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Author: Geeti Sen
Publisher: Mapin Publishing Pvt
ISBN: 9789385360039
Category : Sculptors
Languages : en
Pages : 152
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Book Description
On the life and works of Meera Mukherjee, 1923-1998, sculptor, painter, artist.
Author: Geeti Sen
Publisher: Mapin Publishing Pvt
ISBN: 9789385360039
Category : Sculptors
Languages : en
Pages : 152
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Book Description
On the life and works of Meera Mukherjee, 1923-1998, sculptor, painter, artist.
Author: Ashok Khanna
Publisher: Bloomsbury Publishing
ISBN: 9387471217
Category : Biography & Autobiography
Languages : en
Pages : 180
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Book Description
Ungainly in appearance, disliked by his father, the king, but nurtured by his mother, Ashoka worked to elicit his elders' approval. At the age of 18, his father sent him to quell a rebellion that his brother, the crown prince, had failed to do. His success propelled him to be appointed as viceroy of a province. There he met Devi, a beautiful, devout Buddhist. With the death of his father, supported by the chief minister, Ashoka was crowned the new king. Ashoka ruled the Indian subcontinent from 269 bce to 232 bce. After the Kalinga War, a turning point for Ashoka, his devotion to Buddha's teachings became unconditional, and he based his governance on its precepts of non-violence, tolerance and compassion. His support for Buddhism helped it grow from a small sect to a world religion. When it spread to Asia, his model of Dharmaraj was emulated as exemplary kingship by many Asian rulers through history. Prime Minister Nehru, in The Discovery of India, described Ashoka as 'a man who was greater than any king or emperor'. He worked to incorporate Ashoka's secular approach and considerate administration in India's Constitution. As a young democracy, India must adopt both Ashoka's and Nehru's vision of compassionate governance to mature as a nation.
Author: Krishna Dutta
Publisher: Signal Books
ISBN: 9781902669595
Category : Calcutta (India)
Languages : en
Pages : 278
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Book Description
In the popular imagination, Calcutta is a packed and pestilential sprawl, made notorious by the Black Hole and the works of Mother Teresa. Kipling called it a City of Dreadful Night, and a century later V.S. Naipaul, Gunter Grass and Louis Malle revived its hellish image. This is the place where the West first truly encountered the East. Founded in the 1690s by East India Company merchants beside the Hugli River, Calcutta grew into India's capital during the Raj and the second city of the British Empire. Named the City of Palaces for its neoclassical mansions, Calcutta was the city of Clive, Hastings, Macaulay and Curzon. It was also home to extraordinary Bengalis such as Rabindranath Tagore, the first Asian Nobel laureate, and Satyajit Ray, among the geniuses of world cinema. Above all, Calcutta (renamed Kolkata in 2001) is a city of extremes, where exquisite refinement rubs shoulders with coarse commercialism and political violence. Krishna Dutta explores these multiple paradoxes, giving personal insight into Calcutta's unique history and modern identity as reflected in its architecture, literature, cinema and music. CITY OF ARTISTS: Modern India's cultural capital; home city of
Author: All India Radio (AIR), New Delhi
Publisher: All India Radio (AIR),New Delhi
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 48
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Book Description
"Akashvani" (English) is a programme journal of ALL INDIA RADIO, it was formerly known as The Indian Listener. It used to serve the listener as a bradshaw of broadcasting ,and give listener the useful information in an interesting manner about programmes, who writes them, take part in them and produce them along with photographs of performing artists. It also contains the information of major changes in the policy and service of the organisation. The Indian Listener (fortnightly programme journal of AIR in English) published by The Indian State Broadcasting Service, Bombay, started on 22 December, 1935 and was the successor to the Indian Radio Times in English, which was published beginning in July 16 of 1927. From 22 August ,1937 onwards, it used to published by All India Radio, New Delhi. From 1950,it was turned into a weekly journal. Later, The Indian listener became "Akashvani" (English ) w.e.f. January 5, 1958. It was made fortnightly journal again w.e.f July 1,1983. NAME OF THE JOURNAL: AKASHVANI LANGUAGE OF THE JOURNAL: English DATE, MONTH & YEAR OF PUBLICATION: 14 JULY, 1974 PERIODICITY OF THE JOURNAL: Weekly NUMBER OF PAGES: 48 VOLUME NUMBER: Vol. XXXIX, No.28 BROADCAST PROGRAMME SCHEDULE PUBLISHED (PAGE NOS): 12-46 ARTICLE: 1. India’s Assurance and Pakistan’s Reflexes 2. Humour in Files 3. Fashion 4. Hoarders: A New Social Mix 5. Educated Unemployment AUTHOR: 1. R. D. Kwatra 2. N. P. Bhatt 3. E. N. Shullai 4. Girish Mathur 5. Dr. P. G. Deo KEYWORDS : 1. No war’ pact refused,a lame excuse, imaginary fears 2. Human handiwork, the bureaucracy and the file, cry wolf from housetop 3. The impact of modern, in recent years, successive 4. A new class, stocks found, new trade pattern, rural disparities 5. Right to work,positive role,imbalance Prasar Bharati Archives has the copyright in all matters published in this “AKASHVANI” and other AIR journals. For reproduction previous permission is essential.
Author: Geeti Sen
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 184
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Book Description
"This book, being an inquiry into the creative process, is based on interviews with five significant artists of our time: Meera Mukherjee, Jogen Chowdhury, Manjit Bawa, Arpita Singh and Ganesh Pyne. They articulate, through words and through images, their personal sensibility and a particular worldview. Their vision may find resonances from myth and archetype and technique; yet it is never imitative. Through exploration and experiment, these artists have each arrived at a language of expression uniquely their own; and this language has contributed in some seminal sense to contemporary art in India." "These chapters explain the meaning of originality in its true sense: as the fusion of the new and the old, the forbidden and the familiar - to discover from the worn-out, new images that subvert the original implications - leading us to fresh insights on life and its values today."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Frank J. Korom
Publisher: Routledge
ISBN: 0429753810
Category : Art
Languages : en
Pages : 272
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Book Description
The Indian Subcontinent has been at the centre of folklore inquiry since the 19th century, yet, while much attention was paid to India by early scholars, folkloristic interest in the region waned over time until it virtually disappeared from the research agendas of scholars working in the discipline of folklore and folklife. This fortunately changed in the 1980s when a newly energized group of younger scholars, who were interested in a variety of new approaches that went beyond the textual interface, returned to folklore as an untapped resource in South Asian Studies. This comprehensive volume further reinvigorates the field by providing fresh studies and new models both for studying the “lore” and the “life” of everyday people in the region, as well as their engagement with the world at large. By bringing Muslims, material culture, diasporic horizons, global interventions and politics to bear on South Asian folklore studies, the authors hope to stimulate more dialogue across theoretical and geographical borders to infuse the study of the Indian Subcontinent’s cultural traditions with a new sense of relevance that will be of interest not only to areal specialists but also to folklorists and anthropologists in general. This book was originally published as a special issue of South Asian History and Culture.
Author: Sanjukta Sunderason
Publisher: Stanford University Press
ISBN: 1503613003
Category : History
Languages : en
Pages : 404
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Book Description
Partisan Aesthetics explores art's entanglements with histories of war, famine, mass politics and displacements that marked late-colonial and postcolonial India. Introducing "partisan aesthetics" as a conceptual grid, the book identifies ways in which art became political through interactions with left-wing activism during the 1940s, and the afterlives of such interactions in post-independence India. Using an archive of artists and artist collectives working in Calcutta from these decades, Sanjukta Sunderason argues that artists became political not only as reporters, organizers and cadre of India's Communist Party, or socialist fellow travelers, but through shifting modes of political participations and dissociations. Unmooring questions of Indian modernism from its hitherto dominant harnesses to national or global affiliations, Sunderason activates, instead, distinctly locational histories that refract transnational currents. She analyzes largely unknown and dispersed archives—drawings, diaries, posters, periodicals, and pamphlets, alongside paintings and prints—and insists that art as archive is foundational to understanding modern art's socialist affiliations during India's long decolonization. By bringing together expanding fields of South Asian art, global modernisms, and Third World cultures, Partisan Aesthetics generates a new narrative that combines political history of Indian modernism, social history of postcolonial cultural criticism, and intellectual history of decolonization.
Author: Samaren Roy
Publisher: iUniverse
ISBN: 0595342302
Category : History
Languages : en
Pages : 188
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Book Description
Calcutta, for whose slums and poverty many moan, has been a city swept by various imported ideas and vibrant with indigenous ones. In the process it has evolved into a creative center, especially in the fields of arts, thought, and science. Controversy is what the city has thrived upon, despite its multiplicity of problems. The book deals with some of the controversies and their contribution to contemporary society and culture. "...a very well informed account--highly perceptive--of intellectual trends and related changes in Calcutta." Robert J. Crane Ford-Maxwell Professor of South Asia History Syracuse University
Author: Gregory J Watkins
Publisher: Oxford University Press
ISBN: 0199714584
Category : Religion
Languages : en
Pages : 324
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Book Description
In a culture increasingly focused on visual media, students have learned not only to embrace multimedia presentations in the classroom, but to expect them. Such expectations are perhaps more prevalent in a field as dynamic and cross-disciplinary as religious studies, but the practice nevertheless poses some difficult educational issues -- the use of movies in academic coursework has far outpaced the scholarship on teaching religion and film. What does it mean to utilize film in religious studies, and what are the best ways to do it? In Teaching Religion and Film, an interdisciplinary team of scholars thinks about the theoretical and pedagogical concerns involved with the intersection of film and religion in the classroom. They examine the use of film to teach specific religious traditions, religious theories, and perspectives on fundamental human values. Some instructors already teach some version of a film-and-religion course, and many have integrated film as an ancillary to achieving central course goals. This collection of essays helps them understand the field better and draws the sharp distinction between merely "watching movies" in the classroom and comprehending film in an informed and critical way.
Author: Wendy Singer
Publisher: Routledge
ISBN: 1317876199
Category : History
Languages : en
Pages : 250
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Book Description
Independent India is an exploration of India’s national history from independence in 1947 to the end of the twentieth century. Wendy Singer charts the rapid development of this emerging world power by following a series of different narratives crucial to the history of post-independence India: national integrations, the ongoing development of arts and culture, social movements, and political change. In telling the broader history of political movements and cultural transformations from different perspectives, this book provides key examples that demonstrate the experiences of women and men from the many classes and cultures that comprise modern India. In keeping with the series as a whole, this text also provides a range of primary source documents both to illuminate that history and to show the rich resources and unique challenges involved in writing contemporary history. Key features include: Thematic chapters within a chronological structure, incorporating different approaches to the study of history A varied range of primary sources, demonstrating the diversity of material available In-depth social, cultural and political analysis, including the study of regional identities, film, literature, gender, politics and economic change Investigating India’s recent national history from a range of angles, this new Seminar Studies volume is an essential introduction for anyone who wishes to learn more about the important place that India, the world’s largest democracy, has in our global age. .
