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Author: Cherise Smith
Publisher: University of Texas Press
ISBN: 9781477319178
Category : Art
Languages : en
Pages : 296
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Book Description
Michael Ray Charles is the most comprehensive presentation yet of the work of an artist who rose to prominence in the 1990s for works that engaged American stereotypes of African Americans. With a background in advertising and an archivist’s inquisitiveness, Charles developed an artistic practice that made startling use of found images and offered critiques of the narratives they fostered. Immersing readers in the imagination of this daring painter, Michael Ray Charles celebrates and contextualizes a singular, major figure in the art world. Art historian Cherise Smith collaborated with the artist to curate nearly one hundred color plates documenting nearly thirty years of visual art. These plates are framed by an interview with the artist and by Smith’s own deep interpretive essay on Charles’s work. Smith explores topics ranging from the controversy resulting from Charles’s provocative appropriations of stereotypical racial material to his techniques of sampling from popular culture; from his commentaries on African American men and sports to his work with director Spike Lee on Bamboozled. Both clear-eyed and complex, this retrospective demonstrates the significant role that Michael Ray Charles’s work has played in defining what art is today.
Author: Cherise Smith
Publisher: University of Texas Press
ISBN: 9781477319178
Category : Art
Languages : en
Pages : 296
Get Book Here
Book Description
Michael Ray Charles is the most comprehensive presentation yet of the work of an artist who rose to prominence in the 1990s for works that engaged American stereotypes of African Americans. With a background in advertising and an archivist’s inquisitiveness, Charles developed an artistic practice that made startling use of found images and offered critiques of the narratives they fostered. Immersing readers in the imagination of this daring painter, Michael Ray Charles celebrates and contextualizes a singular, major figure in the art world. Art historian Cherise Smith collaborated with the artist to curate nearly one hundred color plates documenting nearly thirty years of visual art. These plates are framed by an interview with the artist and by Smith’s own deep interpretive essay on Charles’s work. Smith explores topics ranging from the controversy resulting from Charles’s provocative appropriations of stereotypical racial material to his techniques of sampling from popular culture; from his commentaries on African American men and sports to his work with director Spike Lee on Bamboozled. Both clear-eyed and complex, this retrospective demonstrates the significant role that Michael Ray Charles’s work has played in defining what art is today.
Author: Michael Ray Charles
Publisher: University of Texas Press
ISBN: 9780941193122
Category : Art
Languages : en
Pages : 40
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Book Description
Michael Ray Charles is a painter whose carefully crafted and faux-aged canvases and works on paper draw attention to race relations historically and in contemporary society. Borrowing pop culture images of characters such as Sambo, Buckwheat, and Aunt Jemima, Charles uses them ironically to comment on racial issues. His concerns range from how tobacco and liquor companies target marketing to minorities to the depiction of African Americans in the entertainment and sports industries to concepts of all-American (i.e., white) beauty. This book is the catalog of the first major solo exhibition of Charles' work, staged by Blaffer Gallery, the Art Museum of the University of Houston. It contains a broad range of color images of paintings and works on paper. In addition to the catalog entries, the book contains an interview between exhibit curator Don Bacigalupi, catalog essayist Marilyn Kern-Foxworth, and artist Michael Ray Charles, in which the artist discusses and interprets his work. An essay by writer and cultural historian Marilyn Kern-Foxworth situates Charles' work within contemporary African American culture.
Author: Gwendolyn DuBois Shaw
Publisher: Duke University Press
ISBN: 0822386208
Category : Art
Languages : en
Pages : 209
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Book Description
One of the youngest recipients of a MacArthur “genius” grant, Kara Walker, an African American artist, is best known for her iconic, often life-size, black-and-white silhouetted figures, arranged in unsettling scenes on gallery walls. These visually arresting narratives draw viewers into a dialogue about the dynamics of race, sexuality, and violence in both the antebellum South and contemporary culture. Walker’s work has been featured in exhibits around the world and in American museums including the Museum of Modern Art, the Guggenheim, and the Whitney. At the same time, her ideologically provocative images have drawn vociferous criticism from several senior African American artists, and a number of her pieces have been pulled from exhibits amid protests against their disturbing representations. Seeing the Unspeakable provides a sustained consideration of the controversial art of Kara Walker. Examining Walker’s striking silhouettes, evocative gouache drawings, and dynamic prints, Gwendolyn DuBois Shaw analyzes the inspiration for and reception of four of Walker’s pieces: The End of Uncle Tom and the Grand Allegorical Tableau of Eva in Heaven, John Brown, A Means to an End, and Cut. She offers an overview of Walker’s life and career, and contextualizes her art within the history of African American visual culture and in relation to the work of contemporary artists including Faith Ringgold, Carrie Mae Weems, and Michael Ray Charles. Shaw describes how Walker deliberately challenges viewers’ sensibilities with radically de-sentimentalized images of slavery and racial stereotypes. This book reveals a powerful artist who is questioning, rather than accepting, the ideas and strategies of social responsibility that her parents’ generation fought to establish during the civil rights era. By exploiting the racist icons of the past, Walker forces viewers to see the unspeakable aspects of America’s racist past and conflicted present.
Author: Michael D. Harris
Publisher:
ISBN: 9780807856963
Category : African American art
Languages : en
Pages : 0
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Book Description
Colored Pictures: Race and Visual Representation
Author: Bernhard Bürgi
Publisher: Hatje Cantz
ISBN: 9783775737937
Category : Human figure in art
Languages : en
Pages : 0
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Book Description
Charles Ray (*1953 in Chicago) is widely regarded as one of the preeminent sculptors of our time. Like Katharina Fritsch and Jeff Koons, Ray strives toward three-dimensional figuration, which is evident in the white-painted steel sculpture Boy with Frog, 2009 - a work that was installed on the Punta della Dogana in Venice, where it was a major attraction. This catalogue has been publisched on the occasion of the exhibition «Charles Ray : Sculpture, 1997-2014» at the Kunstmuseum Basel and the Art Institute of Chicago and provides an overview of the major sculptures Ray has created since 1997, including several previously unpublisched works. These works are examined in detail in essays by Michael Fried, Richard Neer, James Rondeau, and Anne M. Wagner.
Author: Pariya Rostami
Publisher: Dorrance Publishing
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 142
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Book Description
As humans, our names should remain in everyone’s minds as the real heroes in present in future generations. During a time when surrounding nations were looking into travelling to the moon and space, Pariya Rostami was looking for shelter to hide or a piece of bread for survival. Can people in countries where freedom reigns ever be aware of the hardships, suffering, and dreams buried below the earth that other people have to face? What do they think about the millions of poor and malnourished people that live in other countries? In a country like Iran, you can have the best and look forward to tomorrow, but still have no rights as a woman to live freely. But Rostami has become an angel of salvation to many through the knowledge she’s acquired through pain and suffering. She has a powerful touch that can heal many wounds and words to light a path to living free. She will continue to fight to defend humanity and her rights as a woman, even though writing these truths about her past could dig her own grave. About the Author Pariya Rostami has much love to give. She believes the world would be much more beautiful if we learned how to be kind and give happiness as a free gift to others without judgments or expectations. She learned to respect people’s beliefs and love them as a human first rather than rely on what they own, where they live, how much money they have, or what their race is. Her greatest desire is to put a smile on people’s faces who deserve it.
Author: Michael Lydon
Publisher: Routledge
ISBN: 1135878102
Category : Art
Languages : en
Pages : 465
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Book Description
Ray Charles: Man and Music is a complete biography of this seminal singer/pianist who has been active on the American music scene since the mid-'50s. Originally published in 1995 by Penguin Books, and universally hailed as the definitive biography, this new edition will bring Charles's life up to date, covering the last 7 years of his life.There are only a few legendary singers who have developed mass audiences while pursuing their own artistic visions: Sinatra is one; Ella Fitzgerald another. Ray Charles undoubtedly belongs in this pantheon of major musical stars. Ray Charles: Man and Music begins with Charles's impoverished childhood in Greenville, Florida, where tragedy struck early when the young Charles went blind at age 6 and was orphaned at age 14. Driven by his enormous talent and determination, Charles landed work playing some of the toughest juke joints in the state, fought heroin addiction, and finally landed a recording contract with Atlantic Records. Unlike other R&B singers, Charles took control of his career from its earliest days, moving on from his gospel-soul stylings of the mid-'50s to break through musical barriers, recording two country albums in the late '50s (at a time when the black presence in country music was barely felt), pure jazz, and then the powerful pop hits of the '60s. Famed music journalist Michael Lydon - a founding editor of Rolling Stone - is uniquely qualified to document Charles's career, having interviewed Charles and followed the star's performances since the 1960s. Originally published in 1995, and universally hailed as the definitive biography, this new edition brings Charles's life up to date, covering the last 7 years of his life. It coincides with the release of a made-for-TV movie starring Jamie Fox as Charles, currently in production by Taylor Hackford. Charles has also issued a new CD recently and remains active as a touring artist throughout the world.
Author: Michael Lydon
Publisher: Psychology Press
ISBN:
Category : African American singers
Languages : en
Pages : 488
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Book Description
"Universally hailed as the definitive biography since its original publication, this new edition brings Charles's life up to date, covering the last decade of his life. It is must reading for any fan of American music and the unique career of one of its greatest stars."--Jacket.
Author: Bridget R. Cooks
Publisher:
ISBN: 9783777435961
Category :
Languages : en
Pages : 120
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Book Description
The artists featured in The Black Index--Dennis Delgado, Alicia Henry, Kenyatta A.C. Hinkle, Titus Kaphar, Whitfield Lovell, and Lava Thomas--build upon the tradition of Black self-representation as an antidote to colonialist images. Their translations of photography challenge the medium's long-assumed qualities of objectivity, legibility, and identification. Using drawing, sculpture, and digital technology to transform the recorded image, these artists question our reliance on photography as a privileged source for documentary objectivity and historical understanding. The works featured here offer an alternative practice--a Black index. In the hands of these six artists, the index still serves as a finding aid for information about Black subjects, but it also challenges viewers' desire for classification and, instead, redirects them toward alternative information.
Author: Richard L. Schur
Publisher: University of Michigan Press
ISBN: 0472050605
Category : Social Science
Languages : en
Pages : 253
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Book Description
"Richard Schur offers a provocative view of contemporary African American cultural politics and the relationship between African American cultural production and intellectual property law." ---Mark Anthony Neal, Duke University "Whites used to own blacks. Now, they accomplish much the same thing by insisting that they 'own' ownership. Blacks shouldn't let them. A culture that makes all artists play by its rules will end up controlling new ideas and stifling change. Richard Schur's fine book explains why." ---Richard Delgado, Seattle University What is the relationship between hip-hop and African American culture in the post--Civil Rights era? Does hip-hop share a criticism of American culture or stand as an isolated and unique phenomenon? How have African American texts responded to the increasing role intellectual property law plays in regulating images, sounds, words, and logos? Parodies of Ownership examines how contemporary African American writers, artists, and musicians have developed an artistic form that Schur terms "hip-hop aesthetics." This book offers an in-depth examination of a wide range of contemporary African American painters and writers, including Anna Deavere Smith, Toni Morrison, Adrian Piper, Colson Whitehead, Michael Ray Charles, Alice Randall, and Fred Wilson. Their absence from conversations about African American culture has caused a misunderstanding about the nature of contemporary cultural issues and resulted in neglect of their innovative responses to the post--Civil Rights era. By considering their work as a cross-disciplinary and specifically African American cultural movement, Schur shows how a new paradigm for artistic creation has developed. Parodies of Ownership offers a broad analysis of post--Civil Rights era culture and provides the necessary context for understanding contemporary debates within American studies, African American studies, intellectual property law, African American literature, art history, and hip-hop studies. Weaving together law, literature, art, and music, Schur deftly clarifies the conceptual issues that unify contemporary African American culture, empowering this generation of artists, writers, and musicians to criticize how racism continues to affect our country. Richard L. Schur is Director, Interdisciplinary Studies Center, and Associate Professor of Interdisciplinary Studies at Drury University. Visit the author's website: http://www2.drury.edu/rschur/index.htm. Cover illustration: Atlas, by Fred Wilson. © Fred Wilson, courtesy Pace Wildenstein, New York.
