Author: Lidia Guzy
Publisher: LIT Verlag Münster
ISBN: 3643902727
Category : Music
Languages : en
Pages : 261
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Book Description
4e de couv.: This volume presents the results of a pioneering anthropological documentation of hitherto unknown traditions of sacred music performed by marginalised musicians and priest-musicians of the Bora Sambar region of western Odisha. The work is based on ethnographic research in rural regions of western Odisha conducted between the years 2002 - 2010. The study presents the first documentation of a unique sound culture of India, Odisha. Local music is analysed as an indigenous theory, thus as a crucial medium of religion, culture and politics.
Author: Brent C. Talbot
Publisher: Routledge
ISBN: 1351846787
Category : Music
Languages : en
Pages : 204
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Book Description
Marginalized Voices in Music Education explores the American culture of music teachers by looking at marginalization and privilege in music education as a means to critique prevailing assumptions and paradigms. In fifteen contributed essays, authors set out to expand notions of who we believe we are as music educators -- and who we want to become. This book is a collection of perspectives by some of the leading and emerging thinkers in the profession, and identifies cases of individuals or groups who had experienced marginalization. It shares the diverse stories in a struggle for inclusion, with the goal to begin or expand conversation in undergraduate and graduate courses in music teacher education. Through the telling of these stores, authors hope to recast music education as fertile ground for transformation, experimentation and renewal.
Author: Joseph P. Swain
Publisher: Rowman & Littlefield
ISBN: 1442264632
Category : Music
Languages : en
Pages : 403
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Book Description
Sacred music is a universal phenomenon of humanity. Where there is faith, there is music to express it. Every major religious tradition and most minor ones have music and have it in abundance and variety. There is music to accompany ritual and music purely for devotion, music for large congregations and music for trained soloists, music that sets holy words and music without words at all. In some traditions—Islamic and many Native American, to name just two--the relation between music and religious ritual is so intimate that it is inaccurate to speak of the music accompanying the ritual. Rather, to perform the ritual is to sing, and to sing the ritual is to perform it. This second edition of Historical Dictionary of Sacred Music contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions. This book is an excellent access point for students, researchers, and anyone wanting to know more about sacred music.
Author: Abiodun Salawu
Publisher: Springer Nature
ISBN: 3030987051
Category : Music
Languages : en
Pages : 474
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Book Description
This volume examines how African indigenous popular music is deployed in democracy, politics and for social crusades by African artists. Exploring the role of indigenous African popular music in environmental health communication and gender empowerment, it subsequently focuses on how the music portrays the African future, its use by African youths, and how it is affected by advanced broadcast technologies and the digital media. Indigenous African popular music has long been under-appreciated in communication scholarship. However, understanding the nature and philosophies of indigenous African popular music reveals an untapped diversity which can only be unraveled by the knowledge of myriad cultural backgrounds from which its genres originate. With a particular focus on scholarship from Nigeria, Zimbabwe and South Africa, this volume explores how, during the colonial period and post-independence dispensation, indigenous African music genres and their artists were mainstreamed in order to tackle emerging issues, to sensitise Africans about the affairs of their respective nations and to warn African leaders who have failed and are failing African citizenry about the plight of the people. At the same time, indigenous African popular music genres have served as a beacon to the teeming African youths to express their dreams, frustrations about their environments and to represent themselves. This volume explores how, through the advent of new media technologies, indigenous African popular musicians have been working relentlessly for indigenous production, becoming champions of good governance, marginalised population, and repositories of indigenous cultural traditions and cosmologies.
Author: David Arditi
Publisher: Springer Nature
ISBN: 3031640136
Category :
Languages : en
Pages : 635
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Book Description
Author: Gerry Bloustien
Publisher: Wakefield Press
ISBN: 9781862545007
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
Musical Visions presents a unique way of thinking about and debating the many facets of contemporary popular music. Under the theme of music as sound, image and movement, this book brings together a vibrant range of perspectives.
Author: Randi Margrete Selvik
Publisher: Routledge
ISBN: 1000296571
Category : Art
Languages : en
Pages : 288
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Book Description
Relevance and Marginalisation in Scandinavian and European Performing Arts 1770–1860: Questioning Canons reveals how various cultural processes have influenced what has been included, and what has been marginalised from canons of European music, dance, and theatre around the turn of the nineteenth century and the following decades. This collection of essays includes discussion of the piano repertory for young ladies in England; canonisation of the French minuet; marginalisation of the popular German dramatist Kotzebue from the dramatic canon; dance repertory and social life in Christiania (Oslo); informal cultural activities in Trondheim; repertory of Norwegian musical clocks; female itinerant performers in the Nordic sphere; preconditions, dissemination, and popularity of equestrian drama; marginalisation and amateur staging of a Singspiel by the renowned Danish playwright Oehlenschläger, also with perspectives on the music and its composers; and the perceived relevance of Henrik Ibsen’s staged theatre repertory and early dramas. By questioning established notions about canon, marginalisation, and relevance within the performing arts in the period 1770–1860, this book asserts itself as an intriguing text both to the culturally interested public and to scholars and students of musicology, dance research, and theatre studies.
Author: Samantha Holland
Publisher: Emerald Group Publishing
ISBN: 1787565122
Category : Social Science
Languages : en
Pages : 273
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Book Description
This edited collection provides sociological and cultural research that expands our understanding of the alternative, liminal or transgressive; theorizing the status of the alternative in contemporary culture and society.
Author: John Connell
Publisher: Psychology Press
ISBN: 9780415170277
Category : Globalization
Languages : en
Pages : 338
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Book Description
Sound Tracks traces the relationships between music, space and identity from inner city 'scenes' to the music of nations, to give a wide-ranging perspective on popular music.
Author: Onyebadi, Uche
Publisher: IGI Global
ISBN: 1522519874
Category : Political Science
Languages : en
Pages : 330
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Book Description
Artistic expression is a longstanding aspect of mankind and our society. While art can simply be appreciated for aesthetic artistic value, it can be utilized for other various multidisciplinary purposes. Music as a Platform for Political Communication is a comprehensive reference source for the latest scholarly perspectives on delivering political messages to society through musical platforms and venues. Highlighting innovative research topics on an international scale, such as election campaigns, social justice, and protests, this book is ideally designed for academics, professionals, practitioners, graduate students, and researchers interested in discovering how musical expression is shaping the realm of political communication.
