Author: Indiana University, Bloomington. Art Museum
Publisher: Indiana University Press
ISBN: 0253001161
Category : Antiques & Collectibles
Languages : en
Pages : 249
Book Description
Spanning six centuries and seven countries, the Middeldorf Collection--assembled by the late eminent art historian Ulrich Middeldorf--provides an extraordinary overview of major personalities and of political, social, cultural, and religious events as depicted in more than 350 medals and plaquettes. Illustrated in full color and accompanied by extensive documentation are commemorations of kings, queens, emperors, poets, composers, physicians, artists, inventors, popes, cardinals, and bishops. Papal annual and jubilee medals and delightful French reliefs from the Belle Époque complement medals from the eras of Louis XIV and XV, Napoleon, and the Risorgimento. Highlights of the collection are Italian medals from the 17th century and later--periods that until recently have received little scholarly attention.
Medals and Plaquettes in the Ulrich Middeldorf Collection at the Indiana University Art Museum
Author: Indiana University, Bloomington. Art Museum
Publisher: Indiana University Press
ISBN: 0253001161
Category : Antiques & Collectibles
Languages : en
Pages : 249
Book Description
Spanning six centuries and seven countries, the Middeldorf Collection--assembled by the late eminent art historian Ulrich Middeldorf--provides an extraordinary overview of major personalities and of political, social, cultural, and religious events as depicted in more than 350 medals and plaquettes. Illustrated in full color and accompanied by extensive documentation are commemorations of kings, queens, emperors, poets, composers, physicians, artists, inventors, popes, cardinals, and bishops. Papal annual and jubilee medals and delightful French reliefs from the Belle Époque complement medals from the eras of Louis XIV and XV, Napoleon, and the Risorgimento. Highlights of the collection are Italian medals from the 17th century and later--periods that until recently have received little scholarly attention.
Publisher: Indiana University Press
ISBN: 0253001161
Category : Antiques & Collectibles
Languages : en
Pages : 249
Book Description
Spanning six centuries and seven countries, the Middeldorf Collection--assembled by the late eminent art historian Ulrich Middeldorf--provides an extraordinary overview of major personalities and of political, social, cultural, and religious events as depicted in more than 350 medals and plaquettes. Illustrated in full color and accompanied by extensive documentation are commemorations of kings, queens, emperors, poets, composers, physicians, artists, inventors, popes, cardinals, and bishops. Papal annual and jubilee medals and delightful French reliefs from the Belle Époque complement medals from the eras of Louis XIV and XV, Napoleon, and the Risorgimento. Highlights of the collection are Italian medals from the 17th century and later--periods that until recently have received little scholarly attention.
Ribera’s Repetitions
Author: Todd P. Olson
Publisher: Penn State Press
ISBN: 0271098015
Category : Art
Languages : en
Pages : 265
Book Description
The seventeenth-century Valencian artist Jusepe de Ribera spent most of his career in Spanish Viceregal Naples, where he was known as “Lo Spagnoletto,” or “the Little Spaniard.” Working under the patronage of Spanish viceroys, Ribera held a special position bridging two worlds. In Ribera’s Repetitions, art historian Todd P. Olson sheds new light on the complexity of Ribera’s artwork and artistic methods and their connections to the Spanish imperial project. Drawing from a diverse range of sources, including poetry, literature, natural history, philosophy, and political history, Olson presents Ribera’s work in a broad context. He examines how Ribera’s techniques, including rotation, material decay (through etching), and repetition, influenced the artist’s drawings and paintings. Many of Ribera’s works featured scenes of physical suffering—from Saint Jerome’s corroded skin and the flayed bodies of Saint Bartholomew and Marsyas to the ragged beggar-philosophers and the eviscerated Tityus. But far from being the result of an individual sadistic predilection, Olson argues, Ribera’s art was inflected by the legacies of the Reconquest of Spain and Neapolitan coloniality. Ribera’s material processes and themes were not hermetically sealed in the studio; rather, they were engaged in the global Spanish Empire. Pathbreaking and deeply interdisciplinary, this copiously illustrated book offers art history students and scholars a means to see Ribera’s art anew.
Publisher: Penn State Press
ISBN: 0271098015
Category : Art
Languages : en
Pages : 265
Book Description
The seventeenth-century Valencian artist Jusepe de Ribera spent most of his career in Spanish Viceregal Naples, where he was known as “Lo Spagnoletto,” or “the Little Spaniard.” Working under the patronage of Spanish viceroys, Ribera held a special position bridging two worlds. In Ribera’s Repetitions, art historian Todd P. Olson sheds new light on the complexity of Ribera’s artwork and artistic methods and their connections to the Spanish imperial project. Drawing from a diverse range of sources, including poetry, literature, natural history, philosophy, and political history, Olson presents Ribera’s work in a broad context. He examines how Ribera’s techniques, including rotation, material decay (through etching), and repetition, influenced the artist’s drawings and paintings. Many of Ribera’s works featured scenes of physical suffering—from Saint Jerome’s corroded skin and the flayed bodies of Saint Bartholomew and Marsyas to the ragged beggar-philosophers and the eviscerated Tityus. But far from being the result of an individual sadistic predilection, Olson argues, Ribera’s art was inflected by the legacies of the Reconquest of Spain and Neapolitan coloniality. Ribera’s material processes and themes were not hermetically sealed in the studio; rather, they were engaged in the global Spanish Empire. Pathbreaking and deeply interdisciplinary, this copiously illustrated book offers art history students and scholars a means to see Ribera’s art anew.
The Material of Culture
Author: Perri Lee Roberts
Publisher: University of Georgia, Georgia Museum of Art
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 104
Book Description
"Georgia Museum of Art, University of Georgia, October 26, 2013/January 12, 2014."
Publisher: University of Georgia, Georgia Museum of Art
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 104
Book Description
"Georgia Museum of Art, University of Georgia, October 26, 2013/January 12, 2014."
Italian Portrait Drawings, 1400-1800, from North American Collections
Author: Adelheid M. Gealt
Publisher:
ISBN:
Category : Drawing, Italian
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Drawing, Italian
Languages : en
Pages : 148
Book Description
Art Index Retrospective
Author: Alice Maria Dougan
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 970
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 970
Book Description
Getty Research Journal, Number 5
Author: Thomas W. Gaehtgens
Publisher: Getty Publications
ISBN: 1606061364
Category : Art
Languages : en
Pages : 224
Book Description
The Getty Research Journal publishes the original research underway at the Getty and seeks to foster an environment of collaborative scholarship among art historians, museum curators, and conservators. Articles explore the collections of the J. Paul Getty Museum and Research Institute, as well as the annual themes and ongoing research projects of the Research Institute. Shorter texts highlight new acquisitions and discoveries, and focus on the diverse tools for scholarship being developed at the Getty. This issue features essays on early modern alchemy; portraits of the Orsini family; a decorative design for a Borghese palace; the Eruditi Italiani archive; the collecting habits of Louis-Philippe, duc d'Orléans; Félix Bracquemond's sketches of the Paris Commune; the art dealer David Croal Thomson; the Russian avant-garde book Mirskontsa; Malvina Hoffman's Heads and Tales; and Yves Klein at Galerie Schmela. In a new section about tools of art historical scholarship, authors discuss the Spanish translation of the Art & Architecture Thesaurus® and the creative potential of digital architectural taxonomies. Short texts examine ancient Roman terracotta fragments, prints by Albrecht Dürer, designs for the Palacio Salvo in Montevideo, the textile collection of Ulrich Middeldorf, a New York "pottery happening," and the German writer Christa Wolf.
Publisher: Getty Publications
ISBN: 1606061364
Category : Art
Languages : en
Pages : 224
Book Description
The Getty Research Journal publishes the original research underway at the Getty and seeks to foster an environment of collaborative scholarship among art historians, museum curators, and conservators. Articles explore the collections of the J. Paul Getty Museum and Research Institute, as well as the annual themes and ongoing research projects of the Research Institute. Shorter texts highlight new acquisitions and discoveries, and focus on the diverse tools for scholarship being developed at the Getty. This issue features essays on early modern alchemy; portraits of the Orsini family; a decorative design for a Borghese palace; the Eruditi Italiani archive; the collecting habits of Louis-Philippe, duc d'Orléans; Félix Bracquemond's sketches of the Paris Commune; the art dealer David Croal Thomson; the Russian avant-garde book Mirskontsa; Malvina Hoffman's Heads and Tales; and Yves Klein at Galerie Schmela. In a new section about tools of art historical scholarship, authors discuss the Spanish translation of the Art & Architecture Thesaurus® and the creative potential of digital architectural taxonomies. Short texts examine ancient Roman terracotta fragments, prints by Albrecht Dürer, designs for the Palacio Salvo in Montevideo, the textile collection of Ulrich Middeldorf, a New York "pottery happening," and the German writer Christa Wolf.
The Sculpture of Giovan Angelo Montorsoli and His Circle
Author: Alan Chong
Publisher:
ISBN: 9780929710440
Category : Myth in art
Languages : en
Pages : 192
Book Description
Publisher:
ISBN: 9780929710440
Category : Myth in art
Languages : en
Pages : 192
Book Description
Studying and Conserving Paintings
Author: New York University. Institute of Fine Arts. Conservation Center
Publisher: Parrot Books UK
ISBN:
Category : Art
Languages : en
Pages : 246
Book Description
Contents: Overview The Samuel H. Kress Collection: Conservation and Context Marilyn Perry The Samuel H. Kress Program in Paintings Conservation at the Conservation Center, Institute of Fine Arts, New York University Margaret Holben Ellis Introduction to the Volume Michele Marincola Acknowledgements Michele Marincola 2. Historical Papers Philosophies and Tastes in Nineteenth-Century Paintings Conservation Wendy Partridge Stephen Pichetto, conservator of the Kress Collection 1927-1949 Ann Hoenigswald Mario Modestini, Conservator of the Kress Collection 1949-1961 Dianne Modestini 3. Technical Studies & Treatment A New Leaf: Recent Technical Discoveries in the Goodhart Ducciesque Master's Madonna and Child with Four Saints Jennifer Sherman Botticelli's Nativity Charles R. Mack The Re-use of a Desco da Parto Mika Okawa & Dianne Dwyer Modestini The Triumphs of Petrarch: An Analysis of a Renaissance Decorative Cycle Wendy Partridge A Portable Triptych in El Paso Dianne Dwyer Modestini Guidoccio Cozzarelli's Scenes from the Life of the Virgin Dianne Modestini School of Pietro Perugino, Saint Sebastian Annette Rupprecht & Sheri Francis Shaneyfelt The Master of the Manchester Madonna: Restoration, Technique, and a Context for Attribution Molly March Portrait of a Lady and Techniques in the late Paintings of Nicolaes Maes, and Painting Techniques in the Late Paintings of Nicolaes Maes Laurent Sozzani with Christopher McGlinchey View of the Molo: A Canaletto Attribution Reinstated Elise Effmann Canaletto Paints the Molo from the Ponte della Paglia Katharine Baetjer View of the Grand Canal with Dogana and Guardi Studio Pictures Helen Spande
Publisher: Parrot Books UK
ISBN:
Category : Art
Languages : en
Pages : 246
Book Description
Contents: Overview The Samuel H. Kress Collection: Conservation and Context Marilyn Perry The Samuel H. Kress Program in Paintings Conservation at the Conservation Center, Institute of Fine Arts, New York University Margaret Holben Ellis Introduction to the Volume Michele Marincola Acknowledgements Michele Marincola 2. Historical Papers Philosophies and Tastes in Nineteenth-Century Paintings Conservation Wendy Partridge Stephen Pichetto, conservator of the Kress Collection 1927-1949 Ann Hoenigswald Mario Modestini, Conservator of the Kress Collection 1949-1961 Dianne Modestini 3. Technical Studies & Treatment A New Leaf: Recent Technical Discoveries in the Goodhart Ducciesque Master's Madonna and Child with Four Saints Jennifer Sherman Botticelli's Nativity Charles R. Mack The Re-use of a Desco da Parto Mika Okawa & Dianne Dwyer Modestini The Triumphs of Petrarch: An Analysis of a Renaissance Decorative Cycle Wendy Partridge A Portable Triptych in El Paso Dianne Dwyer Modestini Guidoccio Cozzarelli's Scenes from the Life of the Virgin Dianne Modestini School of Pietro Perugino, Saint Sebastian Annette Rupprecht & Sheri Francis Shaneyfelt The Master of the Manchester Madonna: Restoration, Technique, and a Context for Attribution Molly March Portrait of a Lady and Techniques in the late Paintings of Nicolaes Maes, and Painting Techniques in the Late Paintings of Nicolaes Maes Laurent Sozzani with Christopher McGlinchey View of the Molo: A Canaletto Attribution Reinstated Elise Effmann Canaletto Paints the Molo from the Ponte della Paglia Katharine Baetjer View of the Grand Canal with Dogana and Guardi Studio Pictures Helen Spande
The Cloisters
Author: Elizabeth C. Parker
Publisher: Metropolitan Museum of Art New York
ISBN: 9780300193497
Category :
Languages : en
Pages : 0
Book Description
In 1988, The Cloisters celebrated its fiftieth anniversary as a branch museum of The Metropolitan Museum of Art. Devoted to the art of medieval Europe, The Cloisters is a twentieth century museum designed in a style evocative of medieval architecture. Its combination of medieval and modern architectural elements, organized around arcades of five medieval cloisters, creates a unique and sympathetic context for the exhibition of sculpture, metalwork, textiles, and painting. This contextual approach has been enormously influential in introducing medieval art to the American public. The opportunity for both visitor and scholar to examine works of art in evocative settings has informed and inspired viewers since the Museum's opening in 1938. The collection continues to grow in a wide-ranging fashion, as exemplified by the recently acquired Langobardic reliefs and fourteenth-century stained glass from the Austrian castle chapel at Ebreichsdorf, which are examined here. A two-day scholarly symposium marked the fiftieth anniversary of The Cloisters, bringing together fifteen distinguished scholars from Europe and North America. Jointly sponsored by The Metropolitan Museum of Art and the International Center of Medieval Art, the symposium offered discussions of The Cloisters' history as well as concise papers emphasizing new research on specific works of art in the collection. Keynote papers by Ilene H. Forsyth and Willibald Sauerlander presented provocative critical reviews of the present state of research on Romanesque and Gothic art--the predominant strengths of the collection. Their appraisals and proposals for new directions of research confirm the rapidly changing and challenging state of medieval art scholarship. Symposium participants have revised their papers for publication, and contributions by members of the Museum's staff have been added. The twenty-two studies presented in this commemorative volume demonstrate the methodological diversity confronting the field of medieval art history. As a group, they offer an extraordinary tribute to the significance of The Cloisters Collection. (This title was originally published in 1991/92.)
Publisher: Metropolitan Museum of Art New York
ISBN: 9780300193497
Category :
Languages : en
Pages : 0
Book Description
In 1988, The Cloisters celebrated its fiftieth anniversary as a branch museum of The Metropolitan Museum of Art. Devoted to the art of medieval Europe, The Cloisters is a twentieth century museum designed in a style evocative of medieval architecture. Its combination of medieval and modern architectural elements, organized around arcades of five medieval cloisters, creates a unique and sympathetic context for the exhibition of sculpture, metalwork, textiles, and painting. This contextual approach has been enormously influential in introducing medieval art to the American public. The opportunity for both visitor and scholar to examine works of art in evocative settings has informed and inspired viewers since the Museum's opening in 1938. The collection continues to grow in a wide-ranging fashion, as exemplified by the recently acquired Langobardic reliefs and fourteenth-century stained glass from the Austrian castle chapel at Ebreichsdorf, which are examined here. A two-day scholarly symposium marked the fiftieth anniversary of The Cloisters, bringing together fifteen distinguished scholars from Europe and North America. Jointly sponsored by The Metropolitan Museum of Art and the International Center of Medieval Art, the symposium offered discussions of The Cloisters' history as well as concise papers emphasizing new research on specific works of art in the collection. Keynote papers by Ilene H. Forsyth and Willibald Sauerlander presented provocative critical reviews of the present state of research on Romanesque and Gothic art--the predominant strengths of the collection. Their appraisals and proposals for new directions of research confirm the rapidly changing and challenging state of medieval art scholarship. Symposium participants have revised their papers for publication, and contributions by members of the Museum's staff have been added. The twenty-two studies presented in this commemorative volume demonstrate the methodological diversity confronting the field of medieval art history. As a group, they offer an extraordinary tribute to the significance of The Cloisters Collection. (This title was originally published in 1991/92.)
Madonnas and Miracles
Author: Maya Corry
Publisher: Philip Wilson Publishers, Limited
ISBN: 9781781300534
Category :
Languages : en
Pages : 288
Book Description
Madonnas and Miracles' exposes a hidden world of religious devotion in the Italian Renaissance home. Challenging the idea of the Renaissance as an age of increasing worldliness, it shows how religion remained a powerful force that coloured every aspect of daily life. Across the length and breadth of Italy, houses were filled with decorative objects and works of art with spiritual significance, designed to aid members of the family in their devotional lives. A wide range of religious activities, from routine prayers to extraordinary experiences such as miracles and exorcisms, took place within the home, where they were adapted to key moments in the life-cycle, including birth, marriage, sickness and death. 0This illustrated publication explores a variety of devotional objects and images, from luxury items to everyday household goods. Bringing together jewellery and ceramics, manuscripts and printed books, sculpture and paintings, the book offers a vivid encounter with Renaissance spirituality and domesticity. The result is a new vision of a period in which the material world was charged with sacred power. 0Exhibition: Fitzwilliam Museum, Cambridge, UK (Spring 2017).
Publisher: Philip Wilson Publishers, Limited
ISBN: 9781781300534
Category :
Languages : en
Pages : 288
Book Description
Madonnas and Miracles' exposes a hidden world of religious devotion in the Italian Renaissance home. Challenging the idea of the Renaissance as an age of increasing worldliness, it shows how religion remained a powerful force that coloured every aspect of daily life. Across the length and breadth of Italy, houses were filled with decorative objects and works of art with spiritual significance, designed to aid members of the family in their devotional lives. A wide range of religious activities, from routine prayers to extraordinary experiences such as miracles and exorcisms, took place within the home, where they were adapted to key moments in the life-cycle, including birth, marriage, sickness and death. 0This illustrated publication explores a variety of devotional objects and images, from luxury items to everyday household goods. Bringing together jewellery and ceramics, manuscripts and printed books, sculpture and paintings, the book offers a vivid encounter with Renaissance spirituality and domesticity. The result is a new vision of a period in which the material world was charged with sacred power. 0Exhibition: Fitzwilliam Museum, Cambridge, UK (Spring 2017).