Author: James D D Smith
Publisher: Routledge
ISBN: 0429965664
Category : Political Science
Languages : en
Pages : 324
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Book Description
This is an attempt to catalogue the reasons why some wars are so difficult to stop - even when both sides want the fighting to end. Through detailed case studies, the book assesses the obstacles and points toward solutions for ending wars more quickly. Each chapter is devoted to a specific obstacle which the author analyzes and then illustrates with case studies, drawing on such conflicts as the Iran-Iraq War, the Gulf War and the Yugoslav wars. He assesses the role of third parties in trying to persuade people to stop fighting and examines what happens when obstacles to a cease-fire cannot be overcome.
Author: James
Publisher: Open Court
ISBN: 0812698649
Category : History
Languages : en
Pages : 483
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Book Description
If you have ever been tempted to believe that President Kennedy was killed by a lone,demented gunman named Lee Harvey Oswald, then Assassination Science is the one book which will convince you, beyond any reasonable doubt, that there was indeed a conspiracy and a cover-up. Completely lacking the wild speculation that have marred some books on the shooting of JFK, Assassination Science sticks to the hard facts, interpreted by medical and scientific expertise.
Author: Sune Persson
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 378
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Book Description
Author: United States. Congress. House. Select Committee on Assassinations
Publisher:
ISBN:
Category : Assassination
Languages : en
Pages : 1658
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Book Description
Author: Robert B. Baer
Publisher: Penguin
ISBN: 069815178X
Category : Biography & Autobiography
Languages : en
Pages : 284
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Book Description
An odyssey through the art, theory, and brutality of modern political murder by Robert Baer, New York Times–bestselling author, former CIA operative, and, yes, assassin All four of Robert B. Baer’s previous books were New York Times bestsellers, and it’s no wonder. A recipient of the Career Intelligence Medal, Baer served as a CIA operative for decades, and his career was the model for the acclaimed movie Syriana. Now, Baer draws on his extensive firsthand experience—including a decades-long cat-and-mouse hunt for the greatest assassin of the modern age—to examine the serpentine history of political murder. Offering a tantalizing glimpse at the underbelly of world politics, The Perfect Kill will be avidly read by thriller fans and military history buffs alike.
Author: Hugh Byas
Publisher: Pickle Partners Publishing
ISBN: 1789121140
Category : History
Languages : en
Pages : 447
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Book Description
HERE IS THE TRUTH ABOUT THE PATRIOTIC MURDER SOCIETIES, THE ARMY GANGSTERS, THE ARMY’S IDEA OF JAPAN’S DESTINY, AND THE STRANGE ROLE OF THE EMPEROR. In Japan the army possesses a kind of autonomy which immunizes it from control by any other agency. Long ago, Mr. Byas saw that the intoxication of this immunity would lead to war, and so he spent many years ferreting out from the secretive Japanese how the militarists gained their fantastic power. His book therefore is to Japan what Rauschning’s Revolution of Nihilism was to Germany. Starting from the grass-roots of Japanese politics, it moves steadily toward the amazing disclosure of principles. At bottom, the Japanese Army is closely allied with gangsterism. The so-called patriotic societies which do its dirty work are nothing more than leagues of murderers, blackmailers, and thieves. Byas shows how these terrorists made contact years ago with certain groups of appreciative younger officers, and how consequently almost every civilian leader who curbed the army’s power was assassinated. Mr. Byas then asks what the basic program and philosophy of such a power group can be; and shows that it is aggression abroad and reaction at home. Japan was to become a war machine. 80% of its product was to go to the army, and the people were to live on the balance. The efficient planning and centralization of Marxism were to be used, but stripped of the hated component of democracy. Japan, like Germany, believes that it is a nation with a destiny, and that war pays. The furious Japanese egomania is centered in the Emperor and the notion of his divine descent. Mr. Byas therefore devotes several chapters to the hocus-pocus that surrounds this personage. He ends with a powerful and clear-headed discussion about the future.
Author: Abdul R. JanMohamed
Publisher: Duke University Press
ISBN: 0822386623
Category : Literary Criticism
Languages : en
Pages : 343
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Book Description
During the 1940s, in response to the charge that his writing was filled with violence, Richard Wright replied that the manner came from the matter, that the “relationship of the American Negro to the American scene [was] essentially violent,” and that he could deny neither the violence he had witnessed nor his own existence as a product of racial violence. Abdul R. JanMohamed provides extraordinary insight into Wright’s position in this first study to explain the fundamental ideological and political functions of the threat of lynching in Wright’s work and thought. JanMohamed argues that Wright’s oeuvre is a systematic and thorough investigation of what he calls the death-bound-subject, the subject who is formed from infancy onward by the imminent threat of death. He shows that with each successive work, Wright delved further into the question of how living under a constant menace of physical violence affected his protagonists and how they might “free” themselves by overcoming their fear of death and redeploying death as the ground for their struggle. Drawing on psychoanalytic, Marxist, and phenomenological analyses, and on Orlando Patterson’s notion of social death, JanMohamed develops comprehensive, insightful, and original close readings of Wright’s major publications: his short-story collection Uncle Tom’s Children; his novels Native Son, The Outsider, Savage Holiday, and The Long Dream; and his autobiography Black Boy/American Hunger. The Death-Bound-Subject is a stunning reevaluation of the work of a major twentieth-century American writer, but it is also much more. In demonstrating how deeply the threat of death is involved in the formation of black subjectivity, JanMohamed develops a methodology for understanding the presence of the death-bound-subject in African American literature and culture from the earliest slave narratives forward.
Author: Sune Persson
Publisher: Grub Street Publishers
ISBN: 178346951X
Category : History
Languages : en
Pages : 341
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Book Description
The true story of a risky Swedish mission to liberate thousands of prisoners from the Nazis. The Swedish Red Cross expedition to the German concentration camps in March–April 1945 was the largest rescue effort inside Germany during WWII. Sponsored by the Swedish government and led by Count Bernadotte of Wisborg, the mission became known for its distinctive buses. Each bus was purposely painted entirely white, except for the Red Cross emblem on the side, so that they would not be mistaken for military targets. Due to the chaotic conditions during the last weeks of the war, it is impossible to say exactly how many prisoners were liberated by the expedition, but according to conservative figures, by May 4, 1945, at least 17,000 had been transported to Sweden by the so-called White Buses. Of these, some 8,000 were Danes and Norwegians, around 6,000 were Poles, and more than 2,000 were French citizens. This is the first book to tell the full story of this remarkable and hazardous operation. It also details Bernadotte’s harrowing expedition to Ravensbrück concentration camp and his extraordinary negotiations with Heinrich Himmler, the Reichsführer-SS who was in charge of the German concentration camps, and tells how, during the course of these discussions, Himmler also made an offer of German surrender—an offer that was rejected by the Allies. Includes never before published photographs
Author: Nachman Ben-Yehuda
Publisher: State University of New York Press
ISBN: 0791496376
Category : Social Science
Languages : en
Pages : 553
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Book Description
Ben-Yehuda presents an in-depth inquiry into the nature and patterns of political assassinations and executions by Jews in Palestine and Israel. Extensive empirical evidence is used to analyze the social construction of violent and aggressive human behavior, using a sociology of deviance perspective. Political assassinations and executions are placed within their particular cultural matrix to describe how this specific form of killing has been conceptualized as part of an alternative system of justice. "The taking of a human life is generally regarded as the ultimate evil. Given this fact, it is important to examine and understand how it is explained, justified, and cloaked in a 'vocabulary of motives.' Such acts are, in the author's words, 'socially constructed and interpreted,' dependent on the observer's location in a specific 'symbolic-moral universe.'Moreover, such acts (political assassination specifically) are manifestations of struggles that represent attempts to legitimate these world-views, rhetorical devices that serve to define 'boundary-markers' between such universes — moral crusades that attempt to validate one view vis-a-vis another. This general approach to political assassinations is original. Its application to assassinations by Israelis is original. The fact that the book is empirical marks it off from many speculations on the subject. A number of the author's findings make a distinct contribution.
Author: Erica Levin
Publisher: University of Chicago Press
ISBN: 0226821951
Category : Art
Languages : en
Pages : 243
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Book Description
A fascinating look at artistic experiments with televisual forms. Following the integration of television into the fabric of American life in the 1950s, experimental artists of the 1960s began to appropriate this novel medium toward new aesthetic and political ends. As Erica Levin details in The Channeled Image, groundbreaking artists like Carolee Schneemann, Bruce Conner, Stan VanDerBeek, and Aldo Tambellini developed a new formal language that foregrounded television’s mediation of a social order defined by the interests of the state, capital, and cultural elites. The resulting works introduced immersive projection environments, live screening events, videographic distortion, and televised happenings, among other forms. For Levin, “the channeled image” names a constellation of practices that mimic, simulate, or disrupt the appearance of televised images. This formal experimentation influenced new modes of installation, which took shape as multi-channel displays and mobile or split-screen projections, or in some cases, experimental work produced for broadcast. Above all, this book asks how artistic experimentation with televisual forms was shaped by events that challenged television broadcasters’ claims to authority, events that set the stage for struggles over how access to the airwaves would be negotiated in the future.
