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Author:
Publisher:
ISBN:
Category : Iowa
Languages : en
Pages : 900
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Author:
Publisher:
ISBN:
Category : Iowa
Languages : en
Pages : 900
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Author: Charles Rhoads Roberts
Publisher: Alpha Edition
ISBN: 9789354416323
Category : Reference
Languages : en
Pages : 936
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Book Description
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.
Author: United States. Superintendent of Documents
Publisher:
ISBN:
Category : Government publications
Languages : en
Pages : 2868
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Author:
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Category :
Languages : en
Pages :
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Author: Port Washington (Wis.). Common Council
Publisher:
ISBN:
Category : Port Washington (Wis.)
Languages : en
Pages : 152
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Book Description
Author: Colin G. Calloway
Publisher: Macmillan Higher Education
ISBN: 1319021573
Category : History
Languages : en
Pages : 692
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Book Description
First Peoples was Bedford/St. Martin’s first “docutext” – a textbook that features groups of primary source documents at the end of each chapter, essentially providing a reader in addition to the narrative textbook. Expertly authored by Colin G. Calloway, First Peoples has been praised for its inclusion of Native American sources and Calloway’s concerted effort to weave Native perspectives throughout the narrative. First Peoples’ distinctive approach continues to make it the bestselling and most highly acclaimed text for the American Indian history survey.
Author:
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Category : English literature
Languages : en
Pages : 576
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Author:
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ISBN:
Category :
Languages : en
Pages : 56
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Author: Shyon Baumann
Publisher: Princeton University Press
ISBN: 0691187282
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Today's moviegoers and critics generally consider some Hollywood products--even some blockbusters--to be legitimate works of art. But during the first half century of motion pictures very few Americans would have thought to call an American movie "art." Up through the 1950s, American movies were regarded as a form of popular, even lower-class, entertainment. By the 1960s and 1970s, however, viewers were regularly judging Hollywood films by artistic criteria previously applied only to high art forms. In Hollywood Highbrow, Shyon Baumann for the first time tells how social and cultural forces radically changed the public's perceptions of American movies just as those forces were radically changing the movies themselves. The development in the United States of an appreciation of film as an art was, Baumann shows, the product of large changes in Hollywood and American society as a whole. With the postwar rise of television, American movie audiences shrank dramatically and Hollywood responded by appealing to richer and more educated viewers. Around the same time, European ideas about the director as artist, an easing of censorship, and the development of art-house cinemas, film festivals, and the academic field of film studies encouraged the idea that some American movies--and not just European ones--deserved to be considered art.
Author:
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Category : Iowa
Languages : en
Pages : 1178
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