Author: Franz Joseph Haydn
Publisher: Alfred Music
ISBN: 9781457481819
Category : Music
Languages : en
Pages : 84
Book Description
Haydn wrote his Mass No. 3, also known as "Missa in Angustiis," and also as the "Lord Nelson Mass," during Austrian wartime turmoil in 1798. Lord Nelson�۪s name became associated with the Mass because of his victory against Napolean, the news of which coincided with the work�۪s premier performance in September, 1798. This score presents the choral portion of the Mass in Latin and English, with each voice on a separate staff, including solos and an organ reduction of the orchestral portion for accompaniment or rehearsal. Includes: * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei
Mass No. 3 in D Minor (Lord Nelson or Imperial Mass)
Author: Franz Joseph Haydn
Publisher: Alfred Music
ISBN: 9781457481819
Category : Music
Languages : en
Pages : 84
Book Description
Haydn wrote his Mass No. 3, also known as "Missa in Angustiis," and also as the "Lord Nelson Mass," during Austrian wartime turmoil in 1798. Lord Nelson�۪s name became associated with the Mass because of his victory against Napolean, the news of which coincided with the work�۪s premier performance in September, 1798. This score presents the choral portion of the Mass in Latin and English, with each voice on a separate staff, including solos and an organ reduction of the orchestral portion for accompaniment or rehearsal. Includes: * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei
Publisher: Alfred Music
ISBN: 9781457481819
Category : Music
Languages : en
Pages : 84
Book Description
Haydn wrote his Mass No. 3, also known as "Missa in Angustiis," and also as the "Lord Nelson Mass," during Austrian wartime turmoil in 1798. Lord Nelson�۪s name became associated with the Mass because of his victory against Napolean, the news of which coincided with the work�۪s premier performance in September, 1798. This score presents the choral portion of the Mass in Latin and English, with each voice on a separate staff, including solos and an organ reduction of the orchestral portion for accompaniment or rehearsal. Includes: * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei
Author:
Publisher: Arihant Publications India limited
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher: Arihant Publications India limited
ISBN:
Category :
Languages : en
Pages :
Book Description
The Musical World
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 300
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 300
Book Description
The Monthly Musical Record
Author: Anonymous
Publisher: BoD – Books on Demand
ISBN: 336816404X
Category : Fiction
Languages : en
Pages : 189
Book Description
Reprint of the original, first published in 1872.
Publisher: BoD – Books on Demand
ISBN: 336816404X
Category : Fiction
Languages : en
Pages : 189
Book Description
Reprint of the original, first published in 1872.
Official Gazette of the United States Patent Office
Author: United States. Patent Office
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 1350
Book Description
Publisher:
ISBN:
Category : Patents
Languages : en
Pages : 1350
Book Description
A Conductor's Guide to Nineteenth-century Choral-orchestral Works
Author: Jonathan D. Green
Publisher: Scarecrow Press
ISBN: 9780810860469
Category : Music
Languages : en
Pages : 356
Book Description
This text serves as a field guide to the principal choral-orchestral repertoire of the nineteenth century. It provides conductors with the information they will need to make programming decisions, and it provides scholars with a starting point for research on these works.
Publisher: Scarecrow Press
ISBN: 9780810860469
Category : Music
Languages : en
Pages : 356
Book Description
This text serves as a field guide to the principal choral-orchestral repertoire of the nineteenth century. It provides conductors with the information they will need to make programming decisions, and it provides scholars with a starting point for research on these works.
Automobile Journal
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 1724
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1724
Book Description
The Complete Classical Music Guide
Author: DK
Publisher: Penguin
ISBN: 0744033470
Category : Music
Languages : en
Pages : 354
Book Description
What makes Mozart's music so great? Why does a minor chord sound sad and a major chord sound happy? What's the difference between opera and operetta? From Bach to Bernstein, this definitive guide offers a complete survey of the history of classical music. Whether you already love classical music or you're just beginning to explore it, The Complete Classical Music Guide invites you to discover the spirituality of Byrd's masses, the awesome power of Handel's Messiah, and the wonders of Wagner's operas, as well as hundreds of more composers and their masterpieces. This guide takes you on a journey through more than 1,000 years, charting the evolution of musical instruments, styles, and genres. Biographies of major and lesser-known composers offer rich insights into their music and the historical and cultural contexts that influenced their genius. The book explores the features that defined each musical era - from the ornate brilliance of the Baroque, through the drama of Romantic music, to contemporary genres such as minimalism and electronic music. Timelines, quotes, and color photographs give a voice to this music and the exceptionally gifted individuals who created it.
Publisher: Penguin
ISBN: 0744033470
Category : Music
Languages : en
Pages : 354
Book Description
What makes Mozart's music so great? Why does a minor chord sound sad and a major chord sound happy? What's the difference between opera and operetta? From Bach to Bernstein, this definitive guide offers a complete survey of the history of classical music. Whether you already love classical music or you're just beginning to explore it, The Complete Classical Music Guide invites you to discover the spirituality of Byrd's masses, the awesome power of Handel's Messiah, and the wonders of Wagner's operas, as well as hundreds of more composers and their masterpieces. This guide takes you on a journey through more than 1,000 years, charting the evolution of musical instruments, styles, and genres. Biographies of major and lesser-known composers offer rich insights into their music and the historical and cultural contexts that influenced their genius. The book explores the features that defined each musical era - from the ornate brilliance of the Baroque, through the drama of Romantic music, to contemporary genres such as minimalism and electronic music. Timelines, quotes, and color photographs give a voice to this music and the exceptionally gifted individuals who created it.
The Origins and Ascendancy of the Concert Mass
Author: Stephanie Rocke
Publisher: Routledge
ISBN: 1000300196
Category : Music
Languages : en
Pages : 207
Book Description
The mass is an extraordinary musical form. Whereas other Western art music genres from medieval times have fallen out of favour, the mass has not merely survived but flourished. A variety of historical forces within religious, secular, and musical arenas saw the mass expand well beyond its origins as a cycle of medieval chants, become concertised and ultimately bifurcate. Even as Western societies moved away from their Christian origins to become the religiously plural and politically secular societies of today, and the Church itself moved in favour of congregational singing, composers continued to compose masses. By the early twentieth century two forms of mass existed: the liturgical mass composed for church services, and the concert mass composed for secular venues. Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, explains how and why the split occurred, and provides examples that demonstrate composers’ gradual appropriation of the genre as a vehicle for personal expression on serious issues. By the end of the twentieth century the concert mass had become a repository for an eclectic range of theological and political ideas.
Publisher: Routledge
ISBN: 1000300196
Category : Music
Languages : en
Pages : 207
Book Description
The mass is an extraordinary musical form. Whereas other Western art music genres from medieval times have fallen out of favour, the mass has not merely survived but flourished. A variety of historical forces within religious, secular, and musical arenas saw the mass expand well beyond its origins as a cycle of medieval chants, become concertised and ultimately bifurcate. Even as Western societies moved away from their Christian origins to become the religiously plural and politically secular societies of today, and the Church itself moved in favour of congregational singing, composers continued to compose masses. By the early twentieth century two forms of mass existed: the liturgical mass composed for church services, and the concert mass composed for secular venues. Spanning two millennia, The Origins and Ascendancy of the Concert Mass outlines the origins and meanings of the liturgical texts, defines the concert mass, explains how and why the split occurred, and provides examples that demonstrate composers’ gradual appropriation of the genre as a vehicle for personal expression on serious issues. By the end of the twentieth century the concert mass had become a repository for an eclectic range of theological and political ideas.
Public Documents of Massachusetts
Author: Massachusetts
Publisher:
ISBN:
Category :
Languages : en
Pages : 2132
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 2132
Book Description