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Author: Hermann Zapf
Publisher: Cambridge, Mass : M.I.T. Press
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
One hundred typographic pages are exhibited in this book, consisting of alphabets and quotations printed in various type styles. The quotations selected by the author concern types and printing, are from the past and the present, and are in 16 languages (translations are provided). Hermann Zapf is a noted type designer and he himself originally devised many of the type faces used here. Other faces were taken from the fonts of the Stempel foundry in Frankfurt/Main and historic faces came from that foundry's archives. The author has also designed the page layouts, choosing for this manual a horizontal format. The purpose of the manual is "to show the myriad possibilities of the expressiveness and beauty of type, whether individually or in massed text, by the use of purely typographic means." The original English edition of this work was limited to 1000 copies. In making it available to a larger audience, Paul Standard's comment, printed in the original, becomes more pertinent still: "In a world grown noisy and clamorous, reading remains among the very few quiet pleasures left to man. The present work hopes to be considered an attempt to bring a body of critical and expository comment to the widest circle of readers—comment upon every contributory element in bookmaking and printing generally, upon the design of letter forms and their disposition on the page. The very sight of so many different languages on these successive pages is itself a humanizing experience, suggesting as it does a striving for unity while preserving linguistic diversity by means of the printer's art." This "critical and expository comment" has been culled from a wide international range of writers, including both masters of literature and masters of the art of printing.
Author: Hermann Zapf
Publisher: Cambridge, Mass : M.I.T. Press
ISBN:
Category : Art
Languages : en
Pages : 264
Get Book Here
Book Description
One hundred typographic pages are exhibited in this book, consisting of alphabets and quotations printed in various type styles. The quotations selected by the author concern types and printing, are from the past and the present, and are in 16 languages (translations are provided). Hermann Zapf is a noted type designer and he himself originally devised many of the type faces used here. Other faces were taken from the fonts of the Stempel foundry in Frankfurt/Main and historic faces came from that foundry's archives. The author has also designed the page layouts, choosing for this manual a horizontal format. The purpose of the manual is "to show the myriad possibilities of the expressiveness and beauty of type, whether individually or in massed text, by the use of purely typographic means." The original English edition of this work was limited to 1000 copies. In making it available to a larger audience, Paul Standard's comment, printed in the original, becomes more pertinent still: "In a world grown noisy and clamorous, reading remains among the very few quiet pleasures left to man. The present work hopes to be considered an attempt to bring a body of critical and expository comment to the widest circle of readers—comment upon every contributory element in bookmaking and printing generally, upon the design of letter forms and their disposition on the page. The very sight of so many different languages on these successive pages is itself a humanizing experience, suggesting as it does a striving for unity while preserving linguistic diversity by means of the printer's art." This "critical and expository comment" has been culled from a wide international range of writers, including both masters of literature and masters of the art of printing.
Author: James Craig
Publisher: Watson-Guptill
ISBN: 0823014134
Category : Design
Languages : en
Pages : 178
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Book Description
The classic Designing with Type has been completely redesigned, with an updated format and full color throughout. New information and new images make this perennial best-seller an even more valuable tool for anyone interested in learning about typography. The fifth edition has been integrated with a convenient website, www.designingwithtype.com, where students and teachers can examine hundreds of design solutions and explore a world of typographic information. First published more than thirty-five years ago, Designing with Type has sold more than 250,000 copies—and this fully updated edition, with its new online resource, will educate and inspire a new generation of designers.
Author: Martin Hutner
Publisher: David R. Godine Publisher
ISBN: 9781567922202
Category : Antiques & Collectibles
Languages : en
Pages : 188
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Book Description
These lists are usually generated in neat doses of one hundred titles. Here then (at least in the opinions of Messrs. Hutner and Kelly) are the hundred greatest printed books of the twentieth century. Given another pair of editors, you d probably be offered a different list, but this one serves and serves well, for it concentrates not only on the recognized chestnuts, but also lesser-known, and often exceedingly récherché volumes that have left their mark. It is noteworthy that only two books in the survey were printed by offset; the rest are all letterpress. And although America is strongly represented, there are also selections from Italy, France, Germany, the Netherlands, England, Wales and Switzerland. Every book is illustrated in fine line duotone, many in color, and best of all, the captions that accompanied the original Grolier exhibit have been transcribed intact. In their two prefatory essays, Hutner has provided a convincing defense of his choices (1900 1948), and Kelly, a spirited apologia for his (1949 1999). Joe Blumenthal ended his survey of fine printing in America with the observation that the art of the book, one of the slender graces of civilization, works its charm on each new generation. This survey, while admittedly neither comprehensive nor definitive, provides an excellent overview of fine printing over the past hundred years. Despite Morison s contention that typography is the most conservative of all the arts, the form of the book continues to mutate, evolve, and advance. If we are to overcome the complexities of a digital age, we would do well to appreciate, if not embrace, that heritage. -- Amazon.com.
Author: Pradeep Sebastian
Publisher: Hachette India
ISBN: 9393701431
Category : Biography & Autobiography
Languages : en
Pages : 241
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Book Description
Until 2015, Pradeep Sebastian was a contented bibliophile, quite far from the serious book collector anxiously checking his email alerts. Things, however, took a dramatic turn when he chanced upon fine press books - printed on a handpress, from metal type pressed into dampened handmade paper, the tactility and typographic beauty of letterpress books instantly captivated him. There was no looking back. In absorbing prose, the author retraces his fulfilling journey of collecting fine books online, his new-found love for modern calligraphic and illuminated manuscripts, and his discovery of the masters of bookmaking - be it the cloistered nuns who printed impeccable fine press books, or the famous printer who lived in a one-room apartment at a YMCA with his small handpress tucked under his bed. Peppered with vivid anecdotes and delightful conversations, The Book Beautiful is as much about the love for fine books as it is about the pleasures of bibliophily - the camaraderie between fellow collectors and dealers, bibliographic connoisseurship, the thrill of the chase, and the joy of striking a juicy bargain.
Author: Alexander S. Lawson
Publisher: David R. Godine Publisher
ISBN: 9780879233334
Category : Design
Languages : en
Pages : 436
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Book Description
"To the layman, all printing types look the same. But for typographers, graphic artists and others of that lunatic fringe who believe that the letters we look at daily (and take entirely for granted) are of profound importance, the question of how letters are formed, what shape they assume, and how they have evolved remains one of passionate and continuing concern. Lawson explores the vast territory of types, their development and uses, their antecedents and offspring, with precision, insight, and clarity. Written for the layman but containing exhaustive research, drawings and synopses of typefaces, this book is an essential addition to the library of anyone s typographic library. It is, as Lawson states, not written for the printer convinced that there are already too many typefaces, but rather for that curious part of the population that believes the opposite; that the subtleties of refinement as applies to roman and cursive letters have yet to be fully investigated and that the production of the perfect typeface remains a goal to be as much desired by present as by future type designers. Anyone aspiring to typographic wisdom should own and treasure this classic."--Amazon description.
Author: Philip B. Meggs
Publisher: John Wiley & Sons
ISBN: 1118772059
Category : Design
Languages : en
Pages : 711
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Book Description
The bestselling graphic design reference, updated for the digital age Meggs' History of Graphic Design is the industry's unparalleled, award-winning reference. With over 1,400 high-quality images throughout, this visually stunning text guides you through a saga of artistic innovators, breakthrough technologies, and groundbreaking developments that define the graphic design field. The initial publication of this book was heralded as a publishing landmark, and author Philip B. Meggs is credited with significantly shaping the academic field of graphic design. Meggs presents compelling, comprehensive information enclosed in an exquisite visual format. The text includes classic topics such as the invention of writing and alphabets, the origins of printing and typography, and the advent of postmodern design. This new sixth edition has also been updated to provide: The latest key developments in web, multimedia, and interactive design Expanded coverage of design in Asia and the Middle East Emerging design trends and technologies Timelines framed in a broader historical context to help you better understand the evolution of contemporary graphic design Extensive ancillary materials including an instructor's manual, expanded image identification banks, flashcards, and quizzes You can't master a field without knowing the history. Meggs' History of Graphic Design presents an all-inclusive, visually spectacular arrangement of graphic design knowledge for students and professionals. Learn the milestones, developments, and pioneers of the trade so that you can shape the future.
Author: Alan Hoenig
Publisher: Oxford University Press, USA
ISBN: 9780195096866
Category : Computers
Languages : en
Pages : 598
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Book Description
This text explains how to integrate Tex - the original version of LaTeX - with other commercially available software and hardware, solve user-problems and set-up software links using LaTex for Internet communication.
Author: Carl Dair
Publisher: University of Toronto Press
ISBN: 0802065198
Category : Architecture
Languages : en
Pages : 177
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Book Description
Design with Type takes the reader through a study of typography that starts with the individual letter and proceeds through the word, the line, and the mass of text. The contrasts possible with type are treated in detail, along with their applications to the typography ofbooks, advertising, magazines, and information data. The various contending schools oftypography are discussed, copiously illustrated with the author's selection of over 150 examples of imaginative typography from many parts ot the world. Design with Type differs from all other books on typography in that it discusses type as a design material as well as a means of communication: the premise is that if type is understood in terms of design, the user of type will be better able to work with it to achieve maximum legibility and effectiveness, as well as aesthetic pleasure. Everyone who uses type, everyone who enjoys the appearance of the printed word, will find Design with Type informative and fascinating. It provides, too, an outstanding example of the effectiveness of imaginative and tasteful typographic design.
Author: Steven Heller
Publisher: Simon and Schuster
ISBN: 1581159684
Category : Design
Languages : en
Pages : 380
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Book Description
Exploring the methods for teaching and learning typography, this book features more than 40 essays from top experts and educators in typography today. These essays run the gamut from introducing the themes of type and typography to various complex and rare strategies for learning.
Author:
Publisher:
ISBN:
Category : Printing
Languages : en
Pages : 162
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Book Description
