Author: Laurie Olsen
Publisher: Emmaus Road Publishing
ISBN: 1645853748
Category : Religion
Languages : en
Pages : 548
Book Description
This masterful work by Dr. Laurie Olsen uncovers the behind-the-scenes story of the Dogmatic Constitution on the Church Lumen Gentium VIII based on unpublished records from the Vatican Apostolic Archives, including internal memoranda, private notes, never-before-heard audio recordings of closed-door sessions, and more. This monumental achievement of archival research provides a window into what really happened at Vatican II—the council’s inner workings and maneuvers to steer Lumen Gentium VIII in a direction that would profoundly affect marian devotion and the study of mariology from that moment on.
Mary and the Church at Vatican II: The Untold Story of Lumen Gentium VIII
ENGLISH FOR NURSES BAHASA INGGRIS EPERAWATAN
Author: Nurhendi
Publisher: Pustaka Galeri Mandiri
ISBN: 6239222216
Category : Biography & Autobiography
Languages : en
Pages : 96
Book Description
Publisher: Pustaka Galeri Mandiri
ISBN: 6239222216
Category : Biography & Autobiography
Languages : en
Pages : 96
Book Description
General catalogue
Author: Catholic University of America (Washington, D.C.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1406
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1406
Book Description
Announcements: The School of Sacred Theology and The School of Canon Law
Author: Catholic University of America
Publisher:
ISBN:
Category : Schools
Languages : en
Pages : 52
Book Description
Publisher:
ISBN:
Category : Schools
Languages : en
Pages : 52
Book Description
Fascism
Author: Michael S. Neiberg
Publisher: Routledge
ISBN: 1351158341
Category : History
Languages : en
Pages : 629
Book Description
This volume presents the best writings on the origins, development, success and failure of fascism outside Germany. By treating the problem in a global context, these essays together add tremendous complexity to our understanding of one of history‘s most destructive political movements. The collection covers theories, origins and definitions of fascism, fascism in power, fascism in opposition, and fascism in a global and comparative setting.
Publisher: Routledge
ISBN: 1351158341
Category : History
Languages : en
Pages : 629
Book Description
This volume presents the best writings on the origins, development, success and failure of fascism outside Germany. By treating the problem in a global context, these essays together add tremendous complexity to our understanding of one of history‘s most destructive political movements. The collection covers theories, origins and definitions of fascism, fascism in power, fascism in opposition, and fascism in a global and comparative setting.
Without a Compass
Author: Frederick B. Van Vorst
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 428
Book Description
Publisher:
ISBN:
Category : Authors, American
Languages : en
Pages : 428
Book Description
How Fascism Ruled Women
Author: Victoria de Grazia
Publisher: Univ of California Press
ISBN: 9780520911383
Category : History
Languages : en
Pages : 370
Book Description
"Italy has been made; now we need to make the Italians," goes a familiar Italian saying. Mussolini was the first head of state to include women in this mandate. How the fascist dictatorship defined the place of women in modern Italy and how women experienced the Duce's rule are the subjects of Victoria de Grazia's new work. De Grazia draws on an array of sources—memoirs and novels, the images, songs, and events of mass culture, as well as government statistics and archival reports. She offers a broad yet detailed characterization of Italian women's ambiguous and ambivalent experience of a regime that promised modernity, yet denied women emancipation. Always attentive to the great diversity among women and careful to distinguish fascist rhetoric from the practices that really shaped daily existence, the author moves with ease from the public discourse about femininity to the images of women in propaganda and commercial culture. She analyzes fascist attempts to organize women and the ways in which Mussolini's intentions were received by women as social actors. The first study of women's experience under Italian fascism, this is also a history of the making of contemporary Italian society.
Publisher: Univ of California Press
ISBN: 9780520911383
Category : History
Languages : en
Pages : 370
Book Description
"Italy has been made; now we need to make the Italians," goes a familiar Italian saying. Mussolini was the first head of state to include women in this mandate. How the fascist dictatorship defined the place of women in modern Italy and how women experienced the Duce's rule are the subjects of Victoria de Grazia's new work. De Grazia draws on an array of sources—memoirs and novels, the images, songs, and events of mass culture, as well as government statistics and archival reports. She offers a broad yet detailed characterization of Italian women's ambiguous and ambivalent experience of a regime that promised modernity, yet denied women emancipation. Always attentive to the great diversity among women and careful to distinguish fascist rhetoric from the practices that really shaped daily existence, the author moves with ease from the public discourse about femininity to the images of women in propaganda and commercial culture. She analyzes fascist attempts to organize women and the ways in which Mussolini's intentions were received by women as social actors. The first study of women's experience under Italian fascism, this is also a history of the making of contemporary Italian society.
Four Questions on Mary
Author: John Duns Scotus
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 130
Book Description
Publisher:
ISBN:
Category : Philosophy
Languages : en
Pages : 130
Book Description
Painting the Sacred in the Age of Romanticism
Author: Cordula Grewe
Publisher: Routledge
ISBN: 1351555227
Category : Art
Languages : en
Pages : 437
Book Description
After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography. Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art. This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meanin
Publisher: Routledge
ISBN: 1351555227
Category : Art
Languages : en
Pages : 437
Book Description
After a century of Rationalist scepticism and political upheaval, the nineteenth century awakened to a fierce battle between the forces of secularization and the crusaders of a Christian revival. From this battlefield arose an art movement that would become the torchbearer of a new religious art: Nazarenism. From its inception in the Lukasbund of 1809, this art was controversial. It nonetheless succeeded in becoming a lingua franca in religious circles throughout Europe, America, and the world at large. This is the first major study of the evolution, structure, and conceptual complexity of this archetypically nineteenth-century language of belief. The Nazarene quest for a modern religious idiom evolved around a return to pre-modern forms of biblical exegesis and the adaptation of traditional systems of iconography. Reflecting the era's historicist sensibility as much as the general revival of orthodoxy in the various Christian denominations, the Nazarenes responded with great acumen to pressing contemporary concerns. Consequently, the artists did not simply revive Christian iconography, but rather reconceptualized what it could do and say. This creativity and flexibility enabled them to intervene forcefully in key debates of post-revolutionary European society: the function of eroticism in a Christian life, the role of women and the social question, devotional practice and the nature of the Church, childhood education and bible study, and the burning issue of anti-Judaism and modern anti-Semitism. What makes Nazarene art essentially Romantic is the meditation on the conditions of art-making inscribed into their appropriation and reinvention of artistic tradition. Far from being a reactionary move, this self-reflexivity expresses the modernity of Nazarene art. This study explores Nazarenism in a series of detailed excavations of central works in the Nazarene corpus produced between 1808 and the 1860s. The result is a book about the possibility of religious meanin
Handbook of Catholic Dogmatics 5.1
Author: Matthias Joseph Scheeben
Publisher: Emmaus Academic
ISBN: 1645850366
Category : Religion
Languages : en
Pages : 467
Book Description
In Handbook of Catholic Dogmatics, Book V, Soteriology Part 1 Matthias Joseph Scheeben delineates who and what Jesus Christ is as the Incarnate Son of God in Person. With characteristic brilliance, Scheeben sets forth in this first half-volume the essential nature and attributes proper to Christ as the hypostatic union of God and man. Beginning with the Scriptural and traditional foundations, he elucidates the Catholic Church’s traditional teaching on Christ’s unity of Person in two natures as they were developed in response to the main Christological heresies of the early Christian centuries. On this basis, he then delves into the speculative depths of the hypostatic union itself as well as the attributes of the God-man that arise from this union. “[T]he translation of the Handbook of Catholic Dogmatics by the greatest speculative theologian of the nineteenth century into the modern lingua franca is an invaluable service to the future of the Church in the secular age. With his speculative penetration of the mystery of the Incarnation in the present volume—enriched by a comprehensive knowledge of patristic, scholastic, and modern theology—Matthias Joseph Scheeben preserves the mystery of Divine Revelation from attempts to naturalize it and the Church from the tendency to reduce it to a merely functional civil religion. He proves that even on the highest level of rational reflection the believer can give to modern man an account for ‘the hope that is in him’ (cf. 1 Pet 3:15), which puts us in a position to clarify definitively our understanding of ourselves and of the world in light of the knowledge of God.” —Cardinal Gerhard Müller— Prefect Emeritus of the Congregation for the Doctrine of the Faith
Publisher: Emmaus Academic
ISBN: 1645850366
Category : Religion
Languages : en
Pages : 467
Book Description
In Handbook of Catholic Dogmatics, Book V, Soteriology Part 1 Matthias Joseph Scheeben delineates who and what Jesus Christ is as the Incarnate Son of God in Person. With characteristic brilliance, Scheeben sets forth in this first half-volume the essential nature and attributes proper to Christ as the hypostatic union of God and man. Beginning with the Scriptural and traditional foundations, he elucidates the Catholic Church’s traditional teaching on Christ’s unity of Person in two natures as they were developed in response to the main Christological heresies of the early Christian centuries. On this basis, he then delves into the speculative depths of the hypostatic union itself as well as the attributes of the God-man that arise from this union. “[T]he translation of the Handbook of Catholic Dogmatics by the greatest speculative theologian of the nineteenth century into the modern lingua franca is an invaluable service to the future of the Church in the secular age. With his speculative penetration of the mystery of the Incarnation in the present volume—enriched by a comprehensive knowledge of patristic, scholastic, and modern theology—Matthias Joseph Scheeben preserves the mystery of Divine Revelation from attempts to naturalize it and the Church from the tendency to reduce it to a merely functional civil religion. He proves that even on the highest level of rational reflection the believer can give to modern man an account for ‘the hope that is in him’ (cf. 1 Pet 3:15), which puts us in a position to clarify definitively our understanding of ourselves and of the world in light of the knowledge of God.” —Cardinal Gerhard Müller— Prefect Emeritus of the Congregation for the Doctrine of the Faith