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Author: Amara Solari
Publisher: University of Texas Press
ISBN: 1477329692
Category : Art
Languages : en
Pages : 236
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Book Description
The first study of Christian murals created by indigenous artists in sixteenth and seventeenth century Yucatán. In the sixteenth and seventeenth centuries, Maya artists painted murals in churches and conventos of Yucatán using traditional techniques to depict iconography brought from Europe by Franciscan friars. The fragmentary visual remains and their placement within religious structures embed Maya conceptions of sacredness beyond the didactic imagery. Mobilizing both cutting-edge technology and tried-and-true analytical methods, art historians Amara Solari and Linda K. Williams reexamine the Maya Christian murals, centering the agency of the people who created them. The first volume to comprehensively document the paintings, Maya Christian Murals of Early Modern Yucatán collects new research on the material composition of the works, made possible by cutting-edge imaging methods. Solari and Williams investigate pigments and other material resources, as well as the artists and historical contexts of the murals. The authors uncover numerous local innovations in form and content, including images celebrating New World saints, celestial timekeeping, and ritual processions. Solari and Williams argue that these murals were not simply vehicles of coercion, but of cultural “grafting,” that allowed Maya artists to shape a distinctive and polyvocal legacy in their communities.
Author: Amara Solari
Publisher: University of Texas Press
ISBN: 1477329692
Category : Art
Languages : en
Pages : 236
Get Book Here
Book Description
The first study of Christian murals created by indigenous artists in sixteenth and seventeenth century Yucatán. In the sixteenth and seventeenth centuries, Maya artists painted murals in churches and conventos of Yucatán using traditional techniques to depict iconography brought from Europe by Franciscan friars. The fragmentary visual remains and their placement within religious structures embed Maya conceptions of sacredness beyond the didactic imagery. Mobilizing both cutting-edge technology and tried-and-true analytical methods, art historians Amara Solari and Linda K. Williams reexamine the Maya Christian murals, centering the agency of the people who created them. The first volume to comprehensively document the paintings, Maya Christian Murals of Early Modern Yucatán collects new research on the material composition of the works, made possible by cutting-edge imaging methods. Solari and Williams investigate pigments and other material resources, as well as the artists and historical contexts of the murals. The authors uncover numerous local innovations in form and content, including images celebrating New World saints, celestial timekeeping, and ritual processions. Solari and Williams argue that these murals were not simply vehicles of coercion, but of cultural “grafting,” that allowed Maya artists to shape a distinctive and polyvocal legacy in their communities.
Author: Amara Solari
Publisher: University of Texas Press
ISBN: 1477329684
Category : Art
Languages : en
Pages : 236
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Book Description
"This multidisciplinary project studies religious murals that were painted by Christianized Maya artists in the first centuries after the conquest of Mexico. Solari and Williams study the paintings, all of which are based in the Yucatán Peninsula, from an art history perspective, along with the printed sources referencing the murals. At the same time, they examine the chemical signatures left by the murals' pigments and the techniques used in their production through state-of-the-art imaging technologies. By using these methodologies, the authors seek to explain the many ways in which cultural and material exchange took place between the Spanish and Maya peoples. At first glance, murals depicting Spanish ideals of Western Christianity would appear to be an obvious and frequent tool of oppression in the Yucatán, as they were elsewhere in the Americas, but they were also a form of agency for Indigenous people as a means to shape these narratives with their own subtle imagery and ideas drawn from Mayan cosmologies and cultural traditions. These painters used European pictorial techniques, such as perspective, while also using local materials to create vivid pigments and colors never before seen in murals in Europe. The authors seek to trace how the initial and continued use of these material sources to create these images led to a much more localized form of Catholicism that continues to be practiced by Mayan speakers today"--
Author:
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 580
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Book Description
Author: Elizabeth A. Graham
Publisher: University of Florida Press
ISBN: 9780813036663
Category : Belize
Languages : en
Pages : 0
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Book Description
Based on her analysis of archaeological evidence from the excavations of Maya churches at Tipu and Lamanai, Elizabeth Graham seeks to understand why the Maya sometimes actively embraced Catholicism during the period of European conquest and continued to worship in this way even after the end of Spanish occupation. The Maya in Belize appear to have continued to bury their dead in Christian churchyards long after the churches themselves had fallen into disuse. They also seem to have hidden pre-Hispanic objects of worship in Christian sacred spaces during times of persecution, and excavations reveal the style of the early churches to be unmistakably Franciscan. The evidence suggests that the Maya remained Christian after 1700, when Spaniards were no longer in control, which challenges the widespread assumption that because Christianity was imposed by force it was never properly assimilated by indigenous peoples. Combining historical and archaeological data with her experience of having been raised as a Roman Catholic, Graham proposes a way of assessing the concept of religious experience and processes of conversion that takes into account the material, visual, sensual, and even olfactory manifestations of the sacred.
Author: Diego de Landa
Publisher: Courier Corporation
ISBN: 0486139190
Category : History
Languages : en
Pages : 194
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Book Description
Describes geography and natural history of the peninsula, gives brief history of Mayan life, discusses Spanish conquest, and provides a long summary of Maya civilization. 4 maps, and over 120 illustrations.
Author: Paul M. Hanson
Publisher:
ISBN:
Category : Book of Mormon
Languages : en
Pages : 216
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Book Description
Author: Mark Z. Christensen
Publisher:
ISBN: 9780804785280
Category : History
Languages : en
Pages : 0
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Book Description
Nahua and Maya Catholicisms examines ecclesiastical texts written in Nahuatl and Yucatec Maya to illustrate the role of these texts in conveying and reflecting various Catholic messages--and thus Catholicisms--throughout colonial Central Mexico and Yucatan. It demonstrates how published and unpublished sermons, confessional manuals, catechisms, and other religious texts betray "official" and "unofficial" versions of Catholicism, and how these versions changed throughout the colonial period according to indigenous culture, local situations, and broader early modern events. The book's study of these texts also allows for a better appreciation of the negotiations that occurred during the evangelization process between native and Spanish cultures, the center and periphery, and between official expectations and everyday realities. And by employing both Nahuatl and Maya religious texts, Nahua and Maya Catholicism allows for a uniquely comparative study that expands beyond Central Mexico to include Yucatan.
Author:
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 486
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Book Description
Author: American Institute of Architects
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 496
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Book Description
Author: Claudia Lozoff Brittenham
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 320
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Book Description
"Between AD 650 and 950, a small city-state in central Mexico produced dazzling murals of gods, historical figures, and supernatural creatures on the walls of its most important sacred and public spaces. This study explores how the Cacaxtla murals constitute a sustained and local painting tradition, in which generations of ancient Mexican artists, patrons, and audiences created a powerful statement of communal identity that still captures the imagination"--
