Author: Bruce E. Arnold
Publisher: muse eek publishing
ISBN: 9781890944629
Category : Music
Languages : en
Pages : 120
Book Description
Bruce Arnold presents hard-core exercises for learning how to read music and pitch locations for every note on the guitar. Exercises for each string are presented in all keys. Free audio files are available in the "Member's Area" of the muse-eek.com website.
Single String Studies for Guitar Volume One
Author: Bruce E. Arnold
Publisher: muse eek publishing
ISBN: 9781890944629
Category : Music
Languages : en
Pages : 120
Book Description
Bruce Arnold presents hard-core exercises for learning how to read music and pitch locations for every note on the guitar. Exercises for each string are presented in all keys. Free audio files are available in the "Member's Area" of the muse-eek.com website.
Publisher: muse eek publishing
ISBN: 9781890944629
Category : Music
Languages : en
Pages : 120
Book Description
Bruce Arnold presents hard-core exercises for learning how to read music and pitch locations for every note on the guitar. Exercises for each string are presented in all keys. Free audio files are available in the "Member's Area" of the muse-eek.com website.
Jazz Guitar Ensembles Level 1
Author: Multiple Authors
Publisher: Mel Bay Publications
ISBN: 1609744950
Category : Music
Languages : en
Pages : 65
Book Description
These beginning to advanced jazz guitar ensembles are written for four and five guitars by some of the best guitar ensemble arrangers in the business. Arrangers include, Barry Greene, Dave Frackenpohl, Steve Schenkel, Andrian Ingram, and Chris Buzzelli. Not only are these fine performance pieces for ensembles, they are good material for sight-reading. These graded volumes follow Mel Bay's guitar grading system. Each chart in all three levels offers students the opportunity to improvise with rhythm guitar and, in some cases, background figures.Level I presents simple rhythms, is technically easy and all of the parts are primarily played in first position. These are perfect for beginning guitar classes and students who are starting to read standard notation. Each volume contains five pieces for the price of what one ensemble piece usually costs.
Publisher: Mel Bay Publications
ISBN: 1609744950
Category : Music
Languages : en
Pages : 65
Book Description
These beginning to advanced jazz guitar ensembles are written for four and five guitars by some of the best guitar ensemble arrangers in the business. Arrangers include, Barry Greene, Dave Frackenpohl, Steve Schenkel, Andrian Ingram, and Chris Buzzelli. Not only are these fine performance pieces for ensembles, they are good material for sight-reading. These graded volumes follow Mel Bay's guitar grading system. Each chart in all three levels offers students the opportunity to improvise with rhythm guitar and, in some cases, background figures.Level I presents simple rhythms, is technically easy and all of the parts are primarily played in first position. These are perfect for beginning guitar classes and students who are starting to read standard notation. Each volume contains five pieces for the price of what one ensemble piece usually costs.
Masters of the Plectrum Guitar
Author: William Bay
Publisher: Mel Bay Publications
ISBN: 1609740297
Category : Music
Languages : en
Pages : 281
Book Description
This landmark book of music for the plectrum style jazz guitar took years to compile, write and edit. It contains some of the greatest solos and duets ever written and performed on the plectrum or flatpicked guitar, including works by Carl Kress, Dick McDonough, George Van Eps, Bucky Pizzarelli, George Barnes, Eddie Lang, George M Smith, Al Valenti, Mel Bay, Frank Victor, Harry Volpe, Carmen Mastren, Oscar Moore, Mundell Lowe, Tony Mottola, Al Hendrickson, and Cal Collins. All solos are in notation and tablature while the duets are shown in standard notation only.
Publisher: Mel Bay Publications
ISBN: 1609740297
Category : Music
Languages : en
Pages : 281
Book Description
This landmark book of music for the plectrum style jazz guitar took years to compile, write and edit. It contains some of the greatest solos and duets ever written and performed on the plectrum or flatpicked guitar, including works by Carl Kress, Dick McDonough, George Van Eps, Bucky Pizzarelli, George Barnes, Eddie Lang, George M Smith, Al Valenti, Mel Bay, Frank Victor, Harry Volpe, Carmen Mastren, Oscar Moore, Mundell Lowe, Tony Mottola, Al Hendrickson, and Cal Collins. All solos are in notation and tablature while the duets are shown in standard notation only.
Mastering the Guitar 1A
Author: William Bay
Publisher: Mel Bay Publications
ISBN: 1609741609
Category : Music
Languages : en
Pages : 145
Book Description
Mastering the Guitar is an innovative, exciting way to learn the guitar. Co-authored by William Bay and Mike Christiansen, this extremely comprehensive method applies the array of musical styles and techniques found in today's music. Written in notation and tablature, it covers a vast array of guitar solo and accompaniment styles. A special feature of this method is that it teaches both flatpicking and fingerstyle solo and accompaniment techniques. We feel that Mastering the Guitar is the most comprehensive approach to guitar technique repertoire and performance to be found anywhere. Volume 1A: Presents the essential foundational studies for contemporary guitar performance; Immediately introduces the student to the concept of playing contemporary music through the creative use of tablature; Logically and methodically teaches note-reading, utilizing the notes in first position on each string in numerous pages of playing material (over 155 solos and duets in the keys of C, A minor, G, and E minor); Contains more than 140 scale and picking studies, chord etudes, and accompaniment pieces, teaching contemporary techniques such as the slur, hammer-on, pull-off, vibrato and slide; Includes in-depth sections on back-up guitar and rhythm; Incorporates guitar duet material.
Publisher: Mel Bay Publications
ISBN: 1609741609
Category : Music
Languages : en
Pages : 145
Book Description
Mastering the Guitar is an innovative, exciting way to learn the guitar. Co-authored by William Bay and Mike Christiansen, this extremely comprehensive method applies the array of musical styles and techniques found in today's music. Written in notation and tablature, it covers a vast array of guitar solo and accompaniment styles. A special feature of this method is that it teaches both flatpicking and fingerstyle solo and accompaniment techniques. We feel that Mastering the Guitar is the most comprehensive approach to guitar technique repertoire and performance to be found anywhere. Volume 1A: Presents the essential foundational studies for contemporary guitar performance; Immediately introduces the student to the concept of playing contemporary music through the creative use of tablature; Logically and methodically teaches note-reading, utilizing the notes in first position on each string in numerous pages of playing material (over 155 solos and duets in the keys of C, A minor, G, and E minor); Contains more than 140 scale and picking studies, chord etudes, and accompaniment pieces, teaching contemporary techniques such as the slur, hammer-on, pull-off, vibrato and slide; Includes in-depth sections on back-up guitar and rhythm; Incorporates guitar duet material.
Mastering Guitar Technique: Process and Essence
Author: Christopher Berg
Publisher: Mel Bay Publications
ISBN: 1610650581
Category : Music
Languages : en
Pages : 145
Book Description
This book assumes a modest music reading ability and some familiarity with basic classic guitar technique. A comprehensive, exploration of the requirements for developing effortless and musically sensitive guitar technique.
Publisher: Mel Bay Publications
ISBN: 1610650581
Category : Music
Languages : en
Pages : 145
Book Description
This book assumes a modest music reading ability and some familiarity with basic classic guitar technique. A comprehensive, exploration of the requirements for developing effortless and musically sensitive guitar technique.
Fundamentals of Guitar
Author: Miles Okazaki
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
Publisher: Mel Bay Publications
ISBN: 1619114860
Category : Music
Languages : en
Pages : 173
Book Description
This book is designed to be useful for guitarists at any skill level. Beginners can use it as an introduction to the foundational concepts of the instrument, intermediate players can use it for training and theoretical work, and advanced players can explore the sections on advanced theory, extended technique and the exhaustive tables of melodic and rhythmic possibilities. It is divided into two parts: pitch and rhythm. Part 1 (pitch) begins with the properties of string, harmonics, and tuning systems. It then moves methodically through pitch information, beginning with locating all versions of a single pitch, building pentatonic, heptatonic, and all possible symmetrical scales. This is followed by a study of intervals, with all possible locations of every two pitches, and a long study that moves through every possible fingering of three pitches, with a series of exercises to master triadic syntax. Part 1 closes with a study of four-pitch structures and complete tables that show all possible pitch sets in circular visual notation. Part 2 (rhythm) begins with a complete course in "Symmetrical Picking," a method based on drum rudiments that builds control in the picking hand through an exhaustive variety of movements. The focus of this section is building a strong rhythmic foundation, with a focus on efficiency, accuracy, speed, dynamics, and groove. It is followed by a study of legato playing, working with ornaments and slides. The study of playing with fingers on multiple strings takes up the remainder of the book. This begins with the study of pulse against pulse, playing two simultaneous tempos. The book concludes with a study of polyrhythm, playing one rhythm against another. Plain English is used as much as possible to describe theoretical concepts, and hundreds of illustrations were made for the book as an aid to those who either don't speak English or prefer to think visually. This approach is designed to be inclusive and to promote creative practice. The main idea of the book is described in this passage (page 154): "Even in this small area there is a lot of material, potentially a lifetime of study. The amount of information can feel overwhelming to students at any level. For this reason, the book is designed for self-directed practice, with an emphasis on what the player "could" do, rather than what the player "should" do. The principle is to develop your own learning process, rather than following someone else's. The ability to make choices is essential in finding a personal approach to the instrument. Pick and choose the studies that seem interesting - there should be enough variety to accommodate a wide range of personalities. If any particular concept or exercise has been useful as the starting point for a new creative direction, then the book has done its job. Its purpose is not to push any dogma, method, or style, but to open the door to options for guitarists of any background that are looking for new perspectives.
Mel Bay presents Mastering the guitar
Author: William Bay
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 156
Book Description
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 156
Book Description
Brazilian Jazz Guitar
Author: Mike (COP) Christiansen
Publisher:
ISBN: 9780786694426
Category :
Languages : en
Pages : 136
Book Description
Number ten in the Mel Bay/Alfred collaboration contains a collection of beginning to intermediate arrangements for Brazilian Guitar. All tunes included in standard notation and tablature are: 'One Note Samba', 'Meditation', 'Quiet Nights of Quiet Stars', 'Chega de Saudade', 'How Insensitive', 'The Girl from Ipanema', 'A Day in the Life of a Fool', 'The Island', 'So Nice', 'Desafinado', 'A Felicidade', 'Sabia' and 'Gentle Rain'. Tunes arranged by John Zaradin and Mike Christiansen. All tunesincluded on companion online audio in solo and rhythm styles. Includes access to online audio.
Publisher:
ISBN: 9780786694426
Category :
Languages : en
Pages : 136
Book Description
Number ten in the Mel Bay/Alfred collaboration contains a collection of beginning to intermediate arrangements for Brazilian Guitar. All tunes included in standard notation and tablature are: 'One Note Samba', 'Meditation', 'Quiet Nights of Quiet Stars', 'Chega de Saudade', 'How Insensitive', 'The Girl from Ipanema', 'A Day in the Life of a Fool', 'The Island', 'So Nice', 'Desafinado', 'A Felicidade', 'Sabia' and 'Gentle Rain'. Tunes arranged by John Zaradin and Mike Christiansen. All tunesincluded on companion online audio in solo and rhythm styles. Includes access to online audio.
Rhythms Volume One
Author: Bruce Arnold
Publisher: muse eek publishing
ISBN: 1890944556
Category : Music
Languages : en
Pages : 143
Book Description
This volume concentrates on eighth note rhythms exploring nearly every combination of rests and ties. All examples use one pitch allowing total concentration on rhythm and time. Free audio flies are available on the Internet for each exercise.
Publisher: muse eek publishing
ISBN: 1890944556
Category : Music
Languages : en
Pages : 143
Book Description
This volume concentrates on eighth note rhythms exploring nearly every combination of rests and ties. All examples use one pitch allowing total concentration on rhythm and time. Free audio flies are available on the Internet for each exercise.
Basic Chord Voicings for Guitar
Author: Bruce Arnold
Publisher: muse eek publishing
ISBN: 1594898545
Category : Music
Languages : en
Pages : 52
Book Description
Publisher: muse eek publishing
ISBN: 1594898545
Category : Music
Languages : en
Pages : 52
Book Description