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Author: Bruce A. McConachie
Publisher: Studies Theatre Hist & Culture
ISBN:
Category : Performing Arts
Languages : en
Pages : 346
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Book Description
Author: Bruce A. McConachie
Publisher: Studies Theatre Hist & Culture
ISBN:
Category : Performing Arts
Languages : en
Pages : 346
Get Book Here
Book Description
Author: Elaine Hadley
Publisher: Stanford University Press
ISBN: 9780804724036
Category : Literary Criticism
Languages : en
Pages : 326
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Book Description
This pathbreaking work analyzes melodrama as not merely a theatrical genre but as a behavioral paradigm of the nineteenth century, manifest in the theater, in literature, and in society. It shows how the melodramatic mode reaffirmed the familial, hierarchical, and public grounds for ethical behavior and identity that characterized models of social exchange and organization.
Author: Sarah Meer
Publisher: University of Georgia Press
ISBN: 9780820327372
Category : Literary Criticism
Languages : en
Pages : 356
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Book Description
Tom-Mania looks at the novel Uncle Tom's Cabin and the songs, plays, sketches, translations and imitations it inspired. In particular it shows how the theatrical mode of blackface minstrelsy, the slavery question, and America's emerging cultural identity affected how the novel was read, discussed, dramatized, merchandized and politicised.
Author: Megan Sanborn Jones
Publisher: Routledge
ISBN: 1135967903
Category : History
Languages : en
Pages : 399
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Book Description
In the late nineteenth century, melodramas were spectacular entertainment for Americans. They were also a key forum in which elements of American culture were represented, contested, and inverted. This book focuses specifically on the construction of the Mormon villain as rapist, murderer, and Turk in anti-Mormon melodramas. These melodramas illustrated a particularly religious world-view that dominated American life and promoted the sexually conservative ideals of the cult of true womanhood. They also examined the limits of honorable violence, and suggested the whiteness of national ethnicity. In investigating the relationship between theatre, popular literature, political rhetoric, and religious fervor, Megan Sanborn Jones reveals how anti-Mormon melodramas created a space for audiences to imagine a unified American identity.
Author: Robin O. Warren
Publisher: McFarland
ISBN: 0786499273
Category : Performing Arts
Languages : en
Pages : 278
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Book Description
Women played an integral role in the theater of the Antebellum and Civil War South. Yet their contributions have largely been overlooked by history. Southern actresses were important public figures who helped mold gender identity through their theatrical performances. Although cast in parts written by men, they subverted the norms of femininity in their public personas and in their personal lives. Educated and often wealthy but never accepted by the landed elite, women distinguished themselves by carving out an in-between class status, and many proved to be sophisticated entrepreneurs. Southern actresses also helped shape racial perceptions and regional politics as the South entered the Civil War.
Author: Bethany Hughes
Publisher: NYU Press
ISBN: 1479829390
Category : Art
Languages : en
Pages : 288
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Book Description
"Redface is the first book to consider Native American representation in U.S. theatre, how creating a racialized character severely constrains Indigenous nationhood and sovereignty, and what steps could be taken to address the challenges of representing Indigenous people on the stage"--
Author: Juliet John
Publisher: Oxford University Press, USA
ISBN: 9780199261376
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
This study argues that Dickens' villains embody the crucial fusion between the deviant and theatrical aspects of his writing.
Author: J. A. Sokalski
Publisher: McGill-Queen's Press - MQUP
ISBN: 0773578080
Category : Art
Languages : en
Pages : 513
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Book Description
Drawing together a wealth of primary sources, J.A. Sokalski examines the aims, inventions, and methods of the pictorial style that defined MacKaye's art. Sokalski shows how MacKaye's famous Madison Square Theatre, which featured a double stage reminiscent of an elevator, created whirling pictorial illusions for fashionable New York. He argues that MacKaye's infamous failure, the colossal Spectatorium theatre for the 1893 Chicago World's Fair, was the most complete realization of this illusionary aesthetic. Sokalski also explores MacKaye's influence on Buffalo Bill Cody and how civil war cycloramas expanded his concept of pictorial space.
Author: Michael D'Alessandro
Publisher: University of Michigan Press
ISBN: 0472220586
Category : Performing Arts
Languages : en
Pages : 331
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Book Description
Staged Readings studies the social consequences of 19th-century America’s two most prevalent leisure forms: theater and popular literature. In the midst of watershed historical developments—including numerous waves of immigration, two financial Panics, increasing wealth disparities, and the Civil War—American theater and literature were developing at unprecedented rates. Playhouses became crowded with new spectators, best-selling novels flew off the shelves, and, all the while, distinct social classes began to emerge. While the middle and upper classes were espousing conservative literary tastes and attending family matinees and operas, laborers were reading dime novels and watching downtown spectacle melodramas like Nymphs of the Red Sea and The Pirate’s Signal or, The Bridge of Death!!! As audiences traveled from the reading parlor to the playhouse (and back again), they accumulated a vital sense of social place in the new nation. In other words, culture made class in 19th-century America. Based in the historical archive, Staged Readings presents a panoramic display of mid-century leisure and entertainment. It examines best-selling novels, such as Harriet Beecher Stowe’s Uncle Tom’s Cabin and George Lippard’s The Quaker City. But it also analyzes a series of sensational melodramas, parlor theatricals, doomsday speeches, tableaux vivant displays, curiosity museum exhibits, and fake volcano explosions. These oft-overlooked spectacles capitalized on consumers’ previous cultural encounters and directed their social identifications. The book will be particularly appealing to those interested in histories of popular theater, literature and reading, social class, and mass culture.
Author: Carolyn Williams
Publisher: Cambridge University Press
ISBN: 110709593X
Category : Drama
Languages : en
Pages : 353
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Book Description
A lively and accessible account of the most popular form of nineteenth-century English theatre, and its continuing influence today.
