Author: Laurel Kendall
Publisher: Univ of California Press
ISBN: 0520298667
Category : Art
Languages : en
Pages : 251
Book Description
Statues, paintings, and masks—like the bodies of shamans and spirit mediums—give material form and presence to otherwise invisible entities, and sometimes these objects are understood to be enlivened, agentive on their own terms. This book explores how magical images are expected to work with the shamans and spirit mediums who tend and use them in contemporary South Korea, Vietnam, Myanmar, Bali, and elsewhere in Asia. It considers how such things are fabricated, marketed, cared for, disposed of, and sometimes transformed into art-market commodities and museum artifacts.
Mediums and Magical Things
Author: Laurel Kendall
Publisher: Univ of California Press
ISBN: 0520298667
Category : Art
Languages : en
Pages : 251
Book Description
Statues, paintings, and masks—like the bodies of shamans and spirit mediums—give material form and presence to otherwise invisible entities, and sometimes these objects are understood to be enlivened, agentive on their own terms. This book explores how magical images are expected to work with the shamans and spirit mediums who tend and use them in contemporary South Korea, Vietnam, Myanmar, Bali, and elsewhere in Asia. It considers how such things are fabricated, marketed, cared for, disposed of, and sometimes transformed into art-market commodities and museum artifacts.
Publisher: Univ of California Press
ISBN: 0520298667
Category : Art
Languages : en
Pages : 251
Book Description
Statues, paintings, and masks—like the bodies of shamans and spirit mediums—give material form and presence to otherwise invisible entities, and sometimes these objects are understood to be enlivened, agentive on their own terms. This book explores how magical images are expected to work with the shamans and spirit mediums who tend and use them in contemporary South Korea, Vietnam, Myanmar, Bali, and elsewhere in Asia. It considers how such things are fabricated, marketed, cared for, disposed of, and sometimes transformed into art-market commodities and museum artifacts.
Making Christ Present in China
Author: Michel Chambon
Publisher: Springer Nature
ISBN: 3030556050
Category : Social Science
Languages : en
Pages : 297
Book Description
An anthropological theorization of the unity and diversity of Christianity, this book focuses on Christian communities in Nanping, a small city in China. It applies methodological insights from Actor-Network Theory to investigate how the Christian God is made part of local social networks. The study examines how Christians interact with and re-define material objects, such as buildings, pews, offerings, and blood, in order to identify the kind of networks and non-human actors that they collectively design. By comparing local Christian traditions with other practices informing the Nanping religious landscape, the study points out potential cohesion via the centralizing presence of the Christian God, the governing nature of the pastoral clergy, and the semi-transcendent being of the Church.
Publisher: Springer Nature
ISBN: 3030556050
Category : Social Science
Languages : en
Pages : 297
Book Description
An anthropological theorization of the unity and diversity of Christianity, this book focuses on Christian communities in Nanping, a small city in China. It applies methodological insights from Actor-Network Theory to investigate how the Christian God is made part of local social networks. The study examines how Christians interact with and re-define material objects, such as buildings, pews, offerings, and blood, in order to identify the kind of networks and non-human actors that they collectively design. By comparing local Christian traditions with other practices informing the Nanping religious landscape, the study points out potential cohesion via the centralizing presence of the Christian God, the governing nature of the pastoral clergy, and the semi-transcendent being of the Church.
Daily Life for the Common People of China, 1850 to 1950
Author: Ronald Suleski
Publisher: BRILL
ISBN: 9004361030
Category : Social Science
Languages : en
Pages : 483
Book Description
In this exciting book, Ronald Suleski introduces daily life for the common people of China in the century from 1850 to 1950. They were semi-literate, yet they have left us written accounts of their hopes, fears, and values. They have left us the hand-written manuscripts (chaoben 抄本) now flooding the antiques markets in China. These documents represent a new and heretofore overlooked category of historical sources. Suleski gives a detailed explanation of the interaction of chaoben with the lives of the people. He offers examples of why they were so important to the poor laboring masses: people wanted horoscopes predicting their future, information about the ghosts causing them headaches, a few written words to help them trade in the rural markets, and many more examples are given. The book contains a special appendix giving the first complete translation into English of a chaoben describing the ghosts and goblins that bedeviled the poor working classes.
Publisher: BRILL
ISBN: 9004361030
Category : Social Science
Languages : en
Pages : 483
Book Description
In this exciting book, Ronald Suleski introduces daily life for the common people of China in the century from 1850 to 1950. They were semi-literate, yet they have left us written accounts of their hopes, fears, and values. They have left us the hand-written manuscripts (chaoben 抄本) now flooding the antiques markets in China. These documents represent a new and heretofore overlooked category of historical sources. Suleski gives a detailed explanation of the interaction of chaoben with the lives of the people. He offers examples of why they were so important to the poor laboring masses: people wanted horoscopes predicting their future, information about the ghosts causing them headaches, a few written words to help them trade in the rural markets, and many more examples are given. The book contains a special appendix giving the first complete translation into English of a chaoben describing the ghosts and goblins that bedeviled the poor working classes.
Religion in China
Author: Adam Yuet Chau
Publisher: John Wiley & Sons
ISBN: 1509535683
Category : Religion
Languages : en
Pages : 234
Book Description
In recent years, there has been an astonishing revival of religious practices in China. Looking beyond numerical counts of religious practitioners, temples, and churches, anthropologist Adam Yuet Chau's vivid study explores how religion is embedded in contemporary Chinese lives and society, from personal devotion to community-wide festivals. Covering Buddhism, Daoism, and folk religion, as well as Christianity and Islam, this ethnographically rich book provides insights into the contemporary relevance of religious traditions in Chinese societies. By considering the ways in which Chinese people ‘do’ religion, Chau reveals how religious practice plays a critical role in establishing and maintaining a wide range of relationships: between people, spirits, and places; ritual service providers and their customers; the state and religious groups. He argues that relationality is the key anchor of religious lifeworlds, and this insight demands an entirely new way of approaching religion everywhere. This lively account will appeal to those studying or curious about Chinese or East Asian religions, and serves as a perfect gateway to understanding religious practices in China today.
Publisher: John Wiley & Sons
ISBN: 1509535683
Category : Religion
Languages : en
Pages : 234
Book Description
In recent years, there has been an astonishing revival of religious practices in China. Looking beyond numerical counts of religious practitioners, temples, and churches, anthropologist Adam Yuet Chau's vivid study explores how religion is embedded in contemporary Chinese lives and society, from personal devotion to community-wide festivals. Covering Buddhism, Daoism, and folk religion, as well as Christianity and Islam, this ethnographically rich book provides insights into the contemporary relevance of religious traditions in Chinese societies. By considering the ways in which Chinese people ‘do’ religion, Chau reveals how religious practice plays a critical role in establishing and maintaining a wide range of relationships: between people, spirits, and places; ritual service providers and their customers; the state and religious groups. He argues that relationality is the key anchor of religious lifeworlds, and this insight demands an entirely new way of approaching religion everywhere. This lively account will appeal to those studying or curious about Chinese or East Asian religions, and serves as a perfect gateway to understanding religious practices in China today.
Island Fantasia
Author: Wei-Ping Lin
Publisher: Cambridge University Press
ISBN: 1316519376
Category : History
Languages : en
Pages : 329
Book Description
An innovative ethnography and social history of the Matsu archipelago between China and Taiwan.
Publisher: Cambridge University Press
ISBN: 1316519376
Category : History
Languages : en
Pages : 329
Book Description
An innovative ethnography and social history of the Matsu archipelago between China and Taiwan.
Thirty-two New Takes on Taiwan Cinema
Author: Emilie Yueh-yu Yeh
Publisher: University of Michigan Press
ISBN: 047222039X
Category : Social Science
Languages : en
Pages : 577
Book Description
Thirty-two New Takes on Taiwan Cinema covers thirty-two films from Taiwan, addressing a flowering of new talent, moving from art film to genre pictures, and nonfiction. Beyond the conventional framework of privileging “New and Post-New Cinema,” or prominence of auteurs or single films, this volume is a comprehensive, judicious take on Taiwan cinema that fills gaps in the literature, offers a renewed historiography, and introduces new creative force and voices of Taiwan’s moving image culture to produce a leading and accessible work on Taiwan film and culture. Film-by-film is conceived as the main carrier of moving picture imagery for a majority of viewers, across the world. The curation offers an array of formal, historical, genre, sexual, social, and political frames, which provide a rich brew of contexts. This surfeit of meanings is carried by individual films, one by one, which breaks down abstractions into narrative bites and outsized emotions.
Publisher: University of Michigan Press
ISBN: 047222039X
Category : Social Science
Languages : en
Pages : 577
Book Description
Thirty-two New Takes on Taiwan Cinema covers thirty-two films from Taiwan, addressing a flowering of new talent, moving from art film to genre pictures, and nonfiction. Beyond the conventional framework of privileging “New and Post-New Cinema,” or prominence of auteurs or single films, this volume is a comprehensive, judicious take on Taiwan cinema that fills gaps in the literature, offers a renewed historiography, and introduces new creative force and voices of Taiwan’s moving image culture to produce a leading and accessible work on Taiwan film and culture. Film-by-film is conceived as the main carrier of moving picture imagery for a majority of viewers, across the world. The curation offers an array of formal, historical, genre, sexual, social, and political frames, which provide a rich brew of contexts. This surfeit of meanings is carried by individual films, one by one, which breaks down abstractions into narrative bites and outsized emotions.
Li Mengyang, the North-South Divide, and Literati Learning in Ming China
Author: Chang Woei Ong
Publisher: BRILL
ISBN: 1684170885
Category : History
Languages : en
Pages : 372
Book Description
Li Mengyang (1473–1530) was a scholar-official and man of letters who initiated the literary archaist movement that sought to restore ancient styles of prose and poetry in sixteenth-century China. In this first book-length study of Li in English, Chang Woei Ong comprehensively examines his intellectual scheme and situates Li’s quest to redefine literati learning as a way to build a perfect social order in the context of intellectual transitions since the Song dynasty. Ong examines Li’s emergence at the distinctive historical juncture of the mid-Ming dynasty, when differences between northern and southern literati cultures and visions were articulated as a north-south divide (both real and perceived) among Chinese thinkers. Ong argues that this divide, and the ways in which Ming literati compartmentalized learning, is key to understanding Li’s thought and its legacy. Though a northerner, Li became a powerful voice in prose and poetry, in both a positive and negative sense, as he was championed or castigated by the southern literati communities. The southern literati’s indifference toward Li’s other intellectual endeavors—including cosmology, ethics, political philosophy, and historiography—furthered his utter marginalization in those fields.
Publisher: BRILL
ISBN: 1684170885
Category : History
Languages : en
Pages : 372
Book Description
Li Mengyang (1473–1530) was a scholar-official and man of letters who initiated the literary archaist movement that sought to restore ancient styles of prose and poetry in sixteenth-century China. In this first book-length study of Li in English, Chang Woei Ong comprehensively examines his intellectual scheme and situates Li’s quest to redefine literati learning as a way to build a perfect social order in the context of intellectual transitions since the Song dynasty. Ong examines Li’s emergence at the distinctive historical juncture of the mid-Ming dynasty, when differences between northern and southern literati cultures and visions were articulated as a north-south divide (both real and perceived) among Chinese thinkers. Ong argues that this divide, and the ways in which Ming literati compartmentalized learning, is key to understanding Li’s thought and its legacy. Though a northerner, Li became a powerful voice in prose and poetry, in both a positive and negative sense, as he was championed or castigated by the southern literati communities. The southern literati’s indifference toward Li’s other intellectual endeavors—including cosmology, ethics, political philosophy, and historiography—furthered his utter marginalization in those fields.
Just a Song
Author: Stephen Owen
Publisher: BRILL
ISBN: 1684170982
Category : History
Languages : en
Pages : 432
Book Description
"“Song Lyric,” ci, remains one of the most loved forms of Chinese poetry. From the early eleventh century through the first quarter of the twelfth century, song lyric evolved from an impromptu contribution in a performance practice to a full literary genre, in which the text might be read more often than performed. Young women singers, either indentured or private entrepreneurs, were at the heart of song practice throughout the period; the authors of the lyrics were notionally mostly male. A strange gender dynamic arose, in which men often wrote in the voice of a woman and her imagined feelings, then appropriated that sensibility for themselves. As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older “Classical Poetry,” shi. In a world that was either pragmatic or moralizing (or both), song lyric was a discourse of sensibility, which literally gave a beautiful voice to everything that seemed increasingly to be disappearing in the new Song dynasty world of righteousness and public advancement."
Publisher: BRILL
ISBN: 1684170982
Category : History
Languages : en
Pages : 432
Book Description
"“Song Lyric,” ci, remains one of the most loved forms of Chinese poetry. From the early eleventh century through the first quarter of the twelfth century, song lyric evolved from an impromptu contribution in a performance practice to a full literary genre, in which the text might be read more often than performed. Young women singers, either indentured or private entrepreneurs, were at the heart of song practice throughout the period; the authors of the lyrics were notionally mostly male. A strange gender dynamic arose, in which men often wrote in the voice of a woman and her imagined feelings, then appropriated that sensibility for themselves. As an essential part of becoming literature, a history was constructed for the new genre. At the same time the genre claimed a new set of aesthetic values to radically distinguish it from older “Classical Poetry,” shi. In a world that was either pragmatic or moralizing (or both), song lyric was a discourse of sensibility, which literally gave a beautiful voice to everything that seemed increasingly to be disappearing in the new Song dynasty world of righteousness and public advancement."
Transgressive Typologies
Author: Doran Doran
Publisher: BRILL
ISBN: 1684170877
Category : History
Languages : en
Pages : 272
Book Description
The exceptionally powerful Chinese women leaders of the late seventh and early eighth centuries—including Wu Zhao, the Taiping and Anle princesses, Empress Wei, and Shangguan Wan’er—though quite prominent in the Chinese cultural tradition, remain elusive and often misunderstood or essentialized throughout history. Transgressive Typologies utilizes a new, multidisciplinary approach to understand how these figures’ historical identities are constructed in the mainstream secular literary-historical tradition and to analyze the points of view that inform these constructions. Using close readings and rereadings of primary texts written in medieval China through later imperial times, this study elucidates narrative typologies and motifs associated with these women to explore how their power is rhetorically framed, gendered, and ultimately deemed transgressive. Rebecca Doran offers a new understanding of major female figures of the Tang era within their literary-historical contexts, and delves into critical questions about the relationship between Chinese historiography, reception-history, and the process of image-making and cultural construction.
Publisher: BRILL
ISBN: 1684170877
Category : History
Languages : en
Pages : 272
Book Description
The exceptionally powerful Chinese women leaders of the late seventh and early eighth centuries—including Wu Zhao, the Taiping and Anle princesses, Empress Wei, and Shangguan Wan’er—though quite prominent in the Chinese cultural tradition, remain elusive and often misunderstood or essentialized throughout history. Transgressive Typologies utilizes a new, multidisciplinary approach to understand how these figures’ historical identities are constructed in the mainstream secular literary-historical tradition and to analyze the points of view that inform these constructions. Using close readings and rereadings of primary texts written in medieval China through later imperial times, this study elucidates narrative typologies and motifs associated with these women to explore how their power is rhetorically framed, gendered, and ultimately deemed transgressive. Rebecca Doran offers a new understanding of major female figures of the Tang era within their literary-historical contexts, and delves into critical questions about the relationship between Chinese historiography, reception-history, and the process of image-making and cultural construction.
Journal of Chinese Religions
Author:
Publisher:
ISBN:
Category : China
Languages : en
Pages : 708
Book Description
Publisher:
ISBN:
Category : China
Languages : en
Pages : 708
Book Description