Author:
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 946
Book Description
The Contemporary Review
The Living Age
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 870
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 870
Book Description
Among Our Books
Author: Carnegie Library of Pittsburgh
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 460
Book Description
Publisher:
ISBN:
Category : Classified catalogs (Dewey decimal)
Languages : en
Pages : 460
Book Description
Personal Reminiscences of Henry Irving
Author: Bram Stoker
Publisher: Cambridge University Press
ISBN: 1108057446
Category : Biography & Autobiography
Languages : en
Pages : 435
Book Description
An engaging 1906 two-volume tribute to the most famous actor-manager of the nineteenth century by his closest friend and business manager.
Publisher: Cambridge University Press
ISBN: 1108057446
Category : Biography & Autobiography
Languages : en
Pages : 435
Book Description
An engaging 1906 two-volume tribute to the most famous actor-manager of the nineteenth century by his closest friend and business manager.
Monthly Bulletin of the Carnegie Library of Pittsburgh
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 916
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 916
Book Description
Men and Memories
Author: John Russell Young
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Biography
Languages : en
Pages : 256
Book Description
Masters in art
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 520
Book Description
The Judgment of Paris
Author: Ross King
Publisher: Anchor Canada
ISBN: 0307374963
Category : Art
Languages : en
Pages : 690
Book Description
Another fascinating book by the author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling: a saga of artistic rivalry and cultural upheaval in the decade leading to the birth of Impressionism. If there were two men who were absolutely central to artistic life in France in the second half of the nineteenth century, they were Edouard Manet and Ernest Meissonier. While the former has been labelled the “Father of Impressionism” and is today a household name, the latter has sunk into obscurity. It is difficult now to believe that in 1864, when this story begins, it was Meissonier who was considered the greatest French artist alive and who received astronomical sums for his work, while Manet was derided for his messy paintings of ordinary people and had great difficulty getting any of his work accepted at the all-important annual Paris Salon. Manet and Meissonier were the Mozart and Salieri of their day, one a dangerous challenge to the establishment, the other beloved by rulers and the public alike for his painstakingly meticulous oil paintings of historical subjects. Out of the fascinating story of their parallel careers, Ross King creates a lens through which to view the political tensions that dogged Louis-Napoleon during the Second Empire, his ignominious downfall, and the bloody Paris Commune of 1871. At the same time, King paints a wonderfully detailed and vivid portrait of life in an era of radical social change. When Manet painted Dejeuner sur l’herbe or Olympia, he shocked not only with his casual brushstrokes but with his subject matter: top-hatted white-collar workers (and their mistresses) were not considered suitable subjects for ‘Art.’ Ross King shows how, benign as they might seem today, these paintings changed the course of history. The struggle between Meissonier and Manet to see their paintings achieve pride of place at the Salon was not just about artistic competitiveness, it was about how to see the world. Full of fantastic tidbits of information and a colourful cast of characters that includes Baudelaire, Courbet and Zola, with walk-on parts for Monet, Renoir, Degas and Cezanne, The Judgment of Paris casts new light on the birth of Impressionism and takes us to the heart of a time in which the modern French identity was being forged.
Publisher: Anchor Canada
ISBN: 0307374963
Category : Art
Languages : en
Pages : 690
Book Description
Another fascinating book by the author of Brunelleschi’s Dome and Michelangelo and the Pope’s Ceiling: a saga of artistic rivalry and cultural upheaval in the decade leading to the birth of Impressionism. If there were two men who were absolutely central to artistic life in France in the second half of the nineteenth century, they were Edouard Manet and Ernest Meissonier. While the former has been labelled the “Father of Impressionism” and is today a household name, the latter has sunk into obscurity. It is difficult now to believe that in 1864, when this story begins, it was Meissonier who was considered the greatest French artist alive and who received astronomical sums for his work, while Manet was derided for his messy paintings of ordinary people and had great difficulty getting any of his work accepted at the all-important annual Paris Salon. Manet and Meissonier were the Mozart and Salieri of their day, one a dangerous challenge to the establishment, the other beloved by rulers and the public alike for his painstakingly meticulous oil paintings of historical subjects. Out of the fascinating story of their parallel careers, Ross King creates a lens through which to view the political tensions that dogged Louis-Napoleon during the Second Empire, his ignominious downfall, and the bloody Paris Commune of 1871. At the same time, King paints a wonderfully detailed and vivid portrait of life in an era of radical social change. When Manet painted Dejeuner sur l’herbe or Olympia, he shocked not only with his casual brushstrokes but with his subject matter: top-hatted white-collar workers (and their mistresses) were not considered suitable subjects for ‘Art.’ Ross King shows how, benign as they might seem today, these paintings changed the course of history. The struggle between Meissonier and Manet to see their paintings achieve pride of place at the Salon was not just about artistic competitiveness, it was about how to see the world. Full of fantastic tidbits of information and a colourful cast of characters that includes Baudelaire, Courbet and Zola, with walk-on parts for Monet, Renoir, Degas and Cezanne, The Judgment of Paris casts new light on the birth of Impressionism and takes us to the heart of a time in which the modern French identity was being forged.
Littell's Living Age
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 874
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 874
Book Description
Eclectic Magazine and Monthly Edition of the Living Age
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 976
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 976
Book Description