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Author: Musée des arts décoratifs de Montréal
Publisher:
ISBN: 9782080135926
Category : Jewelers
Languages : en
Pages : 167
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Book Description
In this beautifully designed and lavishly illustrated book, Toni Greenbaum analyzes the output of American modernist jewelers, many of whom, such as Alexander Calder and Harry Bertoia, began as sculptors or painters. In their metal-working skills many of these artists were self-taught and evolved new techniques. This jewelry rejected expensive precious stones in favor of cheaper, irregular gems, and even glass, pebbles and shards of pottery. The influence of Surrealism, Cubism, Constructivism, and Abstract Expressionism led these artists to explore representations of space and individual perception in ways which challenged the traditions of earlier jewelry production.
Author: Musée des arts décoratifs de Montréal
Publisher:
ISBN: 9782080135926
Category : Jewelers
Languages : en
Pages : 167
Get Book Here
Book Description
In this beautifully designed and lavishly illustrated book, Toni Greenbaum analyzes the output of American modernist jewelers, many of whom, such as Alexander Calder and Harry Bertoia, began as sculptors or painters. In their metal-working skills many of these artists were self-taught and evolved new techniques. This jewelry rejected expensive precious stones in favor of cheaper, irregular gems, and even glass, pebbles and shards of pottery. The influence of Surrealism, Cubism, Constructivism, and Abstract Expressionism led these artists to explore representations of space and individual perception in ways which challenged the traditions of earlier jewelry production.
Author: Toni Greenbaum
Publisher:
ISBN:
Category : Jewelry
Languages : en
Pages : 0
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Book Description
Author: Mus Ee Des Arts D Ecoratifs De Montr Eal
Publisher: Flammarion-Pere Castor
ISBN:
Category : Architecture
Languages : en
Pages : 176
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Book Description
In this beautifully designed and lavishly illustrated book, Toni Greenbaum analyzes the output of American modernist jewelers, many of whom, such as Alexander Calder and Harry Bertoia, began as sculptors or painters. In their metal-working skills many of these artists were self-taught and evolved new techniques. This jewelry rejected expensive precious stones in favor of cheaper, irregular gems, and even glass, pebbles and shards of pottery. The influence of Surrealism, Cubism, Constructivism, and Abstract Expressionism led these artists to explore representations of space and individual perception in ways which challenged the traditions of earlier jewelry production.
Author: Toni Greenbaum
Publisher: Arnoldsche Verlagsanstalt GmbH
ISBN: 9783897905641
Category :
Languages : en
Pages : 160
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Book Description
- A decisive chapter in American art jewelry- Author Toni Greenbaum captures Sam Kramer's spirit, intentions and humor- Previously unpublished photos of the mid-century New York art scene Despite being one of the most influential - and indeed most eccentric - of the American modernist jewelers, Sam Kramer (1913-1964) has received little recognition. His expressive, organic work and surreal workshop, located on West 8th Street in New York's Greenwich Village, paved the way for other mid-twentieth century metalsmiths, and for many more working today. Sam Kramer: Jeweler on the Edge investigates Kramer as both a seminal artist and a cult personality. Through lavish color photographs of rarely seen works as well as newly discovered archival material, the story of this unique individual is told against a backdrop of post-Second World War America, from the late 1940s to the early 1960s. Mirroring both the existential angst and quirky humor of the Beat Generation, Sam Kramer embodied the iconoclastic spirit of his era.
Author: Marin R. Sullivan
Publisher: Princeton University Press
ISBN: 0691232466
Category : Art
Languages : en
Pages : 272
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Book Description
A new look at the interrelationship of architecture and sculpture during one of the richest periods of American modern design Alloys looks at a unique period of synergy and exchange in the postwar United States, when sculpture profoundly shaped architecture, and vice versa. Leading architects such as Gordon Bunshaft and Eero Saarinen turned to sculptors including Harry Bertoia, Alexander Calder, Richard Lippold, and Isamu Noguchi to produce site-determined, large-scale sculptures tailored for their buildings’ highly visible and well-traversed threshold spaces. The parameters of these spaces—atriums, lobbies, plazas, and entryways—led to various designs like sculptural walls, ceilings, and screens that not only embraced new industrial materials and processes, but also demonstrated art’s ability to merge with lived architectural spaces. Marin Sullivan argues that these sculptural commissions represent an alternate history of midcentury American art. Rather than singular masterworks by lone geniuses, some of the era’s most notable spaces—Philip Johnson’s Four Seasons Restaurant in Mies van der Rohe’s Seagram Building, Max Abramovitz’s Philharmonic Hall at Lincoln Center, and Pietro Belluschi and Walter Gropius’s Pan Am Building—would be diminished without the collaborative efforts of architects and artists. At the same time, the artistic creations within these spaces could not exist anywhere else. Sullivan shows that the principle of synergy provides an ideal framework to assess this pronounced relationship between sculpture and architecture. She also explores the afterlives of these postwar commissions in the decades since their construction. A fresh consideration of sculpture’s relationship to architectural design and functionality following World War II, Alloys highlights the affinities between the two fields and the ways their connections remain with us today.
Author: Cynthia Fuchs Epstein
Publisher: Russell Sage Foundation
ISBN: 1610441877
Category : Business & Economics
Languages : en
Pages : 365
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Book Description
Though there are still just twenty-four hours in a day, society's idea of who should be doing what and when has shifted. Time, the ultimate scarce resource, has become an increasingly contested battle zone in American life, with work, family, and personal obligations pulling individuals in conflicting directions. In Fighting for Time, editors Cynthia Fuchs Epstein and Arne Kalleberg bring together a team of distinguished sociologists and management analysts to examine the social construction of time and its importance in American culture. Fighting for Time opens with an exploration of changes in time spent at work—both when people are on the job and the number of hours they spend there—and the consequences of those changes for individuals and families. Contributors Jerry Jacobs and Kathleen Gerson find that the relative constancy of the average workweek in America over the last thirty years hides the fact that blue-collar workers are putting in fewer hours while more educated white-collar workers are putting in more. Rudy Fenwick and Mark Tausig look at the effect of nonstandard schedules on workers' health and family life. They find that working unconventional hours can increase family stress, but that control over one's work schedule improves family, social, and health outcomes for workers. The book then turns to an examination of how time influences the organization and control of work. The British insurance company studied by David Collinson and Margaret Collinson is an example of a culture where employees are judged on the number of hours they work rather than on their productivity. There, managers are under intense pressure not to take legally guaranteed parental leave, and clocks are banned from the office walls so that employees will work without regard to the time. In the book's final section, the contributors examine how time can have different meanings for men and women. Cynthia Fuchs Epstein points out that professional women and stay-at-home fathers face social disapproval for spending too much time on activities that do not conform to socially prescribed gender roles—men are mocked by coworkers for taking paternity leave, while working mothers are chastised for leaving their children to the care of others. Fighting for Time challenges assumptions about the relationship between time and work, revealing that time is a fluid concept that derives its importance from cultural attitudes, social psychological processes, and the exercise of power. Its insight will be of interest to sociologists, economists, social psychologists, business leaders, and anyone interested in the work-life balance.
Author:
Publisher:
ISBN:
Category : Art metal-work
Languages : en
Pages : 420
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Book Description
Author: Victoria Jenssen
Publisher: FriesenPress
ISBN: 1039130887
Category : Art
Languages : en
Pages : 466
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Book Description
The Art of Carol Janeway portrays the exotic life and artistic career of a woman whose commercial success as a tile decorator and ceramist in New York in the 1940s and later retirement due to lead poisoning offer a fascinating study. Victoria Jenssen presents the career of yet another previously unrecognized woman artist, Carol Janeway (1913-1989), who was an entrepreneur and a single mother. While Janeway often exhibited, twice at the MoMA for example, few museums today own Janeway ceramics. This book will appeal to those interested in the following artists and topics: Georg Jensen Inc. and Frederik Lunning, Jens Risom, Ossip Zadkine, Maya Deren, Leo Lerman and Richard Hunter, Harold Ambellan, Tusnelda Sanders, underglaze ceramic decoration both freehand and printed, Lisette Model, Catherine Yarrow, Ed Wiener, Madeleine Turner, Stalin’s Moscow of the early 1930s, syndicated woman journalists of the 1940s, Ralph Ingersoll and Charles Marsh, Josiah Wedgwood & Sons, Lou Block, Doris Lee, Walter Duranty, Eliot Janeway, Julien Levy’s The Imagery of Chess, preservation of Greenwich Village. Among several celebrity owners, Marilyn Monroe owned five Janeway doorknobs.
Author: Vassiliki Kolocotroni
Publisher: University of Chicago Press
ISBN: 9780226450742
Category : History
Languages : en
Pages : 658
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Book Description
This anthology provides a guide to the Modernist movement in literature. Covering intellectual concerns of the period 1850-1940, it draws on contemporary essays, reviews, articles and manifestos of the political and aesthetic avant-garde.
Author: S. Hobson
Publisher: Springer
ISBN: 0230349641
Category : Literary Criticism
Languages : en
Pages : 237
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Book Description
The angel can be viewed as a signal reference to modernist attempts to accommodate religious languages to self-consciously modern cultures. This book uses the angel to explore the relations between modernist literature and early twentieth-century debates over the secular and/or religious character of the modern age.
