Author: Arun Mukherjee
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 164
Book Description
Arun Mukherjee s Mareech Sambad and Jagannath are highly popular plays in the theatre world of West Bengal. There are probably very few theatre goers in Calcutta, and in the district towns, who have not seen these plays, which have been performed through hundreds of well-attended nights. They have also been presented with success in Canada and the United States. Described as complex and intelligent theatre, these plays are political in the best sense of the word. As Himani Banerji says in her introduction, Never more than now did we need the stories of class and class struggle but told in a way that is worthy of the social and formative complexity, the elusiveness, the many-facedness of the concept of class. And it is here that Arun Mukherjee comes in with his two plays, which speak of class intelligently, with humour. Mareech Sambad, in particular, could be called a cult hit in the group theatre world of Bengal. It is a cleverly structured, intelligent, humorous look at the changing forms of exploitation through space and time, starting with the story of Mareech the demon from the Ramayana, taking in USA s Vietnam intervention, and coming down to the contemporary period. Jagannath, adapted from Lu Xun s Chinese tale The Story of Ah Q , ostensibly tells the tale of a simple peasant, but in the process examines and exposes the subtle ways in which centuries of hierarchical oppression mould the psyche of the oppressed. Arun Mukherjee is a playwright, director and actor who, with his group Chetana, has been an integral part of the group theatre scene in Calcutta for decades. Himani Banerjee, who has translated Jagannath and written the introductory essay, teaches in the Sociology Department at York University, Toronto. Her published works include collections of essays on Bengali theatre, feminism, Marxism and anti-racisim. Utkal Mohanty, the translator of Mareech Sambad, has other translations to his credit; he has also written lyrics and co-scripted a feature film. He is a founder-member of the Bangalore theatre group forum Three.
Mareech, the Legend
Author: Arun Mukherjee
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 164
Book Description
Arun Mukherjee s Mareech Sambad and Jagannath are highly popular plays in the theatre world of West Bengal. There are probably very few theatre goers in Calcutta, and in the district towns, who have not seen these plays, which have been performed through hundreds of well-attended nights. They have also been presented with success in Canada and the United States. Described as complex and intelligent theatre, these plays are political in the best sense of the word. As Himani Banerji says in her introduction, Never more than now did we need the stories of class and class struggle but told in a way that is worthy of the social and formative complexity, the elusiveness, the many-facedness of the concept of class. And it is here that Arun Mukherjee comes in with his two plays, which speak of class intelligently, with humour. Mareech Sambad, in particular, could be called a cult hit in the group theatre world of Bengal. It is a cleverly structured, intelligent, humorous look at the changing forms of exploitation through space and time, starting with the story of Mareech the demon from the Ramayana, taking in USA s Vietnam intervention, and coming down to the contemporary period. Jagannath, adapted from Lu Xun s Chinese tale The Story of Ah Q , ostensibly tells the tale of a simple peasant, but in the process examines and exposes the subtle ways in which centuries of hierarchical oppression mould the psyche of the oppressed. Arun Mukherjee is a playwright, director and actor who, with his group Chetana, has been an integral part of the group theatre scene in Calcutta for decades. Himani Banerjee, who has translated Jagannath and written the introductory essay, teaches in the Sociology Department at York University, Toronto. Her published works include collections of essays on Bengali theatre, feminism, Marxism and anti-racisim. Utkal Mohanty, the translator of Mareech Sambad, has other translations to his credit; he has also written lyrics and co-scripted a feature film. He is a founder-member of the Bangalore theatre group forum Three.
Publisher:
ISBN:
Category : Social Science
Languages : en
Pages : 164
Book Description
Arun Mukherjee s Mareech Sambad and Jagannath are highly popular plays in the theatre world of West Bengal. There are probably very few theatre goers in Calcutta, and in the district towns, who have not seen these plays, which have been performed through hundreds of well-attended nights. They have also been presented with success in Canada and the United States. Described as complex and intelligent theatre, these plays are political in the best sense of the word. As Himani Banerji says in her introduction, Never more than now did we need the stories of class and class struggle but told in a way that is worthy of the social and formative complexity, the elusiveness, the many-facedness of the concept of class. And it is here that Arun Mukherjee comes in with his two plays, which speak of class intelligently, with humour. Mareech Sambad, in particular, could be called a cult hit in the group theatre world of Bengal. It is a cleverly structured, intelligent, humorous look at the changing forms of exploitation through space and time, starting with the story of Mareech the demon from the Ramayana, taking in USA s Vietnam intervention, and coming down to the contemporary period. Jagannath, adapted from Lu Xun s Chinese tale The Story of Ah Q , ostensibly tells the tale of a simple peasant, but in the process examines and exposes the subtle ways in which centuries of hierarchical oppression mould the psyche of the oppressed. Arun Mukherjee is a playwright, director and actor who, with his group Chetana, has been an integral part of the group theatre scene in Calcutta for decades. Himani Banerjee, who has translated Jagannath and written the introductory essay, teaches in the Sociology Department at York University, Toronto. Her published works include collections of essays on Bengali theatre, feminism, Marxism and anti-racisim. Utkal Mohanty, the translator of Mareech Sambad, has other translations to his credit; he has also written lyrics and co-scripted a feature film. He is a founder-member of the Bangalore theatre group forum Three.
Western Drama through the Ages [2 volumes]
Author: Kimball King
Publisher: Bloomsbury Publishing USA
ISBN: 0313090246
Category : Literary Criticism
Languages : en
Pages : 645
Book Description
The West has a long and rich dramatic tradition, and its dramatic works typically reflect the social and political concerns of playwrights and spectators. This book surveys the Western dramatic tradition from Ancient Greece to modern America. Included are chapters on great eras of drama, such as the Renaissance; national theatres, such as the theatres of Latin America, Ireland, and Poland; important theatrical movements, such as musical theatre and African American drama; and influential theatre styles, such as realism, expressionism, and surrealism. Entries are written by leading authorities and cite works for further reading. Students of literature and drama will appreciate the book for its convenient overview of the Western theatrical tradition, while students of history and social studies will welcome its illumination of different cultures and traditions. Designed for students, the book overviews Western drama from Ancient Greece to modern America. Included are chapters on great eras of drama, such as the Renaissance; national theatres, such as the theatres of Latin America, Ireland, and Poland; important theatrical movements, such as musical theatre and African American drama; and influential theatre styles, such as realism, expressionism, and surrealism. Each chapter is written by an expert contributor and offers an extended consideration of its topic and cites works for further reading. Students of drama and literature will value the book for its exploration of the Western theatrical tradition, while students of history and social studies will welcome its illumination of different cultures and traditions.
Publisher: Bloomsbury Publishing USA
ISBN: 0313090246
Category : Literary Criticism
Languages : en
Pages : 645
Book Description
The West has a long and rich dramatic tradition, and its dramatic works typically reflect the social and political concerns of playwrights and spectators. This book surveys the Western dramatic tradition from Ancient Greece to modern America. Included are chapters on great eras of drama, such as the Renaissance; national theatres, such as the theatres of Latin America, Ireland, and Poland; important theatrical movements, such as musical theatre and African American drama; and influential theatre styles, such as realism, expressionism, and surrealism. Entries are written by leading authorities and cite works for further reading. Students of literature and drama will appreciate the book for its convenient overview of the Western theatrical tradition, while students of history and social studies will welcome its illumination of different cultures and traditions. Designed for students, the book overviews Western drama from Ancient Greece to modern America. Included are chapters on great eras of drama, such as the Renaissance; national theatres, such as the theatres of Latin America, Ireland, and Poland; important theatrical movements, such as musical theatre and African American drama; and influential theatre styles, such as realism, expressionism, and surrealism. Each chapter is written by an expert contributor and offers an extended consideration of its topic and cites works for further reading. Students of drama and literature will value the book for its exploration of the Western theatrical tradition, while students of history and social studies will welcome its illumination of different cultures and traditions.
Art and Aesthetics of Modern Mythopoeia Volume-One
Author: Ashish Kumar Gupta
Publisher: VISHVANATHA KAVIRAJA INSTITUTE OF COMPARATIVE LITERATURE AND AESTHETICS Distributed by Rudra Publishers and Distributors New Delhi
ISBN:
Category : Social Science
Languages : en
Pages : 295
Book Description
Mythopoeia has always been a steady proponent in the construct of any socio-cultural order. In contemporary times, owing to the rise of cultural studies, a steady interest in revisionist literary texts has also surfaced. The association of Indian culture and values with a plethora of mythological narratives have made several scholars curious because they do offer an array of new perspectives of understanding the art, aesthetics and also the politics of myths within a larger social, religious and cultural context. Similarly, by exploring the trope of myth, it has been possible to look at other countries' cultures as well. This anthology offers new readings of classical myths across continents and cultures. The anthologized essays have collectively explored the various trends of revisionist literature. Sincere attempts have also been made to highlight the ways in which re-readings of select literary works can admirably transform set notions and ideas of human existence.
Publisher: VISHVANATHA KAVIRAJA INSTITUTE OF COMPARATIVE LITERATURE AND AESTHETICS Distributed by Rudra Publishers and Distributors New Delhi
ISBN:
Category : Social Science
Languages : en
Pages : 295
Book Description
Mythopoeia has always been a steady proponent in the construct of any socio-cultural order. In contemporary times, owing to the rise of cultural studies, a steady interest in revisionist literary texts has also surfaced. The association of Indian culture and values with a plethora of mythological narratives have made several scholars curious because they do offer an array of new perspectives of understanding the art, aesthetics and also the politics of myths within a larger social, religious and cultural context. Similarly, by exploring the trope of myth, it has been possible to look at other countries' cultures as well. This anthology offers new readings of classical myths across continents and cultures. The anthologized essays have collectively explored the various trends of revisionist literature. Sincere attempts have also been made to highlight the ways in which re-readings of select literary works can admirably transform set notions and ideas of human existence.
The Book Review
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 608
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 608
Book Description
Ottemiller's Index to Plays in Collections
Author: Denise L. Montgomery
Publisher: Scarecrow Press
ISBN: 081087721X
Category : Performing Arts
Languages : en
Pages : 834
Book Description
Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.
Publisher: Scarecrow Press
ISBN: 081087721X
Category : Performing Arts
Languages : en
Pages : 834
Book Description
Representing the largest expansion between editions, this updated volume of Ottemiller's Index to Plays in Collections is the standard location tool for full-length plays published in collections and anthologies in England and the United States throughout the 20th century and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors.
Seagull Theatre Quarterly
Author:
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 108
Book Description
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 108
Book Description
Indian Review of Books
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 628
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 628
Book Description
Guide to Indian Periodical Literature
Author:
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 928
Book Description
Publisher:
ISBN:
Category : Humanities
Languages : en
Pages : 928
Book Description
Theatres of India
Author: Ananda Lal
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 492
Book Description
Theatres of India, edited by Professor Ananda Lal, is a comprehensive and accessible guide to theatre in India. The volume surveys both rural and urban modes of Indian theatre across its history of over 2000 years. The first section brings together entries that discuss theatres of India's linguistic regions. The second section includes entries on specific forms and genres, as well as on topics such as street theatre, music, and Tagore's dramatic oeuvre. The book avoids both the Western scholarship's obsession with traditional Asian forms of performance, as well as Indian city-based theatre workers' view that traditional forms do not even qualify as 'theatre'. 'Theatre' in this volume is defined as any form that contains theatre's fundamental element, acting. Importantly, the entries are accompanied by photographs of performances that allow us to view the 'visual-ness' of India's performance forms. In keeping with the highest standards of international reference publishing, Ananda Lal has compiled and edited material from several contributors so that each entry allows us to tap individual documentation and knowledge. Also included in this pioneering, authoritative, and collective resource are short bibliographies for every entry on the regional theatres. Theatres of India will be useful for general readers, theatre professionals, as well as students and researchers of theatre and performance studies.
Publisher: Oxford University Press, USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 492
Book Description
Theatres of India, edited by Professor Ananda Lal, is a comprehensive and accessible guide to theatre in India. The volume surveys both rural and urban modes of Indian theatre across its history of over 2000 years. The first section brings together entries that discuss theatres of India's linguistic regions. The second section includes entries on specific forms and genres, as well as on topics such as street theatre, music, and Tagore's dramatic oeuvre. The book avoids both the Western scholarship's obsession with traditional Asian forms of performance, as well as Indian city-based theatre workers' view that traditional forms do not even qualify as 'theatre'. 'Theatre' in this volume is defined as any form that contains theatre's fundamental element, acting. Importantly, the entries are accompanied by photographs of performances that allow us to view the 'visual-ness' of India's performance forms. In keeping with the highest standards of international reference publishing, Ananda Lal has compiled and edited material from several contributors so that each entry allows us to tap individual documentation and knowledge. Also included in this pioneering, authoritative, and collective resource are short bibliographies for every entry on the regional theatres. Theatres of India will be useful for general readers, theatre professionals, as well as students and researchers of theatre and performance studies.
Pratibha India
Author:
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 222
Book Description
Publisher:
ISBN:
Category : Art, Indic
Languages : en
Pages : 222
Book Description