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Author: Snowflake
Publisher: Xulon Press
ISBN: 1609575180
Category :
Languages : en
Pages : 248
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Book Description
Poetry 101 Whether in cities celestial To the reader of this book,Or in towns terrestrial, (Whether it be on shelf or in nook)HIS ideas are superb Of this book I must say,For home and suburb. "There are 101 poems in this way." That Man's title? Yes, it takes a thinking manThat Man's name? To understand the poet's plan:My Lord and My Savior: Words with a magnitudeOne in the same. To inspire awe and gratitude. He was sent to Galilee That poet's name?But I born in Kentucky. That poet's title?This book is in your sight: Some call me Snowflake;Discover its soul and might. Some call me Kendall. This book contains the following features: But I am not the Master Poet1.) Aesthetically pleasing 1.5 spacing Nor the Master Architect;between lines of poetry, HIS ideas (don't you know it?)2.) Chapter divisions between its 5 groups I merely reflect.of poetry, 3.) Preface to those chapters of poetry, In short, this book4.) Table-of-contents of styles of Is a mix of poetry,poetry used in this book, Written to edify and make merry5.) Index of poem titles, People like you and me,6.) Introductory information for each poem of this book [excluding Written to expound"Poetry 101", which is on this The merits of intimacy, page], and a And to glorify and praise7.) Glossary of the terms and obscure The God which be.poetic language used in this book.
Author: Snowflake
Publisher: Xulon Press
ISBN: 1609575180
Category :
Languages : en
Pages : 248
Get Book Here
Book Description
Poetry 101 Whether in cities celestial To the reader of this book,Or in towns terrestrial, (Whether it be on shelf or in nook)HIS ideas are superb Of this book I must say,For home and suburb. "There are 101 poems in this way." That Man's title? Yes, it takes a thinking manThat Man's name? To understand the poet's plan:My Lord and My Savior: Words with a magnitudeOne in the same. To inspire awe and gratitude. He was sent to Galilee That poet's name?But I born in Kentucky. That poet's title?This book is in your sight: Some call me Snowflake;Discover its soul and might. Some call me Kendall. This book contains the following features: But I am not the Master Poet1.) Aesthetically pleasing 1.5 spacing Nor the Master Architect;between lines of poetry, HIS ideas (don't you know it?)2.) Chapter divisions between its 5 groups I merely reflect.of poetry, 3.) Preface to those chapters of poetry, In short, this book4.) Table-of-contents of styles of Is a mix of poetry,poetry used in this book, Written to edify and make merry5.) Index of poem titles, People like you and me,6.) Introductory information for each poem of this book [excluding Written to expound"Poetry 101", which is on this The merits of intimacy, page], and a And to glorify and praise7.) Glossary of the terms and obscure The God which be.poetic language used in this book.
Author: Pat Simpson
Publisher: Lulu.com
ISBN: 1470963361
Category :
Languages : en
Pages : 190
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Book Description
Author: Clark Hulse
Publisher: Princeton University Press
ISBN: 0691656215
Category : Poetry
Languages : en
Pages : 312
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Book Description
To Shakespeare, Spenser, Marlowe, and other Elizabethans, the minor epic was an important medium for poetic experimentation, but today, too often separated from the culture that bore it, it is not well understood. This author examines the form of the minor epic and its place in Elizabethan literary culture. Particularly, he explores the concept of metamorphosis as it shapes the minor epic at every level; in its subject matter, narrative technique, imagery, reworking of traditional materials, mixing of literary genres, and power to transform the poet. Combining close reading with literary theory, Professor Hulse approaches the minor epic as a mixed genre, exploring the idea of genre itself as well as the particular genres that contributed to the minor epics, including the sonnet, satire, Ovidian epic, pastoral, and primeval poetry. He also discusses wider issues, such as poetic inspiration, fictionality, and the nature of literary history; and takes up painting and historiography to show how they use the same narrative materials in different ways and to different ends. In the process he redefines Elizabethan literature as a fluid system, characterized by multiplicity of form and style and the poet's search for growth. Clark Hulse is Associate Professor of English at the University of Illinois at Chicago Circle. Originally published in 1982. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: William Shakespeare
Publisher:
ISBN: 9780198184317
Category : Drama
Languages : en
Pages : 768
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Book Description
'This Complete Sonnets and Poems is a distinguished addition to a distinguished series. It will repay continuing study, and act as a valuable point of reference for readers concerned more generally with Shakespeare's art and language. Colin Burrow's good sense, tact and balance as aneditor are deeply impressive.' -H. R. Woudhuysen, Times Literary SupplementThis is the only fully annotated and modernized edition to bring together Shakespeare's Sonnets as well as all his poems (including those attributed to him after his death). A full introduction discusses his development as a poet, and how the poems relate to his plays; detailed notes explain the language and allusions in clear modern English. While accessibly written, the edition takes account of the most recent scholarship and criticism.
Author: Mark Hawkins-Dady
Publisher: Routledge
ISBN: 1135314179
Category : Reference
Languages : en
Pages : 1024
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Book Description
Reader's Guide Literature in English provides expert guidance to, and critical analysis of, the vast number of books available within the subject of English literature, from Anglo-Saxon times to the current American, British and Commonwealth scene. It is designed to help students, teachers and librarians choose the most appropriate books for research and study.
Author: Katharine Cleland
Publisher: Cornell University Press
ISBN: 1501753487
Category : Literary Criticism
Languages : en
Pages : 133
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Book Description
Katharine Cleland's Irregular Unions provides the first sustained literary history of clandestine marriage in early modern England and reveals its controversial nature in the wake of the Elizabethan Religious Settlement, which standardized the marriage ritual for the first time. Cleland examines many examples of clandestine marriage across genres. Discussing such classic works as The Faerie Queene, Othello, and The Merchant of Venice, she argues that early modern authors used clandestine marriage to explore the intersection between the self and the marriage ritual in post-Reformation England. The ways in which authors grappled with the political and social complexities of clandestine marriage, Cleland finds, suggest that these narratives were far more than interesting plot devices or scandalous stories ripped from the headlines. Instead, after the Reformation, fictions of clandestine marriage allowed early modern authors to explore topics of identity formation in new and different ways. Thanks to generous funding from Virginia Tech and its participation in TOME (Toward an Open Monograph Ecosystem), the ebook editions of this book are available as Open Access volumes from Cornell Open (cornellpress.cornell.edu/cornell-open) and other repositories.
Author: Catherine Bates
Publisher: Oxford University Press
ISBN: 0198830696
Category : English poetry
Languages : en
Pages : 681
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Book Description
The Oxford History of Poetry in English is designed to offer a fresh, multi-voiced, and comprehensive analysis of 'poetry': from Anglo-Saxon culture through contemporary British, Irish, American, and Global culture, including English, Scottish, and Welsh poetry, Anglo-American colonial and post-colonial poetry, and poetry in Canada, Australia, New Zealand, the Caribbean, India, Africa, Asia, and other international locales. The series both synthesises existing scholarship and presents cutting-edge research, employing a global team of expert contributors for each of the volumes. Sixteenth-Century British Poetry features a history of the birth moment of modern 'English' poetry in greater detail than previous studies. It examines the literary transitions, institutional contexts, artistic practices, and literary genres within which poets compose their works. Each chapter combines an orientation to its topic and a contribution to the field. Specifically, the volume introduces a narrative about the advent of modern English poetry from Skelton to Spenser, attending to the events that underwrite the poets' achievements: Humanism; Reformation; monarchism and republicanism; colonization; print and manuscript; theatre; science; and companionate marriage. Featured are metre and form, figuration and allusiveness, and literary career, as well as a wide range of poets, from Wyatt, Surrey, and Isabella Whitney to Ralegh, Drayton, and Mary Herbert. Major works discussed include Sidney's Astrophil and Stella, Spenser's Faerie Queene, Marlowe's Hero and Leander, and Shakespeare's Sonnets.
Author: Jim Pearce
Publisher: Camden House
ISBN: 164014059X
Category : Literary Criticism
Languages : en
Pages : 174
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Book Description
Sixty-fifth annual volume, focusing notably on Shakespearean drama and the poetry of early modern England but with essays on a variety of other topics relevant to the period.
Author: Joe Moshenska
Publisher: OUP Oxford
ISBN: 0191022039
Category : Literary Criticism
Languages : en
Pages : 402
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Book Description
The sense of touch had a deeply uncertain status in the sixteenth and seventeenth centuries. It had long been seen as the most certain and reliable of the senses, and also as biologically necessary: each of the other senses could be relinquished, but to lose touch was to lose life itself. Alternatively, touch was seen as dangerously bodily, and too fully involved in sensual and sexual pleasures, to be of true worth. Feeling Pleasures argues that this tension came to the fore during the English Renaissance, and allowed some of the central debates of this period—surrounding the nature of human experience, of the material world, and of the relationship between the human and the divine—to proceed through discussions of touch. It also argues that the unstable status of touch was of particular import to the poetry of this period. By bringing touch to the fore in a period usually associated with the dominance of vision and optics, Joe Moshenska offers reconsiderations of major English poets, especially Edmund Spenser and John Milton, while exploring a range of spheres in which touch assumed new significance. These include theological debates surrounding relics and the Eucharist in the work of Erasmus, Thomas Cranmer and Lancelot Andrewes; the philosophical history of tickling; the touching of paintings and sculptures in a European context; faith healing and experimental science; and the early reception of Chinese medicine in England.
Author: Patrick Cheney
Publisher: Oxford University Press
ISBN: 0191077798
Category : Literary Criticism
Languages : en
Pages : 752
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Book Description
The Oxford History of Classical Reception (OHCREL) is designed to offer a comprehensive investigation of the numerous and diverse ways in which literary texts of the classical world have stimulated responses and refashioning by English writers. Covering the full range of English literature from the early Middle Ages to the present day, OHCREL both synthesizes existing scholarship and presents cutting-edge new research, employing an international team of expert contributors for each of the five volumes. OHCREL endeavours to interrogate, rather than inertly reiterate, conventional assumptions about literary 'periods', the processes of canon-formation, and the relations between literary and non-literary discourse. It conceives of 'reception' as a complex process of dialogic exchange and, rather than offering large cultural generalizations, it engages in close critical analysis of literary texts. It explores in detail the ways in which English writers' engagement with classical literature casts as much light on the classical originals as it does on the English writers' own cultural context. This second volume covers the years 1558-1660, and explores the reception of the ancient genres and authors in English Renaissance literature, engaging with the major, and many of the minor, writers of the period, including Shakespeare, Marlowe, Spenser, and Jonson. Separate chapters examine the Renaissance institutions and contexts which shape the reception of antiquity, and an annotated bibliography provides substantial material for further reading.
