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Author:
Publisher: Karma, New York
ISBN: 9781949172508
Category : Art
Languages : en
Pages :
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Book Description
An intimate clothbound volume compiling the exquisite postcard paintings of Matthew Wong This fully illustrated volume collects Matthew Wong's small-scale postcard paintings made during the last year of his life in 2019. As Winnie Wong writes in her newly commissioned essay for the book, "Art critics have observed that Matthew Wong's landscapes are 'uncannily familiar, ' and they do prompt viewers to search our own memories, but he almost never titled them as places. Instead, he consistently named them as moments in time: midnight, 5:00am, dawn, daybreak, 12:30am, Autumn, Winter, the first snow, the gloaming, the moon rise ... For the postcard is a genre that seems to consciously elude a sense of stable locus, yet marks the times of our lives when we tried to grasp it. Matthew Wong painted at home, on the road, and in the studio. He spoke of the compulsion to finish each of his paintings in a single sitting, and talked of them always as process, rather than subject matter. Standing before paintings he finished years ago, he could recall every stroke and mark as if he had placed them just moments before." Matthew Wong (1984-2019) was a self-taught Canadian artist whose paintings evoke art historical precedents ranging Soutine and Van Gogh to abstract expressionism. His colorful, dappled vignettes of imaginary landscapes and half-remembered interiors have the uncanny ability to, in his words, "activate nostalgia, both personal and collective." Wong held his first American solo exhibition at Karma in March 2018, garnering reviews in the New York Times and the New Yorker, among others. His work is in the collection of the Dallas Museum of Art, Texas.
Author:
Publisher: Karma, New York
ISBN: 9781949172508
Category : Art
Languages : en
Pages :
Get Book Here
Book Description
An intimate clothbound volume compiling the exquisite postcard paintings of Matthew Wong This fully illustrated volume collects Matthew Wong's small-scale postcard paintings made during the last year of his life in 2019. As Winnie Wong writes in her newly commissioned essay for the book, "Art critics have observed that Matthew Wong's landscapes are 'uncannily familiar, ' and they do prompt viewers to search our own memories, but he almost never titled them as places. Instead, he consistently named them as moments in time: midnight, 5:00am, dawn, daybreak, 12:30am, Autumn, Winter, the first snow, the gloaming, the moon rise ... For the postcard is a genre that seems to consciously elude a sense of stable locus, yet marks the times of our lives when we tried to grasp it. Matthew Wong painted at home, on the road, and in the studio. He spoke of the compulsion to finish each of his paintings in a single sitting, and talked of them always as process, rather than subject matter. Standing before paintings he finished years ago, he could recall every stroke and mark as if he had placed them just moments before." Matthew Wong (1984-2019) was a self-taught Canadian artist whose paintings evoke art historical precedents ranging Soutine and Van Gogh to abstract expressionism. His colorful, dappled vignettes of imaginary landscapes and half-remembered interiors have the uncanny ability to, in his words, "activate nostalgia, both personal and collective." Wong held his first American solo exhibition at Karma in March 2018, garnering reviews in the New York Times and the New Yorker, among others. His work is in the collection of the Dallas Museum of Art, Texas.
Author: Julian Cox
Publisher: Delmonico Books
ISBN: 9781636810157
Category :
Languages : en
Pages : 160
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Book Description
Nocturnes and interiors in the key of blue from the acclaimed painter Matthew Wong Over the course of his brief career, Matthew Wong was celebrated for his paintings evoking diverse historical references ranging from Chinese scroll painting to Van Gogh and Vuillard. His colorful, dappled vignettes of imaginary landscapes and half-remembered interiors have the uncanny ability to, in his words, "activate nostalgia, both personal and collective." This first museum publication features more than 60 of Wong's deeply evocative blue paintings, of intimate interior scenes and luscious nocturnal landscapes, from his Blue Series made between 2017 and 2019. Wong's Blue Series paintings are notable for their saturated and richly varied blue palette and pervasive sense of melancholy, enhanced by solitary figures. The striking compositions reflect Wong's technique of flattening the depth of space between the foreground and background with deft combinations of wet and dry brushwork. From monumental oils on canvas to smaller gouache and watercolor paintings, this body of work reveals Wong's intimate and intense meditations on blue that is, as essayist Nancy Spector writes, "as much a mood as it is a color." With an introduction by Julian Cox, essays by Spector and Winnie Wong, and a chronology, this publication brings together scholarly voices to provide fresh insight and perspective on Wong's work and his short-lived but exceptionally brilliant career. Matthew Wong (1984-2019) was a self-taught Canadian artist, who held his first US solo exhibition at Karma in March 2018, garnering reviews in the New York Times and the New Yorker, among others. His work is in the collections of the Art Gallery of Ontario, the Dallas Museum of Art, the Metropolitan Museum of Art, the Museum of Modern Art, New York and the Solomon R. Guggenheim Museum.
Author: Christopher K. Ho
Publisher:
ISBN: 9781736507902
Category : Asian American artists
Languages : en
Pages : 348
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Book Description
This collection of seventy-three letters written in 2020 captures an unprecedented moment in politics and society through the experiences of Asian-American artists, curators, educators, art historians, editors, writers, and designers. The form of the letter offers readers intimate insights into the complexities of Asian American experiences, moving beyond the model-minority myth. Chronicling everyday lives, dreams, rage, family histories, and cultural politics, these letters ignite new ways of being, and modes of creating, at a moment of racial reckoning.
Author: Matthew Wong
Publisher: Karma
ISBN: 9781942607922
Category : Art
Languages : en
Pages : 120
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Book Description
Published on the occasion of his first solo exhibition in New York, this book provides an overview of Hong Kong-based Canadian self-taught painter Matthew Wong's (born 1984) drawings and paintings of lush, colorful invented landscapes in watercolor, gouache and oil.
Author: Stephen Truax
Publisher:
ISBN: 9781944316174
Category :
Languages : en
Pages :
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Book Description
Author: Rey Chow
Publisher: Columbia University Press
ISBN: 9780231124218
Category : Education
Languages : en
Pages : 254
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Book Description
A diverse set of texts from Foucault, Weber, Derrida and others are examined in this reconceptualization of the way ethnicity functions in capitalist society.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 154
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Book Description
Out is a fashion, style, celebrity and opinion magazine for the modern gay man.
Author: Jenny Cho
Publisher: Arcadia Publishing
ISBN: 9780738581651
Category : History
Languages : en
Pages : 132
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Book Description
By 1900, the Chinese population of Los Angeles City and County had grown to over 3,000 residents who were primarily situated around an enclave called Old Chinatown. When Old Chinatown was razed to build Union Station, Chinese business owners led by Peter SooHoo Sr. purchased land a few blocks north of downtown to build New Chinatown. Both New Chinatown and another enclave called China City opened in 1938, but China City ultimately closed down after a series of fires.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 916
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Book Description
Author: Wong Souk Yee
Publisher: Epigram Books
ISBN: 9814757357
Category : Fiction
Languages : en
Pages : 276
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Book Description
Finalist for the 2015 Epigram Books Fiction Prize Death of a Perm Sec is a mystery about the demise of the permanent-secretary of the housing ministry, Chow Sze Teck, accused of accepting millions of dollars in bribes over his career. Set in 1980's Singapore, the novel examines the civil servant’s death, which first appears to be suicide by a cocktail of alcohol, morphine and Valium. But upon investigation by a CID inspector who might not be what he seems, the family discovers there may be far more sinister circumstances behind his death, that reach to the very top of government. The novel exposes the dark heart of power politics,from the country’s tumultuous post-independence days to the socio-political landscape of the 1980s.
