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Author: Dennis G. Waring
Publisher: Wesleyan University Press
ISBN: 9780819565082
Category : Business & Economics
Languages : en
Pages : 388
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Book Description
How a 19th century instrument helped to shape New World culture.
Author: Dennis G. Waring
Publisher: Wesleyan University Press
ISBN: 9780819565082
Category : Business & Economics
Languages : en
Pages : 388
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Book Description
How a 19th century instrument helped to shape New World culture.
Author: Dennis G. Waring
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
The Estey Organ Company (1846-1960) produced over a half-million reed organs and 3,000 pipe organs in Brattleboro, Vermont. Dennis Waring's scholarly treatise on the Estey company reveals important connections between music and musical instruments with evolving American sensibilities, manufacturing and technological industrialism, marketing and advertising, international trade, social stratification, gender issues, emerging popular culture and general insight into Victorian Americana.
Author: Joseph G. Schloss
Publisher: Wesleyan University Press
ISBN: 0819574821
Category : Music
Languages : en
Pages : 273
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Book Description
Winner of IASPM's 2005 International Book Award Based on ten years of research among hip-hop producers, Making Beats was the first work of scholarship to explore the goals, methods, and values of a surprisingly insular community. Focusing on a variety of subjects—from hip-hop artists' pedagogical methods to the Afrodiasporic roots of the sampling process to the social significance of "digging" for rare records—Joseph G. Schloss examines the way hip-hop artists have managed to create a form of expression that reflects their creative aspirations, moral beliefs, political values, and cultural realities. This second edition of the book includes a new foreword by Jeff Chang and a new afterword by the author.
Author: Fanny Gribenski
Publisher: University of Chicago Press
ISBN: 022682327X
Category : Music
Languages : en
Pages : 279
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Book Description
Tuning the World tells the unknown story of how the musical pitch A 440 became the global norm. Now commonly accepted as the point of reference for musicians in the Western world, A 440 hertz only became the standard pitch during an international conference held in 1939. The adoption of this norm was the result of decades of negotiations between countries, involving a diverse group of performers, composers, diplomats, physicists, and sound engineers. Although there is widespread awareness of the variability of musical pitches over time, as attested by the use of lower frequencies to perform early music repertoires, no study has fully explained the invention of our current concert pitch. In this book, Fanny Gribenski draws on a rich variety of previously unexplored archival sources and a unique combination of musicological perspectives, transnational history, and science studies to tell the unknown story of how A 440 became the global norm. Tuning the World demonstrates the aesthetic, scientific, industrial, and political contingencies underlying the construction of one of the most “natural” objects of contemporary musical performance and shows how this century-old effort was ultimately determined by the influence of a few powerful nations.
Author: Corinna Campbell
Publisher: Wesleyan University Press
ISBN: 0819579564
Category : Music
Languages : en
Pages : 289
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Book Description
How do people in an intensely multicultural city live alongside one another while maintaining clear boundaries? This question is at the core of The Cultural Work, which illustrates how the Maroons (descendants of escaped slaves) of Suriname and French Guiana, on the northern coast of South America, have used culture-representational performance to sustain their communities within Paramaribo, the capital. Focusing on three collectives known locally as "cultural groups," which specialize in the music and dance traditions of the Maroons, it marks a vital contribution to knowledge about the cultural map of the African diaspora in South America, Latin America, and the Caribbean.
Author: Tomie Hahn
Publisher: Wesleyan University Press
ISBN: 9780819568359
Category : History
Languages : en
Pages : 232
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Book Description
DVD contains: Examples of performances.
Author: Julia Byl
Publisher: Wesleyan University Press
ISBN: 0819574805
Category : Music
Languages : en
Pages : 337
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Book Description
Positioned on a major trade route, the Toba Batak people of Sumatra have long witnessed the ebb and flow of cultural influence from India, the Middle East, and the West. Living as ethnic and religious minorities within modern Indonesia, Tobas have recast this history of difference through interpretations meant to strengthen or efface the identities it has shaped. Antiphonal Histories examines Toba musical performance as a legacy of global history, and a vital expression of local experience. This intriguingly constructed ethnography searches the palm liquor stand and the sanctuary to show how Toba performance manifests its many histories through its "local music"—Lutheran brass band hymns, gong-chime music sacred to Shiva, and Jimmie Rodgers yodeling. Combining vivid narrative, wide-ranging historical research, and personal reflections, Antiphonal Histories traces the musical trajectories of the past to show us how the global is manifest in the performative moment.
Author: Robert Walser
Publisher: Wesleyan University Press
ISBN: 0819575151
Category : Music
Languages : en
Pages : 281
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Book Description
“A solid, scholarly analysis of the power, meaning, musical structure, and sociopolitical contexts of the most popular examples of heavy metal.” —Library Journal Dismissed by critics and academics, condemned by parents and politicians, and fervently embraced by legions of fans, heavy metal music continues to attract and embody cultural conflicts that are central to society. In Running with the Devil, Robert Walser explores how and why heavy metal works, both musically and socially, and at the same time uses metal to investigate contemporary formations of identity, community, gender, and power. This edition includes a new foreword by Harris M. Berger contextualizing the work and a new afterword by the author. Ebook Edition Note: all photographs (sixteen) have been redacted. “Walser belongs to a small but influential group of academics trying to reconcile ‘high theory’ with a streetwise sense of culture . . . an excellent book.” —Rolling Stone “Takes musicology where it has never gone before; I once saw the chapter on metal guitarists and the classical tradition performed live in a lecture hall, but even on paper it smokes.” —SF Weekly “Walser is truly gifted at doing what few critics before him have done: analyzing the music . . . In virtuoso readings of metal music that forge persuasive links between metal and particular classical music traditions, Walser reveals the ways that musical structures themselves are social texts.” —The Nation “Making surprising connections to classical forms and debunking stereotypes of metal’s musical crudity, Walser delves enthusiastically into guitar conventions and rituals.” —The Washington Post
Author: Frances R. Aparicio
Publisher: Wesleyan University Press
ISBN: 0819569941
Category : Music
Languages : en
Pages : 321
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Book Description
Winner of the MLA's Katherine Singer Kovacs Prize for an outstanding book published in English in the field of Latin American and Spanish literatures and culture (1999) For Anglos, the pulsing beats of salsa, merengue, and bolero are a compelling expression of Latino/a culture, but few outsiders comprehend the music's implications in larger social terms. Frances R. Aparicio places this music in context by combining the approaches of musicology and sociology with literary, cultural, Latino, and women's studies. She offers a detailed genealogy of Afro-Caribbean music in Puerto Rico, comparing it to selected Puerto Rican literary texts, then looks both at how Latinos/as in the US have used salsa to reaffirm their cultural identities and how Anglos have eroticized and depoliticized it in their adaptations. Aparicio's detailed examination of lyrics shows how these songs articulate issues of gender, desire, and conflict, and her interviews with Latinas/os reveal how they listen to salsa and the meanings they find in it. What results is a comprehensive view "that deploys both musical and literary texts as equally significant cultural voices in exploring larger questions about the power of discourse, gender relations, intercultural desire, race, ethnicity, and class."
Author: Colin Symes
Publisher: Wesleyan University Press
ISBN: 9780819567215
Category : History
Languages : en
Pages : 346
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Book Description
The words surrounding music influence how we listen to it.
