Author: Timothy G. Compton
Publisher: Kendall Hunt
ISBN: 9780838753484
Category : Literary Criticism
Languages : en
Pages : 166
Book Description
"This book examines eight narratives that illustrate the picaresque subgenre and its episodic structure, a subgenre featured in many Mexican narratives. In this type of narrative, a single protagonist provides the only link between episodes; survives by cunning in a world marked by hunger and physical deprivation; serves many masters and acts in many roles; is generally alienated; and meets many characters, who form a gallery of human types. All eight narratives are shown to share many of the attributes of the picaresque family, yet each constitutes a unique artistic creation, with variations in context, narrative technique, style, setting, characterization, and focus."--BOOK JACKET.
Mexican Picaresque Narratives
Author: Timothy G. Compton
Publisher: Kendall Hunt
ISBN: 9780838753484
Category : Literary Criticism
Languages : en
Pages : 166
Book Description
"This book examines eight narratives that illustrate the picaresque subgenre and its episodic structure, a subgenre featured in many Mexican narratives. In this type of narrative, a single protagonist provides the only link between episodes; survives by cunning in a world marked by hunger and physical deprivation; serves many masters and acts in many roles; is generally alienated; and meets many characters, who form a gallery of human types. All eight narratives are shown to share many of the attributes of the picaresque family, yet each constitutes a unique artistic creation, with variations in context, narrative technique, style, setting, characterization, and focus."--BOOK JACKET.
Publisher: Kendall Hunt
ISBN: 9780838753484
Category : Literary Criticism
Languages : en
Pages : 166
Book Description
"This book examines eight narratives that illustrate the picaresque subgenre and its episodic structure, a subgenre featured in many Mexican narratives. In this type of narrative, a single protagonist provides the only link between episodes; survives by cunning in a world marked by hunger and physical deprivation; serves many masters and acts in many roles; is generally alienated; and meets many characters, who form a gallery of human types. All eight narratives are shown to share many of the attributes of the picaresque family, yet each constitutes a unique artistic creation, with variations in context, narrative technique, style, setting, characterization, and focus."--BOOK JACKET.
Mexican Picaresque Narratives
Author: Timothy G. Compton
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
"This book examines eight narratives that illustrate the picaresque subgenre and its episodic structure, a subgenre featured in many Mexican narratives. In this type of narrative, a single protagonist provides the only link between episodes; survives by cunning in a world marked by hunger and physical deprivation; serves many masters and acts in many roles; is generally alienated; and meets many characters, who form a gallery of human types. All eight narratives are shown to share many of the attributes of the picaresque family, yet each constitutes a unique artistic creation, with variations in context, narrative technique, style, setting, characterization, and focus."--BOOK JACKET.
Publisher:
ISBN:
Category : Literary Criticism
Languages : en
Pages : 160
Book Description
"This book examines eight narratives that illustrate the picaresque subgenre and its episodic structure, a subgenre featured in many Mexican narratives. In this type of narrative, a single protagonist provides the only link between episodes; survives by cunning in a world marked by hunger and physical deprivation; serves many masters and acts in many roles; is generally alienated; and meets many characters, who form a gallery of human types. All eight narratives are shown to share many of the attributes of the picaresque family, yet each constitutes a unique artistic creation, with variations in context, narrative technique, style, setting, characterization, and focus."--BOOK JACKET.
The Picaresque and the Writing Life in Mexico
Author: Jorge Téllez
Publisher:
ISBN: 9780268200176
Category :
Languages : en
Pages : 292
Book Description
This book studies picaresque narratives from 1690 to 2013, examining how this literary form serves as a reflection on the material conditions necessary for writing literature in Mexico. In The Picaresque and the Writing Life in Mexico, Jorge Téllez argues that Mexican writers have drawn on the picaresque as a device for pondering what they regard as the perils of intellectual and creative labor. Surveying ten narratives from 1690 to 2013, Téllez shows how, by and large, all of them are iterations of the same basic structure: pícaro meets writer; picaro tells life story; writer eagerly writes it down. This written mediation (sometimes fictional but other times completely factual) is presented as part of a transaction in which it is rarely clear who is exploiting whom. Highlighting this ambiguity, Téllez's study brings into focus the role that the picaresque has played in the presentation of writers as disenfranchised and vulnerable subjects. But as Téllez demonstrates, these narratives embody a discourse of precarity that goes beyond pícaros, and applies to all subjects who engage in the production and circulation of literature. In this way, Téllez shows that the literary form of the picaresque is, above all, a reflection on the value of literature, as well as on the place and role of writing in Mexican society more broadly. The Picaresque and the Writing Life in Mexico is a unique work that suggests new paths for studying the reiteration of literary forms across centuries. Looking at the picaresque in particular, Téllez offers a new interpretation of this genre within its national context and suggests ways in which this genre remains relevant for reflecting on literature in contemporary society. It will be of interest to students and scholars of Latin American studies, Mexican cultures and literatures, and comparative literature.
Publisher:
ISBN: 9780268200176
Category :
Languages : en
Pages : 292
Book Description
This book studies picaresque narratives from 1690 to 2013, examining how this literary form serves as a reflection on the material conditions necessary for writing literature in Mexico. In The Picaresque and the Writing Life in Mexico, Jorge Téllez argues that Mexican writers have drawn on the picaresque as a device for pondering what they regard as the perils of intellectual and creative labor. Surveying ten narratives from 1690 to 2013, Téllez shows how, by and large, all of them are iterations of the same basic structure: pícaro meets writer; picaro tells life story; writer eagerly writes it down. This written mediation (sometimes fictional but other times completely factual) is presented as part of a transaction in which it is rarely clear who is exploiting whom. Highlighting this ambiguity, Téllez's study brings into focus the role that the picaresque has played in the presentation of writers as disenfranchised and vulnerable subjects. But as Téllez demonstrates, these narratives embody a discourse of precarity that goes beyond pícaros, and applies to all subjects who engage in the production and circulation of literature. In this way, Téllez shows that the literary form of the picaresque is, above all, a reflection on the value of literature, as well as on the place and role of writing in Mexican society more broadly. The Picaresque and the Writing Life in Mexico is a unique work that suggests new paths for studying the reiteration of literary forms across centuries. Looking at the picaresque in particular, Téllez offers a new interpretation of this genre within its national context and suggests ways in which this genre remains relevant for reflecting on literature in contemporary society. It will be of interest to students and scholars of Latin American studies, Mexican cultures and literatures, and comparative literature.
The Picaresque and the Writing Life in Mexico
Author: Jorge Téllez
Publisher: University of Notre Dame Pess
ISBN: 0268200165
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
This book studies picaresque narratives from 1690 to 2013, examining how this literary form serves as a reflection on the material conditions necessary for writing literature in Mexico. In The Picaresque and the Writing Life in Mexico, Jorge Téllez argues that Mexican writers have drawn on the picaresque as a device for pondering what they regard as the perils of intellectual and creative labor. Surveying ten narratives from 1690 to 2013, Téllez shows how, by and large, all of them are iterations of the same basic structure: pícaro meets writer; pícaro tells life story; writer eagerly writes it down. This written mediation (sometimes fictional but other times completely factual) is presented as part of a transaction in which it is rarely clear who is exploiting whom. Highlighting this ambiguity, Téllez’s study brings into focus the role that the picaresque has played in the presentation of writers as disenfranchised and vulnerable subjects. But as Téllez demonstrates, these narratives embody a discourse of precarity that goes beyond pícaros, and applies to all subjects who engage in the production and circulation of literature. In this way, Téllez shows that the literary form of the picaresque is, above all, a reflection on the value of literature, as well as on the place and role of writing in Mexican society more broadly. The Picaresque and the Writing Life in Mexico is a unique work that suggests new paths for studying the reiteration of literary forms across centuries. Looking at the picaresque in particular, Téllez offers a new interpretation of this genre within its national context and suggests ways in which this genre remains relevant for reflecting on literature in contemporary society. It will be of interest to students and scholars of Latin American studies, Mexican cultures and literatures, and comparative literature.
Publisher: University of Notre Dame Pess
ISBN: 0268200165
Category : Literary Criticism
Languages : en
Pages : 357
Book Description
This book studies picaresque narratives from 1690 to 2013, examining how this literary form serves as a reflection on the material conditions necessary for writing literature in Mexico. In The Picaresque and the Writing Life in Mexico, Jorge Téllez argues that Mexican writers have drawn on the picaresque as a device for pondering what they regard as the perils of intellectual and creative labor. Surveying ten narratives from 1690 to 2013, Téllez shows how, by and large, all of them are iterations of the same basic structure: pícaro meets writer; pícaro tells life story; writer eagerly writes it down. This written mediation (sometimes fictional but other times completely factual) is presented as part of a transaction in which it is rarely clear who is exploiting whom. Highlighting this ambiguity, Téllez’s study brings into focus the role that the picaresque has played in the presentation of writers as disenfranchised and vulnerable subjects. But as Téllez demonstrates, these narratives embody a discourse of precarity that goes beyond pícaros, and applies to all subjects who engage in the production and circulation of literature. In this way, Téllez shows that the literary form of the picaresque is, above all, a reflection on the value of literature, as well as on the place and role of writing in Mexican society more broadly. The Picaresque and the Writing Life in Mexico is a unique work that suggests new paths for studying the reiteration of literary forms across centuries. Looking at the picaresque in particular, Téllez offers a new interpretation of this genre within its national context and suggests ways in which this genre remains relevant for reflecting on literature in contemporary society. It will be of interest to students and scholars of Latin American studies, Mexican cultures and literatures, and comparative literature.
Impresiones de un Surumato en Nuevo México by Manuel Sariñana
Author:
Publisher: University of New Mexico Press
ISBN: 0826365612
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Impresiones de un Surumato en Nuevo México by Manuel Sariñana represents a remarkable literary recovery. For the first time, the novella is presented in its original Spanish and in English, painstakingly translated and annotated by Phillip B. Gonzales. Manuel Sariñana came to the New Mexico territory from Mexico to work as a Spanish-language journalist. While covering politics, he wrote and published Impresiones de un Surumato en Nuevo México as a picaresque work, a common genre in Mexico that uses satire to narrate a drama based on concrete social issues in the author’s immediate vicinity. In his preface, Sariñana makes his intent clear: to address the unseemly manner in which New Mexico’s Democratic Party attempts to gain leverage in elections. But, in a caricature of two immigrant peons, he surreptitiously takes to task how nuevomexicanos look down on people from Mexico. Gonzales provides a critical introduction, an interpretation of Sariñana’s piece, and a historical framework to contextualize the author’s experiences and the events alluded to in the novella. The result brings this important work of fiction to a new generation of readers.
Publisher: University of New Mexico Press
ISBN: 0826365612
Category : Literary Criticism
Languages : en
Pages : 273
Book Description
Impresiones de un Surumato en Nuevo México by Manuel Sariñana represents a remarkable literary recovery. For the first time, the novella is presented in its original Spanish and in English, painstakingly translated and annotated by Phillip B. Gonzales. Manuel Sariñana came to the New Mexico territory from Mexico to work as a Spanish-language journalist. While covering politics, he wrote and published Impresiones de un Surumato en Nuevo México as a picaresque work, a common genre in Mexico that uses satire to narrate a drama based on concrete social issues in the author’s immediate vicinity. In his preface, Sariñana makes his intent clear: to address the unseemly manner in which New Mexico’s Democratic Party attempts to gain leverage in elections. But, in a caricature of two immigrant peons, he surreptitiously takes to task how nuevomexicanos look down on people from Mexico. Gonzales provides a critical introduction, an interpretation of Sariñana’s piece, and a historical framework to contextualize the author’s experiences and the events alluded to in the novella. The result brings this important work of fiction to a new generation of readers.
A Good Map of All Things
Author: Alberto Álvaro Ríos
Publisher: University of Arizona Press
ISBN: 0816541035
Category : Fiction
Languages : en
Pages : 249
Book Description
In Alberto Álvaro Ríos’s new picaresque novel, momentous adventure and quiet connection brings twenty people to life in a small town in northern Mexico. A Good Map of All Things is home to characters whose lives are interwoven but whose stories are their own, adding warmth and humor to this continually surprising communal narrative. The stories take place in the mid-twentieth century, in the high desert near the border—a stretch of land generally referred to as the Pimería Alta—an ancient passage through the desert that connected the territory of Tucson in the north and Guaymas and Hermosillo in the south. The United States is off in the distance, a little difficult to see, and, in the middle of the century, not the only thing to think about. Mexico City is somewhere to the south, but nobody can say where and nobody has ever seen it. Ríos has created a whimsical yet familiar town, where brightly unique characters love fiercely and nurture those around them. The people in A Good Map of All Things have secrets and fears, successes and happiness, winters and summers. They are people who do not make the news, but who are living their lives for the long haul, without lotteries or easy answers or particular luck. Theirs is the everyday, with its small but meaningful joy. Whether your heart belongs to a small town in Mexico or a bustling metropolis, Alberto Álvaro Ríos has crafted a book that is overflowing with comfort, warmth, and the familiar embrace of a tightly woven community.
Publisher: University of Arizona Press
ISBN: 0816541035
Category : Fiction
Languages : en
Pages : 249
Book Description
In Alberto Álvaro Ríos’s new picaresque novel, momentous adventure and quiet connection brings twenty people to life in a small town in northern Mexico. A Good Map of All Things is home to characters whose lives are interwoven but whose stories are their own, adding warmth and humor to this continually surprising communal narrative. The stories take place in the mid-twentieth century, in the high desert near the border—a stretch of land generally referred to as the Pimería Alta—an ancient passage through the desert that connected the territory of Tucson in the north and Guaymas and Hermosillo in the south. The United States is off in the distance, a little difficult to see, and, in the middle of the century, not the only thing to think about. Mexico City is somewhere to the south, but nobody can say where and nobody has ever seen it. Ríos has created a whimsical yet familiar town, where brightly unique characters love fiercely and nurture those around them. The people in A Good Map of All Things have secrets and fears, successes and happiness, winters and summers. They are people who do not make the news, but who are living their lives for the long haul, without lotteries or easy answers or particular luck. Theirs is the everyday, with its small but meaningful joy. Whether your heart belongs to a small town in Mexico or a bustling metropolis, Alberto Álvaro Ríos has crafted a book that is overflowing with comfort, warmth, and the familiar embrace of a tightly woven community.
The Picaresque Novel in Western Literature
Author: J. A. Garrido Ardila
Publisher: Cambridge University Press
ISBN: 131629854X
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Since the sixteenth century, Western literature has produced picaresque novels penned by authors across Europe, from Alemán, Cervantes, Lesage and Defoe to Cela and Mann. Contemporary authors of neopicaresque are renewing this traditional form to express twenty-first-century concerns. Notwithstanding its major contribution to literary history, as one of the founding forms of the modern novel, the picaresque remains a controversial literary category, and its definition is still much contested. The Picaresque Novel in Western Literature examines the development of the picaresque, chronologically and geographically, from its origins in sixteenth-century Spain to the neopicaresque in Europe and the United States.
Publisher: Cambridge University Press
ISBN: 131629854X
Category : Literary Criticism
Languages : en
Pages : 289
Book Description
Since the sixteenth century, Western literature has produced picaresque novels penned by authors across Europe, from Alemán, Cervantes, Lesage and Defoe to Cela and Mann. Contemporary authors of neopicaresque are renewing this traditional form to express twenty-first-century concerns. Notwithstanding its major contribution to literary history, as one of the founding forms of the modern novel, the picaresque remains a controversial literary category, and its definition is still much contested. The Picaresque Novel in Western Literature examines the development of the picaresque, chronologically and geographically, from its origins in sixteenth-century Spain to the neopicaresque in Europe and the United States.
Writing Rogues
Author: Cassio de Oliveira
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015073
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlement schemes are not usually associated with Soviet literature, yet an entire body of work produced between the October Revolution and the Stalinist Great Terror was constructed around them. In Writing RoguesCassio de Oliveira sheds light on the picaresque and its marginal characters – rogues and storytellers – who populated the Soviet Union on paper and in real life. The picaresque afforded authors the means to articulate and reflect on the Soviet collective identity, a class-based utopia that rejected imperial power and attempted to deemphasize national allegiances. Combining new readings of canonical works with in-depth analysis of neglected texts, Writing Rogues explores the proliferation of characters left on the sidelines of the communist transition, including gangsters, con men, and petty thieves, many of them portrayed as ethnic minorities. The book engages with scholarship on Soviet subjectivity as well as classical picaresque literature in order to explain how the subversive rogue – such as Ilf and Petrov’s wildly popular cynic and schemer Ostap Bender – in the process of becoming a fully fledged Soviet citizen, came to expose and embody the contradictions of Soviet life itself. Writing Rogues enriches our understanding of how literature was called upon to participate in the construction of Soviet identity. It demonstrates that the Soviet picaresque resonated with individual citizens’ fears and aspirations as it recorded the country’s transformation into the first communist state.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015073
Category : Literary Criticism
Languages : en
Pages : 255
Book Description
Plot elements such as adventure, travel to far-flung regions, the criminal underworld, and embezzlement schemes are not usually associated with Soviet literature, yet an entire body of work produced between the October Revolution and the Stalinist Great Terror was constructed around them. In Writing RoguesCassio de Oliveira sheds light on the picaresque and its marginal characters – rogues and storytellers – who populated the Soviet Union on paper and in real life. The picaresque afforded authors the means to articulate and reflect on the Soviet collective identity, a class-based utopia that rejected imperial power and attempted to deemphasize national allegiances. Combining new readings of canonical works with in-depth analysis of neglected texts, Writing Rogues explores the proliferation of characters left on the sidelines of the communist transition, including gangsters, con men, and petty thieves, many of them portrayed as ethnic minorities. The book engages with scholarship on Soviet subjectivity as well as classical picaresque literature in order to explain how the subversive rogue – such as Ilf and Petrov’s wildly popular cynic and schemer Ostap Bender – in the process of becoming a fully fledged Soviet citizen, came to expose and embody the contradictions of Soviet life itself. Writing Rogues enriches our understanding of how literature was called upon to participate in the construction of Soviet identity. It demonstrates that the Soviet picaresque resonated with individual citizens’ fears and aspirations as it recorded the country’s transformation into the first communist state.
Transgression and Subversion
Author: Maren Lickhardt
Publisher: transcript Verlag
ISBN: 3839444004
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Is the pícaro, the roguish hero of early modern Spanish adventure fiction, a 'real man'? What position does he hold in the gender hierarchy of his fictional social context? Why is the pícara so 'non-female'? What effect has her gender constitution on her fictional social context? In terms of a gendered subject, the picaresque figure has hardly been analyzed so far. Although scholars have recognized it as a transgressive and subversive model, the 'queer' effect of the figure is yet to be examined. With regard to the categories of class, generation, topography, and gender, the contributions assembled in this volume explore Spanish, French, English, and German novels narratologically from the perspective of culture and gender theories.
Publisher: transcript Verlag
ISBN: 3839444004
Category : Literary Criticism
Languages : en
Pages : 219
Book Description
Is the pícaro, the roguish hero of early modern Spanish adventure fiction, a 'real man'? What position does he hold in the gender hierarchy of his fictional social context? Why is the pícara so 'non-female'? What effect has her gender constitution on her fictional social context? In terms of a gendered subject, the picaresque figure has hardly been analyzed so far. Although scholars have recognized it as a transgressive and subversive model, the 'queer' effect of the figure is yet to be examined. With regard to the categories of class, generation, topography, and gender, the contributions assembled in this volume explore Spanish, French, English, and German novels narratologically from the perspective of culture and gender theories.
Fugitive Freedom
Author: William B. Taylor
Publisher: Univ of California Press
ISBN: 0520397665
Category : History
Languages : en
Pages : 223
Book Description
The curious tale of two priest impersonators in late colonial Mexico Cut loose from their ancestral communities by wars, natural disasters, and the great systemic changes of an expanding Europe, vagabond strangers and others out of place found their way through the turbulent history of early modern Spain and Spanish America. As shadowy characters inspiring deep suspicion, fascination, and sometimes charity, they prompted a stream of decrees and administrative measures that treated them as nameless threats to good order and public morals. The vagabonds and impostors of colonial Mexico are as elusive in the written record as they were on the ground, and the administrative record offers little more than commonplaces about them. Fugitive Freedom locates two of these suspect strangers, Joseph Aguayo and Juan Atondo, both priest impersonators and petty villains in central Mexico during the last years of Spanish rule. Displacement brought pícaros to the forefront of Spanish literature and popular culture—a protean assortment of low life characters, seen as treacherous but not usually violent, shadowed by poverty, on the move and on the make in selfish, sometimes clever ways as they navigated a hostile, sinful world. What to make of the lives and longings of Aguayo and Atondo, which resemble those of one or another literary pícaro? Did they imagine themselves in literary terms, as heroes of a certain kind of story? Could impostors like these have become fixtures in everyday life with neither a receptive audience nor permissive institutions? With Fugitive Freedom, William B. Taylor provides a rare opportunity to examine the social histories and inner lives of two individuals at the margins of an unfinished colonial order that was coming apart even as it was coming together.
Publisher: Univ of California Press
ISBN: 0520397665
Category : History
Languages : en
Pages : 223
Book Description
The curious tale of two priest impersonators in late colonial Mexico Cut loose from their ancestral communities by wars, natural disasters, and the great systemic changes of an expanding Europe, vagabond strangers and others out of place found their way through the turbulent history of early modern Spain and Spanish America. As shadowy characters inspiring deep suspicion, fascination, and sometimes charity, they prompted a stream of decrees and administrative measures that treated them as nameless threats to good order and public morals. The vagabonds and impostors of colonial Mexico are as elusive in the written record as they were on the ground, and the administrative record offers little more than commonplaces about them. Fugitive Freedom locates two of these suspect strangers, Joseph Aguayo and Juan Atondo, both priest impersonators and petty villains in central Mexico during the last years of Spanish rule. Displacement brought pícaros to the forefront of Spanish literature and popular culture—a protean assortment of low life characters, seen as treacherous but not usually violent, shadowed by poverty, on the move and on the make in selfish, sometimes clever ways as they navigated a hostile, sinful world. What to make of the lives and longings of Aguayo and Atondo, which resemble those of one or another literary pícaro? Did they imagine themselves in literary terms, as heroes of a certain kind of story? Could impostors like these have become fixtures in everyday life with neither a receptive audience nor permissive institutions? With Fugitive Freedom, William B. Taylor provides a rare opportunity to examine the social histories and inner lives of two individuals at the margins of an unfinished colonial order that was coming apart even as it was coming together.