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Author: James Klosty
Publisher: powerHouse Books
ISBN: 9781576879429
Category : Photography
Languages : en
Pages : 0
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Book Description
James Klosty'sMerce Cunninghamwas the first book ever published about Cunningham. It appeared in 1975 and was republished in 1986. Now, for the 100th anniversary of Cunningham's birth, it is reincarnated for a twenty-first-century audience in duotone printing, redesignedand completely reimagined with an additional 140pages of photographs, many published never before. In the years since their passing, the historical importance of the partnership of John Cage and Merce Cunningham has grown to the point where no consideration of avant-garde art, music, and dance in America makes sense if Cunningham and Cage are not posited, serene and smiling, at the wellspring of its inspiration. This is true not only in America but around the globe as well. Art does not exist in a vacuum and neither did Cunningham and Cage. Painters such as Robert Rauschenberg, Jasper Johns, Andy Warhol, Frank Stella, and Robert Morris, and composers such as Earle Brown, Christian Wolff, Morton Feldman, David Tudor, and Pauline Oliveros joined the endeavor. Jasper Johns slyly lured Marcel Duchamp into allowing his iconic Large Glass to be used as decor for a Cunningham dance. Cunningham repeatedly invited Erik Satie (without Satie's permission) into his musical family. This seemingly haphazard association of innovative artists served as the nearest thing America could offer in counterbalance to Diaghilev and his Ballets Russes. In addition to Klosty's photographs of the artists, composers, and dancers;and the dances themselves, both in rehearsal and performance; the book contains texts from Cunningham's associates including John Cage, Jasper Johns, Robert Rauschenberg, Carolyn Brown, Paul Taylor, Lincoln Kirstein, Edwin Denby, and a dozen others.
Author: James Klosty
Publisher: powerHouse Books
ISBN: 9781576879429
Category : Photography
Languages : en
Pages : 0
Get Book Here
Book Description
James Klosty'sMerce Cunninghamwas the first book ever published about Cunningham. It appeared in 1975 and was republished in 1986. Now, for the 100th anniversary of Cunningham's birth, it is reincarnated for a twenty-first-century audience in duotone printing, redesignedand completely reimagined with an additional 140pages of photographs, many published never before. In the years since their passing, the historical importance of the partnership of John Cage and Merce Cunningham has grown to the point where no consideration of avant-garde art, music, and dance in America makes sense if Cunningham and Cage are not posited, serene and smiling, at the wellspring of its inspiration. This is true not only in America but around the globe as well. Art does not exist in a vacuum and neither did Cunningham and Cage. Painters such as Robert Rauschenberg, Jasper Johns, Andy Warhol, Frank Stella, and Robert Morris, and composers such as Earle Brown, Christian Wolff, Morton Feldman, David Tudor, and Pauline Oliveros joined the endeavor. Jasper Johns slyly lured Marcel Duchamp into allowing his iconic Large Glass to be used as decor for a Cunningham dance. Cunningham repeatedly invited Erik Satie (without Satie's permission) into his musical family. This seemingly haphazard association of innovative artists served as the nearest thing America could offer in counterbalance to Diaghilev and his Ballets Russes. In addition to Klosty's photographs of the artists, composers, and dancers;and the dances themselves, both in rehearsal and performance; the book contains texts from Cunningham's associates including John Cage, Jasper Johns, Robert Rauschenberg, Carolyn Brown, Paul Taylor, Lincoln Kirstein, Edwin Denby, and a dozen others.
Author: Marianne Preger-Simon
Publisher: University Press of Florida
ISBN: 0813063620
Category : Biography & Autobiography
Languages : en
Pages : 199
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Book Description
Dancing with Merce Cunningham is a buoyant, captivating memoir of a talented dancer’s lifelong friendship with one of the choreographic geniuses of our time. Marianne Preger-Simon’s story opens amid the explosion of artistic creativity that followed World War II. While immersed in the vibrant arts scene of postwar Paris during a college year abroad, Preger-Simon was so struck by Merce Cunningham’s unconventional dance style that she joined his classes in New York. She soon became an important member of his brand new dance troupe—and a constant friend. Through her experiences in the Merce Cunningham Dance Company, Preger-Simon offers a rare account of exactly how Cunningham taught and interacted with his students. She describes the puzzled reactions of audiences to the novel non-narrative choreography of the company’s debut performances. She touches on Cunningham’s quicksilver temperament—lamenting his early frustrations with obscurity and the discomfort she suspects he endured in concealing his homosexuality and partnership with composer John Cage—yet she celebrates above all his dependable charm, kindness, and engagement. She also portrays the comradery among the company’s dancers, designers, and musicians, many of whom—including Cage, David Tudor, and Carolyn Brown—would become integral to the avant-garde arts movement, as she tells tales of their adventures touring in a VW Microbus across the United States. Finally, reflecting on her connection with Cunningham throughout the latter part of his career, Preger-Simon recalls warm moments that nurtured their enduring bond after she left the dance company and, later, New York. Interspersed with her letters to friends and family, journal entries, and correspondence from Cunningham himself, Preger-Simon’s memoir is an intimate look at one of the most influential companies in modern American dance and the brilliance of its visionary leader.
Author: James Klosty
Publisher: Wesleyan University Press
ISBN: 9780819575043
Category : Photography
Languages : en
Pages : 0
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Book Description
Intimate portraits and remembrances of one of the most influential artists of the twentieth century It is difficult to imagine a world without John Cage. His playful, challenging spirit remains pervasive—a formative force in the lives of those in the forefront of today's arts. This special book combines iconic photographs of Cage by James Klosty with eclectic testimony the author commissioned from people the world over, each asked to contribute their thoughts on Cage's influence on their lives and work with one-hundred-word statements. These remembrances range from humorous to reverent, and are from artists including Laurie Anderson, John Ashbery, Gavin Bryars, Jasper Johns, Harry Mathews, Meredith Monk, Mark Morris, Ron Padgett, Yoko Ono, Yvonne Rainer, Steve Reich, Peter Sellars, Stephen Sondheim, Twyla Tharp, Michael Tilson Thomas, Anne Waldman, Robert Wilson, and many more. The evocative duotone photographs show John Cage alone and in association with Merce Cunningham, Marcel Duchamp, Octavio Paz, Aaron Copland, and many others. The book provides public and private glimpses into the man who transformed chance from an inescapable inevitability of life into disciplined creativity through music, writing, philosophy, printmaking, and, on the largest scale of all, living. John Cage Was gives us a privileged view of an irreplaceable man who had few enemies and innumerable disciples.
Author: Doryun Chong
Publisher: The Museum of Modern Art
ISBN: 0870708341
Category : Art
Languages : en
Pages : 238
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Book Description
Catalog of an exhibition held at the Museum of Modern Art, New York, Nov. 18, 2012-Feb. 25, 2013.
Author: Donna Florio
Publisher: Washington Mews Books/NYU Press
ISBN: 1479803200
Category : Biography & Autobiography
Languages : en
Pages : 253
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Book Description
A vivid memoir of life in one of New York City’s most dynamic neighborhoods Growing Up Bank Street is an evocative, tender account of life in Greenwich Village, on a unique street that offered warmth, support, and inspiration to an adventurous and openhearted young girl. Bank Street, a short strip of elegant brownstones and humble tenements in Greenwich Village, can trace its lineage back to the yellow fever epidemics of colonial New York. In the middle of the last century, it became home to a cast of extraordinary characters whose stories intertwine in this spirited narrative. Growing up, Donna Florio had flamboyant, opera performer parents and even more free-spirited neighbors. As a child, she lived among beatniks, artists, rock musicians, social visionaries, movie stars, and gritty blue-collar workers, who imparted to her their irrepressibly eccentric life rules. The real-life Auntie Mame taught her that she is a divine flame from the universe. John Lennon, who lived down the street, was gracious when she dumped water on his head. Sex Pistols star Sid Vicious lived in the apartment next door, and his heroin overdose death came as a wake-up call during her wild twenties. An elderly Broadway dancer led by brave example as Donna helped him comfort dying Villagers in the terrifying early days of AIDS, and a reclusive writer gave her a path back from the brink when, as a witness to the attacks of 9/11, her world collapsed. These vibrant vignettes weave together a colorful coming of age tale against the backdrop of a historic, iconoclastic street whose residents have been at the heart of the American story. As Greenwich Village gentrifies and the hallmarks of its colorful past disappear, Growing Up Bank Street gives the reader a captivating glimpse of the thriving culture that once filled its storied streets.
Author: Carolyn Brown
Publisher: Knopf
ISBN: 0307575608
Category : Biography & Autobiography
Languages : en
Pages : 997
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Book Description
The long-awaited memoir from one of the most celebrated modern dancers of the past fifty years: the story of her own remarkable career, of the formative years of the Merce Cunningham Dance Company, and of the two brilliant, iconoclastic, and forward-thinking artists at its center—Merce Cunningham and John Cage. From its inception in the l950s until her departure in the l970s, Carolyn Brown was a major dancer in the Cunningham company and part of the vibrant artistic community of downtown New York City out of which it grew. She writes about embarking on her career with Cunningham at a time when he was a celebrated performer but a virtually unknown choreographer. She describes the heady exhilaration—and dire financial straits—of the company’s early days, when composer Cage was musical director and Robert Rauschenberg designed lighting, sets and costumes; and of the struggle for acceptance of their controversial, avant-garde dance. With unique insight, she explores Cunningham’s technique, choreography, and experimentation with compositional procedures influenced by Cage. And she probes the personalities of these two men: the reticent, moody, often secretive Cunningham, and the effusive, fun-loving, enthusiastic Cage. Chance and Circumstance is an intimate chronicle of a crucial era in modern dance, and a revelation of the intersection of the worlds of art, music, dance, and theater that is Merce Cunningham’s extraordinary hallmark.
Author: Larraine Nicholas
Publisher: Taylor & Francis
ISBN: 1134827636
Category : Performing Arts
Languages : en
Pages : 273
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Book Description
The need to ‘rethink’ and question the nature of dance history has not diminished since the first edition of Rethinking Dance History. This revised second edition addresses the needs of an ever-evolving field, with new contributions considering the role of digital media in dance practice; the expansion of performance philosophy; and the increasing importance of practice-as-research. A two-part structure divides the book’s contributions into: • Why Dance History? – the ideas, issues and key conversations that underpin any study of the history of theatrical dance. • Researching and Writing – discussions of the methodologies and approaches behind any successful research in this area. Everyone involved with dance creates and carries with them a history, and this volume explores the ways in which these histories might be used in performance-making – from memories which establish identity to re-invention or preservation through shared and personal heritages. Considering the potential significance of studying dance history for scholars, philosophers, choreographers, dancers and students alike, Rethinking Dance History is an essential starting point for anyone intrigued by the rich history and many directions of dance.
Author: Jack Anderson
Publisher: Duke University Press
ISBN: 9780822306832
Category : Performing Arts
Languages : en
Pages : 348
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Book Description
The American Dance Festival has been a magnet drawing together diverse artists, styles, theories, and dance training methods; from this creative mix the ADF has emerged as the sponsor of performances by some of the greatest choreographers and dance companies of our time. Jack Anderson traces the development of ADF from its beginnings in New England to its seasons at Duke University. He displays the ADF for the multidimensional creature it is—a center for performances, a school for the best young dancers in the country, and a provider of community and professional services.
Author: John Updike
Publisher: Random House
ISBN: 067964590X
Category : Fiction
Languages : en
Pages : 198
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Book Description
An antic riff on Hawthorne’s Scarlet Letter, in which a latter-day Arthur Dimmesdale is sent west from his Midwestern parish in sexual disgrace—from one of the most gifted American writers of the twentieth century and the author of the acclaimed Rabbit series. “Updike may be America’s finest novelist and [this] is quintessential Updike.”—The Washington Post At a desert retreat dedicated to rest, recreation, and spiritual renewal, this fortyish serial fornicator is required to keep a journal whose thirty-one weekly entries constitute the book you now hold in your hand. In his wonderfully overwrought style he lays bare his soul and his past—his marriage to the daughter of his ethics professor, his affair with his organist, his antipathetic conversations with his senile father and his bisexual curate, his golf scores, his poker hands, his Biblical exegeses, and his smoldering desire for the directress of the retreat, the impregnable Ms. Prynne. A testament for our times.
Author: Steve Dixon
Publisher: MIT Press
ISBN: 0262303329
Category : Performing Arts
Languages : en
Pages : 1052
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Book Description
The historical roots, key practitioners, and artistic, theoretical, and technological trends in the incorporation of new media into the performing arts. The past decade has seen an extraordinarily intense period of experimentation with computer technology within the performing arts. Digital media has been increasingly incorporated into live theater and dance, and new forms of interactive performance have emerged in participatory installations, on CD-ROM, and on the Web. In Digital Performance, Steve Dixon traces the evolution of these practices, presents detailed accounts of key practitioners and performances, and analyzes the theoretical, artistic, and technological contexts of this form of new media art. Dixon finds precursors to today's digital performances in past forms of theatrical technology that range from the deus ex machina of classical Greek drama to Wagner's Gesamtkunstwerk (concept of the total artwork), and draws parallels between contemporary work and the theories and practices of Constructivism, Dada, Surrealism, Expressionism, Futurism, and multimedia pioneers of the twentieth century. For a theoretical perspective on digital performance, Dixon draws on the work of Philip Auslander, Walter Benjamin, Roland Barthes, Jean Baudrillard, and others. To document and analyze contemporary digital performance practice, Dixon considers changes in the representation of the body, space, and time. He considers virtual bodies, avatars, and digital doubles, as well as performances by artists including Stelarc, Robert Lepage, Merce Cunningham, Laurie Anderson, Blast Theory, and Eduardo Kac. He investigates new media's novel approaches to creating theatrical spectacle, including virtual reality and robot performance work, telematic performances in which remote locations are linked in real time, Webcams, and online drama communities, and considers the "extratemporal" illusion created by some technological theater works. Finally, he defines categories of interactivity, from navigational to participatory and collaborative. Dixon challenges dominant theoretical approaches to digital performance—including what he calls postmodernism's denial of the new—and offers a series of boldly original arguments in their place.
