Maria Montes, The Queen of Technicolor PDF Download
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Author: Raynelda A. Calderon
Publisher: Cayena Press, Inc.
ISBN: 173313929X
Category : Biography & Autobiography
Languages : en
Pages : 32
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Book Description
Born and raised in the Dominican Republic, Maria Montez became a famous actress during the time of the 1940s. She is recognized as one of the first Latinas to conquer Hollywood. Her work opened the doors for other Latinas who later came to Hollywood looking to star on the big screen. *** María Montez nació y creció en la República Dominicana. Se hizo famosa por actuar en Hollywood durante la época de 1940. Hoy es reconocida como una de las primeras actrices latinas en conquistar Hollywood. Su trabajo abrió el camino para otras que como ella llegaron a Norteamérica buscando ser estrellas de la pantalla grande.
Author: Raynelda A. Calderon
Publisher: Cayena Press, Inc.
ISBN: 173313929X
Category : Biography & Autobiography
Languages : en
Pages : 32
Get Book Here
Book Description
Born and raised in the Dominican Republic, Maria Montez became a famous actress during the time of the 1940s. She is recognized as one of the first Latinas to conquer Hollywood. Her work opened the doors for other Latinas who later came to Hollywood looking to star on the big screen. *** María Montez nació y creció en la República Dominicana. Se hizo famosa por actuar en Hollywood durante la época de 1940. Hoy es reconocida como una de las primeras actrices latinas en conquistar Hollywood. Su trabajo abrió el camino para otras que como ella llegaron a Norteamérica buscando ser estrellas de la pantalla grande.
Author: Raynelda A. Calderon
Publisher:
ISBN: 9781733139267
Category :
Languages : en
Pages : 32
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Book Description
Born and raised in the Dominican Republic, Maria Montez became a famous actress during the time of the 1940s. She is recognized as one of the first Latinas to conquer Hollywood. Her work opened the doors for other Latinas who later came to Hollywood looking to star on the big screen.
Author: Tom Zimmerman
Publisher: University Press of Kentucky
ISBN: 0813182581
Category : Biography & Autobiography
Languages : en
Pages : 579
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Book Description
Best known for her appearances in the six Technicolor "Neverland" movies, Maria Montez is a film icon. Growing up as one of ten children in the Dominican Republic, her rise as a film star in the United States seemed unlikely. In 1939, Montez set off on her own to New York City to fulfill her aspirations of movie stardom. Despite having no substantial acting experience, Montez managed to sign with major agent Louis Schurr who helped her secure a contract with Universal Studios before she moved out to Hollywood. Following her arrival in Los Angeles, Montez began cultivating the larger-than-life persona for which she is known. Her beauty, personality, and series of publicity antics, including dramatic restaurant entrances, endeared her to the press. She even created her own fan club—The Montez for Stardom Club. Her ambitious self-promotion bolstered the success she found with her first big lead in Arabian Nights, released in 1943. From then on, the studio referred to her as "The Queen of Technicolor." Author Tom Zimmerman puts Montez's life in historical context, including her role as a cultural icon and a living representation of the United States' Good Neighbor Policy with Latin American countries. With her thick Dominican accent, Montez struggled to make herself intelligible to an American audience. However, unlike some of her Latin contemporaries, she did not present a caricature of her culture or use her accent for comedic purposes, giving her credibility with a Latin American audience. Zimmerman skillfully recounts the story of Montez's fiery ambition and her ascent to Hollywood fame, giving her the opportunity to live on in public memory.
Author: Scott MacKenzie
Publisher: University of California Press
ISBN: 0520377478
Category : Performing Arts
Languages : en
Pages : 674
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Book Description
Film Manifestos and Global Cinema Cultures is the first book to collect manifestoes from the global history of cinema, providing the first historical and theoretical account of the role played by film manifestos in filmmaking and film culture. Focusing equally on political and aesthetic manifestoes, Scott MacKenzie uncovers a neglected, yet nevertheless central history of the cinema, exploring a series of documents that postulate ways in which to re-imagine the cinema and, in the process, re-imagine the world. This volume collects the major European “waves” and figures (Eisenstein, Truffaut, Bergman, Free Cinema, Oberhausen, Dogme ‘95); Latin American Third Cinemas (Birri, Sanjinés, Espinosa, Solanas); radical art and the avant-garde (Buñuel, Brakhage, Deren, Mekas, Ono, Sanborn); and world cinemas (Iimura, Makhmalbaf, Sembene, Sen). It also contains previously untranslated manifestos co-written by figures including Bollaín, Debord, Hermosillo, Isou, Kieslowski, Painlevé, Straub, and many others. Thematic sections address documentary cinema, aesthetics, feminist and queer film cultures, pornography, film archives, Hollywood, and film and digital media. Also included are texts traditionally left out of the film manifestos canon, such as the Motion Picture Production Code and Pius XI's Vigilanti Cura, which nevertheless played a central role in film culture.
Author: Tom Zimmerman
Publisher: University Press of Kentucky
ISBN: 081318259X
Category : Biography & Autobiography
Languages : en
Pages : 472
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Book Description
Best known for her appearances in the six Technicolor "Neverland" movies, Maria Montez is a film icon. Growing up as one of ten children in the Dominican Republic, her rise as a film star in the United States seemed unlikely. In 1939, Montez set off on her own to New York City to fulfill her aspirations of movie stardom. Despite having no substantial acting experience, Montez managed to sign with major agent Louis Schurr who helped her secure a contract with Universal Studios before she moved out to Hollywood. Following her arrival in Los Angeles, Montez began cultivating the larger-than-life persona for which she is known. Her beauty, personality, and series of publicity antics, including dramatic restaurant entrances, endeared her to the press. She even created her own fan club—The Montez for Stardom Club. Her ambitious self-promotion bolstered the success she found with her first big lead in Arabian Nights, released in 1943. From then on, the studio referred to her as "The Queen of Technicolor." Author Tom Zimmerman puts Montez's life in historical context, including her role as a cultural icon and a living representation of the United States' Good Neighbor Policy with Latin American countries. With her thick Dominican accent, Montez struggled to make herself intelligible to an American audience. However, unlike some of her Latin contemporaries, she did not present a caricature of her culture or use her accent for comedic purposes, giving her credibility with a Latin American audience. Zimmerman skillfully recounts the story of Montez's fiery ambition and her ascent to Hollywood fame, giving her the opportunity to live on in public memory.
Author: Maria Adelmann
Publisher: Little, Brown
ISBN: 0316450820
Category : Fiction
Languages : en
Pages : 297
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Book Description
One of NPR's Best Books of the Year: This darkly funny and provocative novel reimagines classic fairy tale characters as modern women in a support group for trauma. In present-day New York City, five women meet in a basement support group to process their traumas. Bernice grapples with the fallout of dating a psychopathic, blue-bearded billionaire. Ruby, once devoured by a wolf, now wears him as a coat. Gretel questions her memory of being held captive in a house made of candy. Ashlee, the winner of a Bachelor-esque dating show, wonders if she really got her promised fairy tale ending. And Raina's love story will shock them all. Though the women start out wary of one another, judging each other’s stories, gradually they begin to realize that they may have more in common than they supposed . . . What really brought them here? What secrets will they reveal? And is it too late for them to rescue each other? Dark, edgy, and wickedly funny, this debut for readers of Carmen Maria Machado, Kristen Arnett, and Kelly Link takes our coziest, most beloved childhood stories, exposes them as anti-feminist nightmares, and transforms them into a new kind of myth for grown-up women. *Belletrist June Book Club Pick* Named a Best Book of May by TIME Magazine & Glamour One of NPR’s Best Books of the Year
Author: Lola Montez
Publisher: Pantianos Classics
ISBN:
Category : Health & Fitness
Languages : en
Pages : 154
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Book Description
This advice book to women details rules of hygiene and beauty and reflects the values placed on maintaining the image of the "lady."
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 76
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Book Description
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Author: Jack Smith
Publisher:
ISBN: 9781852424282
Category : Motion picture literature
Languages : en
Pages : 0
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Book Description
'During thirty years ... as a filmmaker, photographer, and performer, Jack Smith produced a body of creative, antic writing that intersects and transcends the genres of hothouse fantasy, criticism, and social comment. Bringing together long unavailable essays, performance scripts, interviews, and other material, [this compilation] reveals the ideas and personality of an artist whose distinctive vision has influenced generations of filmmakers and performance artists"--Provided by publisher.
Author: Kelly I. Aliano
Publisher: McFarland
ISBN: 1476674035
Category : Performing Arts
Languages : en
Pages : 217
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Book Description
Theatre of the Ridiculous is a significant movement that highlighted the radical possibilities inherent in camp. Much of contemporary theatre owes this form a great debt but little has been written about its history or aesthetic markers. This book offers a comprehensive overview of the important practitioners, along with critical commentary of their work. Beginning with Ridiculous' most recognizable name, Charles Ludlam, the author traces the development of this campy, queer genre, from the B movies of Maria Montez to the Pop Art scene of Andy Warhol to the founding of the Play-House of the Ridiculous and the dawn of Ludlam's career and finally to the contemporary theatre scene.
