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Author: Rubén Gallo
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
In Mexican Modernity, Ruben Gallo tells the story of a second Mexican Revolution, a battle fought on the front of cultural representation. The new revolutionaries were not rebels or outlaws but artists and writers; their weapons were cameras, typewriters, radios, and other technological artifacts, and their goal was not to topple a dictator but to dethrone nineteenth-century aesthetics. Gallo tells the story of this other revolution by focusing on five artifacts that left a deep mark on the literature and the arts of the 1920s and 1930s: the camera and its novel techniques for seeing the modern world; the typewriter and its mechanization of literary aesthetics; radio and poetic experiments with wireless communication; cement architecture and its celebration of functional internationalism; and the stadium and its deployment as a mass medium for political spectacle. Gallo traces the ways artists and writers, armed with these artifacts, revolutionized representation by breaking with the traditional modes of production that had dominated Mexican cultural practices: Tina Modotti rose against the conventions of "artistic" photography by promoting a radically modern photographic aesthetics; typewriting authors rejected the literary precepts of modernismo to celebrate the stridencies of mechanical writing; and young architects abandoned older building materials for the symbolic strength of reinforced concrete. Gallo uncovers a secret history of Mexican modernity that includes a number of fascinating episodes: the pictorialist backlash against Modotti and Edward Weston; the postcolonial Remingtont typewriter; Mexican radio in the North Po the campaign to aestheticize cement through journals and artistic competitions; and the protofascist political spectacles held at Mexico City's National Stadium in the 1920s.
Author: Rubén Gallo
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 296
Get Book Here
Book Description
In Mexican Modernity, Ruben Gallo tells the story of a second Mexican Revolution, a battle fought on the front of cultural representation. The new revolutionaries were not rebels or outlaws but artists and writers; their weapons were cameras, typewriters, radios, and other technological artifacts, and their goal was not to topple a dictator but to dethrone nineteenth-century aesthetics. Gallo tells the story of this other revolution by focusing on five artifacts that left a deep mark on the literature and the arts of the 1920s and 1930s: the camera and its novel techniques for seeing the modern world; the typewriter and its mechanization of literary aesthetics; radio and poetic experiments with wireless communication; cement architecture and its celebration of functional internationalism; and the stadium and its deployment as a mass medium for political spectacle. Gallo traces the ways artists and writers, armed with these artifacts, revolutionized representation by breaking with the traditional modes of production that had dominated Mexican cultural practices: Tina Modotti rose against the conventions of "artistic" photography by promoting a radically modern photographic aesthetics; typewriting authors rejected the literary precepts of modernismo to celebrate the stridencies of mechanical writing; and young architects abandoned older building materials for the symbolic strength of reinforced concrete. Gallo uncovers a secret history of Mexican modernity that includes a number of fascinating episodes: the pictorialist backlash against Modotti and Edward Weston; the postcolonial Remingtont typewriter; Mexican radio in the North Po the campaign to aestheticize cement through journals and artistic competitions; and the protofascist political spectacles held at Mexico City's National Stadium in the 1920s.
Author: Jeffrey M. Pilcher
Publisher: Rowman & Littlefield
ISBN: 9780842027717
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
Why was Cantinflas, actor Mario Moreno's film persona, the most popular movie star in Mexican history? Was it because every Mexican - rich or poor, Creole or Indian, man or woman, young or old - could identify with him?
Author: Edward R. Burian
Publisher: University of Texas Press
ISBN: 0292791666
Category : Architecture
Languages : en
Pages : 236
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Book Description
Since the mid 1970s, there has been an extraordinary renewal of interest in early modern architecture, both as a way of gaining insight into contemporary architectural culture and as a reaction to neoconservative postmodernism. This book undertakes a critical reappraisal of the notion of modernity in Mexican architecture and its influence on a generation of Mexican architects whose works spanned the 1920s through the 1960s. Nine essays by noted architects and architectural historians cover a range of topics from broad-based critical commentaries to discussions of individual architects and buildings. Among the latter are the architects Enrique del Moral, Juan O'Gorman, Carlos Obregón Santacilia, Juan Segura, Mario Pani, and the campus and stadium of the Ciudad Universitaria in Mexico City. Relatively little has been published in English regarding this era in Mexican architecture. Thus, Modernity and the Architecture of Mexico will play a groundbreaking role in making the underlying assumptions, ideological and political constructs, and specific architect's agendas known to a wide audience in the humanities. Likewise, it should inspire greater appreciation for this undervalued body of works as an important contribution to the modern movement.
Author: H. Domínguez-Ruvalcaba
Publisher: Springer
ISBN: 0230608892
Category : Social Science
Languages : en
Pages : 178
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Book Description
This book looks at representations of the male body, sexuality and power in the arts in Mexico. It analyses literature, visual art and cinema produced from the 1870s to the present, focusing on the Porfirian regime, the Post-revolutionary era, the decadence of the revolutionary state and the emergence of the neo-liberal order in the 1980s.
Author: Julia R. Brown
Publisher: Taylor & Francis
ISBN: 1003852149
Category : Art
Languages : en
Pages : 194
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Book Description
The photographers discussed in this book probe the most contentious aspects of social organization in Mexico, questioning what it means to belong, to be Mexican, to experience modernity, and to create art as a culturally, politically, or racially marginalized person. By choosing human subjects, spaces, and aesthetics excluded from the Lettered City, each of the photographers discussed in this volume produces a corpus of art that contests dominant narratives of social and cultural modernization in Mexico. Taken together, their work represents diverging and diverse notions of what is meant by Mexican modernity. The book will be of interest to scholars working in art history, history of photography, women’s studies, and Mexican studies.
Author: Stephen R. Niblo
Publisher: Rowman & Littlefield
ISBN: 9780842027953
Category : History
Languages : en
Pages : 440
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Book Description
This title examines Mexican politics in the wake of Cardenismo, and the dawn of Miguel Aleman's presidency. This new book focuses on the decade of the 1940s, and analyzes Alcmanismo into the early years of the 1950s. Based upon a decade of intensive investigation, it is the first broad and substantial study of the political life of the Mexican nation during this period, thus opening a new era to historical investigation. Analytical yet lively, mixing political and cultural history, Mexico in the 1940s captures the humor, passion, and significance of Mexico during the World War II and post-war years when Mexicans entered the era called "the miracle" because of the nation's economic growth and political stability. Niblo develops the case that the Mexico of today -- politically and executively centralized, stressing business and industry, corrupt, ignoring the needs of the majority of the population -- has its roots in the decade and a half after 1940. Finally, Mexico in the 1940s offers a unique interpretation of Mexican domestic politics in this period, including an explanation of how political leaders were able to reverse the course of the Mexican Revolution in the 1940s; an original interpretation of corruption in Mexican political life, a phenomenon that did not end in the 1940s; and an analysis of the relationship between the U.S. media interests, the Mexican state and the Mexican media companies that still dominate mass communication today.
Author: José F. Aranda
Publisher: U of Nebraska Press
ISBN: 1496229894
Category : Literary Criticism
Languages : en
Pages : 350
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Book Description
In The Places of Modernity in Early Mexican American Literature, 1848-1948, José F. Aranda Jr. describes the first one hundred years of Mexican American literature. He argues for the importance of interrogating the concept of modernity in light of what has emerged as a canon of earlier pre-1968 Mexican American literature. In order to understand modernity for diverse communities of Mexican Americans, he contends, one must see it as an apprehension, both symbolic and material, of one settler colonial world order giving way to another more powerful colonialist but imperial vision of North America. Letters, folklore, print culture, and literary production demonstrate how a new Anglo-American political imaginary revised and realigned centuries-old discourses on race, gender, class, religion, citizenship, power, and sovereignty. The "modern," Aranda argues, makes itself visible in cultural productions being foisted on a "conquered people," who were themselves beneficiaries of a notion of the modern that began in 1492. For Mexican Americans, modernity is less about any particular angst over global imperial designs or cultures of capitalism and more about becoming the subordinates of a nation-building project that ushers the United States into the twentieth century.
Author: Stephen D. Allen
Publisher: University of New Mexico Press
ISBN: 082635856X
Category : History
Languages : en
Pages : 297
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Book Description
The violent sport of boxing shaped and was shaped by notions of Mexican national identity during the twentieth century. This book reveals how boxing and boxers became sources of national pride and sparked debates on what it meant to be Mexican, masculine, and modern. The success of world-champion Mexican boxers played a key role in the rise of Los Angeles as the center of pugilistic activity in the United States. This international success made the fighters potent symbols of a Mexican culture that was cosmopolitan, nationalist, and masculine. With research in archives on both sides of the border, the author uses their life stories to trace the history and meaning of Mexican boxing.
Author: Pamela Voekel
Publisher: Duke University Press
ISBN: 0822384299
Category : History
Languages : en
Pages : 345
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Book Description
Focusing on cemetery burials in late-eighteenth-century Mexico, Alone Before God provides a window onto the contested origins of modernity in Mexico. By investigating the religious and political debates surrounding the initiative to transfer the burials of prominent citizens from urban to suburban cemeteries, Pamela Voekel challenges the characterization of Catholicism in Mexico as an intractable and monolithic institution that had to be forcibly dragged into the modern world. Drawing on the archival research of wills, public documents, and other texts from late-colonial and early-republican Mexico, Voekel describes the marked scaling-down of the pomp and display that had characterized baroque Catholic burials and the various devices through which citizens sought to safeguard their souls in the afterlife. In lieu of these baroque practices, the new enlightened Catholics, claims Voekel, expressed a spiritually and hygienically motivated preference for extremely simple burial ceremonies, for burial outside the confines of the church building, and for leaving their earthly goods to charity. Claiming that these changes mirrored a larger shift from an external, corporate Catholicism to a more interior piety, she demonstrates how this new form of Catholicism helped to initiate a cultural and epistemic shift that placed the individual at the center of knowledge. Breaking with the traditional historiography to argue that Mexican liberalism had deeply religious roots, Alone Before God will be of interest to specialists in Latin American history, modernity, and religion.
Author: Esther Gabara
Publisher: Duke University Press Books
ISBN:
Category : Art
Languages : en
Pages : 388
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Book Description
DIVExamines photographs, mixed media essays, and experimental literature from two of the most influential modernist avant-garde movements in Latin America, proposing a theory of modernism that addresses the intersection of ethics and aesthetics./div
