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Author: Donné Raffat
Publisher: Xlibris Corporation
ISBN: 1456859412
Category : Fiction
Languages : en
Pages : 257
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Book Description
Gavin Corti, an Anglo-Canadian age 35, returns for a week’s stay in Belize, where fi fteen years earlier he served in the British Army. There he meets Celia DeGroot, 25, a ballroom dance instructor from South Africa with a keen interest in the ancient Mayan civilization and in search of “Maya Blue”: the lost pigment sacred to the ancients and used in their ritual human sacrifi ces. What follows is the story of an extended journey by these two travelers through the rain forests of Belize and Guatemala, during which their lives are gradually transformed, though in different ways, by their contact with the ancient Maya world.
Author: Donné Raffat
Publisher: Xlibris Corporation
ISBN: 1456859412
Category : Fiction
Languages : en
Pages : 257
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Book Description
Gavin Corti, an Anglo-Canadian age 35, returns for a week’s stay in Belize, where fi fteen years earlier he served in the British Army. There he meets Celia DeGroot, 25, a ballroom dance instructor from South Africa with a keen interest in the ancient Mayan civilization and in search of “Maya Blue”: the lost pigment sacred to the ancients and used in their ritual human sacrifi ces. What follows is the story of an extended journey by these two travelers through the rain forests of Belize and Guatemala, during which their lives are gradually transformed, though in different ways, by their contact with the ancient Maya world.
Author: Maya Abu Al-Hayyat
Publisher:
ISBN: 9780997221985
Category : JUVENILE FICTION
Languages : en
Pages : 40
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Book Description
A tale that asks readers to take comfort in questions versus easy answers.
Author: Joachim Müllerschön
Publisher: BoD – Books on Demand
ISBN: 3749419884
Category : History
Languages : en
Pages : 202
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Book Description
The use of the colour blue in historical shipbuilding raises many questions. Which pigments and colours were available and how were they used? What was used in shipbuilding? Join us on a fascinating journey back over 5,500 years from the discovery of the first blue pigments to modern times. A wealth of sources and pictorial materials round off the well-researched text. Be surprised by the long history of the colour blue and its rôle in shipbuilding.
Author: Antonio Sgamellotti
Publisher: Royal Society of Chemistry
ISBN: 1839161957
Category : Antiques & Collectibles
Languages : en
Pages : 644
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Book Description
Science and art are increasingly interconnected in the activities of the study and conservation of works of art. Science plays a key role in cultural heritage, from developing new analytical techniques for studying the art, to investigating new ways of preserving the materials for the future. For example, high resolution multispectral examination of paintings allows art historians to view underdrawings barely visible before, while the use of non-invasive and micro-sampling analytical techniques allow scientists to identify pigments and binders that help art conservators in their work. It also allows curators to understand more about how the artwork was originally painted. Through a series of case studies written by scientists together with art historians, archaeologists and conservators, Science and Art: The Painted Surface demonstrates how the cooperation between science and humanities can lead to an increased understanding of the history of art and to better techniques in conservation. The examples used in the book cover paintings from ancient history, Renaissance, modern, and contemporary art, belonging to the artistic expressions of world regions from the Far East to America and Europe. Topics covered include the study of polychrome surfaces from pre-Columbian and medieval manuscripts, the revelation of hidden images below the surface of Van Gogh paintings and conservation of acrylic paints in contemporary art. Presented in an easily readable form for a large audience, the book guides readers into new areas uncovered by the link between science and art. The book features contributions from leading institutions across the globe including the Metropolitan Museum of Art, New York; Art Institute of Chicago; Getty Conservation Institute; Opificio delle Pietre Dure, Firenze; National Gallery of London; Tate Britain; Warsaw Academy of Fine Art and the National Gallery of Denmark as well as a chapter covering the Thangka paintings by Nobel Prize winner Richard Ernst.
Author: Michael Brian Schiffer
Publisher: Springer Science & Business Media
ISBN: 3319000772
Category : Social Science
Languages : en
Pages : 213
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Book Description
This manual pulls together—and illustrates with interesting case studies—the variety of specialized and generalized archaeological research strategies that yield new insights into science. Throughout the book there are templates, consisting of questions, to help readers visualize and design their own projects. The manual seeks to be as general as possible, applicable to any society, and so science is defined as the creation of useful knowledge—the kinds of knowledge that enable people to make predictions. The chapters in Part I discuss the scope of the archaeology of science and furnish a conceptual foundation for the remainder of the book. Next, Part II presents several specialized, but widely practiced, research strategies that contribute to the archaeology of science. In order to thoroughly ground the manual in real-life applications, Part III presents lengthy case studies that feature the use of historical and archaeological evidence in the study of scientific activities.
Author: George R. Rapp
Publisher: Springer Science & Business Media
ISBN: 3662050056
Category : Science
Languages : en
Pages : 329
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Book Description
1.1 Prologue What is archaeomineralogy? The term has been used at least once before (Mitchell 1985), but this volume is the first publication to lay down the scientific basis and systematics for this subdiscipline. Students sometimes call an introductory archaeology course "stones and bones." Archaeomineralogy covers the stones component of this phrase. Of course, archaeology consists of a great deal more than just stones and bones. Contemporary archaeology is based on stratigraphy, geomorphology, chronometry, behavioral inferences, and a host of additional disciplines in addition to those devoted to stones and bones. To hazard a definition: archaeomineralogy is the study of the minerals and rocks used by ancient societies over space and time, as implements, orna ments, building materials, and raw materials for ceramics and other processed products. Archaeomineralogy also attempts to date, source, or otherwise char acterize an artifact or feature, or to interpret past depositional alteration of archaeological contexts. Unlike geoarchaeology, archaeomineralogy is not, and is not likely to become, a recognized subdiscipline. Practitioners of archaeomineralogy are mostly geoarchaeologists who specialize in geology and have a strong background in mineralogy or petrology (the study of the origin ofrocks).
Author: Tyler Thrasher
Publisher: Sasquatch Books
ISBN: 1632174928
Category : Art
Languages : en
Pages : 293
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Book Description
At the intersection of science, art, and design, this must-have coffee table book highlights 100 mind-blowing colors that you’ve likely never seen before. From Instagram sensation and self-described "mad scientist artist" Tyler Thrasher and creator of the popular Matter subscription box Terry Mudge, this book comes with a foreword by Hank Green. This gorgeous compendium contains 100 amazing colors that you might otherwise live your whole life unaware of. These colors exist in the strangest of places, and serve extremely specific functions in nature, or were human-made with one goal in mind. In this oversized, design-forward book you'll find entries for each of the 100 colors, organized in gradient order, with structural and impossible colors set at the end. Each entry has a 2-page spread with a full-page image of the color plus snappy descriptions, and easy-to-understand category symbols. Some entries include diagrams. Even includes structural colors and colors outside the range of human visibility! Also included is a brief introduction to color theory, a myth-busting section, plus index, glossary, and notes. Here is your universe in living color: Cosmic Latte: The average color of the universe. Dragon’s Blood: A tropical tree that bleeds red resin with incredible medicinal potential. Sonoluminescence: A color created by sound! Eigengrau: The color we perceive in the absence of light (and no, it's not "pitch black"). Perfect for anyone who loves science or art, and bursting with astonishing facts and stunning photography, The Universe in 100 Colors is a wonder for the senses.
Author: Stefano Crespi
Publisher: Royal Society of Chemistry
ISBN: 183916526X
Category : Science
Languages : en
Pages : 507
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Book Description
Providing critical analysis of emerging and well-established topics, this book is essential reading for anyone wanting to keep up to date with the literature on photochemistry and its applications. Volume 49 combines reviews on the latest advances in photochemical research with specific highlights in the field. The first section includes periodical reports of the recent literature on physical and inorganic aspects, including reviews of the molecules employed as dyes in art, light induced reactions in cryogenic matrices, photobiological systems studied by time-resolved infrared spectroscopy and photophysics, and photochemistry of transition metal complexes. This selection is completed by reviews of the literature on solar photocatalysis for water decontamination and disinfection and for water splitting/hydrogen production. Coverage continues in the second part with highlighted topics, from the use of aromatic carbonyls as photocatalysts and photoinitiators in synthesis, photoinduced and photocatalysed decarboxylation reactions, development of dye-sensitized solar cells, design of luminescent water-soluble systems, and applications of plasmonic nanoparticles. This volume also includes a third section entitled ‘SPR Lectures on Photochemistry’, where leading scientists in photochemistry provide examples to introduce a photochemical topic to academic readers, offering precious assistance to students in this field.
Author: A. Mark Pollard
Publisher: John Wiley & Sons
ISBN: 1119592089
Category : Technology & Engineering
Languages : en
Pages : 2313
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Book Description
HANDBOOK OF ARCHAEOLOGICAL SCIENCES A modern and comprehensive introduction to methods and techniques in archaeology In the newly revised Second Edition of the Handbook of Archaeological Sciences, a team of more than 100 researchers delivers a comprehensive and accessible overview of modern methods used in the archaeological sciences. The book covers all relevant approaches to obtaining and analyzing archaeological data, including dating methods, quaternary paleoenvironments, human bioarchaeology, biomolecular archaeology and archaeogenetics, resource exploitation, archaeological prospection, and assessing the decay and conservation of specimens. Overview chapters introduce readers to the relevance of each area, followed by contributions from leading experts that provide detailed technical knowledge and application examples. Readers will also find: A thorough introduction to human bioarchaeology, including hominin evolution and paleopathology The use of biomolecular analysis to characterize past environments Novel approaches to the analysis of archaeological materials that shed new light on early human lifestyles and societies In-depth explorations of the statistical and computational methods relevant to archaeology Perfect for graduate and advanced undergraduate students of archaeology, the Handbook of Archaeological Sciences will also earn a prominent place in the libraries of researchers and professionals with an interest in the geological, biological, and genetic basis of archaeological studies.
Author: Jorge Gómez Tejada
Publisher: USFQ Press
ISBN: 9978682074
Category : History
Languages : en
Pages : 536
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Book Description
Conceived as a contribution to the continuous construction of the identity of the Codex Mendoza, the present volume is organized around three axes: material analysis, textual and stylistic interpretation, and reception and circulation studies. The works of Barker-Benfield and MOLAB further our objective of understanding the manuscript's materiality. The re-binding and conservation process registered by Barker-Benfield has allowed us to do away with speculation regarding the method of production used to create the manuscript and its previous bindings. This, in turn, has allowed heretofore accepted connections, such as the authorship of Francisco Gualpuyogualcal, to be reexamined. Similarly, the analysis undertaken by the MOLAB team and headed by Davide Domenici has settled the debate on the nature of the pigments used in the production of the manuscript. This has added additional layers of nuance to previously held interpretative hypotheses on the meaning of specific pigments and the strictness of their application in the tlacuilolli. While color holds meaning for the tlacuilo, color is not inexorably linked to its materiality. These observations have the potential to inspire a new generation of interpretative studies, based on ever more accurate data regarding the material nature of the Codex Mendoza. Interpretative studies of the manuscript in this volume represent a line of inquiry that, by considering the manuscript from the complex perspectives of the work of art, literature, and bibliography, complement previous anthropological and historical readings of the Codex Mendoza. My essays as well as those by Diana Magaloni and Daniela Bleichmar reconsider the number and style of the artists who produced the manuscript in order to understand both the process by which it was created as well as the place it occupies in the artistic context of the early viceroyalty. Far from entering a binary relation between subjugator and subjugated, the decisions made by these artists and intellectuals manifest the forms of thinking and seeing time and space in the Mesoamerican world. I demonstrate that the pictures in the Codex Mendoza were painted in a workshop in which one, two, or more individuals collaborated on each page to create a single composition; as such, the creation of these pictures took on an air of rituality and functioned as "an instrument to recreate, reactualize, and make coherent the historical becoming linked to territory with cosmic patterns" (Magaloni, this volume). This last observation complements and reinforces Joanne Harwood's proposed reading of the third section of the manuscript. For Harwood, notwithstanding the originality of the visual solutions used to compose this section of the manuscript, the Codex Mendoza's pre-Columbian model resonates with a Mesoamerican religious genre: the teoamoxtli.
