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Author: Anna Klosowska
Publisher: punctum books
ISBN: 195019275X
Category : Literary Criticism
Languages : en
Pages : 385
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Book Description
From Kehinde Wiley to W.E.B. Du Bois, from Nubia to Cuba, Willie Doherty's terror in ancient landscapes to the violence of institutional Neo-Gothic, Reagan's AIDS policies to Beowulf fanfiction, this richly diverse volume brings together art historians and literature scholars to articulate a more inclusive, intersectional medieval studies. It will be of interest to students working on the diaspora and migration, white settler colonialism and pogroms, Indigenous studies and decolonial methodology, slavery, genocide, and culturecide. The authors confront the often disturbing legacies of medieval studies and its current failures to own up to those, and also analyze fascist, nationalist, colonialist, anti-Semitic, and other ideologies to which the medieval has been and is yoked, collectively formulating concrete ethical choices and aims for future research and teaching.In the face of rising global fascism and related ideological mobilizations, contemporary and past, and of cultural heritage and history as weapons of symbolic and physical oppression, this volume's chapters on Byzantium, Medieval Nubia, Old English, Hebrew, Old French, Occitan, and American and European medievalisms examine how educational institutions, museums, universities, and individuals are shaped by ethics and various ideologies in research, collecting, and teaching.
Author: Anna Klosowska
Publisher: punctum books
ISBN: 195019275X
Category : Literary Criticism
Languages : en
Pages : 385
Get Book Here
Book Description
From Kehinde Wiley to W.E.B. Du Bois, from Nubia to Cuba, Willie Doherty's terror in ancient landscapes to the violence of institutional Neo-Gothic, Reagan's AIDS policies to Beowulf fanfiction, this richly diverse volume brings together art historians and literature scholars to articulate a more inclusive, intersectional medieval studies. It will be of interest to students working on the diaspora and migration, white settler colonialism and pogroms, Indigenous studies and decolonial methodology, slavery, genocide, and culturecide. The authors confront the often disturbing legacies of medieval studies and its current failures to own up to those, and also analyze fascist, nationalist, colonialist, anti-Semitic, and other ideologies to which the medieval has been and is yoked, collectively formulating concrete ethical choices and aims for future research and teaching.In the face of rising global fascism and related ideological mobilizations, contemporary and past, and of cultural heritage and history as weapons of symbolic and physical oppression, this volume's chapters on Byzantium, Medieval Nubia, Old English, Hebrew, Old French, Occitan, and American and European medievalisms examine how educational institutions, museums, universities, and individuals are shaped by ethics and various ideologies in research, collecting, and teaching.
Author: John H. Van Engen
Publisher:
ISBN:
Category : History
Languages : en
Pages : 458
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Book Description
Author: John Anthony Burrow
Publisher: Boydell & Brewer
ISBN: 0851157793
Category : History
Languages : en
Pages : 204
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Book Description
Studies of varied ways in which medieval people imagined the future, reasons behind such representations, and the implications for an understanding of medieval society as a whole.
Author: Will Rogers
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 1501513974
Category : History
Languages : en
Pages : 252
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Book Description
This collection of essays asks contributors to take the capaciousness of the word "queer" to heart in order to think about what medieval queers would have looked like and how they may have existed on the margins and borders of dominant, normative sexuality and desire. The contributors work with recent trends in queer medieval studies, blending together modern concepts of sexuality and desire with the queer configurations of eroticism, desire, and materiality as they might have existed for medieval audiences.
Author: Michael Anthony
Publisher: Createspace Independent Publishing Platform
ISBN: 9781511661942
Category :
Languages : en
Pages : 458
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Book Description
MEDIEVAL FUTURE The Medieval Future Series, Book #1: The Last Dragon Throne A tale, thousands of years in the making: Medieval Future unleashes a global conspiracy and catapults humanity ever closer to all out war. Castles, dragons, and dynasties, bent on absolute power, will battle for supremacy against a backdrop of forbidden love and desperate need. The time is right... Forever changed by a catastrophe that killed millions, the planet continues to harbor inhabitants that were once nearly obliterated by an asteroid shower. Rebuilding humanity has taken thousands of years, but peace, at least for now, prevails. A secret cabal, the Allfathers, see themselves as guardians, wielding their influence to unite the kingdoms of the world under a single leader: Prince Daven Brookler, the son and heir of King Daven I. However, the young university student has a mind of his own and seeks freedom to navigate the course of his life, apart from the whims of those in power. Quietly, he has given his heart to a strong-willed woman, with a past...and a secret. Their union threatens too much to be ignored, creating a show down of duty, love, and honor, but that clash is perhaps the least of their concerns. Thriving in a climate of oppression and hate, a religious faction, set a world apart, has seized control and looks to conquer the planet. Their dogma of 'death or submission' is ruthlessly enforced, enslaving thousands to their God's will, and tipping the scales of political domination, an outcome truly feared by the Allfathers. Greed, old rivalries, and conspiracies, rife with deceit, threaten a plan for world order that would bring peace and unity. Medieval Future: The Last Dragon Throne is a thought provoking, political thriller of global proportions, swept along by dynamic characters twisted together in a complex, all-encompassing plot. Author Michael Anthony has rewritten the history of the world, bringing book one of his fantasy thriller to light. Harness your dragon, reach for your buckler and blade and join the battle; the vision of a united future - One World, One People - hangs in the balance. Where will your allegiances lie and who will win your heart?
Author: Alexander Nagel
Publisher: Thames and Hudson
ISBN: 9780500238974
Category : Antiques & Collectibles
Languages : en
Pages : 0
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Book Description
Rich collisions and fresh perspectives illuminate the profound continuities of thought and practice that have marked Western art through the ages This groundbreaking study offers a radical new reading of art since the Middle Ages. Moving across the familiar period lines set out in conventional histories, Alexander Nagel explores the deep connections between modern and premodern art to reveal the underlying patterns and ideas traversing centuries of artistic practice. In a series of episodic chapters, he reconsiders from an innovative double perspective a number of key issues in the history of art, from iconoclasm and idolatry to installation and the museum as institution. He shows how the central tenets of modernism – serial production, site-specificity, collage, the readymade, and the questioning of the nature of art and authorship – were all features of earlier times before modernity, revived by recent generations. Nagel examines, among other things, the importance of medieval cathedrals to the 1920s Bauhaus movement, the parallels between Renaissance altarpieces and modern preoccupations with surface and structure; the relevance of Byzantine models to Minimalist artists; the affinities between ancient holy sites and early earthworks; and the similarities between the sacred relic and the modern readymade. Alongside the work of leading 20th-century medievalist writes such as Walter Benjamin, Marshall McLuhan, Leo Steinberg, and Duchamp, Kurt Schwitters, Robert Smithson, and Damien Hirst. The effect of these encounters goes in two directions at once: each age offers new insights into the other, deepening our understanding of both past and present, and providing a new set of reference points that reframe the history of art itself.
Author: Jane Gilbert
Publisher: Boydell & Brewer
ISBN: 1843845954
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
Essays on aspects of medieval French literature, celebrating the scholarship of Sarah Kay and her influence on the field.
Author: Peter Haidu
Publisher: Stanford University Press
ISBN: 080474744X
Category : Literary Criticism
Languages : en
Pages : 462
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Book Description
This work presents a thorough historicist account of the development of subjectivity in the medieval period, as traced in medieval literature and historical documentation.
Author: Thomas A. Fudge
Publisher: Rowman & Littlefield
ISBN: 1793650810
Category : History
Languages : en
Pages : 353
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Book Description
The Hussite movement is essential for understanding medieval Europe and the development of Western civilization. Matthew Spinka and Howard Kaminsky stand at the forefront of scholarship introducing this subject to the Anglophone world. Thomas A. Fudge argues their role in the religious historiography of late medieval Europe is a precursor to global medievalism. Combining commitment to the Christian faith with firm opposition to the Soviet-mandated Marxist-Communist ideology that dominated twentieth-century Czechoslovakia, Spinka strove to present Jan Hus as a medieval figure driven by religious devotion. Motivated by Jewish atheism and a modified form of Marxist analysis, Kaminsky rescued the medieval Hussites from oblivion and political agendas. Fudge explores biography, history, and historiography as an essential intellectual segue between medieval Hussites and modern scholarship. Matthew Spinka, Howard Kaminsky, and the Medieval Hussites considers biography, evaluates the work of both historians, elaborates their methods, assesses their interpretations, and analyzes their historiographical significance for the study of Hussite history.
Author: Andrew Cole
Publisher: Duke University Press
ISBN: 0822392542
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
This collection of essays argues that any valid theory of the modern should—indeed must—reckon with the medieval. Offering a much-needed correction to theorists such as Hans Blumenberg, who in his Legitimacy of the Modern Age describes the "modern age" as a complete departure from the Middle Ages, these essays forcefully show that thinkers from Adorno to Žižek have repeatedly drawn from medieval sources to theorize modernity. To forget the medieval, or to discount its continued effect on contemporary thought, is to neglect the responsibilities of periodization. In The Legitimacy of the Middle Ages, modernists and medievalists, as well as scholars specializing in eighteenth-, nineteenth-, and twentieth-century comparative literature, offer a new history of theory and philosophy through essays on secularization and periodization, Marx’s (medieval) theory of commodity fetishism, Heidegger’s scholasticism, and Adorno’s nominalist aesthetics. One essay illustrates the workings of medieval mysticism in the writing of Freud’s most famous patient, Daniel Paul Schreber, author of Memoirs of My Nervous Illness (1903). Another looks at Michael Hardt and Antonio Negri’s Empire, a theoretical synthesis whose conscientious medievalism was the subject of much polemic in the post-9/11 era, a time in which premodernity itself was perceived as a threat to western values. The collection concludes with an afterword by Fredric Jameson, a theorist of postmodernism who has engaged with the medieval throughout his career. Contributors: Charles D. Blanton, Andrew Cole, Kathleen Davis, Michael Hardt, Bruce Holsinger, Fredric Jameson, Ethan Knapp, Erin Labbie, Jed Rasula, D. Vance Smith, Michael Uebel
