Marshall Plan Modernism PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Marshall Plan Modernism PDF full book. Access full book title Marshall Plan Modernism by Jaleh Mansoor. Download full books in PDF and EPUB format.
Author: Jaleh Mansoor
Publisher: Duke University Press
ISBN: 0822373688
Category : Art
Languages : en
Pages : 189
Get Book Here
Book Description
Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singularly striking formal and procedural violence of Fontana's slit canvasses, Burri's burnt and exploded plastics, and Manzoni's "achromes" as metaphors of traumatic memories of World War II. Rather, she locates the motivation for this violence in the history of the medium of painting and in the economic history of postwar Italy. Reconfiguring the relationship between politics and aesthetics, Mansoor illuminates how the monochrome's reemergence reflected Fontana, Burri, and Manzoni's aesthetic and political critique of the Marshall Plan's economic warfare and growing American hegemony. It also anticipated the struggles in Italy's factories, classrooms, and streets that gave rise to Autonomia in the 1960s. Marshall Plan Modernism refigures our understanding of modernist painting as a project about labor and the geopolitics of postwar reconstruction during the Italian Miracle.
Author: Jaleh Mansoor
Publisher: Duke University Press
ISBN: 0822373688
Category : Art
Languages : en
Pages : 189
Get Book Here
Book Description
Focusing on artwork by Lucio Fontana, Alberto Burri, and Piero Manzoni, Jaleh Mansoor demonstrates and reveals how abstract painting, especially the monochrome, broke with fascist-associated futurism and functioned as an index of social transition in postwar Italy. Mansoor refuses to read the singularly striking formal and procedural violence of Fontana's slit canvasses, Burri's burnt and exploded plastics, and Manzoni's "achromes" as metaphors of traumatic memories of World War II. Rather, she locates the motivation for this violence in the history of the medium of painting and in the economic history of postwar Italy. Reconfiguring the relationship between politics and aesthetics, Mansoor illuminates how the monochrome's reemergence reflected Fontana, Burri, and Manzoni's aesthetic and political critique of the Marshall Plan's economic warfare and growing American hegemony. It also anticipated the struggles in Italy's factories, classrooms, and streets that gave rise to Autonomia in the 1960s. Marshall Plan Modernism refigures our understanding of modernist painting as a project about labor and the geopolitics of postwar reconstruction during the Italian Miracle.
Author: Jaleh Mansoor
Publisher:
ISBN: 9780549055594
Category :
Languages : en
Pages : 624
Get Book Here
Book Description
This dissertation is an examination of the striking proliferation of monochrome painting in Europe in the 1950s through three case studies of artists preoccupied with monochromy and, however covertly, with one another's painterly practice: Lucio Fontana, Yves Klein, and Piero Manzoni. As I will argue, the postwar monochrome practiced by Fontana, Manzoni, and Klein did not cite and repeat modernist projects in a passive, naive or unmediated way, but rather exchanged the totalizing, and ultimately transcendental, mission first suggested in the prewar monochrome painting for an economy of immanence, wherein painting is explored and permuted to a point where it is opened onto other practices, from performance to Minimalism and pop, as well as to an involvement with the very term modernist painting most repressed: the body. In the process, the medium is brought to an end point through a last euphoric flourishing in the 1950s. Yet, as I will argue, artists in the 1950s are not working on isolated projects, answering only to the parental prewar avant-garde. By contrast, although without a resultant "ism," painters at this pivotal moment were engaging one another through emergent dialogues played out formally in the practice of painting. In other words, each artist's work does not appear to constitute a fully independent oeuvre. The monochrome unified; it provided a paradigm that a sequence of artists, Fontana, Manzoni, and Klein, addressed in order to come to terms with one another, with their own historical context, and with their awareness of the historical gravity of the monochrome.
Author: Jennifer Corby
Publisher: UR (Urban Research)
ISBN: 9780996004169
Category :
Languages : en
Pages :
Get Book Here
Book Description
Marshall Berman was a political theorist, urbanist, and public intellectual that gave a generation a way to think about what it means to be modern. He offered a vision of Marx as a preeminent modernist and humanist, which served as a touchstone for his exploration into the complexity of our modern world and lives. Marshall was singularly capable of seamlessly weaving together the ideas of Dostoevsky and Kurtis Blow, the experiences of St. Petersburg and the South Bronx. In so doing, he helped make sense of the maelstrom of modern life into which we are born, and helped buttress a sense of optimism in the midst of a chaos in which all that is solid melts into air.Adventures in Modernism: Thinking with Marshall Berman is a testament to just how deeply and broadly his influence can be felt, as its contributors consist of theorists, architects, media critics, urbanists, and historians from across the globe. Some essays demonstrate the potential for applying Marshall?s methods of analysis into new locales such as Iran or Scotland. Others return to familiar places like the South Bronx or Times Square in order to stretchor update Marshall?s analyses. Some essays engage Marshall as a theorist, and analyze his ideas of public, urban life, and of modernism and modernity. Another explores the impact Marshall?s work has in the classroom, as well as his own role as a teacher. Collectively, the essays that comprise this volume reflect deeply on Marshall?s work, and speak to its continued relevance in helping to not only decipher, but to find meaning in our modern world.
Author: Marshall Berman
Publisher: Verso
ISBN: 9780860917854
Category : History
Languages : en
Pages : 388
Get Book Here
Book Description
The experience of modernization -- the dizzying social changes that swept millions of people into the capitalist world -- and modernism in art, literature and architecture are brilliantly integrated in this account.
Author: Greg Castillo
Publisher: U of Minnesota Press
ISBN: 0816646910
Category : History
Languages : en
Pages : 307
Get Book Here
Book Description
Greg Castillo presents an illustrated history of the persuasive impact of model homes, appliances, and furniture in Cold War propaganda.
Author: Ijlal Muzaffar
Publisher: University of Texas Press
ISBN: 1477329501
Category : Architecture
Languages : en
Pages : 337
Get Book Here
Book Description
Examines the role of architecture in the history of global development and decolonization. In Modernism’s Magic Hat, Ijlal Muzaffar examines how modern architects and planners help resolve one of the central dilemmas of the mid-twentieth-century world order: how to make decolonization plausible without accounting for centuries of capital drain under colonial rule. In the years after World War II, architects and planners found extensive opportunities in new international institutions—such as the World Bank, the UN, and the Ford Foundation—and helped shape new models of global intervention that displaced the burden of change onto the inhabitants. Muzaffar argues that architecture in this domain didn’t just symbolically represent power, but formed the material domain through which new modes of power acquired sense. Looking at a series of architectural projects across the world, from housing in Ghana to village planning in Nigeria and urban planning in Venezuela and Pakistan, Muzaffar explores how architects and planners shaped new ideas of time, land, climate, and the decolonizing body, making them appear as sources of untapped value. What resulted, Muzaffar argues, is a widespread belief in spontaneous Third World “development” without capital, which continues to foreclose any global discussion of colonial theft.
Author: Katrin Schreiter
Publisher: Oxford University Press
ISBN: 0190877294
Category : Design
Languages : en
Pages : 306
Get Book Here
Book Description
This is an open access title available under the terms of a CC BY-NC-ND 4.0 International License. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations, thanks to a generous grant from the Andrew W. Mellon Foundation. The histories of East and West Germany traditionally emphasize the Cold War rivalries between the communist and capitalist nations. Yet, even as the countries diverged in their political directions, they had to create new ways of working together economically. In Designing One Nation, Katrin Schreiter examines the material culture of increasing economic contacts in divided Germany from the 1940s until the 1990s. Trade events, such as fairs and product shows, became one of the few venues for sustained links and knowledge between the two countries after the building of the Berlin Wall. Schreiter uses industrial design, epitomized by the furniture industry, to show how a network of politicians, entrepreneurs, and cultural brokers attempted to nationally re-inscribe their production cultures, define a postwar German identity, and regain economic stability and political influence in postwar Europe. What started as a competition for ideological superiority between East and West Germany quickly turned into a shared, politically legitimizing quest for an untainted post-fascist modernity. This work follows products from the drawing board into the homes of ordinary Germans to offer insights into how converging visions of German industrial modernity created shared expectations about economic progress and living standards. Schreiter reveals how intra-German and European trade policies drove the creation of products and generated a certain convergence of East and West German taste by the 1980s. Drawing on a wide range of sources from governments, furniture firms, industrial design councils, home lifestyle magazines, and design exhibitions, Designing One Nation argues that an economic culture linked the two Germanies even before reunification in 1990.
Author: Nardelli Matilde Nardelli
Publisher: Edinburgh University Press
ISBN: 1474444067
Category : Electronic books
Languages : en
Pages : 248
Get Book Here
Book Description
Influential, innovative and aesthetically experimental, the films of Michelangelo Antonioni are widely recognized as both exemplars of cinema and key in ushering in its 'new' or 'modern' incarnation around 1960. Antonioni and the Aesthetics of Impurity offers a radical rethinking of the director's work. It argues against prevalent understandings of it in terms of both cinematic purity and indebtedness to painting. Reconnecting Antonioni's aesthetically audacious films of the 1960s and 1970s to the ferment of their historical time, Antonioni and the Aesthetics of Impurity brings into relief these works' crucial, yet overlooked, affinity with the new, 'impure', art practices - of John Cage, Franco Vaccari, Robert Smithson, Piero Gilardi and Andy Warhol among others - that precipitated the demotion of painting from its privileged position as a paradigm for all the arts. Revealing an Antonioni who embraced both mixed and mass media and reflected on them via cinema, the book replaces auteuristic, if not hagiographic, accounts of the director's work with a new understanding of its critical significance across the modern visual arts and culture more broadly.
Author: Henry Berry
Publisher: FROM REVOLUTION TO FADS
ISBN: 9780595178582
Category : History
Languages : en
Pages : 292
Get Book Here
Book Description
An interdisciplinary work which gives an insightful, comprehensive perspective on the history of modernism and contemporary culture.
Author: Michael Maizels
Publisher: Bloomsbury Publishing
ISBN: 1350341592
Category : History
Languages : en
Pages : 247
Get Book Here
Book Description
Bringing Forth the New provides a headlong introduction into the world of Chinese contemporary visual art, opening from the art world onto the political, technological and economic vectors of recent Chinese history. Each chapter reads an important facet of recent Chinese history through the work of a significant artist. From examining trade war and intellectual property through the work of political pop painters such as Yu Youhan, to the development of gendered constructs in China through the work of Cui Xuiwen.
