MBGU Rock Curriculum: Fluid Soloing, Book 4 PDF Download
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Author: Tim Quinn
Publisher: Mel Bay Publications
ISBN: 1610652142
Category : Music
Languages : en
Pages : 153
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Book Description
String Skipping & Wide Interval Soloing: 212 Melodic Studies and Patterns for Guitar is a much-needed guitarist's guide to mastering wide interval soloing.This collection of repeating, continuous motion studies shows the guitarist how to develop melodic patterns that are characterized by large intervallic jumps in pitch, from one note to the next, in constant succession. This book presents four unique approaches to developing wide interval soloing, all of which utilize string skipping: 1) double pentatonic scales, which are three-note-per-string pentatonic scale patterns; 2) octave sliding, which uses sliding octave shapes in a variety of ways; 3) stacked fifths, which are wide interval shapes derived from pentatonic scales; and 4) wide interval arpeggios derived from the diatonic major scale.The sound that results from these techniques is exciting and unpredictable because it is such a departure from conventional melodic flow, which tends to be scalar, moving stepwise from one note in a scale to the next. By contrast, wide interval soloing is angular and skewed with big skips and sudden directional changes, creating a complex and fascinating sound. All of the studies in this book are designed as melodic etudes that can be applied directly to soloing in rock, jazz, fusion, and blues music.This book is ideal for serious guitarists in any style who want to break out of typical soloing patterns and create a more explosive, radical sound! CD included.
Author: Tim Quinn
Publisher: Mel Bay Publications
ISBN: 1610652142
Category : Music
Languages : en
Pages : 153
Get Book Here
Book Description
String Skipping & Wide Interval Soloing: 212 Melodic Studies and Patterns for Guitar is a much-needed guitarist's guide to mastering wide interval soloing.This collection of repeating, continuous motion studies shows the guitarist how to develop melodic patterns that are characterized by large intervallic jumps in pitch, from one note to the next, in constant succession. This book presents four unique approaches to developing wide interval soloing, all of which utilize string skipping: 1) double pentatonic scales, which are three-note-per-string pentatonic scale patterns; 2) octave sliding, which uses sliding octave shapes in a variety of ways; 3) stacked fifths, which are wide interval shapes derived from pentatonic scales; and 4) wide interval arpeggios derived from the diatonic major scale.The sound that results from these techniques is exciting and unpredictable because it is such a departure from conventional melodic flow, which tends to be scalar, moving stepwise from one note in a scale to the next. By contrast, wide interval soloing is angular and skewed with big skips and sudden directional changes, creating a complex and fascinating sound. All of the studies in this book are designed as melodic etudes that can be applied directly to soloing in rock, jazz, fusion, and blues music.This book is ideal for serious guitarists in any style who want to break out of typical soloing patterns and create a more explosive, radical sound! CD included.
Author: Tim Quinn
Publisher: Mel Bay Publications
ISBN: 9780786672967
Category : Guitar
Languages : en
Pages : 0
Get Book Here
Book Description
String Skipping & Wide Interval Soloing: 212 Melodic Studies and Patterns for Guitar is a much-needed guitarists guide to mastering wide interval soloing. This collection of repeating, continuous motion studies shows the guitarist how to develop melodic patterns that are characterized by large intervallic jumps in pitch, from one note to the next, in constant succession. This book presents four unique approaches to developing wide interval soloing, all of which utilize string skipping: 1) double pentatonic scales, which are three-note-per-string pentatonic scale patterns; 2) octave sliding, which uses sliding octave shapes in a variety of ways; 3) stacked fifths, which are wide interval shapes derived from pentatonic scales; and 4) wide interval arpeggios derived from the diatonic major scale. The sound that results from these techniques is exciting and unpredictable because it is such a departure from conventional melodic flow, which tends to be scalar, moving stepwise from one note in a scale to the next. By contrast, wide interval soloing is angular and skewed with big skips and sudden directional changes, creating a complex and fascinating sound. All of the studies in this book are designed as melodic etudes that can be applied directly to soloing in rock, jazz, fusion, and blues music. This book is ideal for serious guitarists in any style who want to break out of typical soloing patterns and create a more explosive, radical sound! CD included.
Author: Tim Quinn
Publisher: Mel Bay Publications
ISBN: 1610652118
Category : Music
Languages : en
Pages : 53
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Book Description
Chord-Lead Soloing for Guitar is a complete method for developing fluid double-stop chord melody. This style of playing can be heard most notably in the playing of Jimi Hendrix (in songs such as "The Wind Cries Mary", Little Wing", and "Castles Made of Sand"), as well in the music of the guitarists he influenced, including Steve Vai, Eric Johnson, and Stevie Ray Vaughan. Chord-lead style playing bridges the gap between straight lead and strictly rhythm, because it is simultaneously chordal (implying a specific major or minor chord) and melodic (carrying a distinct singable melody). This book shows the guitarist how to develop this technique and create continuous connections of moving voicings, merging lead and rhythm into one flowing melodic chordal texture. This is accomplished through a comprehensive collection of chord-lead phrases, each of which is presented in at least three different fingerings (important for whole-neck flow). These phrases are then assembled into soloing etudes that demonstrate practical application over different chord progressionsChord-lead playing can be adapted to every style of music, including rock, jazz, blues, alternative, funk, R&B, country, and pop. Mastering chord-lead soloing also greatly increases a guitarist's ability to "stand alone"; that is, to play by himself unaccompanied by other musicians, mixing and switching between chording and lead improvisation. This book is perhaps the most definitive guide ever written for mastering this highly sought after (yet elusive) style of playing. CD included. Standard notation and tablature.
Author: Tim Quinn
Publisher:
ISBN: 9780786672813
Category : Electric guitar
Languages : en
Pages : 0
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Book Description
Chord-Lead Soloing for Guitar is a complete method for developing fluid double- stop chord melody. This style of playing can be heard most notably in the playing of Jimi Hendrix (in songs such as 'The Wind Cries Mary', Little Wing', and 'Castles Made of Sand'), as well in the music of the guitarists he influenced, including Steve Vai, Eric Johnson, and Stevie Ray Vaughan. Chord-lead style playing bridges the gap between straight lead and strictly rhythm, because it is simultaneously chordal (implying a specific major or minor chord) and melodic (carrying a distinct singable melody). This book shows the guitarist how to develop this technique and create continuous connections of moving voicings, merging lead and rhythm into one flowing melodic chordal texture. This is accomplished through a comprehensive collection of chord-lead phrases, each of which is presented in at least three different fingerings (important for whole-neck flow). These phrases are then assembled into soloing etudes that demonstrate practical application over different chord progressions Chord-lead playing can be adapted to every style of music, including rock, jazz,blues, alternative, funk, R and B, country, and pop. Mastering chord-lead soloing also greatly increases a guitarist's ability to 'stand alone'; that is, to play by himselfunaccompanied by other musicians, mixing and switching between chording andlead improvisation. This book is perhaps the most definitive guide ever written for mastering this highly sought after (yet elusive) style of playing. CD included.Standard notation and tablature
Author: Tim Quinn
Publisher: Mel Bay Publications
ISBN: 1610652134
Category : Music
Languages : en
Pages : 87
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Book Description
Fluid Pentatonics for Guitar: 84 Melodic Studies for Rock Guitar is a comprehensive manual for developing blistering pentatonic motion that moves freely over the entire fretboard, using position-shifting slides, hammer-ons, and pull-offs for speed and fluidity. Emphasis is on overcoming the restrictive nature of traditional pentatonic box scale fingerings by developing pathways that continually shift between and connect the five pentatonic "boxes". Complete whole-neck control is developed through an extensive series of repeating melodic exercises and etudes. Section One presents 35 sequential whole-neck studies, each of which spans the range of twelve frets, thus unlocking virtually every possible position shift. Section Two develops complete non-shifting control through a series of 15 interesting and useful sequential patterns, applied to each of the five pentatonic boxes. Section Three presents 10 whole-neck/position-shifting studies that are non-sequential in design, in order to develop unpredictable melodic flow. Then, in Sections Four and Five, two vital extensions/variations of the pentatonic scale are fully explored; the Hexatonic and Dominant Pentatonic scales.The result is a complete matrix of pentatonic moves and connections that allow the guitarist to float freely across the entire fretboard without being locked into any single particular pentatonic box. the resulting sound is definitely NOT bluesy (very little string bending), but closer to a modern jazz-rock fusion style; fluid and unpredictable. Great for all guitarists in rock, jazz, fusion, blues, country, and pop styles who want to unlock complete whole-neck freedom and develop a fast, modern pentatonic sound. CD included.Presented in standard notation and tablature.
Author: William Bay
Publisher: Mel Bay Publications
ISBN: 1609746643
Category : Music
Languages : en
Pages : 137
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Book Description
An in-depth, user-friendly guitar chord dictionary.Presents chords in the following categories: acoustic guitar chords, blues guitar chords, jazz guitar chords, rock guitar chords, open tuning guitar chords, capo guitar chords and seven-string guitar chords.Open tuning chords presented include dropped D, DADGAD, open G, Open E, Open A, Open D, Open C and Orkney.
Author: Ioannis Anastassakis
Publisher: Mel Bay Publications
ISBN: 161911612X
Category : Music
Languages : en
Pages : 65
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Book Description
A collection of 60 of the best tapping ideas, concepts and licks based on 20 years of electric guitar playing experience.Builds musical vocabulary - a veritable dictionary of licks, or rather a lick-tionary!Most of these licks are in the key of A, since this is a key most guitarists are familiar with.Many are presented in either minor pentatonic, natural minor or Dorian scales, since these are the most often-used scales in rock improvising.Encouragessubstitution with other modes by changing the appropriate intervals. Includes access to downloadable companion audio and video online
Author: Thomas E. Uharriet
Publisher: Lulu.com
ISBN: 1329748069
Category : Biography & Autobiography
Languages : en
Pages : 682
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Book Description
William Shepherd ("Billy Shears") took over The Beatles and the McCartney estate on 16 September 1966, going from "Billy Pepper" of Billy Pepper and the Pepper Pots, to The Beatles' new "Sgt. Pepper" of Sgt. Pepper's Lonely Hearts Club Band. Taking creative control of the band from John made William "the new boss," saving the band, but tormenting all involved. The Memoirs is the source of the "Paul is Dead" material reprinted in Billy's Back! and of the insights in Beatles Enlightenment, but also includes the darker aspects: Paulism, Satanism, and Biblical humor--calling The Beatles the four-headed 666 Beast. The Memoirs is the first fully encoded full-length book. As part of that encoding, it contains the world's largest acrostic, and is the world's premier of word-stacking. By reading The Memoirs, you will learn the secret meanings of their songs, and will recognize Paul and William's distinct physical differences, personality differences, and vast differences in musical skills.
![Fluid Pentatonics, Book 2: 84 Melodic Studies for Rock Guitar [With CD (Audio)] PDF](https://books.google.com/books/content/images/frontcover/kol7MAEACAAJ?fife=w80-h100)
Author: Tim Quinn
Publisher: Mel Bay Publications
ISBN: 9780786672820
Category : Music
Languages : en
Pages : 0
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Book Description
Fluid Pentatonics for Guitar: 84 Melodic Studies for Rock Guitar is a comprehensive manual for developing blistering pentatonic motion that movesfreely over the entire fretboard, using position-shifting slides, hammer-ons, and pull -offs for speed and fluidity. Emphasis is on overcomingthe restrictive nature of traditional pentatonic "box" scale fingerings by developingpathways that continually shift between and connect the five pentatonic 'boxes'.Complete whole-neck control is developed through an extensive series of repeating melodic exercises and etudes. Section One presents 35 sequential whole-neck studies, each of which spans the range of twelve frets, thus unlocking virtually every possible position shift. Section Two develops complete non-shifting control through a series of 15 interesting and useful sequential patterns, applied to each of the five pentatonic "boxes." Section Three presents 10 whole-neck/position-shifting studies that are non- sequential in design, in order to develop unpredictable melodic flow. Then, in Sections Four and Five, two vital extensions/variations of the pentatonic scale are fullyexplored; the Hexatonic and Dominant Pentatonic scales. The result is a complete matrix of pentatonic moves and connections that allow the guitarist to float freely across the entire fretboard without being locked into any single particular pentatonic "box." The resulting sound is definitely NOT bluesy(very little string bending), but closer to a modern jazz-rock fusion style; fluid and unpredictable. Great for all guitarists in rock, jazz, fusion, blues, country, and pop styles who want to unlock complete whole-neck freedom and develop a fast, modern pentatonic sound. CD included. Presented in standard notation
Author: William Gangel
Publisher: Mel Bay Publications
ISBN: 1610653521
Category : Music
Languages : en
Pages : 73
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Book Description
The MBGU Fingerstyle Curriculum Best Ragtime Solos: offers the Fingerstyle guitarist a diverse collection of ragtime pieces ranging from the classic piano rags of Scott Joplin and Tom Hayden to the bluesier rags typical of guitarists from the Mississippi Delta. Both standard guitar notation and tablature are provided throughout for the convenience of those who are more comfortable reading in one style or the other. All tunes in book are included on CD.
