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Author: Tegan Zimmerman
Publisher: Univ. Press of Mississippi
ISBN: 1496846362
Category : Social Science
Languages : en
Pages : 181
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Book Description
In Matria Redux: Caribbean Women Novelize the Past, author Tegan Zimmerman contends that there is a need for reading Caribbean women’s texts relationally. This comprehensive study argues that the writer’s turn to maternal histories constitutes the definitive feature of this transcultural and transnational genre. Through an array of Caribbean women’s historical novels published roughly between 1980 and 2010, this book formulates the theory of matria—an imagined maternal space and time—as a postcolonial-psychoanalytic feminist framework for reading fictions of maternal history written by and about Caribbean women. Tracing the development of the historical novel in four periods of the Caribbean past—slavery, colonialism, revolution, and decolonization—this study argues that a pan-Caribbean generation of women writers, of varying discursive racial(ized) realities, has depicted similar matria constructs and maternal motifs. A politicized concept, matria functions in the historical novel as a counternarrative to traditional historical and literary discourses. Through close readings of the mother/daughter plots in contemporary Caribbean women’s historical fiction, such as Andrea Levy’s The Long Song, Edwidge Danticat’s The Farming of Bones, Paule Marshall’s Praisesong for the Widow, and Marie-Elena John’s Unburnable, Matria Redux considers the concept of matria an important vehicle for postcolonial-psychoanalytic feminist literary resistance and political intervention. Matria as a psychoanalytic, postcolonial strategy therefore envisions, by returning to history, alternative feminist fictions, futures, and Caribbeans.
Author: Tegan Zimmerman
Publisher: Univ. Press of Mississippi
ISBN: 1496846362
Category : Social Science
Languages : en
Pages : 181
Get Book Here
Book Description
In Matria Redux: Caribbean Women Novelize the Past, author Tegan Zimmerman contends that there is a need for reading Caribbean women’s texts relationally. This comprehensive study argues that the writer’s turn to maternal histories constitutes the definitive feature of this transcultural and transnational genre. Through an array of Caribbean women’s historical novels published roughly between 1980 and 2010, this book formulates the theory of matria—an imagined maternal space and time—as a postcolonial-psychoanalytic feminist framework for reading fictions of maternal history written by and about Caribbean women. Tracing the development of the historical novel in four periods of the Caribbean past—slavery, colonialism, revolution, and decolonization—this study argues that a pan-Caribbean generation of women writers, of varying discursive racial(ized) realities, has depicted similar matria constructs and maternal motifs. A politicized concept, matria functions in the historical novel as a counternarrative to traditional historical and literary discourses. Through close readings of the mother/daughter plots in contemporary Caribbean women’s historical fiction, such as Andrea Levy’s The Long Song, Edwidge Danticat’s The Farming of Bones, Paule Marshall’s Praisesong for the Widow, and Marie-Elena John’s Unburnable, Matria Redux considers the concept of matria an important vehicle for postcolonial-psychoanalytic feminist literary resistance and political intervention. Matria as a psychoanalytic, postcolonial strategy therefore envisions, by returning to history, alternative feminist fictions, futures, and Caribbeans.
Author: Odile Ferly
Publisher: Springer Nature
ISBN: 3031321111
Category : Literary Criticism
Languages : en
Pages : 318
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Book Description
This book deconstructs androcentric approaches to spacetime inherited from western modernity through its theoretical frame of the chronotropics. It sheds light on the literary acts of archival disruption, radical remapping, and epistemic marronnage by twenty-first-century Caribbean women writers to restore a connection to spacetime, expanding it within and beyond the region. Arguing that the chronotropics points to a vocation for social justice and collective healing, this pan-Caribbean volume returns to autochthonous ontologies and epistemologies to propose a poetics and politics of the chronotropics that is anticolonial, gender inclusive, pluralistic, and non-anthropocentric. This is an open access book.
Author:
Publisher:
ISBN:
Category : Corporations
Languages : en
Pages : 1372
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Book Description
Author: S. K. Bain
Publisher: Trine Day
ISBN: 1937584194
Category : Social Science
Languages : en
Pages : 526
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Book Description
In this shocking exposé, investigative researcher and author S. K. Bain reveals the truth behind the mass-murdering psychopaths responsible for the events of September 11, 2001, and reconstructs the occult-driven script for this Global Luciferian MegaRitual. As Bain uncovers, the framework for the entire event was a psychological warfare campaign built upon a deadly foundation of black magick and high technology. The book details the sinister nature of the defining event of the 21st century and explains the vast scope of the machinery of oppression that has been constructed around us.
Author:
Publisher:
ISBN:
Category : Commercial products
Languages : en
Pages : 1134
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Book Description
Author:
Publisher:
ISBN:
Category : Commercial products
Languages : en
Pages : 1172
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Book Description
Author: Habeeb Akande
Publisher: Rabaah Publishers
ISBN: 0957484569
Category : Health & Fitness
Languages : en
Pages : 150
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Book Description
Originally from Rwanda, east-central Africa, the kunyaza sexual practice triggers female ejaculation and multiple orgasms in women during heterosexual encounters. The kunyaza technique is also practised in Uganda and Kenya, where it is known as kachabali. Benefits of kunyaza include: * facilitates female ejaculation and/or `squirting,' * triggers multiple orgasms in women, * brings women to climax in less than five minutes, * helps men last longer in the bedroom, * enhances female pleasure, * stimulation of the K-Spot, and * an effective treatment for female orgasmic disorder. Kunyaza examines the cultural impact of Rwanda's pleasure-based sensual tradition and investigates whether it empowers women. The book also explores the psychology of female desire, analyses female ejaculation and G-Spot studies, and investigates the controversial practice of labia pulling. Drawing on extensive research from Western-trained sexologists, psychologists, and ssengas (female sex educators) from Africa, the book provides an intimate and illustrated guide on how to make a woman ejaculate.
Author: British Museum. Dept. of Printed Books
Publisher:
ISBN:
Category : English imprints
Languages : en
Pages : 1230
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Book Description
Author: Alyssa Goldstein Sepinwall
Publisher: Univ. Press of Mississippi
ISBN: 1496833120
Category : Social Science
Languages : en
Pages : 337
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Book Description
Recipient of the 2021 Honorary Mention for the Haiti Book Prize from the Haitian Studies Association In Slave Revolt on Screen: The Haitian Revolution in Film and Video Games author Alyssa Goldstein Sepinwall analyzes how films and video games from around the world have depicted slave revolt, focusing on the Haitian Revolution (1791–1804). This event, the first successful revolution by enslaved people in modern history, sent shock waves throughout the Atlantic World. Regardless of its historical significance however, this revolution has become less well-known—and appears less often on screen—than most other revolutions; its story, involving enslaved Africans liberating themselves through violence, does not match the suffering-slaves-waiting-for-a-white-hero genre that pervades Hollywood treatments of Black history. Despite Hollywood’s near-silence on this event, some films on the Revolution do exist—from directors in Haiti, the US, France, and elsewhere. Slave Revolt on Screen offers the first-ever comprehensive analysis of Haitian Revolution cinema, including completed films and planned projects that were never made. In addition to studying cinema, this book also breaks ground in examining video games, a pop-culture form long neglected by historians. Sepinwall scrutinizes video game depictions of Haitian slave revolt that appear in games like the Assassin’s Creed series that have reached millions more players than comparable films. In analyzing films and games on the revolution, Slave Revolt on Screen calls attention to the ways that economic legacies of slavery and colonialism warp pop-culture portrayals of the past and leave audiences with distorted understandings.
Author: Violet Harrington Bryan
Publisher: Univ. Press of Mississippi
ISBN: 1496836227
Category : Social Science
Languages : en
Pages : 99
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Book Description
Erna Brodber and Velma Pollard, two sister-writers born and raised in Jamaica, re-create imagined and lived homelands in their literature by commemorating the history, culture, and religion of the Caribbean. Velma Pollard was born in St. Catherine, Jamaica. By the time she was three, her parents had moved to Woodside, St. Mary, in northeast Jamaica, where her sister, Erna, was born. Even though they both travel widely and often, the sisters both still live in Jamaica. The sisters write about their homeland as a series of memories and stories in their many works of fiction, nonfiction, and poetry. They center on their home village of Woodside in St. Mary Parish, Jamaica, occasionally moving the settings of their fiction and poetry to other regions of Jamaica and various Caribbean islands, as well as other parts of the diaspora in the United States, Canada, and England. The role of women in the patriarchal society of Jamaica and much of the Caribbean is also a subject of the sisters’ writing. Growing up in what Brodber calls the kumbla, the protective but restrictive environment of many women in the Anglo-Caribbean, is an important theme in their fiction. In her fiction, Pollard discusses the gender gaps in employment and the demands of marriage and the special contributions of women to family and community. Many scholars have also explored the significance of spirit in Brodber’s work, including the topics of “spirit theft,” “spirit possession,” and spirits existing through time, from Africa to the present. Brodber’s narratives also show communication between the living and the dead, from Jane and Louisa (1980) to Nothing’s Mat (2014). Yet, few scholars have examined Brodber’s work on par with her sister’s writing. Drawing upon interviews with the authors, this is the first book to give Brodber and Pollard their due and study the sisters’ important contributions.
