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Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1527539113
Category : Music
Languages : en
Pages : 305
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Book Description
Giacomo Meyerbeer is the only composer who wrote for three different and equally important eras of 19th century music. His works straddle the German Romantic school, Italian bel canto and French grand opera and opéra-comique. After his early career in Berlin, Darmstadt, Munich and Vienna, Meyerbeer famously travelled to Italy where he lived for ten years. His six operas written between 1817 and 1824 established Meyerbeer as a significant composer in Italy, with an international reputation growing more or less incrementally with each new work. The treasures of these works have been rediscovered in recent decades (1979-2019). This study examines these works in terms of origins, content and performance history.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1527539113
Category : Music
Languages : en
Pages : 305
Get Book Here
Book Description
Giacomo Meyerbeer is the only composer who wrote for three different and equally important eras of 19th century music. His works straddle the German Romantic school, Italian bel canto and French grand opera and opéra-comique. After his early career in Berlin, Darmstadt, Munich and Vienna, Meyerbeer famously travelled to Italy where he lived for ten years. His six operas written between 1817 and 1824 established Meyerbeer as a significant composer in Italy, with an international reputation growing more or less incrementally with each new work. The treasures of these works have been rediscovered in recent decades (1979-2019). This study examines these works in terms of origins, content and performance history.
Author: Mark Everist
Publisher:
ISBN: 9781003418474
Category : HISTORY
Languages : en
Pages : 0
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Book Description
Nineteenth-century Paris attracted foreign musicians like a magnet. The city boasted a range of theatres and of genres represented there, a wealth of libretti and source material for them, vocal, orchestral and choral resources, to say nothing of the set designs, scenery and costumes. All this contributed to an artistic environment that had musicians from Italian- and German-speaking states beating a path to the doors of the Académie Royale de Musique, Opéra-Comique, Théâtre Italien, Théâtre Royal de l'Odéon and Théâtre de la Renaissance. This book both tracks specific aspects of this culture, and examines stage music in Paris through the lens of one of its most important figures: Giacomo Meyerbeer. The early part of the book, which is organised chronologically, examines the institutional background to music drama in Paris in the nineteenth century, and introduces two of Meyerbeer's Italian operas that were of importance for his career in Paris. Meyerbeer's acculturation to Parisian theatrical mores is then examined, especially his moves from the Odéon and Opéra-Comique to the opera house where he eventually made his greatest impact - the Académie Royale de Musique; the shift from Opéra-Comique is then counterpointed by an examination of how an indigenous Parisian composer, Fromental Halévy, made exactly the same leap at more or less the same time. The book continues with the fates of other composers in Paris: Weber, Donizetti, Bellini and Wagner, but concludes with the final Parisian successes that Meyerbeer lived to see - his two opéras comiques.
Author: Axel Körner
Publisher: Cambridge University Press
ISBN: 1108843867
Category : Music
Languages : en
Pages : 341
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Book Description
This volume of essays discusses the European and global expansion of Italian opera and the significance of this process for debates on opera at home in Italy. Covering different parts of Europe, the Americas, Southeast and East Asia, it investigates the impact of transnational musical exchanges on notions of national identity associated with the production and reception of Italian opera across the world. As a consequence of these exchanges between composers, impresarios, musicians and audiences, ideas of operatic Italianness (italianit...) constantly changed and had to be reconfigured, reflecting the radically transformative experience of time and space that throughout the nineteenth century turned opera into a global aesthetic commodity. The book opens with a substantial introduction discussing key concepts in cross-disciplinary perspective and concludes with an epilogue relating its findings to different historiographical trends in transnational opera studies.
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443845515
Category : Music
Languages : en
Pages : 240
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Book Description
Robert le Diable by Giacomo Meyerbeer is regarded as a musical milestone, a definitive statement in the 19th-century development of French grand opéra from the tragédie lyrique of Lully, Rameau, Gluck and Spontini. The libretto by Eugène Scribe and Germain Delavigne was derived from the medieval legend of “Robert the Devil”. First performed on 21 November 1831 at the Paris Opéra, the work brought Meyerbeer international celebrity. Robert le Diable remains a legend in the annals of opera. The fascinating story reveals a complex imagery and symbolism that touches on the deepest intuitions of human experience and personal development, and exercises an archetypal unconscious appeal akin to the nature of fairy tales. The musical language, richly melodic and theatrically powerful, looks back to Rossini and the traditions of bel canto, and yet forges a new formal pliancy and dramatic urgency. The harmony and orchestration, the melodramatic plot, and overwhelming stage effects (especially the famous act 3 Ballet of the Nuns, a touchstone of dark Romanticism) confirmed Meyerbeer as the leading opera composer of his age. His style fuses German counterpoint, Italian melody, French grandeur, and unprecedented orchestral riches in a unique and overwhelming artistic blend. Robert became one of the greatest successes in the history of opera. In the first two years of its history it was given in 69 different theatres, and was performed 754 times at the Paris Opéra until 1893. This huge success was reflected in more than 160 transcriptions, arrangements, paraphrases and fantasias for the orchestra, military band, dance band, piano and other solo instruments written between 1832 and 1955. After many years of neglect, there is a resurgence of interest in this work with its fascinating appeal. This book is devoted to the story of this exceptional opera. It traces the origins, the première, the performance history, and also considers the special characteristics of both the libretto and the music. One of the most intriguing aspects of Robert le Diable was the nature of the iconography generated by its most famous scenes. Artists and illustrators responded in many different ways to the Gambling Scene, the Scene at the Cross, the Cloister Scene for the legendary Ballet of the Nuns, and the great trio in act 5. All of these are examined in terms of the the many different pictorial and plastic responses they inspired over some 60 years.
Author: Elaine Thornton
Publisher:
ISBN: 9781912676750
Category :
Languages : en
Pages : 300
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Book Description
In the mid-nineteenth century Giacomo Meyerbeer dominated the operatic world. The first Jewish composer to achieve international fame, he staged his grand operas in France. His second work, Les Huguenots, became the first opera to reach 1,000 performances at the Paris Opéra. He was born in Berlin in 1791 as Meyer Beer, the eldest son of Jacob and Amalia Beer. As European Jews emerged from the ghetto, his wealthy parents took a leading role in creating a more integrated Jewish identity. Jacob became a pioneer of Reform Judaism, while Amalia held a glittering musical salon. His brother Wilhelm built an observatory, where he and his scientific partner, Johann Mädler, made the first accurate maps of the moon and Mars. A milestone in the history of astronomy. Later Wilhelm became a railway entrepreneur, a banker and a politician. The youngest son Michael was a dramatist and poet who died at the age of 33. His third play was admired by Goethe, who staged it at Weimar. This biography reveals the story of a remarkable family who fought prejudice and intolerance to become role models for their contemporaries, and whose lives illuminate a crucial and formative period in German-Jewish history
Author: Robert Ignatius Letellier
Publisher: Cambridge Scholars Publishing
ISBN: 1443864331
Category : Music
Languages : en
Pages : 430
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Book Description
ARSC Awards for Excellence, 2014: Best Historical Research in Classical Music (Certificate of Merit). This book presents a discography of recordings made from the works of Giacomo Meyerbeer (1791–1864) – from the inception of recording techniques in 1889 until the dominance of the long-playing record in 1955. It is a testimony to the once-universal fame of the composer and the esteem in which in his works were held. During that period some nearly 2000 artists (at least 1065 of them singers) recorded arias and ensembles from all six of the French operas of Meyerbeer's maturity (Robert le Diable, Les Huguenots, Le Prophète, L'Étoile du Nord, Dinorah, L'Africaine), as well as selections from other works, orchestral pieces, and a variety of arrangements for band and other instruments. Covering more than 150 different pieces, the whole of this recorded legacy makes Meyerbeer one of the most popular classical composers of any age. Many of the legendary names of this Golden Age of Song were devoted to Meyerbeer's compositions (like Aumonier, Amato, Gilion, Rethberg, Lazzari, Barrientos, Delmas, Slezak, Belhomme, Branzell, Lehmann, Hempel, Escalais, Ancona, De Lucia, De Angelis, De Cisneros, Tamagno, Rothier, Pertile, Ruffo, Siems, Kurz, Caruso, Chaliapin). This discography is integral to the history of opera, the nature of lyric recording, and the story of song and vocal technique. It is divided into chapters listing the works recorded, the singers, orchestras, bands and other musicians who recorded pieces from the operas (with details of the labels, places, dates, matrix and record numbers), as well as providing anthologies of modern transfers of the some of the old 78 records to modern media (LP, CD, MP3), and also listing a bibliography devoted to vintage records and singers from the early days of recording.
Author: Giacomo Meyerbeer
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 42
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Book Description
Author: Robert Ignatius Letellier
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640937
Category : Music
Languages : en
Pages : 372
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Book Description
But these operas are far more than imitations: they show an apprehension of convention and genre that is nothing less than a dismantling of accepted formulas, and a highly original reconstruction of them."--Jacket.
Author: Giacomo Meyerbeer
Publisher:
ISBN:
Category : Operas
Languages : en
Pages : 362
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Book Description
Author: Victoria Johnson
Publisher: Cambridge University Press
ISBN: 1139464051
Category : Music
Languages : en
Pages : 32
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Book Description
This edited volume brings together academic specialists writing on the multi-media operatic form from a range of disciplines: comparative literature, history, sociology, and philosophy. The presence in the volume's title of Pierre Bourdieu, the leading cultural sociologist of the late twentieth century, signals the editors' intention to synthesise advances in social science with advances in musicological and other scholarship on opera. Through a focus on opera in Italy and France, the contributors to the volume draw on their respective disciplines both to expand our knowledge of opera's history and to demonstrate the kinds of contributions that stand to be made by different disciplines to the study of opera. The volume is divided into three sections, each of which is preceded by a concise and informative introduction explaining how the chapters in that section contribute to our understanding of opera.
