Author: Coley B. Taylor
Publisher:
ISBN:
Category :
Languages : en
Pages : 55
Book Description
Mark Twain's margins on Thackeray's "Swift"
Author: Coley B. Taylor
Publisher:
ISBN:
Category :
Languages : en
Pages : 55
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 55
Book Description
Mark Twain's Margins on Thackeray's "Swift."
Author: Coley Banks Taylor
Publisher:
ISBN:
Category :
Languages : en
Pages : 55
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 55
Book Description
Mark Twain's Literary Resources
Author: Alan Gribben
Publisher: University of Georgia Press
ISBN: 1588385647
Category : Biography & Autobiography
Languages : en
Pages : 334
Book Description
This first installment of the new multi-volume Mark Twain’s Literary Resources: A Reconstruction of His Library and Reading recounts Dr. Alan Gribben’s fascinating 45-year search for surviving volumes from the large library assembled by Twain and his family. That collection of more than 3,000 titles was dispersed through impromptu donations and abrupt public auctions, but over the years nearly a thousand volumes have been recovered. Gribben’s research also encompasses many hundreds of other books, stories, essays, poems, songs, plays, operas, newspapers, and magazines with which Mark Twain was demonstrably familiar. Gribben published the original edition of Mark Twain’s Library in 1980. Hailed by the eminent Twain scholar Louis J. Budd as “a superb job that will last for generations,” the work nevertheless soon went out of print and for three decades has been a hard-to-find item on the rare book market. Meanwhile, over a distinguished career of writing, teaching, and research on Twain, Gribben continued to annotate, revise, and expand the content such that it has become his life’s masterwork. Thoroughly revised, enlarged, and retitled, Mark Twain’s Literary Resources: A Reconstruction of His Library and Reading now reappears, to greatly expand our comprehension of the incomparable author’s reading tastes and influences. Volume I traces Twain’s extensive use of public libraries. It identifies Twain’s favorite works, but also reveals his strong dislikes—Chapter 10 is devoted to his “Library of Literary Hogwash,” specimens of atrocious poetry and prose that he delighted in ridiculing. In describing Twain’s habit of annotating his library books, Gribben reveals his methods of detecting forged autographs and marginal notes that have fooled booksellers, collectors, and libraries. The volume’s 25 chapters trace from various perspectives the patterns of Twain’s voracious reading and relate what he read to his own literary outpouring. A “Critical Bibliography” evaluates the numerous scholarly books and articles that have studied Twain’s reading, and an index guides readers to the volume’s diverse subjects. Twain enjoyed cultivating a public image as a largely unread natural talent; on occasion he even denied being acquainted with titles that he had owned, inscribed, and annotated in his own personal library. He convinced many friends and interviewers that he had no appetite for fiction, poetry, drama, or belles-lettres, yet Gribben reveals volumes of evidence to the contrary. He examines this unlettered pose that Twain affected and speculates about the reasons behind it. In reality, whether Twain was memorizing the classic writings of ancient Rome or the more contemporary works of Milton, Byron, Shelley, Dickens, and Tennyson—or, for that matter, quoting from the best-selling fiction and poetry of his day—he exhibited a lifelong hunger to overcome the brevity of his formal education. Several of Gribben’s chapters explore the connections between Twain’s knowledge of authors such as Malory, Shakespeare, Poe, and Browning, and his own literary works, group readings, and family activities. Volumes II and III of Mark Twain’s Literary Resources: A Reconstruction of His Library and Reading will be released in 2019 and will deliver an “Annotated Catalog” arranged from A to Z, documenting in detail the staggering scope of Twain’s reading.
Publisher: University of Georgia Press
ISBN: 1588385647
Category : Biography & Autobiography
Languages : en
Pages : 334
Book Description
This first installment of the new multi-volume Mark Twain’s Literary Resources: A Reconstruction of His Library and Reading recounts Dr. Alan Gribben’s fascinating 45-year search for surviving volumes from the large library assembled by Twain and his family. That collection of more than 3,000 titles was dispersed through impromptu donations and abrupt public auctions, but over the years nearly a thousand volumes have been recovered. Gribben’s research also encompasses many hundreds of other books, stories, essays, poems, songs, plays, operas, newspapers, and magazines with which Mark Twain was demonstrably familiar. Gribben published the original edition of Mark Twain’s Library in 1980. Hailed by the eminent Twain scholar Louis J. Budd as “a superb job that will last for generations,” the work nevertheless soon went out of print and for three decades has been a hard-to-find item on the rare book market. Meanwhile, over a distinguished career of writing, teaching, and research on Twain, Gribben continued to annotate, revise, and expand the content such that it has become his life’s masterwork. Thoroughly revised, enlarged, and retitled, Mark Twain’s Literary Resources: A Reconstruction of His Library and Reading now reappears, to greatly expand our comprehension of the incomparable author’s reading tastes and influences. Volume I traces Twain’s extensive use of public libraries. It identifies Twain’s favorite works, but also reveals his strong dislikes—Chapter 10 is devoted to his “Library of Literary Hogwash,” specimens of atrocious poetry and prose that he delighted in ridiculing. In describing Twain’s habit of annotating his library books, Gribben reveals his methods of detecting forged autographs and marginal notes that have fooled booksellers, collectors, and libraries. The volume’s 25 chapters trace from various perspectives the patterns of Twain’s voracious reading and relate what he read to his own literary outpouring. A “Critical Bibliography” evaluates the numerous scholarly books and articles that have studied Twain’s reading, and an index guides readers to the volume’s diverse subjects. Twain enjoyed cultivating a public image as a largely unread natural talent; on occasion he even denied being acquainted with titles that he had owned, inscribed, and annotated in his own personal library. He convinced many friends and interviewers that he had no appetite for fiction, poetry, drama, or belles-lettres, yet Gribben reveals volumes of evidence to the contrary. He examines this unlettered pose that Twain affected and speculates about the reasons behind it. In reality, whether Twain was memorizing the classic writings of ancient Rome or the more contemporary works of Milton, Byron, Shelley, Dickens, and Tennyson—or, for that matter, quoting from the best-selling fiction and poetry of his day—he exhibited a lifelong hunger to overcome the brevity of his formal education. Several of Gribben’s chapters explore the connections between Twain’s knowledge of authors such as Malory, Shakespeare, Poe, and Browning, and his own literary works, group readings, and family activities. Volumes II and III of Mark Twain’s Literary Resources: A Reconstruction of His Library and Reading will be released in 2019 and will deliver an “Annotated Catalog” arranged from A to Z, documenting in detail the staggering scope of Twain’s reading.
Mark Twain at Your Fingertips
Author: Mark Twain
Publisher: Courier Corporation
ISBN: 0486123316
Category : Literary Collections
Languages : en
Pages : 578
Book Description
Gathered from Twain's classic novels, diary entries, newspaper articles, and correspondence, this collection of wry quips and quotes offers the great humorist and storyteller's observations on animals, critics, politics, youth, and more.
Publisher: Courier Corporation
ISBN: 0486123316
Category : Literary Collections
Languages : en
Pages : 578
Book Description
Gathered from Twain's classic novels, diary entries, newspaper articles, and correspondence, this collection of wry quips and quotes offers the great humorist and storyteller's observations on animals, critics, politics, youth, and more.
Representations of Swift
Author: Brian A. Connery
Publisher: University of Delaware Press
ISBN: 9780874137972
Category : Literary Collections
Languages : en
Pages : 320
Book Description
These thirteen essays offer not only the representations of Swift to which its title refers but also a representation of Swift scholarship at the close of the twentieth century and a return to fundamental questions about the life, writing, and views of Swift, issues raised in part by literary scholarship's return to historicism but also powerfully suggestive of a return to biography.
Publisher: University of Delaware Press
ISBN: 9780874137972
Category : Literary Collections
Languages : en
Pages : 320
Book Description
These thirteen essays offer not only the representations of Swift to which its title refers but also a representation of Swift scholarship at the close of the twentieth century and a return to fundamental questions about the life, writing, and views of Swift, issues raised in part by literary scholarship's return to historicism but also powerfully suggestive of a return to biography.
Mark Twain as Critic
Author: Sydney J. Krause
Publisher: JHU Press
ISBN: 1421434571
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Originally published in 1967. Mark Twain's literary criticism is a significant branch of his writing that is relatively less explored and appreciated than his other writing. Sydney Krause analyzes the full range of Twain's criticism, much of which has lain neglected in notebooks, letters, marginalia, and autobiographical dictations. This body of work demonstrates that, in addition to being an acute critic given to close reading, Twain thought enough of his criticism to present much of it in an enveloping literary form. In his early criticism Twain used the mask of an ignorant fool (or Muggins), while in his later criticism he used the mask of a world-weary malcontent (or Grumbler). The resulting cross fire from extremes of innocence and experience proved effective against a wide range of literary targets. The Muggins dealt mainly with theater, journalism, oratory, and popular poetry; the grumbler with such writers as Goldsmith, Cooper, Scott, and Hare. Much of this criticism was an outgrowth of Twain's romanticism and therefore has importance for the history of American realism. Mark Twain's criticism was not wholly depreciatory, however. He liked Macaulay, Howells, Howe, Zola, and Wilbrandt, for example, because he found in some of their works the realization of history as an immediate presence. The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have.
Publisher: JHU Press
ISBN: 1421434571
Category : Literary Criticism
Languages : en
Pages : 320
Book Description
Originally published in 1967. Mark Twain's literary criticism is a significant branch of his writing that is relatively less explored and appreciated than his other writing. Sydney Krause analyzes the full range of Twain's criticism, much of which has lain neglected in notebooks, letters, marginalia, and autobiographical dictations. This body of work demonstrates that, in addition to being an acute critic given to close reading, Twain thought enough of his criticism to present much of it in an enveloping literary form. In his early criticism Twain used the mask of an ignorant fool (or Muggins), while in his later criticism he used the mask of a world-weary malcontent (or Grumbler). The resulting cross fire from extremes of innocence and experience proved effective against a wide range of literary targets. The Muggins dealt mainly with theater, journalism, oratory, and popular poetry; the grumbler with such writers as Goldsmith, Cooper, Scott, and Hare. Much of this criticism was an outgrowth of Twain's romanticism and therefore has importance for the history of American realism. Mark Twain's criticism was not wholly depreciatory, however. He liked Macaulay, Howells, Howe, Zola, and Wilbrandt, for example, because he found in some of their works the realization of history as an immediate presence. The evidence presented in this book challenges the view that Twain was not a serious student of the craft of writing; he possessed the combination of sensitivity and judgment that all great critics have.
The Art, Humor, and Humanity of Mark Twain
Author: Minnie M. Brashear
Publisher: University of Oklahoma Press
ISBN: 0806187530
Category : Biography & Autobiography
Languages : en
Pages : 460
Book Description
Mark Twain is revealed here in an entirely new autobiographical light from his own writings as they reflect his career, his thinking, and his humor. This volume captures the grandeur that distinguishes Mark Twain as, in the words of George Bernard Shaw, “by far the greatest American writer.” Made up of short stories and excerpts from Twain’s principal works, this collection demonstrates Twain’s artistry in handling anecdotes, tales, description, and characterization; the fervency of his ethical convictions; his effective use of irony, satire, burlesque, and caricature; and his essential humanity. By arranging the materials in chronological order and weaving them together with critical commentary, the editors present the many facets of Mark Twain’s experience and his dynamic personality with greater continuity than in previous collections of Twain’s writings. Here is the optimism of the young Mark Twain responding to the rough and rugged vitality of the mid-nineteenth-century American scene, and the skepticism and pessimism of the older Mark Twain reacting to the American democratic experiment of the late nineteenth century.
Publisher: University of Oklahoma Press
ISBN: 0806187530
Category : Biography & Autobiography
Languages : en
Pages : 460
Book Description
Mark Twain is revealed here in an entirely new autobiographical light from his own writings as they reflect his career, his thinking, and his humor. This volume captures the grandeur that distinguishes Mark Twain as, in the words of George Bernard Shaw, “by far the greatest American writer.” Made up of short stories and excerpts from Twain’s principal works, this collection demonstrates Twain’s artistry in handling anecdotes, tales, description, and characterization; the fervency of his ethical convictions; his effective use of irony, satire, burlesque, and caricature; and his essential humanity. By arranging the materials in chronological order and weaving them together with critical commentary, the editors present the many facets of Mark Twain’s experience and his dynamic personality with greater continuity than in previous collections of Twain’s writings. Here is the optimism of the young Mark Twain responding to the rough and rugged vitality of the mid-nineteenth-century American scene, and the skepticism and pessimism of the older Mark Twain reacting to the American democratic experiment of the late nineteenth century.
Mark Twain, Dr. Oliver Wendell Holmes, and the Head Readers
Author: Stanley Finger
Publisher: Cambridge University Press
ISBN: 1009301306
Category : Psychology
Languages : en
Pages : 365
Book Description
Having a phrenological 'head reading' was one of the most significant fads of the nineteenth century – a means for better knowing oneself and a guide for self-improvement. Samuel Clemens (Mark Twain) had a lifelong yet long overlooked interest in phrenology, the pseudoscience claiming to correlate skull features with specialized brain areas and higher mental traits. Twain's books are laced with phrenological terms and concepts, and he lampooned the head readers in Tom Sawyer and Huckleberry Finn. He was influenced by Dr. Oliver Wendell Holmes, who also used his humor to assail head readers and educate the public. Finger shows that both humorists accepted certain features of phrenology, but not their skull-based ideas. By examining a fascinating topic at the intersection of literature and the history of neuroscience, this engaging study will appeal to readers interested in phrenology, science, medicine, American history, and the lives and works of Twain and Holmes.
Publisher: Cambridge University Press
ISBN: 1009301306
Category : Psychology
Languages : en
Pages : 365
Book Description
Having a phrenological 'head reading' was one of the most significant fads of the nineteenth century – a means for better knowing oneself and a guide for self-improvement. Samuel Clemens (Mark Twain) had a lifelong yet long overlooked interest in phrenology, the pseudoscience claiming to correlate skull features with specialized brain areas and higher mental traits. Twain's books are laced with phrenological terms and concepts, and he lampooned the head readers in Tom Sawyer and Huckleberry Finn. He was influenced by Dr. Oliver Wendell Holmes, who also used his humor to assail head readers and educate the public. Finger shows that both humorists accepted certain features of phrenology, but not their skull-based ideas. By examining a fascinating topic at the intersection of literature and the history of neuroscience, this engaging study will appeal to readers interested in phrenology, science, medicine, American history, and the lives and works of Twain and Holmes.
Mark Twain Under Fire
Author: Joe B. Fulton
Publisher: Boydell & Brewer
ISBN: 1640140344
Category : Criticism
Languages : en
Pages : 308
Book Description
Tracks the genesis and evolution of Twain's reputation as a writer, revealing how and why the writer has been under fire since the advent of his career.
Publisher: Boydell & Brewer
ISBN: 1640140344
Category : Criticism
Languages : en
Pages : 308
Book Description
Tracks the genesis and evolution of Twain's reputation as a writer, revealing how and why the writer has been under fire since the advent of his career.
Mark Twain and the Brazen Serpent
Author: Doug Aldridge
Publisher: McFarland
ISBN: 1476668450
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
Focusing on the overarching theme of religious satire in Adventures of Huckleberry Finn, this study reveals the novel's hidden motive, moral and plot. The author considers generations of criticism spanning the 19th, 20th and 21st centuries, along with new textual evidence showing how Twain's richly evocative style dissects Huck's conscience to propose humane amorality as a corrective to moral absolutes. Jim and Huck emerge as archetypal twins--biracial brothers who prefigure America's color-blind ideals.
Publisher: McFarland
ISBN: 1476668450
Category : Literary Criticism
Languages : en
Pages : 309
Book Description
Focusing on the overarching theme of religious satire in Adventures of Huckleberry Finn, this study reveals the novel's hidden motive, moral and plot. The author considers generations of criticism spanning the 19th, 20th and 21st centuries, along with new textual evidence showing how Twain's richly evocative style dissects Huck's conscience to propose humane amorality as a corrective to moral absolutes. Jim and Huck emerge as archetypal twins--biracial brothers who prefigure America's color-blind ideals.