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Author: Jane Chance
Publisher:
ISBN: 9780813012568
Category : Civilization, Medieval
Languages : en
Pages : 731
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Book Description
Author: Jane Chance
Publisher:
ISBN: 9780813012568
Category : Civilization, Medieval
Languages : en
Pages : 731
Get Book Here
Book Description
Author: Jane Chance
Publisher: Wipf and Stock Publishers
ISBN: 1532688938
Category : Literary Criticism
Languages : en
Pages : 770
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Book Description
The mythic world of Juno, Jupiter's consort, is one of flesh and begetting, of suffering and death, and of poetry itself. Exploring the relationship between that realm of the classical gods and the sphere of medieval mythographers, Jane Chance illuminates the efforts of medieval writers to understand human existence and the forces of nature in relation to Christian truth.
Author: Jane Chance
Publisher: Wipf and Stock Publishers
ISBN: 1532688911
Category : Literary Criticism
Languages : en
Pages : 770
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Book Description
The mythic world of Juno, Jupiter's consort, is one of flesh and begetting, of suffering and death, and of poetry itself. Exploring the relationship between that realm of the classical gods and the sphere of medieval mythographers, Jane Chance illuminates the efforts of medieval writers to understand human existence and the forces of nature in relation to Christian truth.
Author: Hugh M. Thomas
Publisher: OUP Oxford
ISBN: 0191007013
Category : History
Languages : en
Pages : 445
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Book Description
The secular clergy - priests and other clerics outside of monastic orders - were among the most influential and powerful groups in European society during the central Middle Ages. The secular clergy got their title from the Latin word for world, saeculum, and secular clerics kept the Church running in the world beyond the cloister wall, with responsibility for the bulk of pastoral care and ecclesiastical administration. This gave them enormous religious influence, although they were considered too worldly by many contemporary moralists - trying, for instance, to oppose the elimination of clerical marriage and concubinage. Although their worldliness created many tensions, it also gave the secular clergy much worldly influence. Contemporaries treated elite secular clerics as equivalent to knights, and some were as wealthy as minor barons. Secular clerics had a huge role in the rise of royal bureaucracy, one of the key historical developments of the period. They were instrumental to the intellectual and cultural flowering of the twelfth century, the rise of the schools, the creation of the book trade, and the invention of universities. They performed music, produced literature in a variety of genres and languages, and patronized art and architecture. Indeed, this volume argues that they contributed more than any other group to the Twelfth-Century Renaissance. Yet the secular clergy as a group have received almost no attention from scholars, unlike monks, nuns, or secular nobles. In The Secular Clergy in England, 1066-1216, Hugh Thomas aims to correct this deficiency through a major study of the secular clergy below the level of bishop in England from 1066 to 1216.
Author: Kathryn McKinley
Publisher: BRILL
ISBN: 9004351019
Category : Literary Criticism
Languages : en
Pages : 223
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Book Description
This study investigates the reception of Ovid's heroines in Metamorphoses commentaries written between 1100 and 1618. The Ovidian heroine offers a telling window onto medieval and early modern clerical constructions of gender and selfhood. In the context of classical representations of the feminine, the book examines Ovid's engagement of the heroine to explore problems of intentionality. The second part of the study presents commentaries by such clerics as William of Orléans, the "Vulgate" commentator, Thomas Walsingham, and Raphael Regius, illustrating the reception of the Ovidian heroine in medieval France and England as well as in Renaissance Italy and Germany. The works analyzed here show that clerical readings of the feminine in Ovid reflect greater heterogeneity than is commonly alleged. Both moralizing summaries and Latin editions used as schooltexts are discussed.
Author: Curtis A. Gruenler
Publisher: University of Notre Dame Pess
ISBN: 0268101655
Category : Literary Criticism
Languages : en
Pages : 636
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Book Description
In this book, Curtis Gruenler proposes that the concept of the enigmatic, latent in a wide range of medieval thinking about literature, can help us better understand in medieval terms much of the era’s most enduring literature, from the riddles of the Anglo-Saxon bishop Aldhelm to the great vernacular works of Dante, Chaucer, Julian of Norwich, and, above all, Langland’s Piers Plowman. Riddles, rhetoric, and theology—the three fields of meaning of aenigma in medieval Latin—map a way of thinking about reading and writing obscure literature that was widely shared across the Middle Ages. The poetics of enigma links inquiry about language by theologians with theologically ambitious literature. Each sense of enigma brings out an aspect of this poetics. The playfulness of riddling, both oral and literate, was joined to a Christian vision of literature by Aldhelm and the Old English riddles of the Exeter Book. Defined in rhetoric as an obscure allegory, enigma was condemned by classical authorities but resurrected under the influence of Augustine as an aid to contemplation. Its theological significance follows from a favorite biblical verse among medieval theologians, “We see now through a mirror in an enigma, then face to face” (1 Cor. 13:12). Along with other examples of the poetics of enigma, Piers Plowman can be seen as a culmination of centuries of reflection on the importance of obscure language for knowing and participating in endless mysteries of divinity and humanity and a bridge to the importance of the enigmatic in modern literature. This book will be especially useful for scholars and undergraduate students interested in medieval European literature, literary theory, and contemplative theology.
Author: John Gower
Publisher: Medieval Institute Publications
ISBN: 1580444555
Category : Literary Collections
Languages : en
Pages : 366
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Book Description
The complete text of John Gower's Confessio Amantis is a three-volume edition, including all Latin components - with translations - of this bilingual poem and extensive glosses, bibliography, and explanatory notes. Volume 2 contains Books 2, 3, and 4, which follow in their structure the outline of Vice and its children found in the early French poem the Mirour de l'Omme.
Author: Marice Rose
Publisher: BRILL
ISBN: 9004289690
Category : Art
Languages : en
Pages : 483
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Book Description
Receptions of Antiquity, Constructions of Gender in European Art, 1300-1600 presents scholarship in classical reception at its nexus with art history and gender studies. It considers the ways that artists, patrons, collectors, and viewers in late medieval and early modern Europe used ancient Greek and Roman art, texts, myths, and history to interact with and shape notions of gender. The essays examine Giotto's Arena Chapel frescoes, Michelangelo's Medici Chapel personifications, Giulio Romano's decoration of the Palazzo del Te, and other famous and lesser-known sculptures, paintings, engravings, book illustrations, and domestic objects as well as displays of ancient art. Visual responses to antiquity in this era, the volume demonstrates, bore a complex and significant relationship to the construction of, and challenges to, contemporary gender norms.
Author: Anders Cullhed
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110310945
Category : Literary Criticism
Languages : en
Pages : 725
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Book Description
Anders Cullhed’s study The Shadow of Creusa explores the early Christian confrontation with pagan culture as a remote anticipation of many later clashes between religious orthodoxy and literary fictionality. After a careful survey of Saint Augustine’s critical attitudes to ancient myth and poetry, summarized as a long drawn-out farewell, Cullhed examines other Late Antique dismissals as well as appropriations of the classical heritage. Macrobius, Martianus Capella and Boethius figure among the Late Antique intellectuals who attempted to save or even restore the old mythology by means of allegorical representation. On the other hand, pious poets such as Paulinus of Nola and Bible epic writers such as Iuvencus or Avitus of Vienne turned against pagan lies, and the mighty arch-bishop of Milan, Saint Ambrose, played off unconditional Christian truth against the last Roman strongholds of cultural pluralism. Thus, The Shadow of Creusa elucidates a cultural conflict which was to leave traces all through the Middle Ages and reach down to our present day.
Author: John Block Friedman
Publisher: Syracuse University Press
ISBN: 9780815628255
Category : Literary Criticism
Languages : en
Pages : 292
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Book Description
Orpheus, the Thracian signer who charmed nature with the music of his lyre and traveled to the underworld to win back his wife, Ewydice, is a familiar figure in Western culture. Yet, as each age modified his deeds and altered the narrative to make the Orpheus myth conform to the values of the day, his legend acquired many new and surprising meanings. Friedman examines the various reshaping's of the myth from the Hellenistic age through the late Middle Ages. He presents primarily a literary study, but draws as well upon art and iconography, indicating how literary characterizations of Orpheus gave rise to new iconographical details for his portrayals in art, which in turn led to different portrayals in literature. He first outlines the figure of Orpheus in antiquity. He continues with an examination of the significant conceptual changes in the Orpheus myth. In the religious and philosophical writings of Hellenistic Jews and, later, Christians, Orpheus appears as a monotheist. He emerges as a Good Shepherd figure in late antique art and eventually is identified with Christ as a guide of men's souls to the afterlife. In the Middle Ages, Orpheus' relationship with Ewydice gains importance. The pair first serve a didactic and moralizing purpose, coming together as in Boethius' Consolation of Philosophy, more as the abstractions of reason and passion than as tragic lovers. In the later Middle Ages, however, they appear as a secular couple who illustrate the power of the god Amor over the human heart. Orpheus becomes a courtly knight and the writer of elegant love lyrics. The blending of these two medieval traditions is seen in Robert Henryson's Orpheus and Eurydice. Friedman pays special attention to this work as well as to the romance Sir Orfeo. Thus, the propagation of religious belief—one of the primary concerns of the early Middle Ages— was reflected in the early conceptions of Orpheus. Later, with the growth of the courtly love tradition Orpheus and Eurydice became significant as lovers. This book illustrates the vitality and flexibility that a myth must possess as it adapts to different eras and embodies the interests and concerns of each.
