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Author: Ashley Cross
Publisher: Routledge
ISBN: 1315466112
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
First coming to prominence as an actress and scandalous celebrity, Mary Robinson created an identity for herself as a Romantic poet and novelist in the 1790s. Through a series of literary dialogues with established writers, Robinson put herself at the center of Romantic literary culture as observer, participant, and creator. Cross argues that Robinson’s dialogues shaped the nature of Romantic writing both in content and form and influenced second-generation Romantics. These dialogues further establish the idea of Romantic discourse as essentially interactive and conversational, not the work of original geniuses working in isolation, and positions Robinson as a central player in its genesis.
Author: Ashley Cross
Publisher: Routledge
ISBN: 1315466112
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
First coming to prominence as an actress and scandalous celebrity, Mary Robinson created an identity for herself as a Romantic poet and novelist in the 1790s. Through a series of literary dialogues with established writers, Robinson put herself at the center of Romantic literary culture as observer, participant, and creator. Cross argues that Robinson’s dialogues shaped the nature of Romantic writing both in content and form and influenced second-generation Romantics. These dialogues further establish the idea of Romantic discourse as essentially interactive and conversational, not the work of original geniuses working in isolation, and positions Robinson as a central player in its genesis.
Author: Ashley Cross
Publisher: Taylor & Francis
ISBN: 1315466120
Category : Literary Criticism
Languages : en
Pages : 303
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Book Description
Originally coming to prominence as an actress and scandalous celebrity, Mary Robinson created an identity for herself as a poet and novelist of the Romantic school. Cross argues that Robinson’s dialogues shaped the nature of Romantic verse and went on to influence second-generation Romantics such as Christina Rossetti and Alfred Lord Tennyson.
Author: Ashley J. Cross
Publisher:
ISBN: 9781315466132
Category : Romanticism
Languages : en
Pages :
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Book Description
Author: Jerrold E. Hogle
Publisher: Cambridge University Press
ISBN: 1009190598
Category : Literary Criticism
Languages : en
Pages : 134
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Book Description
Celebrated as an actress on the London stage (1776–80) and notorious as the mistress of the Prince of Wales (1779–80), Mary Darby Robinson had to write to support herself from the mid–1780s until her death in 1800. She mastered a wide range of styles, published prolifically, and became the poetry editor of the Morning Post. As her writing developed across the 1790s, she increasingly used the motifs of Gothic fiction and drama descended from Horace Walpole's Castle of Otranto (1764). These came to pervade her late novels and poems so much that she even wrote her autobiography as a Gothic romance. She also deployed them to critique the ideologies of male dominance and the forms of writing in which they appeared. This progression culminated in her final collection of verses, Lyrical Tales (1800), where she Gothically exposes the conflicted underpinnings in the now-famous Lyrical Ballads (1798) by Wordsworth and Coleridge.
Author: Kathryn S. Freeman
Publisher: Bloomsbury Publishing
ISBN: 1350167428
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
Focusing on Samuel Taylor Coleridge, Mary Robinson and Mary Shelley, this book uses key concepts of androgyny, subjectivity and the re-creative as a productive framework to trace the fascinating textual interactions and dialogues among these authors. It crosses the boundary between male and female writers of the Romantic period by linking representations of gender with late Enlightenment upheavals regarding creativity and subjectivity, demonstrating how these interrelated concerns dismantle traditional binaries separating the canonical and the noncanonical; male and female; poetry and prose; good and evil; subject and object. Through the convergences among the writings of Coleridge, Mary Robinson, and Mary Shelley, the book argues that each dismantles and reconfigures subjectivity as androgynous and amoral, subverting the centrality of the male gaze associated with canonical Romanticism. In doing so, it examines key works from each author's oeuvre, from Coleridge's “canonical” poems such as Rime of the Ancient Mariner, through Robinson's lyrical poetry and novels such as Walsingham, to Mary Shelley's fiction, including Frankenstein, Mathilda, and The Last Man.
Author: Tim Sommer
Publisher: Taylor & Francis
ISBN: 1040119719
Category : Literary Criticism
Languages : en
Pages : 234
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Book Description
Modern literary archives play a key role in how authors’ lives and works get canonized and consecrated as cultural heritage. This interdisciplinary volume combines literary studies, book history, textual criticism, heritage studies, archival theory, and the digital humanities to examine the past, present, and future of literary archiving. Featuring contributions from leading international scholars and archive professionals, the book explores the objects, practices, and institutions that have been at the heart of the modern archival landscape since its emergence in the nineteenth century. Covering a wide range of questions, the volume reconstructs how literary manuscripts turned into secular relics and analyzes the impact that the rise of the archive has had on the scholarly study and public perception of literature as cultural heritage. Individual chapters range from historical accounts of the Romantic origins of manuscript worship to critical discussions of the archiving of contemporary writers’ born-digital material.
Author: Monika Coghen
Publisher: Wydawnictwo UJ
ISBN: 8323371644
Category : Literary Criticism
Languages : en
Pages : 351
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Book Description
Romantic writers often asserted their individuality, but this assertion tended to take the form of positioning themselves in relation to other authors and literary texts. Thus they implicitly acknowledged the rich network of broadly understood poetic dialogue as an important and potent source for their own creativity. When in 1816 John Keats wrote “Great spirits now on earth are sojourning,” he celebrated the originality of his contemporaries and the historical significance of his times, pointing to deep interest in “the hum of mighty works” in all the fields of human activity, to which “the nations” ought to listen. Keats’s sonnet suggests not only stimulating exchanges between poets, artists and social thinkers in the same language, but also the idea of transnational appreciation and dialogue. The volume takes up this idea and explores the dialogues of Romantic authors within the wide scope of European and American cultures. Essays by scholars from Germany, Britain, Bulgaria, Poland, Canada and the United States of America examine Romantic writers’ responses to their contemporaries, explore their dialogues with the culture of the past, and their interactions across the arts and sciences. They also scrutinize the Romantics’ far-reaching influence on later writers and artists, and thus extend the network of artistic exchange to modern times. The volume offers a rich tapestry of interconnections that span across time and space, interlace languages and cultures, and link Romantic writers and artists with their predecessors and successors across Europe and America. The essays in the collection invite the reader to join ongoing dialogues between writers and their audiences, of the past and present.
Author: Susan Civale
Publisher: Manchester University Press
ISBN: 1526101289
Category : Literary Criticism
Languages : en
Pages : 294
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Book Description
This book explores how the publication of women’s life writing influenced the reputation of its writers and of the genre itself during the long nineteenth century. It provides case studies of Frances Burney, Mary Wollstonecraft, Mary Robinson and Mary Hays, four writers whose names were caught up in debates about the moral and literary respectability of publishing the ‘private’. Focusing on gender, genre and authorship, this study examines key works of life writing by and about these women, and the reception of these texts. It argues for the importance of life writing—a crucial site of affective and imaginative identification—in shaping authorial reputation and afterlife. The book ultimately constructs a fuller picture of the literary field in the long nineteenth century and the role of women writers and their life writing within it.
Author: Carmen Faye Mathes
Publisher: Stanford University Press
ISBN: 1503631753
Category : Literary Criticism
Languages : en
Pages : 313
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Book Description
Critics have long understood the development of Romantic aesthetics as a turning point in the history of literary theory, a turn that is responsible for theories of mind and body that continue to inform our understandings of subjectivity and embodiment today. Yet the question of what aesthetic experience can "do" grates against the fact that much Romantic writing represents subjects as not actually in charge of the feelings they feel, the dreams they dream, or the actions they take. In response to this dilemma, Poetic Form and Romantic Provocation argues that being moved contrary to one's will is itself an aesthetic phenomenon explored by Romantic poets whose experiments with poetic form and genre provoke unanticipated feelings through verse. By analyzing how Romantic poets intervene, affectively and aesthetically, in readerly expectations of form and genre, Mathes shows how provocations disrupt and invite, disturb and compel—interrupting or suspending or retreating in ways that ask readers to orient themselves, materially and socially, in relation to literary experiences that are at once virtual and embodied. Examining the formal tactics of Charlotte Smith, William Wordsworth, Samuel Taylor Coleridge, John Keats, and Percy Bysshe Shelley, alongside their reactions to historical events such as Toussaint Louverture's revolt and the Peterloo Massacre, Mathes reveals that an aesthetics of radical openness is central to the development of literary theory and criticism in Romantic Britain.
Author: Kathleen Hudson
Publisher: University of Wales Press
ISBN: 1786836114
Category : Literary Criticism
Languages : en
Pages : 290
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Book Description
Discusses previously marginalized or underappreciated women Gothic authors. Provides innovative readings of specific Gothic texts. Reintroduces lesser known primary texts into the critical discussion. Presents a core thesis which advances the field of Gothic studies and rethinks previous perceptions of literary culture.
