Nash-Zepheria. Index PDF Download
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Author: John Payne Collier
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 608
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Book Description
Author: George Peele
Publisher:
ISBN:
Category :
Languages : en
Pages : 316
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Book Description
Author: Leonard R. N. Ashley
Publisher: Ardent Media
ISBN:
Category :
Languages : en
Pages : 256
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Book Description
Presents the full text of some poetry written by English poet George Peele (1556-1596), from the "Oxford English Verse 1900" and provided online by Bibliomania.com, Ltd. Includes "Fair and Fair," "A Summer Song," and "A Farewell to Arms."
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 774
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Book Description
Author: Sabine Baring-Gould
Publisher:
ISBN:
Category : Devon (England)
Languages : en
Pages : 966
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Book Description
Author: Gary Taylor
Publisher: Oxford University Press
ISBN: 0199678731
Category : Drama
Languages : en
Pages : 1184
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Book Description
Thomas Middleton and Early Modern Textual Culture is a comprehensive companion to The Collected Works of Thomas Middleton, providing detailed introductions to and full editorial apparatus for the works themselves as well as a wealth of information about Middleton's historical and literary context.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 460
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Book Description
Author: Sir Leslie Stephen
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 464
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Book Description
Author: Leslie Stephen
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1368
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Book Description
Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 1368
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Book Description
Author: Robert Maslen
Publisher: A&C Black
ISBN: 1408143658
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Comedy was at the centre of a critical storm that raged throughout the early modern period. Shakespeare's plays made capital of this controversy. In them he deliberately invokes the case against comedy made by the Elizabethan theatre haters. They are filled with jokes that go too far, laughter that hurts its victims, wordplay that turns to swordplay and aggressive acts of comic revenge. Through a detailed study which considers tragedies and histories as well as comedies, Maslen contends that Shakespeare's use of the comic mode is always calculatedly unsettling, and that this is part of what makes it pleasurable.
