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Author: Christine Ross
Publisher: Bloomsbury Publishing USA
ISBN: 1441116044
Category : Art
Languages : en
Pages : 359
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Book Description
The term ‘temporality' often refers to the traditional mode of the way time is: a linear procession of past, present and future. As philosophers will note, this is not always the case. Christine Ross builds on current philosophical and theoretical examinations of time and applies them to the field of contemporary art: films, video installations, sculpture and performance works. Ross first provides an interdisciplinary overview of contemporary studies on time, focusing on findings in philosophy, psychology, sociology, communications, history, postcolonial studies, and ecology. She then illustrates how contemporary artistic practices play around with what we consider linear time. Engaging the work of artists such as Guido van der Werve, Melik Ohanian, Harun Farocki, and Stan Douglas, allows investigation though the art, as opposed to having art taking an ancillary role. The Past is the Present; It's the Future Too forces the reader to understand the complexities of the significance of temporal development in new artistic practices.
Author: Christine Ross
Publisher: Bloomsbury Publishing USA
ISBN: 1441116044
Category : Art
Languages : en
Pages : 359
Get Book Here
Book Description
The term ‘temporality' often refers to the traditional mode of the way time is: a linear procession of past, present and future. As philosophers will note, this is not always the case. Christine Ross builds on current philosophical and theoretical examinations of time and applies them to the field of contemporary art: films, video installations, sculpture and performance works. Ross first provides an interdisciplinary overview of contemporary studies on time, focusing on findings in philosophy, psychology, sociology, communications, history, postcolonial studies, and ecology. She then illustrates how contemporary artistic practices play around with what we consider linear time. Engaging the work of artists such as Guido van der Werve, Melik Ohanian, Harun Farocki, and Stan Douglas, allows investigation though the art, as opposed to having art taking an ancillary role. The Past is the Present; It's the Future Too forces the reader to understand the complexities of the significance of temporal development in new artistic practices.
Author: Mark Lewis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 168
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Book Description
Essays by Grant Arnold ... [et al.]; French translation: Jennifer Cou'elle; Italian translation: Leila Buongiorno.
Author: Mark Lewis
Publisher:
ISBN:
Category : Art and motion pictures
Languages : en
Pages : 106
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Book Description
Mark Lewis' work functions as a critique of cinema, encouraging the viewer's awareness of the cliches, conventions and fragmentary nature of film, and how it has been constructed historically. In so doing, he also acknowledges its suggestive power, and the alluring, seductive visual qualities of the medium, whilst maintaining a certain critical distance in his extraction and re-evaluation of its components. This catalogue provides a survey of Lewis' film works from 1995-2000.
Author: James Caterer
Publisher: Cambridge Scholars Publishing
ISBN: 1443833223
Category : Performing Arts
Languages : en
Pages : 250
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Book Description
When John Major launched the UK’s National Lottery in 1994 he christened it “the people’s Lottery” and handed it to the mythical stewardship of the Everyman. But when the proceeds began to be distributed to worthy causes, including the British film industry, this populist rhetoric came under increasing strain. If Lottery funding is used to produce the type of British films which the public want to see, such as romantic comedies, then many question whether the market deserves such subsidy. Short films and low budget, experimental cinema – which often require state support – tend to go unwatched by large swathes of the Lottery ticket-buying public. This book explores the debates which were sparked by the arrival of “the people’s pictures”, and places them in historical context by examining their many precedents. Is public patronage a boon or a burden for filmmakers? And how do institutional cultures or political buzzwords affect the finished films? Case studies include the popular hits Billy Elliot (2000) and Shooting Fish (1997); art-house releases such as Love Is The Devil (1998) and Gallivant (1997); short films by Lynne Ramsey and David MacKenzie; and artists’ film and video work by Bill Viola and Tracey Emin.
Author: David Curtis
Publisher: Bloomsbury Publishing
ISBN: 1838714170
Category : Performing Arts
Languages : en
Pages : 320
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Book Description
In recent years the use of film and video by British artists has come to widespread public attention. Jeremy Deller, Douglas Gordon, Steve McQueen and Gillian Wearing all won the Turner Prize (in 2004, 1996, 1999 and 1997 respectively) for work made on video. This fin-de-siecle explosion of activity represents the culmination of a long history of work by less well-known artists and experimental film-makers. Ever since the invention of film in the 1890s, artists have been attracted to the possibilities of working with moving images, whether in pursuit of visual poetry, the exploration of the art form's technical challenges, the hope of political impact, or the desire to re-invigorate such time-honoured subjects as portraiture and landscape. Their work represents an alternative history to that of commercial cinema in Britain - a tradition that has been only intermittently written about until now. This major new book is the first comprehensive history of artists' film and video in Britain. Structured in two parts ('Institutions' and 'Artists and Movements'), it considers the work of some 300 artists, including Kenneth Macpherson, Basil Wright, Len Lye, Humphrey Jennings, Margaret Tait, Jeff Keen, Carolee Schneemann, Yoko Ono, Malcolm Le Grice, Peter Gidal, William Raban, Chris Welsby, David Hall, Tamara Krikorian, Sally Potter, Guy Sherwin, Lis Rhodes, Derek Jarman, David Larcher, Steve Dwoskin, James Scott, Peter Wollen and Laura Mulvey, Peter Greenaway, Patrick Keiller, John Smith, Andrew Stones, Jaki Irvine, Tracy Emin, Dryden Goodwin, and Stephanie Smith and Ed Stewart. Written by the leading authority in the field, A History of Artists' Film and Video in Britain, 1897-2004 brings to light the range and diversity of British artists' work in these mediums as well as the artist-run organisations that have supported the art-form's development. In so doing it greatly enlarges the scope of any understanding of 'British cinema' and demonstrates the crucial importance of the moving image to British art history.
Author: Michael Rush
Publisher: Liverpool University Press
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
Mark Lewis’s films are remarkable, not only for their rich and highly seductive use of light and color, but also for the way in which they pay homage to both classic Hollywood cinema and the avant-garde while remaining outside of both traditions. Mark Lewis is the first book to explore this acclaimed Canadian’s art, and it features images from several of his works, including his most recent piece, Rear Projection. This film, in particular, documents a significant shift in Lewis’s practice. Actress Molly Parker, known for her roles in Six Feet Under and Deadwood, is superimposed against the bleak landscape of rural Ontario using the standard Hollywood technique of rear projection. Lewis takes what was, for old Hollywood, a tool meant to convey seamless realism, and foregrounds its essential trickery. Another piece incorporates the dreary backdrops of concrete council flats in the same way. In both settings the film takes on a painterly quality, referencing and restaging traditional portraiture to startling effect. Accompanied by essays by Philippe-Alain Michaud, Laura Mulvey, and Michael Rush that place Lewis’s work next to that of his contemporaries, Mark Lewis reaches insightful conclusions about the evolving relationship between film, technology, painting, and photography.
Author: Kunsthalle Wien
Publisher: Moderne Kunst Verlag Fur
ISBN:
Category : Art, Modern
Languages : en
Pages : 320
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Book Description
American painter Edward Hopper once said, "Maybe I am not very human--what I wanted to do was to paint sunlight on the side of a house." Indeed, Hopper's canvases delineate a new physics of Modern public space, in which the zones between people are not charged with responsiveness (affection, animosity, attraction) but with absolute indifference. Whether alone or grouped, Hopper's solitary figures bespeak Modern metropolitan conditions with a clarity that is deepened by his very specific ability to capture architecture, interior space and, of course, light. The legacy of this vision, coupled with Hopper's unique vocabulary, can be seen in the work of numerous artists today, who are also featured here. Among them are Ed Ruscha, Jim Jarmusch, Todd Haynes, Richard Prince, Rachel Whiteread, Jeff Wall, Markus Schinwald, Philip Lorca diCorcia, David Claerbout, Mark Lewis and Tim Eitel.
Author: Margo DeMello
Publisher: Lantern Books
ISBN: 1590562615
Category : Education
Languages : en
Pages : 465
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Book Description
Split into three sections, Teaching the Animal provides in-depth analysis of the nature of the discipline, the resources available, expectations of students and faculty, and a number of sample curricula in the fields of humanities, social sciences, and the natural sciences.
Author:
Publisher:
ISBN:
Category : Art, Canadian
Languages : en
Pages : 464
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Book Description
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 348
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Book Description
