Medieval Images of Saint Bernard of Clairvaux PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Medieval Images of Saint Bernard of Clairvaux PDF full book. Access full book title Medieval Images of Saint Bernard of Clairvaux by James France. Download full books in PDF and EPUB format.
Author: James France
Publisher: Cistercian Publications Books
ISBN:
Category : Art
Languages : en
Pages : 492
Get Book Here
Book Description
Accompanying CD-ROM contains ... "image-index of all known medieval portrayals of this influential saint."--Page 4 of cover.
Author: James France
Publisher: Cistercian Publications Books
ISBN:
Category : Art
Languages : en
Pages : 492
Get Book Here
Book Description
Accompanying CD-ROM contains ... "image-index of all known medieval portrayals of this influential saint."--Page 4 of cover.
Author: Saint Bernard (of Clairvaux)
Publisher: Liturgical Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 208
Get Book Here
Book Description
Two lengthy letters from the abbot of Clairvaux illuminate the transition in theological method in the mid twelfth-century. In this letter to the bishop of Sens on the responsibilities of his office, Bernard articulates his monastic conviction that authority in the Church must be accompanied by contemplative virtues, especially a deeply ingrained humility. Pastors who do attend to their own spiritual health, he explains, are incapable of caring for others. In his letter of baptism, written to Hugh of Saint Victor, Bernard seeks to refute what he considered the doctrinal error of an unnamed scholar-likely Peter Abelard-and assails a theological method he deemed likely to mislead the faithful, because-as Emero Stiegman says in the Introduction-he considered all theological questions 'in the perspective of God's love'. These two letter-treatises (42 and 77) are not included in Bruno Scott James' English translation of The Letters of Saint Bernard of Clairvaux.
Author: Jan M. Ziolkowski
Publisher: Open Book Publishers
ISBN: 1783744367
Category : Art
Languages : en
Pages : 310
Get Book Here
Book Description
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
Author: Brian Patrick McGuire
Publisher: Cornell University Press
ISBN: 1501751557
Category : History
Languages : en
Pages : 377
Get Book Here
Book Description
In this intimate portrait of one of the Middle Ages' most consequential men, Brian Patrick McGuire delves into the life of Saint Bernard of Clairvaux to offer a refreshing interpretation that finds within this grand historical figure a deeply spiritual human being who longed for the reflective quietude of the monastery even as he helped shape the destiny of a church and a continent. Heresy and crusade, politics and papacies, theology and disputation shaped this astonishing man's life, and McGuire presents it all in a deeply informed and clear-eyed biography. Following Bernard from his birth in 1090 to his death in 1153 at the abbey he had founded four decades earlier, Bernard of Clairvaux reveals a life teeming with momentous events and spiritual contemplation, from Bernard's central roles in the first great medieval reformation of the Church and the Second Crusade, which he came to regret, to the crafting of his books, sermons, and letters. We see what brought Bernard to monastic life and how he founded Clairvaux Abbey, established a network of Cistercian monasteries across Europe, and helped his brethren monks and abbots in heresy trials, affairs of state, and the papal schism of the 1130s. By reevaluating Bernard's life and legacy through his own words and those of the people closest to him, McGuire reveals how this often-challenging saint saw himself and conveyed his convictions to others. Above all, this fascinating biography depicts Saint Bernard of Clairvaux as a man guided by Christian revelation and open to the achievements of the human spirit.
Author:
Publisher: BRILL
ISBN: 9004305300
Category : History
Languages : en
Pages : 313
Get Book Here
Book Description
Focusing on the theory and practice of Cistercian persuasion, the articles gathered in this volume offer historical, literary critical and anthropological perspectives on Caesarius of Heisterbach’s Dialogus Miraculorum (thirteenth century), the context of its production and other texts directly or indirectly inspired by it. The exempla inserted by Caesarius into a didactic dialogue between a monk and a novice survived for many centuries and travelled across the seas thanks to rewritings and translations into vernacular languages. An accomplished example of the art of persuasion —medieval and early modern— the Dialogus Miraculorum establishes a link not only between the monasteries, the mendicant circles and other religious congregations but also between the Middle Ages and Modernity, the Old and the New World. Contributors are: Jacques Berlioz, Elisa Brilli, Danièle Dehouve, Pierre-Antoine Fabre, Marie Formarier, Jasmin Margarete Hlatky, Elena Koroleva, Nathalie Luca, Brian Patrick McGuire, Stefano Mula, Marie Anne Polo de Beaulieu, Victoria Smirnova, and Anne-Marie Turcan-Verkerk.
Author: Mette Birkedal Bruun
Publisher: Cambridge University Press
ISBN: 1107001315
Category : History
Languages : en
Pages : 341
Get Book Here
Book Description
Presents the Order's figureheads, practical life and spiritual horizon, and its contribution to medieval Europe's religious, cultural and political climate.
Author: Renate Blumenfeld-Kosinski
Publisher: Cornell University Press
ISBN: 1501745506
Category : History
Languages : en
Pages : 329
Get Book Here
Book Description
This handsomely illustrated book suggests new ways of understanding a cultural institution central to the spiritual and artistic imagination of the Middle Ages. Bringing together fourteen essays by contributors representing a number of disciplines, it illuminates issues including the place of sanctity in society, the role of gender in the representation of sainthood, and the use of hagiographic conventions in other genres.
Author: F. Tyler Sergent
Publisher: Liturgical Press
ISBN: 087907051X
Category : Religion
Languages : en
Pages : 264
Get Book Here
Book Description
William of Saint-Thierry (ca. 1080–1148) became abbot of the Benedictine abbey of Saint-Thierry in about 1119, holding that office for about sixteen years and writing a large number of works, some for the guidance of the monks of his abbey and others as theological treatises. But during that same time, after meeting Bernard, abbot of the Cistercian abbey of Clairvaux, he longed to become a Cistercian. He finally satisfied that dream in 1135, when he became a monk at Signy. His final work was the first of the five books that constitute the Vita Prima Sancti Bernardi. The nine chapters in this book explore William’s thought as represented in his twenty works, ranging from his earliest theological writing through his contribution to the Vita Prima Sancti Bernardi. The contributors to this volume have moved scholarship on William in new directions, ranging from a comparative analysis of Bernard’s and William’s thought through a study of William’s Christology, an analysis of individual works, a new translation of one of William’s little-known works, an examination of sixteenth-century images drawn from the Vita Prima, a study of William’s rhetorical skills, and a recognition of William’s new take on the phrase unitas spiritus. Dr. E. Rozanne Elder’s expertise as a scholar of the works of William of Saint-Thierry, combined with her decades of distinguished service as a professor of history, director of the Institute of Cistercian Studies and then of the Center for Cistercian and Monastic Studies, all at Western Michigan University, and as editorial director of Cistercian Publications for thirty-five years, has made her the best known of Cistercian scholars today. She is the one primarily responsible for moving Cistercian studies into the mainstream of medieval history and thought. As the gracious and indefatigable host of the annual Conference of Cistercian Studies that takes place each May as part of the International Medieval Studies Congress, she has created a community of scholars and friends.
Author: John H. Coe
Publisher: InterVarsity Press
ISBN: 0830873686
Category : Religion
Languages : en
Pages : 309
Get Book Here
Book Description
What does a Christian life lived "by the Spirit" look like? Bringing together Protestant scholars and practitioners of spiritual formation, this volume offers a distinctly evangelical consideration of the benefits of contemplation. Drawing on historical examples from the church—including John Calvin, Richard Baxter, Jonathan Edwards, and John Wesley—this book considers how contemplative prayer can shape Christian living today.
Author: Jérémie Koering
Publisher: Princeton University Press
ISBN: 1890951366
Category : Art
Languages : en
Pages : 328
Get Book Here
Book Description
An unprecedented art-historical account of practices of image ingestion from ancient Egypt to the twentieth century Eating and drinking images may seem like an anomalous notion but, since antiquity, in the European and Mediterranean worlds, people have swallowed down frescoes, icons, engravings, eucharistic hosts stamped with images, heraldic wafers, marzipan figures, and other sculpted dishes. Either specifically made for human consumption or diverted from their original purpose so as to be ingested, these figured artifacts have been not only gazed upon but also incorporated—taken into the body—as solids or liquids. How can we explain such behavior? Why take an image into one’s own body, devouring it at the risk of destroying it, consuming rather than contemplating it wisely from a distance? What structures of the imagination underlie and justify these desires for incorporation? What are the visual configurations offered up to the mouth, and what are their effects? What therapeutic, religious, symbolic, and social functions can we attribute to these forms of relations with icons? These are a few of the questions raised in this investigation into iconophagy. Iconophages aims to retrace, for the first time, the history of iconophagy. Jérémie Koering examines this unexplored facet of the history of images through an interdisciplinary approach that ranges across art history, cultural and material history, anthropology, philosophy, and the history of the body and the senses. He analyzes the human investment, in terms of culture and imagination, at stake in this seemingly paradoxical way of experiencing images. Beyond the hidden knowledge unearthed here, these pages bring to light a new way of understanding images, just as they illuminate the occasionally outlandish relations we maintain with them.
