Memory and Forgetting in English Renaissance Drama PDF Download
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Author: Garrett A. Sullivan
Publisher: Cambridge University Press
ISBN: 1139446347
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
Engaging debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter providing a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice.
Author: Garrett A. Sullivan
Publisher: Cambridge University Press
ISBN: 1139446347
Category : Literary Criticism
Languages : en
Pages : 196
Get Book Here
Book Description
Engaging debates over the nature of subjectivity in early modern England, this fascinating and original study examines sixteenth- and seventeenth-century conceptions of memory and forgetting, and their importance to the drama and culture of the time. Garrett A. Sullivan, Jr discusses memory and forgetting as categories in terms of which a variety of behaviours - from seeking salvation to pursuing vengeance to succumbing to desire - are conceptualized. Drawing upon a range of literary and non-literary discourses, represented by treatises on the passions, sermons, anti-theatrical tracts, epic poems and more, Shakespeare, Marlowe and Webster stage 'self-recollection' and, more commonly, 'self-forgetting', the latter providing a powerful model for dramatic subjectivity. Focusing on works such as Macbeth, Hamlet, Dr Faustus and The Duchess of Malfi, Sullivan reveals memory and forgetting to be dynamic cultural forces central to early modern understandings of embodiment, selfhood and social practice.
Author: Isabel Karremann
Publisher: Cambridge University Press
ISBN: 131642541X
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
This book analyses the drama of memory in Shakespeare's history plays. Situating the plays in relation to the extra-dramatic contexts of early modern print culture, the Reformation and an emergent sense of nationhood, it examines the dramatic devices the theatre developed to engage with the memory crisis triggered by these historical developments. Against the established view that the theatre was a cultural site that served primarily to salvage memories, Isabel Karremann also considers the uses and functions of forgetting on the Shakespearean stage and in early modern culture. Drawing on recent developments in memory studies, new formalism and performance studies, the volume develops an innovative vocabulary and methodology for analysing Shakespeare's mnemonic dramaturgy in terms of the performance of memory that results in innovative readings of the English history plays. Karremann's book is of interest to researchers and upper-level students of Shakespeare studies, early modern drama and memory studies.
Author: William E. Engel
Publisher: Cambridge University Press
ISBN: 1108910424
Category : Literary Criticism
Languages : en
Pages : 311
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Book Description
Drawing together leading scholars of early modern memory studies and death studies, Memory and Mortality in Renaissance England explores and illuminates the interrelationships of these categories of Renaissance knowing and doing, theory and praxis. The collection features an extended Introduction that establishes the rich vein connecting these two fields of study and investigation. Thereafter, the collection is arranged into three subsections, 'The Arts of Remembering Death', 'Grounding the Remembrance of the Dead', and 'The Ends of Commemoration', where contributors analyse how memory and mortality intersected in writings, devotional practice, and visual culture. The book will appeal to scholars of early modern literature and culture, book history, art history, and the history of mnemonics and thanatology, and will prove an indispensable guide for researchers, instructors, and students alike.
Author: Lina Perkins Wilder
Publisher: Cambridge University Press
ISBN: 0521764556
Category : Drama
Languages : en
Pages : 231
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Book Description
Wilder examines the excessive remembering of figures such as Romeo, Falstaff, and Hamlet as a way of defining Shakespeare's theatricality.
Author: Kyle Pivetti
Publisher: Rowman & Littlefield
ISBN: 1611495598
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
This book opens with a crisis of recollection. In the early modern period, real political traumas like civil war and regicide exacerbated what were already perceived ruptures in myths of English descent. William Camden and other scholars had revealed that the facts of history could not justify the Arthurian myths, nor could history itself guarantee any moment of collective origin for the English people. Yet poets and playwrights concerned with the status of the emerging nation state did not respond with new material evidence. Instead, they turned to the literary structures that—through a range of what the author calls mnemonic effects—could generate the experience of a collective past. As Sir Philip Sidney recognized, verse depends upon the repetitions of rhyme and meter; consequently poetry “far exceedeth prose in the knitting up of memory.” These poetic and linguistic forms expose national memory as a construction at potential odds with history, for memory operates like language—through a series of signifiers that acquire new meaning as one rearranges and rereads them. Moving from the tragedy Gorboduc (1561) to Dryden’s Absalom and Achitophel (1681), Pivetti shows how such “knitting up of memory” created the shared pasts that generate nationhood. His work implies that memory emerges not from what actually occurred, but from the forms that compose it. Or to adapt the words of Paul Ricoeur: “we have nothing better than memory to signify that something has taken place.” The same is true even when that “something” is nationhood.
Author: Jonathan Baldo
Publisher: Cambridge University Press
ISBN: 1316517691
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
The first book to systematically combine the two vibrant yet hitherto unconnected fields of memory and affect in Shakespeare's England.
Author: Michael Schoenfeldt
Publisher: John Wiley & Sons
ISBN: 1444332066
Category : Literary Criticism
Languages : en
Pages : 535
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Book Description
This Companion represents the myriad ways of thinking about the remarkable achievement of Shakespeare’s sonnets. An authoritative reference guide and extended introduction to Shakespeare’s sonnets. Contains more than 20 newly-commissioned essays by both established and younger scholars. Considers the form, sequence, content, literary context, editing and printing of the sonnets. Shows how the sonnets provide a mirror in which cultures can read their own critical biases. Informed by the latest theoretical, cultural and archival work.
Author: John S. Garrison
Publisher: Routledge
ISBN: 1317548876
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
This volume brings together two vibrant areas of Renaissance studies today: memory and sexuality. The contributors show that not only Shakespeare but also a broad range of his contemporaries were deeply interested in how memory and sexuality interact. Are erotic experiences heightened or deflated by the presence of memory? Can a sexual act be commemorative? Can an act of memory be eroticized? How do forms of romantic desire underwrite forms of memory? To answer such questions, these authors examine drama, poetry, and prose from both major authors and lesser-studied figures in the canon of Renaissance literature. Alongside a number of insightful readings, they show that sonnets enact a sexual exchange of memory; that epics of nationhood cannot help but eroticize their subjects; that the act of sex in Renaissance tragedy too often depends upon violence of the past. Memory, these scholars propose, re-shapes the concerns of queer and sexuality studies – including the unhistorical, the experience of desire, and the limits of the body. So too does the erotic revise the dominant trends of memory studies, from the rhetoric of the medieval memory arts to the formation of collective pasts.
Author: L. Starks-Estes
Publisher: Springer
ISBN: 1137349921
Category : Literary Criticism
Languages : en
Pages : 242
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Book Description
Employing psychoanalysis, trauma theory, and materialist perspectives, this book examines Shakespeare's appropriations of Ovid's poetry in his Roman poems and plays. It argues that Shakespeare uses Ovid to explore violence, trauma, and virtus - the traumatic effects of aggression, sadomasochism, and the shifting notions of selfhood and masculinity.
Author: K. Graham
Publisher: Springer
ISBN: 0230240852
Category : Religion
Languages : en
Pages : 289
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Book Description
This balanced and innovative collection explores the relationship of Shakespeare's plays to the changing face of early modern religion, considering the connections between Shakespeare's theatre and the religious past, the religious identities of the present and the deep cultural changes that would shape the future of religion in the modern world.
