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Author: Stephen John Campbell
Publisher: Yale University Press
ISBN: 9780300117530
Category : Art
Languages : en
Pages : 430
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Book Description
The Renaissance studiolo was a space devoted in theory to private reading. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua. This work explores the function of the mythological image within a Renaissance culture of collectors.
Author: Stephen John Campbell
Publisher: Yale University Press
ISBN: 9780300117530
Category : Art
Languages : en
Pages : 430
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Book Description
The Renaissance studiolo was a space devoted in theory to private reading. The most famous studiolo of all was that of Isabella d'Este, marchioness of Mantua. This work explores the function of the mythological image within a Renaissance culture of collectors.
Author: Roger Boase
Publisher: Manchester University Press
ISBN: 9780719006562
Category : Family & Relationships
Languages : en
Pages : 200
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Book Description
Author: Thomas Frederick Crane
Publisher:
ISBN:
Category : Comparative literature
Languages : en
Pages : 716
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Book Description
Author: I. Moulton
Publisher: Springer
ISBN: 1137405058
Category : Literary Criticism
Languages : en
Pages : 395
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Book Description
Love in Print in the Sixteenth Century explores the impact of print on conflicting cultural notions about romantic love in the sixteenth century. This popularization of romantic love led to profound transformations in the rhetoric, ideology, and social function of love - transformations that continue to shape cultural notions about love today.
Author: Noel L. Brann
Publisher: BRILL
ISBN: 9789004123625
Category : History
Languages : en
Pages : 530
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Book Description
This study explores a prominent Italian Renaissance theme, the origin of genius, revealing how the coalescence of a Platonic theory of divine frenzy and an Aristotelian theory of melancholy genius eventually disintegrated under the force of late Renaissance events.
Author: Guido Rebecchini
Publisher: Ed. di Storia e Letteratura
ISBN: 8884980496
Category : Art
Languages : en
Pages : 489
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Book Description
Case studies of private art collections recorded during the sixteenth and early seventeenth centuries in Mantua. This work seeks to show how the collectors' taste changed during this period and how these changes are reflected in the collections' display, and also seeks to contribute to the understanding of the original context of works of art in sixteenth and early seventeenth century private houses in a courtly city.
Author: Karen Green
Publisher: Springer Science & Business Media
ISBN: 9400705298
Category : Philosophy
Languages : en
Pages : 241
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Book Description
This book locates Christine de Pizan's argument that women are virtuous members of the political community within the context of earlier discussions of the relative virtues of men and women. It is the first to explore how women were represented and addressed within medieval discussions of the virtues. It introduces readers to the little studied Speculum Dominarum (Mirror of Ladies), a mirror for a princess, compiled for Jeanne of Navarre, which circulated in the courtly milieu that nurtured Christine. Throwing new light on the way in which Medieval women understood the virtues, and were represented by others as virtuous subjects, it positions the ethical ideas of Anne of France, Laura Cereta, Marguerite of Navarre and the Dames de la Roche within an evolving discourse on the virtues that is marked by the transition from Medieval to Renaissance thought. Virtue Ethics for Women 1250-1500 will be of interest to those studying virtue ethics, the history of women's ideas and Medieval and Renaissance thought in general.
Author: Sally Anne Hickson
Publisher: Routledge
ISBN: 1134777442
Category : Art
Languages : en
Pages : 230
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Book Description
Analyzing the artistic patronage of famous and lesser known women of Renaissance Mantua, and introducing new patronage paradigms that existed among those women, this study sheds new light the social, cultural and religious impact of the cult of female mystics of that city in the late fifteenth and early sixteenth century. Author Sally Hickson combines primary archival research, contextual analysis of the climate of female mysticism, and a re-examination of a number of visual objects (particularly altarpieces devoted to local beatae, saints and female founders of religious orders) to delineate ties between women both outside and inside the convent walls. The study contests the accepted perception of Isabella d'Este as a purely secular patron, exposing her role as a religious patron as well. Hickson introduces the figure of Margherita Cantelma and documents concerning the building and decoration of her monastery on the part of Isabella d'Este; and draws attention to the cultural and political activities of nuns of the Gonzaga family, particularly Isabella's daughter Livia Gonzaga who became a powerful agent in Mantuan civic life. Women, Art and Architectural Patronage in Renaissance Mantua provides insight into a complex and fluid world of sacred patronage, devotional practices and religious roles of secular women as well as nuns in Renaissance Mantua.
Author: K. J. P. Lowe
Publisher: Cambridge University Press
ISBN: 9780521529358
Category : History
Languages : en
Pages : 330
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Book Description
A detailed look at the public and private worlds of a leading Italian Renaissance cardinal.
Author: Anthony Colantuono
Publisher: Routledge
ISBN: 1351539027
Category : Art
Languages : en
Pages : 343
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Book Description
Titian, Colonna and the Renaissance Science of Procreation demonstrates that two major monuments of Italian Renaissance culture - Bellini's and Titian's famous series of mytho-poetical paintings for the camerino of Duke Alfonso d'Este of Ferrara, and Francesco Colonna's Hypnerotomachia Poliphili - were conceived as mnemonic or pedagogical devices aimed at educating the reader/beholder in the medical science of reproductive physiology and the maintenance of sexual health. It is further argued that the learned courtier Mario Equicola, who conceived the pictorial program of Duke Alfonso's camerino, had read Colonna's text and was extensively inspired by its prior literary argument. The study is organized in two parts, intimately interrelated. The first part is a study of Alfonso d'Este's camerino, with a general introduction, individual chapters on each of Bellini's and Titian's four pictorial "bacchanals," and a conclusion proposing a new and more accurate reconstruction of the layout of the room, also including a completely new way of interpreting the ensemble. The second part of the study concerns Colonna's Hypnerotomachia Poliphili, again beginning with its own introductory essay and advancing a completely new interpretation of the text. The brief conclusion brings the insights of the two sections together, clarifying the historical relationship between the pictorial and literary works and explaining their larger cultural significance. Emphasizing Equicola's use of the Hypnerotomachia as a model for pictorial invention, the author reveals how Titian's remarkably sensuous paintings and Colonna's erotically-charged romance are related by their common reference to the neo-Aristotelian medical theory of the "libidinal seasons," and by corollary themes of marriage and sexual consummation. This peculiar intersection of cultural themes came to prominence in the context of a courtly world in which medical science was increasingly brought to bear on the problem of dy
