the nuanced and provisional debates happening during this critical era.
The Apocalypse in the Middle Ages
Author: Richard Kenneth Emmerson
Publisher:
ISBN: 9780801422829
Category : Art
Languages : en
Pages : 450
Book Description
An innovative overview of the influence of the Apocalypse on the shaping of the Christian culture of the Middle Ages.
Publisher:
ISBN: 9780801422829
Category : Art
Languages : en
Pages : 450
Book Description
An innovative overview of the influence of the Apocalypse on the shaping of the Christian culture of the Middle Ages.
Michelangelo's Last Judgment
Author: Bernadine Barnes
Publisher: Univ of California Press
ISBN: 0520205499
Category : Art
Languages : en
Pages : 203
Book Description
In this lively, original book, illustrated with photographs of the recently restored work, Barnes analyzes the Last Judgment and the historical context in which it was created and received. She broadens our view of Michelangelo and his creative process and offers new insight into one of his greatest works.
Publisher: Univ of California Press
ISBN: 0520205499
Category : Art
Languages : en
Pages : 203
Book Description
In this lively, original book, illustrated with photographs of the recently restored work, Barnes analyzes the Last Judgment and the historical context in which it was created and received. She broadens our view of Michelangelo and his creative process and offers new insight into one of his greatest works.
Revelations
Author: Nancy Grubb
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
Book Description
This concise but illuminating introduction to the sources, symbolism, and meanings of the biblical Book of Revelation brings together visionary images by some of the greatest artists of Western culture, including Fra Angelico, William Blake, Hieroymous Bosch, Michelangelo, Raphael, Peter Paul Rubens, Luca Signorelli, and J.M.W. Turner. 250 illustrations, 247 in color.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 152
Book Description
This concise but illuminating introduction to the sources, symbolism, and meanings of the biblical Book of Revelation brings together visionary images by some of the greatest artists of Western culture, including Fra Angelico, William Blake, Hieroymous Bosch, Michelangelo, Raphael, Peter Paul Rubens, Luca Signorelli, and J.M.W. Turner. 250 illustrations, 247 in color.
The Life of Michelangelo
Author: Hellmut Wohl
Publisher: Penn State Press
ISBN: 9780271044835
Category :
Languages : en
Pages : 180
Book Description
Publisher: Penn State Press
ISBN: 9780271044835
Category :
Languages : en
Pages : 180
Book Description
Michelangelo's Painting
Author: Leo Steinberg
Publisher: University of Chicago Press
ISBN: 022648226X
Category : Art
Languages : en
Pages : 397
Book Description
Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His writings, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures elucidates many of Michelangelo’s paintings, from frescoes in the Sistine Chapel to the Conversion of St. Paul and the Crucifixion of St. Peter, the artist’s lesser-known works in the Vatican’s Pauline Chapel; also included is a study of the relationship of the Doni Madonna to Leonardo. Steinberg’s perceptions evolved from long, hard looking. Almost everything he wrote included passages of old-fashioned formal analysis, but always put into the service of interpretation. He understood that Michelangelo’s rendering of figures, as well as their gestures and interrelations, conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body to express fundamental Christian tenets once expressible only by poets and preachers. Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. Michelangelo’s Painting is the second volume in a series that presents Steinberg’s writings, selected and edited by his longtime associate Sheila Schwartz.
Publisher: University of Chicago Press
ISBN: 022648226X
Category : Art
Languages : en
Pages : 397
Book Description
Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to contemporary art, he combined scholarly erudition with an eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His writings, sometimes provocative and controversial, remain vital and influential reading. For half a century, Steinberg delved into Michelangelo’s work, revealing the symbolic structures underlying the artist’s highly charged idiom. This volume of essays and unpublished lectures elucidates many of Michelangelo’s paintings, from frescoes in the Sistine Chapel to the Conversion of St. Paul and the Crucifixion of St. Peter, the artist’s lesser-known works in the Vatican’s Pauline Chapel; also included is a study of the relationship of the Doni Madonna to Leonardo. Steinberg’s perceptions evolved from long, hard looking. Almost everything he wrote included passages of old-fashioned formal analysis, but always put into the service of interpretation. He understood that Michelangelo’s rendering of figures, as well as their gestures and interrelations, conveys an emblematic significance masquerading under the guise of naturalism. Michelangelo pushed Renaissance naturalism into the furthest reaches of metaphor, using the language of the body to express fundamental Christian tenets once expressible only by poets and preachers. Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. Michelangelo’s Painting is the second volume in a series that presents Steinberg’s writings, selected and edited by his longtime associate Sheila Schwartz.