Author: Glenn A. Peers
Publisher: Cornell University Press
ISBN: 1501775049
Category : History
Languages : en
Pages : 325
Book Description
Byzantine Media Subjects invites readers into a world replete with images—icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves.
Byzantine Media Subjects
Author: Glenn A. Peers
Publisher: Cornell University Press
ISBN: 1501775049
Category : History
Languages : en
Pages : 325
Book Description
Byzantine Media Subjects invites readers into a world replete with images—icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves.
Publisher: Cornell University Press
ISBN: 1501775049
Category : History
Languages : en
Pages : 325
Book Description
Byzantine Media Subjects invites readers into a world replete with images—icons, frescoes, and mosaics filling places of worship, politics, and community. Glenn Peers asks readers to think themselves into a world where representation reigned and humans followed, and indeed were formed. Interrogating the fundamental role of representation in the making of the Byzantine human, Peers argues that Byzantine culture was (already) posthuman. The Byzantine experience reveals the extent to which media like icons, manuscripts, music, animals, and mirrors fundamentally determine humans. In the Byzantine world, representation as such was deeply persuasive, even coercive; it had the power to affect human relationships, produce conflict, and form self-perception. Media studies has made its subject the modern world, but this book argues for media having made historical subjects. Here, it is shown that media long ago also made Byzantine humans, defining them, molding them, mediating their relationship to time, to nature, to God, and to themselves.
Medium, Messenger, Transmission
Author: Sybille Krämer
Publisher:
ISBN: 9789089647412
Category : Communication
Languages : en
Pages : 0
Book Description
Medium, Messenger, Transmission uses the figure of the messenger as a key metaphor for the function of all transmission media.
Publisher:
ISBN: 9789089647412
Category : Communication
Languages : en
Pages : 0
Book Description
Medium, Messenger, Transmission uses the figure of the messenger as a key metaphor for the function of all transmission media.
From Big Bang to Big Data
Author: Johan Jarlbrink
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015286
Category : Social Science
Languages : en
Pages : 321
Book Description
Does media history really start with a bang? More than just newspapers, television, and social networks, media are the means by which any information is communicated, from cosmic radiation traces to medieval church bells to modern identity documents. Cultures are held together as much by bookkeeping and records as they are by stories and myths. From Big Bang to Big Data is a long history of the media – how it has been established, used, and transformed from the beginning of recorded time until the present. It is not primarily a story of revolutions and innovations, but of continuities and overlaps that reveal surprising patterns across history. Many media were invented as ways to store and share information, and many have served as powerful tools for administration and control. The concerns raised about media today, whether about privacy, piracy, or anxieties over declining cultural standards, preoccupied earlier generations too. In a playful style, accompanied by more than one hundred illustrations, the authors show us how every society has been a media society in its own way. From antique graffiti to last year’s viral YouTube clip, the past is only approachable through media. From Big Bang to Big Data provides a new way of thinking about media in history – and about human societies past and present.
Publisher: McGill-Queen's Press - MQUP
ISBN: 0228015286
Category : Social Science
Languages : en
Pages : 321
Book Description
Does media history really start with a bang? More than just newspapers, television, and social networks, media are the means by which any information is communicated, from cosmic radiation traces to medieval church bells to modern identity documents. Cultures are held together as much by bookkeeping and records as they are by stories and myths. From Big Bang to Big Data is a long history of the media – how it has been established, used, and transformed from the beginning of recorded time until the present. It is not primarily a story of revolutions and innovations, but of continuities and overlaps that reveal surprising patterns across history. Many media were invented as ways to store and share information, and many have served as powerful tools for administration and control. The concerns raised about media today, whether about privacy, piracy, or anxieties over declining cultural standards, preoccupied earlier generations too. In a playful style, accompanied by more than one hundred illustrations, the authors show us how every society has been a media society in its own way. From antique graffiti to last year’s viral YouTube clip, the past is only approachable through media. From Big Bang to Big Data provides a new way of thinking about media in history – and about human societies past and present.
Philosophy of the Medium
Author: John Lechte
Publisher: Bloomsbury Publishing
ISBN: 1350299200
Category : Philosophy
Languages : en
Pages : 241
Book Description
Taking the principle of the 'disappearance of the medium' into new territory, this book questions the pervasive influence of the principle that the 'medium is the message'. Bold and expansive, this book argues that we have for too long focused on the technical specificities of media, when we should have been focusing on what it is that mediums do, that is, on their 'content' rather than their formal and technical qualities. With a re-reading of McLuhan, this volume offers a study of the conflicting views of technics as a medium in Bernard Stiegler's work as well as an investigation into the extent to which Michel Serres' work on communication sheds light on the nature of medium. Engaging also with the concept of Object-Oriented Ontology (OOO), and the notion of probabilistic objects in quantum physics and climate change, he explores the way in which measurement is perceived to 'create' reality. Concluding with a fascinating study of the implications of consciousness as a medium, this book ultimately reconsiders and offers a deeper understanding of what we mean by the term 'media': it is that which comes 'between' and which facilitates the transmission of content, essentially a creator of possibilities, yet never present as such in the light of its success as a vehicle for meaning.
Publisher: Bloomsbury Publishing
ISBN: 1350299200
Category : Philosophy
Languages : en
Pages : 241
Book Description
Taking the principle of the 'disappearance of the medium' into new territory, this book questions the pervasive influence of the principle that the 'medium is the message'. Bold and expansive, this book argues that we have for too long focused on the technical specificities of media, when we should have been focusing on what it is that mediums do, that is, on their 'content' rather than their formal and technical qualities. With a re-reading of McLuhan, this volume offers a study of the conflicting views of technics as a medium in Bernard Stiegler's work as well as an investigation into the extent to which Michel Serres' work on communication sheds light on the nature of medium. Engaging also with the concept of Object-Oriented Ontology (OOO), and the notion of probabilistic objects in quantum physics and climate change, he explores the way in which measurement is perceived to 'create' reality. Concluding with a fascinating study of the implications of consciousness as a medium, this book ultimately reconsiders and offers a deeper understanding of what we mean by the term 'media': it is that which comes 'between' and which facilitates the transmission of content, essentially a creator of possibilities, yet never present as such in the light of its success as a vehicle for meaning.
New Money
Author: Lana Swartz
Publisher: Yale University Press
ISBN: 0300252455
Category : Business & Economics
Languages : en
Pages : 270
Book Description
A new vision of money as a communication technology that creates and sustains invisible—often exclusive—communities One of the basic structures of everyday life, money is at its core a communication media. Payment systems—cash, card, app, or Bitcoin—are informational and symbolic tools that integrate us into, or exclude us from, the society that surrounds us. Examining the social politics of financial technologies, Lana Swartz reveals what’s at stake when we pay. This accessible and insightful analysis comes at a moment of disruption: from “fin-tech” startups to cryptocurrency schemes, a variety of technologies are poised to unseat traditional financial infrastructures. Swartz explains these changes, traces their longer histories, and demonstrates their consequences. Getting paid and paying determines whether or not you can put food on the table. She shows just how important these invisible systems are. The data that payment produces is uniquely revelatory—and newly valuable. New forms of money create new forms of identity, new forms of community, and new forms of power.
Publisher: Yale University Press
ISBN: 0300252455
Category : Business & Economics
Languages : en
Pages : 270
Book Description
A new vision of money as a communication technology that creates and sustains invisible—often exclusive—communities One of the basic structures of everyday life, money is at its core a communication media. Payment systems—cash, card, app, or Bitcoin—are informational and symbolic tools that integrate us into, or exclude us from, the society that surrounds us. Examining the social politics of financial technologies, Lana Swartz reveals what’s at stake when we pay. This accessible and insightful analysis comes at a moment of disruption: from “fin-tech” startups to cryptocurrency schemes, a variety of technologies are poised to unseat traditional financial infrastructures. Swartz explains these changes, traces their longer histories, and demonstrates their consequences. Getting paid and paying determines whether or not you can put food on the table. She shows just how important these invisible systems are. The data that payment produces is uniquely revelatory—and newly valuable. New forms of money create new forms of identity, new forms of community, and new forms of power.
Mediating the Real
Author: Pascal Sigg
Publisher: transcript Verlag
ISBN: 3839473268
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
As a literary genre, the nonfictional reportage has particular implications for the role of the writer. Pascal Sigg shows how six U.S. American writers, including David Foster Wallace, George Saunders, and Rachel Kaadzi Ghansah, reflect on themselves as human media in their reportage. The writers assert themselves in a postmodern way by scrutinizing their own mediation. As it also traces and develops the theorization of reportage as genre along the reporters' early concerns with technical media, this pioneering contribution to literary journalism studies paves a way for a new materialist approach in the under-researched field.
Publisher: transcript Verlag
ISBN: 3839473268
Category : Literary Criticism
Languages : en
Pages : 307
Book Description
As a literary genre, the nonfictional reportage has particular implications for the role of the writer. Pascal Sigg shows how six U.S. American writers, including David Foster Wallace, George Saunders, and Rachel Kaadzi Ghansah, reflect on themselves as human media in their reportage. The writers assert themselves in a postmodern way by scrutinizing their own mediation. As it also traces and develops the theorization of reportage as genre along the reporters' early concerns with technical media, this pioneering contribution to literary journalism studies paves a way for a new materialist approach in the under-researched field.
‘The Bird Who Sang the Trisagion’ of Isaac of Antioch
Author: Robert A. Kitchen
Publisher: Springer Nature
ISBN: 3031600770
Category :
Languages : en
Pages : 139
Book Description
Publisher: Springer Nature
ISBN: 3031600770
Category :
Languages : en
Pages : 139
Book Description
Media Transatlantic: Developments in Media and Communication Studies between North American and German-speaking Europe
Author: Norm Friesen
Publisher: Springer
ISBN: 3319284894
Category : Language Arts & Disciplines
Languages : en
Pages : 212
Book Description
This book reflects recent scholarly and theoretical developments in media studies, or Medienwissenschaft. It focuses on linkages between North America and German‐speaking Europe, and brings together and contextualizes contributions from a range of leading scholars. In addition to introducing English‐language readers to some of the most prominent contemporary German media theorists and philosophers, including Claus Pias, Sybille Krämer and Rainer Leschke, the book shows how foundational North American contributions are themselves inspired and informed by continental sources. This book takes Harold Innis or Marshall McLuhan (and other members of the “Toronto School”) as central points of reference, and traces prospective and retrospective lines of influence in a cultural geography that is increasingly global in its scope. In so doing, the book also represents a new episode in the international reception and reinterpretation of the work of Innis and McLuhan, the two founders of the theory and study of media.
Publisher: Springer
ISBN: 3319284894
Category : Language Arts & Disciplines
Languages : en
Pages : 212
Book Description
This book reflects recent scholarly and theoretical developments in media studies, or Medienwissenschaft. It focuses on linkages between North America and German‐speaking Europe, and brings together and contextualizes contributions from a range of leading scholars. In addition to introducing English‐language readers to some of the most prominent contemporary German media theorists and philosophers, including Claus Pias, Sybille Krämer and Rainer Leschke, the book shows how foundational North American contributions are themselves inspired and informed by continental sources. This book takes Harold Innis or Marshall McLuhan (and other members of the “Toronto School”) as central points of reference, and traces prospective and retrospective lines of influence in a cultural geography that is increasingly global in its scope. In so doing, the book also represents a new episode in the international reception and reinterpretation of the work of Innis and McLuhan, the two founders of the theory and study of media.
On Black Media Philosophy
Author: Armond R. Towns
Publisher: Univ of California Press
ISBN: 0520355792
Category : Language Arts & Disciplines
Languages : en
Pages : 242
Book Description
Introduction: the medium is the message, revisited: media and Black epistemologies -- Technological darwinism -- Black escapism on the underground (Black) anthropocene -- Toward a theory of intercommunal media -- Black "matter" lives: Michael Brown and digital afterlives -- Conclusion: the reparations of the earth.
Publisher: Univ of California Press
ISBN: 0520355792
Category : Language Arts & Disciplines
Languages : en
Pages : 242
Book Description
Introduction: the medium is the message, revisited: media and Black epistemologies -- Technological darwinism -- Black escapism on the underground (Black) anthropocene -- Toward a theory of intercommunal media -- Black "matter" lives: Michael Brown and digital afterlives -- Conclusion: the reparations of the earth.
Making It Heard
Author: Rui Chaves
Publisher: Bloomsbury Publishing USA
ISBN: 1501344447
Category : Music
Languages : en
Pages : 389
Book Description
From the mid-20th century to present, the Brazilian art, literature, and music scene have been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, mail art, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recognize local idiosyncrasies, and creates a local rationale and discourse. Through this approach, Chaves and Iazzetta enable students, researchers, and artists to discover and acknowledge work produced outside of a standard Anglo-European framework.
Publisher: Bloomsbury Publishing USA
ISBN: 1501344447
Category : Music
Languages : en
Pages : 389
Book Description
From the mid-20th century to present, the Brazilian art, literature, and music scene have been witness to a wealth of creative approaches involving sound. This is the backdrop for Making It Heard: A History of Brazilian Sound Art, a volume that offers an overview of local artists working with performance, experimental vinyl production, sound installation, sculpture, mail art, field recording, and sound mapping. It criticizes universal approaches to art and music historiography that fail to recognize local idiosyncrasies, and creates a local rationale and discourse. Through this approach, Chaves and Iazzetta enable students, researchers, and artists to discover and acknowledge work produced outside of a standard Anglo-European framework.