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Author:
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ISBN:
Category :
Languages : en
Pages : 24
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 24
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 23
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Book Description
Author: Tate Gallery
Publisher:
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Category : Painting, English
Languages : en
Pages : 48
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Author: Tate Gallery
Publisher:
ISBN:
Category : Painting, English
Languages : en
Pages : 23
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Book Description
![Matthew Smith. Paintings from 1909 to 1952. [An Exhibition Catalogue. With Introductions and Reproductions.]. PDF](https://books.google.com/books/content/images/frontcover/gEEEcgAACAAJ?fife=w80-h100)
Author: National Gallery of British Art, afterwards Tate Gallery (London)
Publisher:
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Category :
Languages : en
Pages :
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 23
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Author:
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Category :
Languages : en
Pages :
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Author: George Heard Hamilton
Publisher: Yale University Press
ISBN: 9780300056495
Category : Art
Languages : en
Pages : 628
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Book Description
This new edition of 'a book that offers the best available grounding in its huge subject,' as the Sunday Times called it, includes color plates and a revised and expanded bibliography. Professor Hamilton traces the origins and growth of modern art, assessing the intrinsic qualities of individual works and describing the social forces in play. The result is an authoritative guide through the forest of artistic labels-Impressionism and Expressionism, Symbolism, Cubism, Constructivism, Surrealism, etc.-and to the achievements of Degas and Cezanne, Ensor and Munch, Matisse and Kandinsky, Picasso, Braque, and Epstein, Mondrian, Dali, Modigliani, Utrillo and Chagall, Klee, Henry Moore, and many other artists in a revolutionary age.
Author: Matthew Smith
Publisher:
ISBN:
Category : Art, Modern
Languages : en
Pages : 72
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Book Description
Author: John Gledhill
Publisher: Lund Humphries Publishers Limited
ISBN:
Category : Art
Languages : en
Pages : 322
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Book Description
Matthew Smith (1879-1959) is one of the most important British painters of the twentieth century. This book provides for the first time a catalogue of the oil paintings by Matthew Smith from 1905 to 1957 and a substantial critical reappraisal of the artist's work. Gledhill situates the artist in the context of modernism and his Bloomsbury peers and the London Group. Provenance, exhibition catalogues and literature are brought together in extensively detailed entries. Where possible an illustration of each work is provided and the majority of the paintings are illustrated to assist the scholar who up until now has been confronted with a dearth of information on Matthew Smith.
