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Author: Anne Fletcher
Publisher: Bloomsbury Publishing
ISBN: 1350153591
Category : Literary Criticism
Languages : en
Pages : 396
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Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Clifford Odets: Waiting for Lefty (1935), Awake and Sing! (1935) and Golden Boy (1937); * Lillian Hellman: The Children's Hour (1934), The Little Foxes (1939), and Days to Come (1936); * Langston Hughes: Mulatto (1935), Mule Bone (1930, with Zora Neale Hurston) and Little Ham (1936); * Gertrude Stein: Doctor Faustus Lights the Lights (1938), Four Saints in Three Acts (written in 1927, published in 1932) and Listen to Me (1936).
Author: Anne Fletcher
Publisher: Bloomsbury Publishing
ISBN: 1350153591
Category : Literary Criticism
Languages : en
Pages : 396
Get Book Here
Book Description
The Decades of Modern American Drama series provides a comprehensive survey and study of the theatre produced in each decade from the 1930s to 2009 in eight volumes. Each volume equips readers with a detailed understanding of the context from which work emerged: an introduction considers life in the decade with a focus on domestic life and conditions, social changes, culture, media, technology, industry and political events; while a chapter on the theatre of the decade offers a wide-ranging and thorough survey of theatres, companies, dramatists, new movements and developments in response to the economic and political conditions of the day. The work of the four most prominent playwrights from the decade receives in-depth analysis and re-evaluation by a team of experts, together with commentary on their subsequent work and legacy. A final section brings together original documents such as interviews with the playwrights and with directors, drafts of play scenes, and other previously unpublished material. The major playwrights and their works to receive in-depth coverage in this volume include: * Clifford Odets: Waiting for Lefty (1935), Awake and Sing! (1935) and Golden Boy (1937); * Lillian Hellman: The Children's Hour (1934), The Little Foxes (1939), and Days to Come (1936); * Langston Hughes: Mulatto (1935), Mule Bone (1930, with Zora Neale Hurston) and Little Ham (1936); * Gertrude Stein: Doctor Faustus Lights the Lights (1938), Four Saints in Three Acts (written in 1927, published in 1932) and Listen to Me (1936).
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Category : Jews
Languages : en
Pages : 680
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Book Description
Author: Stephen Watt
Publisher: Oxford University Press
ISBN: 0190272996
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
Elaborate analogies between Irish and Jewish history, between Irish and Jewish subjectivities, occur with surprising frequency throughout American literature. They recall James Joyce's Leopold Bloom and episodes of Ulysses, Douglas Hyde's analogies during the Celtic Revival between learning Hebrew and learning Irish, and a myriad of claims of an unusual relationship between these peoples that goes beyond comparisons of their respective diasporic histories. But how does one describe this uncanny relationship, one often marked by hostility, affinity, and ambivalence, without essentializing people whose origins, class affiliation, educations, life experiences, and so on are enormously different? "Something Dreadful and Grand": American Literature and the Irish-Jewish Unconscious describes a complex allosemitism and allohibernianism through a variety of cultural texts with which immigrant Irish and Jewish Americans were most engaged: popular music of the Tin Pan Alley era, tenement literature from Anzia Yezierska and James T. Farrell through the posthumous publication of Henry Roth's An American Type, and proletarian and socialist-inflected drama by Elmer Rice, Clifford Odets, Eugene O'Neill, and Arthur Miller as they engaged the Irish drama of such writers as Bernard Shaw and Sean O'Casey. In an effort to trace both the genealogy and more recent trajectory of immigrant drama and fiction, chapters explore both the post-Famine melodramatic stage of the nineteenth century and a host of more contemporary texts from newer generations of immigrants. Throughout, the book argues for a "circum-North Atlantic" culture in which texts from Ireland, Britain, Irish America, and Jewish America contribute substantially to both a modern American literature and to understandings of the terms "Irish" and "Jewish." How can we really know what these terms mean as they delimit or erase totally the differences inherent to them? Borrowing a term from psychoanalytic and political theory, "Something Dreadful and Grand" explores the larger dimensions of this Irish-Jewish unconscious underlying cultural production in America, arguing for the centrality of these two diasporic groups to the development of American popular music, fiction, and especially drama.
Author: Jackson R. Bryer
Publisher: Infobase Publishing
ISBN: 1438129661
Category : Biography & Autobiography
Languages : en
Pages : 657
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Book Description
Features a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to the groundbreaking works of today's best writers.
Author: Anne Fletcher
Publisher: SIU Press
ISBN: 9780809328802
Category : Biography & Autobiography
Languages : en
Pages : 308
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Book Description
Rediscovering Mordecai Gorelik explores the life and work of the pioneering scene designer whose career spanned decades in American theatre. Anne Fletcher’s insightful volume draws intriguing parallels and contrasts between Gorelik’s productions and the theatrical movements of the twentieth century, exposing the indelible mark he left on the stage. Through in-depth analysis of his letters, diaries, designs, and theoretical works, Fletcher examines the ways in which Gorelik’s productions can be used as a mirror to reflect the shifting dramatic landscapes of his times. Fletcher places Gorelik against the colorful historical backdrops that surrounded him—including the avant-garde movement of the 1920s, World War II, the Cold War, and absurdism—using the designer’s career as a window into the theatre during these eras. Within these cultural contexts, Gorelik sought to blaze his own unconventional path through the realms of theatre and theory. Fletcher traces Gorelik’s tenures with such companies as the Provincetown Players, the Theatre Guild, and the Theatre Union, as well as his relationships with icons such as Bertolt Brecht, revealing how his interactions with others influenced his progressive designs and thus set the stage for major dramatic innovations. In particular, Fletcher explores Gorelik’s use of scenic metaphor: the employment of stage design techniques to subtly enhance the tone or mood of a production. Fletcher also details the designer’s written contributions to criticism and theory, including the influential volume New Theatres for Old, as well as other articles and publications. In addition to thorough examinations of several of Gorelik’s most famous projects, Rediscovering Mordecai Gorelik contains explications of productions by such legends as John Howard Lawson, Clifford Odets, and Arthur Miller. Also included are numerous full-color and black-and-white illustrations of Gorelik’s work, most of which have never been available to the public until now. More than simply a portrait of one man, this indispensable volume is a cultural history of American theatre as seen through the career of a visionary designer and theoretician.
Author: Jed Rasula
Publisher: Oxford University Press
ISBN: 0192570722
Category : Music
Languages : en
Pages : 479
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Book Description
This is a book about artistic modernism contending with the historical transfigurations of modernity. As a conscientious engagement with modernity's restructuring of the lifeworld, the modernist avant-garde raised the stakes of this engagement to programmatic explicitness. But even beyond the vanguard, the global phenomenon of jazz combined somatic assault with sensory tutelage. Jazz, like the new technologies of modernity, re-calibrated sensory ratios. The criterion of the new as self-making also extended to names: pseudonyms and heteronyms. The protocols of modernism solicited a pragmatic arousal of bodily sensation as artistic resource, validating an acrobatic sensibility ranging from slapstick and laughter to the pathos of bereavement. Expressivity trumped representation. The artwork was a diagram of perception, not a mimetic rendering. For artists, the historical pressures of altered perception provoked new models, and Ezra Pound's slogan 'Make It New' became the generic rallying cry of renovation. The paradigmatic stance of the avant-garde was established by Futurism, but the discovery of prehistoric art added another provocation to artists. Paleolithic caves validated the spirit of all-over composition, unframed and dynamic. Geometric abstraction, Constructivism and Purism, and Surrealism were all in quest of a new mythology. Making it new yielded a new pathos in the sensation of radical discrepancy between futurist striving and remotest antiquity. The Paleolithic cave and the USSR emitted comparable siren calls on behalf of the remote past and the desired future. As such, the present was suffused with the pathos of being neither, but subject to both.
Author: Andrew Gant
Publisher:
ISBN: 9781851245062
Category : Composers
Languages : en
Pages : 0
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Book Description
The first performance of Handel's 'Messiah' in Dublin in 1742 is now legendary. Gentlemen were asked to leave their swords at home and ladies to come without hoops in their skirts in order to fit more people into the audience. Why then, did this now famous and much-loved oratorio receive a somewhat cool reception in London less than a year later? Placing Handel's best-known work in the context of its times, this vivid account charts the composer's working relationship with his librettist, the gifted but demanding Charles Jennens, and looks at Handel's varied and evolving company of singers together with his royal patronage. Through examination of the composition manuscript and Handel's own conducting score, held in the Bodleian, it explores the complex issues around the performance of sacred texts in a non-sacred context, particularly Handel's collaboration with the men and boys of the Chapel Royal. The later reception and performance history of what is one of the most successful pieces of choral music of all time is also reviewed, including the festival performance attended by Haydn, the massed-choir tradition of the Victorian period and today's 'come-and-sing' events.
Author: Jackson R. Bryer
Publisher: Infobase Learning
ISBN: 1438140762
Category : American drama
Languages : en
Pages : 2466
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Book Description
Provides a comprehensive guide to American dramatic literature, from its origins in the early days of the nation to American classics such as Arthur Miller's Death of a Salesman and Thornton Wilder's Our Town to the groundbreaking works of today's best writers.
Author: Carlos Magdalena
Publisher: Penguin UK
ISBN: 0241979307
Category : Science
Languages : en
Pages : 298
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Book Description
Passionate, forthright and enthusiastic, Carlos Magdalena is a world-renowned horticulturist - known both for his charisma and his conservation work. The Plant Messiah follows Carlos' dreams and disappointments; from his days as a school boy in the death throes of General Franco's Fascist dictatorship, to his advent as The Plant Messiah at the forefront of conservation, backed by the reputation and resources of The Royal Botanic Gardens, Kew and enthused by the potential that lies beyond. The book discloses for the first time the details behind his 'codebreaking' exploits and the secret stories behind his work; his genius, lateral thinking and steadfast belief that everything is possible.
Author: Theatre History Studies
Publisher: University of Alabama Press
ISBN: 0817355022
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
Theatre History Studies is a peer-reviewed journal of theatre history and scholarship published annually since 1981 by the Mid-American Theatre Conference (MATC), a regional body devoted to theatre scholarship and practice. The conference encompasses the states of Illinois, Iowa, Nebraska, Kansas, Missouri, Minnesota, North Dakota, South Dakota, Wisconsin, Indiana, Michigan, and Ohio. The purpose of the conference is to unite persons and organizations within the region with an interest in theatre and to promote the growth and development of all forms of theatre.
