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Author: David S. Ferris
Publisher: Stanford University Press
ISBN: 9780804725699
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
This collection of nine essays focuses on those writings of Walter Benjamin (1892-1940) on literature and language that have a direct relevance to contemporary literary theory, notably his analyses of myth, violence, history, criticism, literature, and mass media. In an introductory essay, David S. Ferris discusses the problem of history, aura, and resistance in Benjamins later work and in its reception. Samuel Weber, in a reading of Benjamins most influential essay, "The Work of Art in the Age of Mechanical Reproduction, analyzes the status of the image and technology in Benjamins own terms and in the shadow of Heidegger. Rodolphe Gasché devotes himself to an analysis of Benjamins dissertation on the German Romantics, providing a valuable guide to a major text that has yet to appear in English translation.
Author: David S. Ferris
Publisher: Stanford University Press
ISBN: 9780804725699
Category : Literary Criticism
Languages : en
Pages : 270
Get Book Here
Book Description
This collection of nine essays focuses on those writings of Walter Benjamin (1892-1940) on literature and language that have a direct relevance to contemporary literary theory, notably his analyses of myth, violence, history, criticism, literature, and mass media. In an introductory essay, David S. Ferris discusses the problem of history, aura, and resistance in Benjamins later work and in its reception. Samuel Weber, in a reading of Benjamins most influential essay, "The Work of Art in the Age of Mechanical Reproduction, analyzes the status of the image and technology in Benjamins own terms and in the shadow of Heidegger. Rodolphe Gasché devotes himself to an analysis of Benjamins dissertation on the German Romantics, providing a valuable guide to a major text that has yet to appear in English translation.
Author: Simon Morgan Wortham
Publisher: Routledge
ISBN: 1351773046
Category : Philosophy
Languages : en
Pages : 156
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Book Description
Title first published in 2003. 'Weber is probably the only person in his generation who is equally at home in and directly informed about contemporary literary theory and its antecedents in Germany, France, and the US. His theoretical interest in psychoanalysis serves as a viewpoint from which a powerful combination of philosophical, linguistic, and political concerns are brought together in an uncommonly productive dialectical interplay' Paul de Man This book presents the first introductory text examining the work of the contemporary thinker, Samuel Weber. Accessible, compelling and challenging, Weber's writing offers a rewarding investigation into the connections between literary and cultural studies, media and technology, and philosophy and aesthetics, in the context of significant intellectual debates and developments linking Europe and North America. The critical practice of Weber's various texts is explored in detail, along with his studies in philosophy, aesthetics, deconstruction, media, technology, psychoanalysis and theatre.
Author: Samuel Weber
Publisher:
ISBN: 9780804726757
Category : Philosophy
Languages : en
Pages : 247
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Book Description
Author: Eivind Røssaak
Publisher: Amsterdam University Press
ISBN: 9089642137
Category : Performing Arts
Languages : en
Pages : 245
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Book Description
Summary: Het in de jaren zeventig opkomende debat binnen de filmwetenschappen over stilstaand ('still') tegenover bewegend beeld ('moving') werd gevoed door de 'apparatus theory' en het idee van verstilde beweging door belichting. Filmische beweging was een illusie, luidde het axioma; beweging een 'ideologische invloed van het filmische apparaat'. Stilstaand beeld gold als de verborgen, zelfs verdrongen, basis voor de industriële illusie van filmische beweging. De auteurs stellen voor om af te stappen van dit verstokte 'still/moving'-debat binnen de filmstudies en zich te richten op een positievere kritiek en een meer affectieve vorm van mediaarcheologie.
Author: Peter Fenves
Publisher: Northwestern University Press
ISBN: 0810133784
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Since the late 1960s, when he introduced Theodor Adorno’s work on literature and cultural critique to an English-speaking public, Samuel Weber has stimulated the discovery of new and unexpected links within a broad spectrum of humanistic disciplines, including critical theory and psychoanalysis, media studies and literary analysis, continental philosophy and theater studies. The international group of scholars who contribute to Points of Departure demonstrate the persistent fecundity of Weber’s work. Centered around his essay on the Ghost of Hamlet, as reflected in the writings of Walter Benjamin and Carl Schmitt, the volume is broadly divided into explorations of the nature of spectrality, on the one hand, and the dynamics of reading, on the other. Each of the twelve essays thus takes its point of departure from “Weber’s singular path between languages, cultures, and traditions”—to quote Jacques Derrida, whose fictive “interview with a passing journalist” is published here for the first time.
Author:
Publisher: BRILL
ISBN: 9401201919
Category : Social Science
Languages : en
Pages : 404
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Book Description
Prompted by recent challenges to and debates about the relative public silence concerning the effects of the Allied air war over Europe during World War II, this collection of essays examines literary, visual (film and photography), and institutional (museums) representations of the bombing of civilian targets, predominantly in Germany. The authors examine narrative strategies of both well-known and relatively little known works as well as the moral and ideological presuppositions of the varied representations of the depredations of total war. The introduction and afterword by the editors invite the readers to expand the contours and historical context of the debates about the German public discourse on the bombing war beyond the narrow confines of perpetrators and victims. The volume will be of interest to literary scholars, historians, and the general reading public interested in warfare and its effects on civilian populations.
Author: Ginger Nolan
Publisher: U of Minnesota Press
ISBN: 145296551X
Category : Architecture
Languages : en
Pages : 447
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Book Description
An examination of how concepts of “the savage” facilitated technological approaches to modernist design Attempting to derive aesthetic systems from natural structures of human cognition, designers looked toward the “savage mind”—a way of thinking they associated with a racialized subaltern. In Savage Mind to Savage Machine, Ginger Nolan uncovers an enduring relationship between “the savage” and the development of technology and its wide-ranging impact on society, including in the fields of architecture and urbanism, the industrial arts, and digital design. Nolan focuses on the relationship between the applied arts and the structuralist social sciences, proposing that the late-nineteenth-century rise of Freudian psychology, ethnology, and structuralist linguistics offered innovations and new opportunities in studying human cognition. She looks at institutions ranging from the Public Industrial Arts School of Philadelphia and the Weimar Bauhaus to the MIT Media Lab and the Centre Mondial Informatique, revealing a persistent theme of twentieth-century design: to supplant language with more subliminal, aesthetic modes of communication, thereby inculcating a deep intimacy between human habit and new technologies of production, communication, and consumption. This book’s ultimate critique is of the development of the ergonomics of the spirit—the design of the human cognitive apparatus in relation to new aesthetic technologies. Nolan sees these ergonomics as a means of depoliticizing societies through aesthetic technologies intended to seamlessly integrate humans into the programs of capitalist modernity. Revising key modernist design narratives, Savage Mind to Savage Machine provides a deep historical foundation for understanding our contemporary world.
Author: Wilfried Wilms
Publisher: Rodopi
ISBN: 9789042017597
Category : Art
Languages : en
Pages : 416
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Book Description
Prompted by recent challenges to and debates about the relative public silence concerning the effects of the Allied air war over Europe during World War II, this collection of essays examines literary, visual (film and photography), and institutional (museums) representations of the bombing of civilian targets, predominantly in Germany. The authors examine narrative strategies of both well-known and relatively little known works as well as the moral and ideological presuppositions of the varied representations of the depredations of total war. The introduction and afterword by the editors invite the readers to expand the contours and historical context of the debates about the German public discourse on the bombing war beyond the narrow confines of perpetrators and victims. The volume will be of interest to literary scholars, historians, and the general reading public interested in warfare and its effects on civilian populations.
Author: Shundana Yusaf
Publisher: MIT Press
ISBN: 0262026740
Category : Architecture
Languages : en
Pages : 350
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Book Description
How the BBC shaped popular perceptions of architecture and placed them at the heart of debates over participatory democracy.
Author: James Friedman
Publisher: Rutgers University Press
ISBN: 9780813529899
Category : Business & Economics
Languages : en
Pages : 356
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Book Description
Reality-based television has come to play a major role in both production decisions and network strategy. This text examines the representation of reality within the televisual viewing frame, as well as the exponential growth of these programmes.
