Mexican American Theatre: Then and Now PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Mexican American Theatre: Then and Now PDF full book. Access full book title Mexican American Theatre: Then and Now by Nicol‡s Kanellos. Download full books in PDF and EPUB format.
Author: Nicol‡s Kanellos
Publisher: Arte Publico Press
ISBN: 9781611922226
Category : History
Languages : en
Pages : 124
Get Book Here
Book Description
A collection of interviews, essays and vaudeville skits from the 1930s to the 1950s all pertaining to Mexican American theater. Historical studies by Jorge Huerta, Nicol‡s Kanellos, Tom‡s Ybarra-Fausto and others; exclusive interview of Luis Valdez; and a vaudeville material from Lalo Astol, the Carpa Garc’a and others never before published.
Author: Nicol‡s Kanellos
Publisher: Arte Publico Press
ISBN: 9781611922226
Category : History
Languages : en
Pages : 124
Get Book Here
Book Description
A collection of interviews, essays and vaudeville skits from the 1930s to the 1950s all pertaining to Mexican American theater. Historical studies by Jorge Huerta, Nicol‡s Kanellos, Tom‡s Ybarra-Fausto and others; exclusive interview of Luis Valdez; and a vaudeville material from Lalo Astol, the Carpa Garc’a and others never before published.
Author: Nicolás Kanellos
Publisher: Arte Publico Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 128
Get Book Here
Book Description
A collection of histrorical studies of Mexican-American theater by Jorge Huerta, Nicolas Kanellos, Tomas Ybarra-Frausto and others. Pieces include interviews, essays and vaudeville skits from the 1930s to the 1950s and an exclusive interview of Luis Valdez.
Author: Nicolás Kanellos
Publisher: Pittsburgh, Pa. : Latin American Literary Review Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 136
Get Book Here
Book Description
Author: Elizabeth C. Ramírez
Publisher: Indiana University Press
ISBN: 9780253213716
Category : American drama
Languages : en
Pages : 216
Get Book Here
Book Description
Elizabeth C. Ramírez's study reveals the traditions of Chicanas/Latinas in theatre and performance, showing how Latina/Latino theatre has evolved from its pre-Columbian, Spanish, and Mexican origins to its present prominence within American theatre history. This project on women in performance serves the need for scholarship on the contributions of underrepresented groups in American theatre and education, in cultural studies and the humanities, and in American and world history.
Author: Jorge A. Huerta
Publisher: Cambridge University Press
ISBN: 9780521778176
Category : Drama
Languages : en
Pages : 226
Get Book Here
Book Description
An accessible introduction for students and theatregoers of Chicano theatre, first published in 2000.
Author: Nicolás Kanellos
Publisher: Houston, Tex. : Arte Público Press
ISBN:
Category : Performing Arts
Languages : en
Pages : 92
Get Book Here
Book Description
Author: Evelina Ferdandez
Publisher: Bloomsbury Publishing
ISBN: 1350230235
Category : Drama
Languages : en
Pages : 273
Get Book Here
Book Description
Honorable Mention from the 2022 International Latino Book Awards for Best Nonfiction - Multi-Author A curated collection of new Latinx and Latin American plays, monologues, interviews, and critical essays that asks the question: what is the common ground between Latinx and Latin American artists? Featuring a mix of plays and scholarly essays, this work originally emerged from the Latino Theater Company's Encuentro de las Américas festival, produced in partnership with the Latinx Theatre Commons (LTC) at the Los Angeles Theatre Center in 2017. The collection chronicles not only the theatrical productions of the festival, but also features a transnational exploration of U.S. Latinx and Latin American theatre-making. Alongside plays by Evelina Fernández, Alex Alpharaoh, J.Ed Araiza and Carlos Celdrán this anthology also includes a mix of monologues, snapshots, profiles and interviews that together provide a dynamic account of these intersections within U.S. Latinx and Latin American Theater. A unique collection it serves not only as a testament to the diversity of Latinx artists, but also to the strength of the Latinx Theater movement and its ever-growing networks across the Hemispheric Americas. Full playtexts include: Dementia by Evelina Fernández WET: A DACAmented Journey by Alex Alpharoah Miss Julia adapted by J.Ed Araiza 10 Million by Carlos Celdrán
Author: Elizabeth C. Ramírez
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN:
Category : Drama
Languages : en
Pages : 216
Get Book Here
Book Description
This book provides a detailed account of the varying theatrical activities on the Mexican-American stage in Texas and the culture of the Mexican-Americans involved. Ramírez reveals previously unknown data about the nature of Spanish-language theatre companies, their repertoire, their audiences, and the importance of what was essentially a «movement» of Mexican and Mexican-American troupes that toured from Mexico to Texas during the latter part of the nineteenth century through their demise in 1935. Ramírez focuses on the troupes' travels and residences in Texas through an analysis of significant representative companies.
Author: Paola Hernández
Publisher: Northwestern University Press
ISBN: 0810143380
Category : Performing Arts
Languages : en
Pages : 258
Get Book Here
Book Description
Staging Lives in Latin American Theater: Bodies, Objects, Archives examines twenty‐first‐century documentary theater in Latin America, focusing on important plays by the Argentine director Vivi Tellas, the Argentine playwright and director Lola Arias, the Mexican theater collective Teatro Línea de Sombra, and the Chilean playwright and director Guillermo Calderón. Paola S. Hernández demonstrates how material objects and archives—photographs, videos, and documents such as witness reports, legal briefs, and letters—come to life onstage. Hernández argues that present-day, live performances catalog these material archives, expanding and reinterpreting the objects’ meanings. These performances produce an affective relationship between actor and audience, visualizing truths long obscured by repressive political regimes and transforming theatrical spaces into sites of witness. This process also highlights the liminality between fact and fiction, questioning the veracity of the archive. Richly detailed, nuanced, and theoretically wide-ranging, Staging Lives in Latin American Theater reveals a range of interpretations about how documentary theater can conceptualize the idea of self while also proclaiming a new mode of testimony through theatrical practices.
Author: Nicolás Kanellos
Publisher: University of Texas Press
ISBN: 0292761562
Category : Performing Arts
Languages : en
Pages : 289
Get Book Here
Book Description
Hispanic theatre flourished in the United States from the mid-nineteenth century until the beginning of the Second World War—a fact that few theatre historians know. A History of Hispanic Theatre in the United States: Origins to 1940 is the very first study of this rich tradition, filled with details about plays, authors, artists, companies, houses, directors, and theatrical circuits. Sixteen years of research in public and private archives in the United States, Mexico, Spain, and Puerto Rico inform this study. In addition, Kanellos located former performers and playwrights, forgotten scripts, and old photographs to bring the life and vitality of live theatre to his text. He organizes the book around the cities where Hispanic theatre was particularly active, including Los Angeles, San Antonio, New York, and Tampa, as well as cities on the touring circuit, such as Laredo, El Paso, Tucson, and San Francisco. Kanellos charts the major achievements of Hispanic theatre in each city—playwriting in Los Angeles, vaudeville and tent theatre in San Antonio, Cuban/Spanish theatre in Tampa, and pan-Hispanism in New York—as well as the individual careers of several actors, writers, and directors. And he uncovers many gaps in the record—reminders that despite its popularity, Hispanic theatre was often undervalued and unrecorded.
