List of Additions to the Manuscripts in the British Museum (1841/45 - 1911/15: Catalogue of Additions to the Manuscripts in the British Museum: 1916/20 Ff.: British Museum. Catalogue of Additions to the Manuscripts). 1836/40 Ff PDF Download
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Author: British Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
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Book Description
Author: Michael Johnston
Publisher: Cambridge University Press
ISBN: 1107066190
Category : History
Languages : en
Pages : 319
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Book Description
This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.
Author: Hal Leonard Corp
Publisher:
ISBN: 9781616776343
Category : Piano
Languages : en
Pages : 0
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Book Description
(Faber Piano Adventures ). The Little Blue Manuscript Book is the perfect writing companion for students who are progressing through My First Piano Adventure . With 38 pages of large-sized staffs, teachers and students have plenty of room for writing assignments and exploring composition. But there is more to this handy book than simply blank staffs. Students receive extra support from an eight-page reference section covering note values, essential musical terms, staff orientation, how to draw clefs, and a simple introduction to composing with patterns. At the back of the book, teachers will find two pages of detailed assignment ideas for use in the lesson or for at-home writing.
Author:
Publisher:
ISBN: 9781626542174
Category : Ciphers
Languages : en
Pages : 276
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Book Description
A facsimile of an object of unknown authorship that has been the source of study and speculation for centuries and remains undecipherable to this day.
Author: British Museum
Publisher:
ISBN:
Category :
Languages : en
Pages : 320
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Book Description
Author: British Museum (London)
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 316
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Book Description
Author: Philip Wesley Comfort
Publisher: Kregel Publications
ISBN: 0825445167
Category : Religion
Languages : en
Pages : 496
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Book Description
The manuscripts that form the Greek New Testament are scattered throughout the world and are usually only accessible to scholars and professionals. These were the manuscripts read by the earliest Christians, which comprised their "New Testament." In his volumes, Philip Wesley Comfort bridges the gap between these extant copies and today's critical text by providing accurate transcriptions of the earliest New Testament manuscripts, with photographs on the facing pages so readers can see the works for themselves. Comfort also provides an introduction to each manuscript that summarizes the contents, date, current location, provenance, and other essential information, including the latest findings. This allows students and scholars to make well-informed decisions about the translation and interpretation of the New Testament. Volume 1 includes manuscripts from Papyrus 1-72. Volume 2 includes manuscripts from Papyrus 75-139 as well as from the uncials. In addition, it features a special section on determining the date of a manuscript. This two-volume set replaces the previously published single volume Text of the Earliest New Testament Greek Manuscripts, as it contains many new manuscripts, updated research, and higher quality images of all manuscripts previously covered.
Author: Laura Estill
Publisher: Rutgers University Press
ISBN: 1644530473
Category : Literary Criticism
Languages : en
Pages : 268
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Book Description
Throughout the seventeenth century, early modern play readers and playgoers copied dramatic extracts (selections from plays and masques) into their commonplace books, verse miscellanies, diaries, and songbooks. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays is the first to examine these often overlooked texts, which reveal what early modern audiences and readers took, literally and figuratively, from plays. As this under-examined archival evidence shows, play readers and playgoers viewed plays as malleable and modular texts to be altered, appropriated, and, most importantly, used. These records provide information that is not available in other forms about the popularity and importance of early modern plays, the reasons plays appealed to their audiences, and the ideas in plays that most interested audiences. Tracing the course of dramatic extracting from the earliest stages in the 1590s, through the prolific manuscript circulation at the universities, to the closure and reopening of the theatres, Estill gathers these microhistories to create a comprehensive overview of seventeenth-century dramatic extracts and the culture of extracting from plays. Dramatic Extracts in Seventeenth-Century English Manuscripts: Watching, Reading, Changing Plays explores new archival evidence (from John Milton’s signature to unpublished university plays) while also analyzing the popularity of perennial favorites such as Shakespeare’s The Tempest. The study of dramatic extracts is the study of particulars: particular readers, particular manuscripts, particular plays or masques, particular historic moments. As D. F. McKenzie puts it, “different readers [bring] the text to life in different ways.” By providing careful analyses of these rich source texts, this book shows how active play-viewing and play-reading (that is, extracting) ultimately led to changing the plays themselves, both through selecting and manipulating the extracts and positioning the plays in new contexts. Published by University of Delaware Press. Distributed worldwide by Rutgers University Press.
Author: Michael Friedrich
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311049695X
Category : Language Arts & Disciplines
Languages : en
Pages : 386
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Book Description
Composite and multiple-text manuscripts are traditionally studied for their individual texts, but recent trends in codicology have paved the way for a more comprehensive approach: Manuscripts are unique artefacts which reveal how they were produced and used as physical objects. While multiple-text manuscripts codicologically are to be considered as production units, i.e. they were originally planned and realized in order to carry more than one text, composites consist of formerly independent codicological units and were put together at a later stage with intentions that might be completely different from those of its original parts. Both sub-types of manuscripts are still sometimes called "miscellanies", a term relating to the texts only. The codicological difference is important for reconstructing why and how these manuscripts which in many cases resemble (or contain) a small library were produced and used. Contributions on the manuscript cultures of China, India, Africa, the Islamic world and European traditions lead not only to the conclusion that "one-volume libraries" have been produced in many manuscript cultures, but allow also for the identification of certain types of uses.
Author: Helen Deeming
Publisher: Cambridge University Press
ISBN: 1316240460
Category : Music
Languages : en
Pages : 347
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Book Description
The manuscript sources of medieval song rarely fit the description of 'songbook' easily. Instead, they are very often mixed compilations that place songs alongside other diverse contents, and the songs themselves may be inscribed as texts alone or as verbal and musical notation. This book looks afresh at these manuscripts through ten case studies, representing key sources in Latin, French, German, and English from across Europe during the Middle Ages. Each chapter is authored by a leading expert and treats a case study in detail, including a listing of the manuscript's overall contents, a summary of its treatment in scholarship, and up-to-date bibliographical references. Drawing on recent scholarly methodologies, the contributors uncover what these books and the songs within them meant to their medieval audience and reveal a wealth of new information about the original contexts of songs both in performance and as committed to parchment.
Author: Marion Dolan
Publisher: Springer
ISBN: 3319567845
Category : Science
Languages : en
Pages : 482
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Book Description
This carefully researched monograph is a historical investigation of the illustrated Aratea astronomical manuscript and its many interpretations over the centuries. Aratus' 270 B.C.E. Greek poem describing the constellations and astrological phenomena was translated and copied over 800 years into illuminated manuscripts that preserved and illustrated these ancient stories about the constellations. The Aratea survives in its entirety due to multiple translations from Greek to Latin and even to Arabic, with many illuminated versions being commissioned over the ages. The survey encompasses four interrelated disciplines: history of literature, history of myth, history of science, and history of art. Aratea manuscripts by their nature are a meeting place of these distinct branches, and the culling of information from historical literature and from the manuscripts themselves focuses on a wider, holistic view; a narrow approach could not provide a proper prospective. What is most essential to know about this work is that because of its successive incarnations it has survived and been reinterpreted through the centuries, which speaks to its importance in all of these disciplines. This book brings a better understanding of the history, changes and transmission of the original astronomical Phaenomena poem. Historians, art historians, astronomy lovers, and historians of astronomy will learn more specialized details concerning the Aratea and how the tradition survived from the Middle Ages. It is a credit to the poetry of Aratus and the later interpreters of the text that its pagan aspects were not edited nor removed, but respected and maintained in the exact same form despite the fact that all sixty Aratea manuscripts mentioned in this study were produced under the rule of Christianity.
