Mediæval hymns and sequences, tr. by J.M. Neale

Mediæval hymns and sequences, tr. by J.M. Neale PDF Author: Mediaeval hymns
Publisher:
ISBN:
Category :
Languages : en
Pages : 256

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Mediæval hymns and sequences, tr. by J.M. Neale

Mediæval hymns and sequences, tr. by J.M. Neale PDF Author: Mediaeval hymns
Publisher:
ISBN:
Category :
Languages : en
Pages : 256

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The Medieval Latin Hymn

The Medieval Latin Hymn PDF Author: Ruth Ellis Messenger
Publisher: Library of Alexandria
ISBN: 1465614605
Category : Fiction
Languages : en
Pages : 226

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The first mention of Christian Latin hymns by a known author occurs in the writings of St. Jerome who states that Hilary, Bishop of Poitiers (c. 310-366), a noted author of commentaries and theological works, wrote a Liber Hymnorum. This collection has never been recovered in its entirety. Hilary’s priority as a hymn writer is attested by Isidore of Seville (d. 636) who says: Hilary, however, Bishop of Poitiers in Gaul, a man of unusual eloquence, was the first prominent hymn writer. More important than his prior claim is the motive which actuated him, the defense of the Trinitarian doctrine, to which he was aroused by his controversy with the Arians. A period of four years as an exile in Phrygia for which his theological opponents were responsible, made him familiar with the use of hymns in the oriental church to promote the Arian heresy. Hilary wrested a sword, so to speak, from his adversaries and carried to the west the hymn, now a weapon of the orthodox. His authentic extant hymns, three in number, must have been a part of the Liber Hymnorum. Ante saecula qui manens, “O Thou who dost exist before time,” is a hymn of seventy verses in honor of the Trinity; Fefellit saevam verbum factum te, caro, “The Incarnate Word hath deceived thee (Death)” is an Easter hymn; and Adae carnis gloriosae, “In the person of the Heavenly Adam” is a hymn on the theme of the temptation of Jesus. They are ponderous in style and expression and perhaps too lengthy for congregational use since they were destined to be superseded. In addition to these the hymn Hymnum dicat turba fratrum, “Let your hymn be sung, ye faithful,” has been most persistently associated with Hilary’s name. The earliest text occurs in a seventh century manuscript. It is a metrical version of the life of Jesus in seventy-four lines, written in the same meter as that of Adae carnis gloriosae.

Sequentiæ, etc. Mediæval Hymns and Sequences ... Third edition, etc. MS. notes

Sequentiæ, etc. Mediæval Hymns and Sequences ... Third edition, etc. MS. notes PDF Author: John Mason Neale
Publisher:
ISBN:
Category :
Languages : en
Pages : 260

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Mediæval Hymns and Sequences

Mediæval Hymns and Sequences PDF Author:
Publisher:
ISBN:
Category : Hymns, English
Languages : en
Pages : 254

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Mediaeval Hymns and Sequences

Mediaeval Hymns and Sequences PDF Author: John Mason Neale
Publisher: Sagwan Press
ISBN: 9781297867279
Category :
Languages : en
Pages : 254

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Mediæval Hymns and Sequences

Mediæval Hymns and Sequences PDF Author:
Publisher:
ISBN:
Category : Religion
Languages : en
Pages : 254

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Mediaeval Christianity, from Gregory I to Gregory VII, A.D. 590-1073

Mediaeval Christianity, from Gregory I to Gregory VII, A.D. 590-1073 PDF Author: Philip Schaff
Publisher:
ISBN:
Category : Church history
Languages : en
Pages : 820

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Hymns and Hymnody: Historical and Theological Introductions, Volume 1

Hymns and Hymnody: Historical and Theological Introductions, Volume 1 PDF Author: Mark A. Lamport
Publisher: Wipf and Stock Publishers
ISBN: 1498299806
Category : Religion
Languages : en
Pages : 367

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Book Description
Hymns and the music the church sings are tangible means of expressing worship. And while worship is one of, if not the, central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a 60-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Volume 2 begins with the Reformation and extends to the eighteenth-century hymnists and liturgists. Volume 3 engages nineteenth century hymnists to the contemporary movements of the twenty-first century. Each chapter contains these five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The mission of Hymns and Hymnody is (1) to provide biographical data on influential hymn writers for students and interested laypeople, and (2) to provide a theological analysis of what these composers have communicated in the theology of their hymns. We believe it is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect, we contend, is missing—yet important—in accessible formats for the current literature.

Medieval Christian Literary Imagery

Medieval Christian Literary Imagery PDF Author: Robert Earl Kaske
Publisher: University of Toronto Press
ISBN: 9780802066633
Category : Literary Criticism
Languages : en
Pages : 276

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Book Description
If a reader of Chaucer suspects that an echo of a biblical verse may somehow depend for its meaning on traditional commentary on that verse, how does he or she go about finding the relevant commentaries? If one finds the word 'fire' in a context that suggests resonances beyond the literal, how does that reader go about learning what the traditional figurative meanings of fire were? It was to the solution of such difficulties that R.E. Kaske addressed himself in this volume setting out and analyzing the major repositories of traditional material: biblical exegesis, the liturgy, hymns and sequences, sermons and homilies, the pictorial arts, mythography, commentaries on individual authors, and a number of miscellaneous themes. An appendix deals with medieval encyclopedias. Kaske created a tool that will revolutionize research in its designated field: the discovery and interpretation of the traditional meanings reflected in medieval Christian imagery.

Hymns and Hymnody, Volume 1

Hymns and Hymnody, Volume 1 PDF Author: Benjamin K. Forrest
Publisher: James Clarke & Company
ISBN: 0227907213
Category : Music
Languages : en
Pages : 370

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Book Description
Hymns and the music the church sings are tangible means of expressing worship. As worship is one of the central functions of the church and it occupies a prime focus, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody is an introductory textbook in three volumes describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological perspectives of the major hymnists and composers that have impacted the church over the course of twenty centuries. Volume 1 explores the early church and concludes with the Renaissance era hymnists. Each chapter contains five elements: historical background, theological perspectives communicated in their hymns/compositions, contribution to liturgy and worship, notable hymns, and bibliography. The missions of Hymns and Hymnody are to provide biographical data on influential hymn writers for students and interested laypeople, and to provide a theological analysis of what the cited composers have communicated in the theology of their hymns. It is vital for those involved in leading the worship of the church to recognize that what they communicate is in fact theology. This latter aspect is missing in accessible formats for the current literature.