Mannerist Prints

Mannerist Prints PDF Author: Bruce Davis
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 344

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Northern Mannerist Prints

Northern Mannerist Prints PDF Author: R.E. Lewis, Inc
Publisher:
ISBN:
Category : Mannerism (Art)
Languages : en
Pages : 18

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Robert Mapplethorpe and the Classical Tradition

Robert Mapplethorpe and the Classical Tradition PDF Author: Robert Mapplethorpe
Publisher: Guggenheim Museum
ISBN:
Category : Photography
Languages : en
Pages : 242

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Book Description
This title is published to accompany the exhibition exploring the relationship between the photography of Robert Mapplethorpe and classical art, held at the Deutsche Guggenheim, Berlin, July 24th - October 17th, 2004.

Myth, Allegory, and Faith

Myth, Allegory, and Faith PDF Author: Bernard Barryte
Publisher: Silvana
ISBN: 9788836630882
Category : Art
Languages : en
Pages : 0

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Book Description
"This catalogue is published on the occasion of the exhibition Myth, Allegory, and Faith: The Kirk Edward Long Collection of Mannerist Prints at the Iris & B. Gerald Cantor Center for Visual Arts at Stanford University, February 10/May 16, 2016."

Renaissance & Mannerism

Renaissance & Mannerism PDF Author: Diane Bodart
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781402759222
Category : Art
Languages : en
Pages : 196

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Book Description
From the 15th to the 16th centuries, Western European culture flourished thanks in part to the astonishing achievements of such Renaissance artists as da Vinci, Donatello, Raphael, Botticelli, and Michelangelo, and Mannerist painters including El Greco, Pontormo, and Tintoretto. In Florence, the cradle of the Renaissance, artists pursued ancient classical ideals of harmony and naturalism, and in architecture, forms of perfection and grandeur. Mannerists, in the early 16th century, valued exaggeration, elongated figures, unnatural lighting, and vivid (even lurid) colors, to create more tension and emotion in their work. This stunning volume follows these two key movements in art history, providing authoritative background from a top scholar, rich cultural context, and a wealth of exquisite reproductions of period paintings, sculptures, churches, and palazzos.

Prints and Printmaking

Prints and Printmaking PDF Author: Antony Griffiths
Publisher: Univ of California Press
ISBN: 9780520207141
Category : Art
Languages : en
Pages : 172

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Book Description
Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.

Mannerism

Mannerism PDF Author: John Shearman
Publisher:
ISBN:
Category :
Languages : en
Pages : 0

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Artists & Prints

Artists & Prints PDF Author: Deborah Wye
Publisher: The Museum of Modern Art
ISBN: 9780870701252
Category : Architecture
Languages : en
Pages : 296

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Book Description
Volume covers the Collection of Prints and Illustrated Books, not the collection of artists' books.

The 'Small Landscape' Prints in Early Modern Netherlands

The 'Small Landscape' Prints in Early Modern Netherlands PDF Author: Alexandra Onuf
Publisher: Routledge
ISBN: 135125152X
Category : Art
Languages : en
Pages : 331

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Book Description
In 1559 and 1561, the Antwerp print publisher Hieronymus Cock issued an unprecedented series of landscape prints known today simply as the Small Landscapes. The forty-four prints included in the series offer views of the local countryside surrounding Antwerp in simple, unembellished compositions. At a time when vast panoramic and allegorical landscapes dominated the art market, the Small Landscapes represent a striking innovation. This book offers the first comprehensive analysis of the significance of the Small Landscapes in early modern print culture. It charts a diachronic history of the series over the century it was in active circulation, from 1559 to the middle of the seventeenth century. Adopting the lifespan of the prints as the framework of the study, Alexandra Onuf analyzes the successive states of the plates and the changes to the series as a whole in order to reveal the shifting artistic and contextual valences of the images at their different moments and places of publication. This unique case study allows for a new perspective on the trajectory of print publishing over the course of the late sixteenth and early seventeenth centuries across multiple publishing houses, highlighting the seminal importance of print publishers in the creation and dissemination of visual imagery and cultural ideas. Looking at other visual materials and contemporary sources – including texts as diverse as humanist poetry and plays, agricultural manuals, polemical broadsheets, and peasant songs – Onuf situates the Small Landscapes within the larger cultural discourse on rural land and the meaning of the local in the turbulent early modern Netherlands. The study focuses new attention on the active and reciprocal intersections between printed pictures and broader cultural, economic and political phenomena.

Early Modern Dutch Prints of Africa

Early Modern Dutch Prints of Africa PDF Author: ElizabethA. Sutton
Publisher: Routledge
ISBN: 1351569058
Category : Art
Languages : en
Pages : 297

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Book Description
Using Pieter de Marees' Description and Historical Account of the Gold Kingdom of Guinea (1602) as her main source material, author Elizabeth Sutton brings to bear approaches from the disciplines of art history and book history to explore the context in which De Marees' account was created. Since variations of the images and text were repeated in other European travel collections and decorated maps, Sutton is able to trace how the framing of text and image shaped the formation of knowledge that continued to be repeated and distilled in later European depictions of Africans. She reads the engravings in De Marees' account as a demonstration of the intertwining domains of the Dutch pictorial tradition, intellectual inquiry, and Dutch mercantilism. At the same time, by analyzing the marketing tactics of the publisher, Cornelis Claesz, this study illuminates how early modern epistemological processes were influenced by the commodification of knowledge. Sutton examines the book's construction and marketing to shed new light on the social milieus that shared interests in ethnography, trade, and travel. Exploring how the images and text function together, Sutton suggests that Dutch visual and intellectual traditions informed readers' choices for translating De Marees' text visually. Through the examination of early modern Dutch print culture, Early Modern Dutch Prints of Africa expands the boundaries of our understanding of the European imperial enterprise.