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Author: Karl Bassil
Publisher: Mind the Gap/Arab Image Foundation
ISBN:
Category : Photography
Languages : en
Pages : 292
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Book Description
Setting up on a sunny day at the beach or snapping a passport photo, the studio photographer measures out his working day in repeated frames, fixing the ordinary customer on film. Addressing the enduring value of these portraits and the viewer's common humanity with the subjects is the aim of Mapping Sitting, a collection of studio photographs, primarily from the 1950s and 1960s, that shows an Arab world that defies stereotypes. Drawn from the archives of the Arab Image Foundation, whose mission is to rescue and preserve indigenous Arab photography, and curated by two Lebanese-born artists, Walid Raad and Akram Zaatari, these photographs provide a moving mosaic of Middle Eastern men and women posing in the studio, lounging on the sand, or goofing around on bikes. There are also pages of carefully indexed passport photos, which become charged with meaning in a post-9/11 world. The exhibition from which Mapping Sitting was drawn, mounted at the Grey Art Gallery in New York, was widely reviewed in publications such as The New York Times and New York Magazine.
Author: Karl Bassil
Publisher: Mind the Gap/Arab Image Foundation
ISBN:
Category : Photography
Languages : en
Pages : 292
Get Book Here
Book Description
Setting up on a sunny day at the beach or snapping a passport photo, the studio photographer measures out his working day in repeated frames, fixing the ordinary customer on film. Addressing the enduring value of these portraits and the viewer's common humanity with the subjects is the aim of Mapping Sitting, a collection of studio photographs, primarily from the 1950s and 1960s, that shows an Arab world that defies stereotypes. Drawn from the archives of the Arab Image Foundation, whose mission is to rescue and preserve indigenous Arab photography, and curated by two Lebanese-born artists, Walid Raad and Akram Zaatari, these photographs provide a moving mosaic of Middle Eastern men and women posing in the studio, lounging on the sand, or goofing around on bikes. There are also pages of carefully indexed passport photos, which become charged with meaning in a post-9/11 world. The exhibition from which Mapping Sitting was drawn, mounted at the Grey Art Gallery in New York, was widely reviewed in publications such as The New York Times and New York Magazine.
Author: Hans Freudenthal
Publisher: Springer Science & Business Media
ISBN: 9401029032
Category : Education
Languages : en
Pages : 691
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Book Description
Like preludes, prefaces are usually composed last. Putting them in the front of the book is a feeble reflection of what, in the style of mathe matics treatises and textbooks, I usually call thf didactical inversion: to be fit to print, the way to the result should be the inverse of the order in which it was found; in particular the key definitions, which were the finishing touch to the structure, are put at the front. For many years I have contrasted the didactical inversion with the thought-experiment. It is true that you should not communicate your mathematics to other people in the way it occurred to you, but rather as it could have occurred to you if you had known then what you know now, and as it would occur to the student if his learning process is being guided. This in fact is the gist of the lesson Socrates taught Meno's slave. The thought-experi ment tries to find out how a student could re-invent what he is expected to learn. I said about the preface that it is a feeble reflection of the didactical inversion. Indeed, it is not a constituent part of the book. It can even be torn out. Yet it is useful. Firstly, to the reviewer who then need not read the whole work, and secondly to the author himself, who like the composer gets an opportunity to review the Leitmotivs of the book.
Author: Susan Naramore Maher
Publisher: U of Nebraska Press
ISBN: 0803255020
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
Taking its name from the subtitle of William Least Heat-Moon’s PrairyErth (a deep map), the “deep-map” form of nonfiction and environmental writing defines an innovative and stratigraphic literary genre. Proposing that its roots can be found in Great Plains nonfiction writing, Susan Naramore Maher explores the many facets of this vital form of critique, exploration, and celebration that weaves together such elements of narrative as natural history, cultural history, geography, memoir, and intertextuality. Maher’s Deep Map Country gives readers the first book-length study of the deep-map nonfiction of the Great Plains region, featuring writers as diverse as Julene Bair, Sharon Butala, Loren Eiseley, Don Gayton, Linda Hasselstrom, William Least Heat-Moon, John Janovy Jr., John McPhee, Kathleen Norris, and Wallace Stegner. Deep Map Country examines the many layers of storytelling woven into their essays: the deep time of geology and evolutionary biology; the cultural history of indigenous and settlement communities; the personal stories of encounters with this expansive terrain; the political and industrial stories that have affected the original biome and Plains economies; and the spiritual dimensions of the physical environment that press on everyday realities.
Author: Alisa Lebow
Publisher: Columbia University Press
ISBN: 0231162154
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
When a filmmaker makes a film with herself as a subject, she is already divided as both the subject matter of the film and the subject making the film. The two senses of the word are immediately in play - the matter and the maker--thus the two ways of being subjectified as both subject and object. Subjectivity finds its filmic expression, not surprisingly, in very personal ways, yet it is nonetheless shaped by and in relation to collective expressions of identity that can transform the cinema of 'me' into the cinema of 'we'. Leading scholars and practitioners of first-person film are brought together in this groundbreaking collection to consider the theoretical, ideological, and aesthetic challenges wrought by this form of filmmaking in its diverse cultural, geographical, and political contexts.
Author: Edward J. Valeau
Publisher: Routledge
ISBN: 1000388123
Category : Education
Languages : en
Pages : 183
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Book Description
This practical resource helps aspiring leaders demystify the challenges associated with becoming a community college president. Building on existing scholarship and research related to historical origins of the community college, this book explores the role and function of the presidency, discusses existing demographics and the importance of meeting the needs of a diverse student population, and unpacks the required competencies and leadership challenges related to becoming a community college president. Including real voices from award-winning and current presidents as well as a step-by-step approach to attaining the position, this is an important resource that speaks to the needs of today and tomorrows’ community college leaders.
Author: Nishat Awan
Publisher: Taylor & Francis
ISBN: 1317151275
Category : Architecture
Languages : en
Pages : 218
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Book Description
Diasporic Agencies addresses the neglected subject of how architecture and urban design can respond to the consequences of increasing migration. Arguing that diasporic inhabitations can only be understood as the co-production of space, subjectivity and politics, the book explores questions of difference, belonging and movement in the city. Through focusing on a series of examples, it reveals how diasporas produce new types of spaces and develop new subjectivities in the contemporary European metropolis. It explores the way in which geo-politics affects individual lives and how national and regional borders inscribe themselves onto diasporic bodies. The book claims that the multiple belongings of diasporic citizens, half-here and half-there, provoke a crisis in the standard modes of architectural representation that tend to homogenise and flatten experience. Instead Diasporic Agencies makes a case for a non-representational approach, where the displacement of the diasporic subject and their consequent reterritorialisation of space are developed as modes of thinking and doing. In parallel, mapping otherwise is proposed as a tool for spatial practitioners to work with these multi-layered spaces. The book is aimed at spatial practitioners and theorists of all sorts - architects, artists, geographers, urban designers - anyone with a general interest in mapping or those interested in working through issues related to migration and the contemporary city.
Author: Emmanuel Alloa
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110530546
Category : Art
Languages : en
Pages : 394
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Book Description
Images are not neutral conveyors of messages shipped around the globe to achieve globalized spectatorship. They are powerful forces that elicit very diverse responses and can resist new visual hegemonies of our global world. Bringing together case studies from the field of media, art, politics, religion, anthropology and science, this volume breaks new ground by reflecting on the very power of images beyond their medial exploitation. The contributions by Hans Belting, Susan Buck-Morss, Georges Didi-Huberman, W.J.T. Mitchell, and Ticio Escobar among others testify that globalization does not necessarily equal homogenization, and that images can open up alternative ways of picturing what is to come.
Author: Erin Meyer
Publisher: PublicAffairs
ISBN: 1610392590
Category : Business & Economics
Languages : en
Pages : 289
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Book Description
An international business expert helps you understand and navigate cultural differences in this insightful and practical guide, perfect for both your work and personal life. Americans precede anything negative with three nice comments; French, Dutch, Israelis, and Germans get straight to the point; Latin Americans and Asians are steeped in hierarchy; Scandinavians think the best boss is just one of the crowd. It's no surprise that when they try and talk to each other, chaos breaks out. In The Culture Map, INSEAD professor Erin Meyer is your guide through this subtle, sometimes treacherous terrain in which people from starkly different backgrounds are expected to work harmoniously together. She provides a field-tested model for decoding how cultural differences impact international business, and combines a smart analytical framework with practical, actionable advice.
Author:
Publisher: IIED
ISBN: 1843696053
Category : Digital mapping
Languages : en
Pages : 155
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Book Description
Participation in spatial information management and communication. A combined CTA and IIED issue
Author: Anders Engberg-Pedersen
Publisher: MIT Press
ISBN: 0262036746
Category : Literary Criticism
Languages : en
Pages : 482
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Book Description
The relationship of texts and maps, and the mappability of literature, examined from Homer to Houellebecq. Literary authors have frequently called on elements of cartography to ground fictional space, to visualize sites, and to help readers get their bearings in the imaginative world of the text. Today, the convergence of digital mapping and globalization has spurred a cartographic turn in literature. This book gathers leading scholars to consider the relationship of literature and cartography. Generously illustrated with full-color maps and visualizations, it offers the first systematic overview of an emerging approach to the study of literature. The literary map is not merely an illustrative guide but represents a set of relations and tensions that raise questions about representation, fiction, and space. Is literature even mappable? In exploring the cartographic components of literature, the contributors have not only brought literary theory to bear on the map but have also enriched the vocabulary and perspectives of literary studies with cartographic terms. After establishing the theoretical and methodological terrain, they trace important developments in the history of literary cartography, considering topics that include Homer and Joyce, Goethe and the representation of nature, and African cartographies. Finally, they consider cartographic genres that reveal the broader connections between texts and maps, discussing literary map genres in American literature and the coexistence of image and text in early maps. When cartographic aspirations outstripped factual knowledge, mapmakers turned to textual fictions. Contributors Jean-Marc Besse, Bruno Bosteels, Patrick M. Bray, Martin Brückner, Tom Conley, Jörg Dünne, Anders Engberg-Pedersen, John K. Noyes, Ricardo Padrón, Barbara Piatti, Simone Pinet, Clara Rowland, Oliver Simons, Robert Stockhammer, Dominic Thomas, Burkhardt Wolf
