British Drama, 1533-1642: 1603-1608 PDF Download
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Author: Martin Wiggins
Publisher: Oxford University Press, USA
ISBN: 019871923X
Category : Drama
Languages : en
Pages : 545
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Book Description
Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.
Author: Martin Wiggins
Publisher: Oxford University Press, USA
ISBN: 019871923X
Category : Drama
Languages : en
Pages : 545
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Book Description
Volume 3 covers the years 1590-1597 and sees the start of Shakespeare's career as a dramatist.
Author: Folger Shakespeare Library
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 604
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Book Description
Author: John Cooke
Publisher: Routledge
ISBN: 0429594321
Category : Literary Criticism
Languages : en
Pages : 134
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Book Description
Published in 1984: Greene's Tu Quoque, or, The Cittie Gallant is a satirical play from 1611 which was first presented at court by the Queen’s players.
Author: Chloë Houston
Publisher: Springer Nature
ISBN: 3031226186
Category : History
Languages : en
Pages : 300
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Book Description
This book is a study of the representation of the Persian empire in English drama across the early modern period, from the 1530s to the 1690s. The wide focus of this book, encompassing thirteen dramatic entertainments, both canonical and little-known, allow it to trace the changes and developments in the dramatic use of Persia and its people across one and a half centuries. It explores what Persia signified to English playwrights and audiences in this period; the ideas and associations conjured up by mention of ‘Persia’; and where information about Persia came from. It also considers how ideas about Persia changed with the development of global travel and trade, as English people came into people with Persians for the first time. In addressing these issues, this book provides an examination not only of the representation of Persia in dramatic material, but of the broader relationship between travel, politics and the theatre in early modern England.
Author: Mary Désirée Anderson
Publisher: CUP Archive
ISBN:
Category :
Languages : en
Pages : 298
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Book Description
Author: John Ford
Publisher:
ISBN:
Category : English drama
Languages : en
Pages : 432
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Book Description
Author: Howard B. Norland
Publisher: U of Nebraska Press
ISBN: 9780803233379
Category : Drama
Languages : en
Pages : 428
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Book Description
A time of great changes after nearly a century of foreign wars and civil strife, the Tudor era witnessed a significant transformation of dramatic art. Medieval traditions were modified by the forces of humanism and the Reformation, and a renewed interest in classical models inspired experimentation. Howard B. Norland examines Tudor plays performed between 1485 and 1558, a time when drama reached beyond local, popular, and religious contexts to treat more varied and more secular concerns, culminating in the emergence of comedy and tragedy as major genres. The theater also imported dramas from the Continent, adapting them to English tastes. After establishing the popular dramatic traditions of fifteenth-century Britain, Norland discusses the critical interpretation of the Latin plays of Terence studied in the schools and the views of influential authors such as Erasmus, Vives, and More about what drama should be and do. The heart of the book is its in-depth analyses of individual plays. Norland examines the secularization of the morality play in Skelton's Magnificence, Bale's King John, Respublica, and Redford's Wit and Science and he traces the changes in comic form from Medwall's Fulgens and Lucres through Calisto and Melebea and Johan Johan to Udall's Roister Doister and Gammer Gurton's Needle. The final section examines the first tragedies written in England: Watson's Absolom, Christopherson's Jephthah, and Grimald's Archipropheta. Howard B. Norland is a professor of English at the University of Nebraska-Lincoln. His articles have appeared in Genre, Sixteenth Century Journal, Fifteenth Century Studies, Comparative Drama, and Journal of Medieval and Renaissance Studies.
Author: John Rylands Library
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages : 664
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Book Description
Author: Frank Leslie Cross
Publisher:
ISBN: 0192802909
Category : Christianity
Languages : en
Pages : 1842
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Book Description
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable one-volume reference work on all aspects of the Christian Church. It contains over 6,000 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, including theology, churches and denominations, patristic scholarship, the bible, the church calendar and its organization, popes, archbishops, saints, and mystics. In this revision, innumerable small changes have been made to take into account shifts in scholarly opinion, recent developments, such as the Church of England's new prayer book (Common Worship), RC canonizations, ecumenical advances and mergers, and, where possible, statistics. A number of existing articles have been rewritten to reflect new evidence or understanding, for example the Holy Sepulchre entry, and there are a few new articles. Perhaps most significantly, a great number of the bibliographies have been updated. Established since its first appearance in 1957 as an essential resource for ordinands, clergy, and members of religious orders, ODCC is an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.
Author: Ira Clark
Publisher: University Press of Kentucky
ISBN: 0813194466
Category : Literary Criticism
Languages : en
Pages : 346
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Book Description
The most neglected of the English Renaissance playwrights are the major Carolines—Philip Massinger, John Ford, James Shirley, and Richard Brome. Writing in the 1620s and 1630s, always in the shadow of their great precursors, Shakespeare and Jonson, they have often been dubbed mere purveyors of slick, escapist sensationalism who avoided the great issues of their day and turned away from the impending breakdown of English society. Ira Clark's revisionist book shows us these dramatists and their time whole, particularly through analysis of their treatment of sociopolitical issues—issues that find echoes in twentieth-century concerns. For each of these playwrights, Clark sketches his known social circle, describes characteristic social and political stances and dramatic techniques, and provides a detailed reading of an exemplary play. In considering their artistry, he notes their variations on traditional dramatic characters, situations, and styles. Where their predecessors had offered deep psychological portrayals, the Carolines, he finds, present characters whose roles grow out of their social relations. The issues they engage range from the sovereignty of King or Parliament and the criteria for social mobility to parental dominion and the rights of women and children. Their presentations range from conservatism—Ford's distilled and Shirley's playful—through Massinger's accommodation, to Brome's extemporaneous experimentation. The Carolines' theatrical world, Clark argues, is accessible to modern readers through the social theories of our time, which depend on their "world as a stage" trope for such concepts as symbolic interactionism and the ritual inculcation of social cohesion. This important book sheds new light on both the artistic and the political climate of seventeenth-century England.
