Author: Frank Lestringant
Publisher: John Wiley & Sons
ISBN: 0745683665
Category : History
Languages : en
Pages : 216
Book Description
This book focuses on the work of the great sixteenth-century traveller and map-maker Andre Thevat and explores the interrelations between representation and power in the age of discovery.
Mapping the Renaissance World
Author: Frank Lestringant
Publisher: John Wiley & Sons
ISBN: 0745683665
Category : History
Languages : en
Pages : 216
Book Description
This book focuses on the work of the great sixteenth-century traveller and map-maker Andre Thevat and explores the interrelations between representation and power in the age of discovery.
Publisher: John Wiley & Sons
ISBN: 0745683665
Category : History
Languages : en
Pages : 216
Book Description
This book focuses on the work of the great sixteenth-century traveller and map-maker Andre Thevat and explores the interrelations between representation and power in the age of discovery.
Cities of the Renaissance World
Author: Michael Swift
Publisher: Compendium Publishing & Communications
ISBN: 9781906347109
Category : Cities and towns, Renaissance
Languages : en
Pages : 224
Book Description
A completely revised and updated, illustrated guide to the grounds that host Europe?s prestigious Champions League.
Publisher: Compendium Publishing & Communications
ISBN: 9781906347109
Category : Cities and towns, Renaissance
Languages : en
Pages : 224
Book Description
A completely revised and updated, illustrated guide to the grounds that host Europe?s prestigious Champions League.
Mapping the New World
Author: Anne Armitage
Publisher: Scala Arts Publishers Incorporated
ISBN: 9781857598223
Category : America
Languages : en
Pages : 0
Book Description
The third book in a series for the American Museum in Britain, produced by Scala, showcasing the finest private holding of pre-1600 printed world maps on this side of the Atlantic.
Publisher: Scala Arts Publishers Incorporated
ISBN: 9781857598223
Category : America
Languages : en
Pages : 0
Book Description
The third book in a series for the American Museum in Britain, produced by Scala, showcasing the finest private holding of pre-1600 printed world maps on this side of the Atlantic.
Ships on Maps
Author: Richard W. Unger
Publisher: Springer
ISBN: 0230282164
Category : History
Languages : en
Pages : 265
Book Description
Renaissance map-makers produced ever more accurate descriptions of geography, which were also beautiful works of art. They filled the oceans Europeans were exploring with ships and to describe the real ships which were the newest and best products of technology. Above all the ships were there to show the European conquest of the seas of the world.
Publisher: Springer
ISBN: 0230282164
Category : History
Languages : en
Pages : 265
Book Description
Renaissance map-makers produced ever more accurate descriptions of geography, which were also beautiful works of art. They filled the oceans Europeans were exploring with ships and to describe the real ships which were the newest and best products of technology. Above all the ships were there to show the European conquest of the seas of the world.
The Mapping of Power in Renaissance Italy
Author: Mark Rosen
Publisher: Cambridge University Press
ISBN: 1107067030
Category : Art
Languages : en
Pages : 297
Book Description
This well-illustrated study investigates the symbolic dimensions of painted maps as products of ambitious early modern European courts.
Publisher: Cambridge University Press
ISBN: 1107067030
Category : Art
Languages : en
Pages : 297
Book Description
This well-illustrated study investigates the symbolic dimensions of painted maps as products of ambitious early modern European courts.
Renaissance Ethnography and the Invention of the Human
Author: Surekha Davies
Publisher: Cambridge University Press
ISBN: 1316546128
Category : History
Languages : en
Pages :
Book Description
Giants, cannibals and other monsters were a regular feature of Renaissance illustrated maps, inhabiting the Americas alongside other indigenous peoples. In a new approach to views of distant peoples, Surekha Davies analyzes this archive alongside prints, costume books and geographical writing. Using sources from Iberia, France, the German lands, the Low Countries, Italy and England, Davies argues that mapmakers and viewers saw these maps as careful syntheses that enabled viewers to compare different peoples. In an age when scholars, missionaries, native peoples and colonial officials debated whether New World inhabitants could – or should – be converted or enslaved, maps were uniquely suited for assessing the impact of environment on bodies and temperaments. Through innovative interdisciplinary methods connecting the European Renaissance to the Atlantic world, Davies uses new sources and questions to explore science as a visual pursuit, revealing how debates about the relationship between humans and monstrous peoples challenged colonial expansion.
Publisher: Cambridge University Press
ISBN: 1316546128
Category : History
Languages : en
Pages :
Book Description
Giants, cannibals and other monsters were a regular feature of Renaissance illustrated maps, inhabiting the Americas alongside other indigenous peoples. In a new approach to views of distant peoples, Surekha Davies analyzes this archive alongside prints, costume books and geographical writing. Using sources from Iberia, France, the German lands, the Low Countries, Italy and England, Davies argues that mapmakers and viewers saw these maps as careful syntheses that enabled viewers to compare different peoples. In an age when scholars, missionaries, native peoples and colonial officials debated whether New World inhabitants could – or should – be converted or enslaved, maps were uniquely suited for assessing the impact of environment on bodies and temperaments. Through innovative interdisciplinary methods connecting the European Renaissance to the Atlantic world, Davies uses new sources and questions to explore science as a visual pursuit, revealing how debates about the relationship between humans and monstrous peoples challenged colonial expansion.
Worldly Consumers
Author: Genevieve Carlton
Publisher: University of Chicago Press
ISBN: 022625531X
Category : History
Languages : en
Pages : 244
Book Description
This book focuses on how inexpensive maps, produced for the masses, accrued cultural value for everyday consumers in Renaissance Italy, who wanted to own and display maps in their homes as works of artnot for practical use, but for their cultural capital as commodities. Genevieve Carlton considers how and why maps took on this new identity, as coveted and revered material objects and symbols of status and power, which in turn elevated or reinforced the public personae of their owners. She reconstructs the market for maps by examining household inventories as well as the ways in which maps were displayed in the interiors of Renaissance homes. Her survey shows that consumers from every level of society owned and displayed maps and used them for personal gain, to reinforce a particular identity."
Publisher: University of Chicago Press
ISBN: 022625531X
Category : History
Languages : en
Pages : 244
Book Description
This book focuses on how inexpensive maps, produced for the masses, accrued cultural value for everyday consumers in Renaissance Italy, who wanted to own and display maps in their homes as works of artnot for practical use, but for their cultural capital as commodities. Genevieve Carlton considers how and why maps took on this new identity, as coveted and revered material objects and symbols of status and power, which in turn elevated or reinforced the public personae of their owners. She reconstructs the market for maps by examining household inventories as well as the ways in which maps were displayed in the interiors of Renaissance homes. Her survey shows that consumers from every level of society owned and displayed maps and used them for personal gain, to reinforce a particular identity."
A History of the World in 12 Maps
Author: Jerry Brotton
Publisher: Penguin
ISBN: 0143126024
Category : History
Languages : en
Pages : 547
Book Description
A New York Times Bestseller “Maps allow the armchair traveler to roam the world, the diplomat to argue his points, the ruler to administer his country, the warrior to plan his campaigns and the propagandist to boost his cause… rich and beautiful.” – Wall Street Journal Throughout history, maps have been fundamental in shaping our view of the world, and our place in it. But far from being purely scientific objects, maps of the world are unavoidably ideological and subjective, intimately bound up with the systems of power and authority of particular times and places. Mapmakers do not simply represent the world, they construct it out of the ideas of their age. In this scintillating book, Jerry Brotton examines the significance of 12 maps - from the almost mystical representations of ancient history to the satellite-derived imagery of today. He vividly recreates the environments and circumstances in which each of the maps was made, showing how each conveys a highly individual view of the world. Brotton shows how each of his maps both influenced and reflected contemporary events and how, by considering it in all its nuances and omissions, we can better understand the world that produced it. Although the way we map our surroundings is more precise than ever before, Brotton argues that maps today are no more definitive or objective than they have ever been. Readers of this beautifully illustrated and masterfully argued book will never look at a map in quite the same way again. “A fascinating and panoramic new history of the cartographer’s art.” – The Guardian “The intellectual background to these images is conveyed with beguiling erudition…. There is nothing more subversive than a map.” – The Spectator “A mesmerizing and beautifully illustrated book.” —The Telegraph
Publisher: Penguin
ISBN: 0143126024
Category : History
Languages : en
Pages : 547
Book Description
A New York Times Bestseller “Maps allow the armchair traveler to roam the world, the diplomat to argue his points, the ruler to administer his country, the warrior to plan his campaigns and the propagandist to boost his cause… rich and beautiful.” – Wall Street Journal Throughout history, maps have been fundamental in shaping our view of the world, and our place in it. But far from being purely scientific objects, maps of the world are unavoidably ideological and subjective, intimately bound up with the systems of power and authority of particular times and places. Mapmakers do not simply represent the world, they construct it out of the ideas of their age. In this scintillating book, Jerry Brotton examines the significance of 12 maps - from the almost mystical representations of ancient history to the satellite-derived imagery of today. He vividly recreates the environments and circumstances in which each of the maps was made, showing how each conveys a highly individual view of the world. Brotton shows how each of his maps both influenced and reflected contemporary events and how, by considering it in all its nuances and omissions, we can better understand the world that produced it. Although the way we map our surroundings is more precise than ever before, Brotton argues that maps today are no more definitive or objective than they have ever been. Readers of this beautifully illustrated and masterfully argued book will never look at a map in quite the same way again. “A fascinating and panoramic new history of the cartographer’s art.” – The Guardian “The intellectual background to these images is conveyed with beguiling erudition…. There is nothing more subversive than a map.” – The Spectator “A mesmerizing and beautifully illustrated book.” —The Telegraph
Printing a Mediterranean World
Author: Sean Roberts
Publisher: Harvard University Press
ISBN: 0674068076
Category : History
Languages : en
Pages : 336
Book Description
In 1482 Francesco Berlinghieri produced the Geographia, a book of over 100 folio leaves describing the world in Italian verse interleaved with lavishly engraved maps. Roberts demonstrates that the Geographia represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography.
Publisher: Harvard University Press
ISBN: 0674068076
Category : History
Languages : en
Pages : 336
Book Description
In 1482 Francesco Berlinghieri produced the Geographia, a book of over 100 folio leaves describing the world in Italian verse interleaved with lavishly engraved maps. Roberts demonstrates that the Geographia represents the moment of transition between printing and manuscript culture, while forming a critical base for the rise of modern cartography.
Mapping an Atlantic World, circa 1500
Author: Alida C. Metcalf
Publisher: Johns Hopkins University Press
ISBN: 1421438526
Category : Science
Languages : en
Pages : 251
Book Description
How did intricately detailed sixteenth-century maps reveal the start of the Atlantic World? Beginning around 1500, in the decades following Columbus's voyages, the Atlantic Ocean moved from the periphery to the center on European world maps. This brief but highly significant moment in early modern European history marks not only a paradigm shift in how the world was mapped but also the opening of what historians call the Atlantic World. But how did sixteenth-century chartmakers and mapmakers begin to conceptualize—and present to the public—an interconnected Atlantic World that was open and navigable, in comparison to the mysterious ocean that had blocked off the Western hemisphere before Columbus's exploration? In Mapping an Atlantic World, circa 1500, Alida C. Metcalf argues that the earliest surviving maps from this era, which depict trade, colonization, evangelism, and the movement of peoples, reveal powerful and persuasive arguments about the possibility of an interconnected Atlantic World. Blending scholarship from two fields, historical cartography and Atlantic history, Metcalf explains why Renaissance cosmographers first incorporated sailing charts into their maps and began to reject classical models for mapping the world. Combined with the new placement of the Atlantic, the visual imagery on Atlantic maps—which featured decorative compass roses, animals, landscapes, and native peoples—communicated the accessibility of distant places with valuable commodities. Even though individual maps became outdated quickly, Metcalf reveals, new mapmakers copied their imagery, which then repeated on map after map. Individual maps might fall out of date, be lost, discarded, or forgotten, but their geographic and visual design promoted a new way of seeing the world, with an interconnected Atlantic World at its center. Describing the negotiation that took place between a small cadre of explorers and a wider class of cartographers, chartmakers, cosmographers, and artists, Metcalf shows how exploration informed mapmaking and vice versa. Recognizing early modern cartographers as significant agents in the intellectual history of the Atlantic, Mapping an Atlantic World, circa 1500 includes around 50 beautiful and illuminating historical maps.
Publisher: Johns Hopkins University Press
ISBN: 1421438526
Category : Science
Languages : en
Pages : 251
Book Description
How did intricately detailed sixteenth-century maps reveal the start of the Atlantic World? Beginning around 1500, in the decades following Columbus's voyages, the Atlantic Ocean moved from the periphery to the center on European world maps. This brief but highly significant moment in early modern European history marks not only a paradigm shift in how the world was mapped but also the opening of what historians call the Atlantic World. But how did sixteenth-century chartmakers and mapmakers begin to conceptualize—and present to the public—an interconnected Atlantic World that was open and navigable, in comparison to the mysterious ocean that had blocked off the Western hemisphere before Columbus's exploration? In Mapping an Atlantic World, circa 1500, Alida C. Metcalf argues that the earliest surviving maps from this era, which depict trade, colonization, evangelism, and the movement of peoples, reveal powerful and persuasive arguments about the possibility of an interconnected Atlantic World. Blending scholarship from two fields, historical cartography and Atlantic history, Metcalf explains why Renaissance cosmographers first incorporated sailing charts into their maps and began to reject classical models for mapping the world. Combined with the new placement of the Atlantic, the visual imagery on Atlantic maps—which featured decorative compass roses, animals, landscapes, and native peoples—communicated the accessibility of distant places with valuable commodities. Even though individual maps became outdated quickly, Metcalf reveals, new mapmakers copied their imagery, which then repeated on map after map. Individual maps might fall out of date, be lost, discarded, or forgotten, but their geographic and visual design promoted a new way of seeing the world, with an interconnected Atlantic World at its center. Describing the negotiation that took place between a small cadre of explorers and a wider class of cartographers, chartmakers, cosmographers, and artists, Metcalf shows how exploration informed mapmaking and vice versa. Recognizing early modern cartographers as significant agents in the intellectual history of the Atlantic, Mapping an Atlantic World, circa 1500 includes around 50 beautiful and illuminating historical maps.