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Author: Joseph Pierce Farrell
Publisher: Simon and Schuster
ISBN: 1439173028
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
The author describes the meditative process through which he discovered his ability to heal with his hands, outlining a five-step process designed to help readers tap their own potential to enable positive change.
Author: Joseph Pierce Farrell
Publisher: Simon and Schuster
ISBN: 1439173028
Category : Biography & Autobiography
Languages : en
Pages : 258
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Book Description
The author describes the meditative process through which he discovered his ability to heal with his hands, outlining a five-step process designed to help readers tap their own potential to enable positive change.
Author: Chris Ryan
Publisher: A&C Black
ISBN: 0567012018
Category : Literary Criticism
Languages : en
Pages : 360
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Book Description
One of the greatest artists of all time, Michelangelo's work as a poet has been unjustly ignored. This thorough introduction outlines the broad chronological evolution of the poems, includes the poetry in both the original Italian and in translation and explores the themes raised in the poems.
Author: Antonio Forcellino
Publisher: Polity
ISBN: 0745640052
Category : Art
Languages : en
Pages : 385
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Book Description
This major new biography recounts the extraordinary life of one of the most creative figures in Western culture, weaving together the multiple threads of Michelangelo’s life and times with a brilliant analysis of his greatest works. The author retraces Michelangelo’s journey from Rome to Florence, explores his changing religious views and examines the complicated politics of patronage in Renaissance Italy. The psychological portrait of Michelangelo is constantly foregrounded, depicting with great conviction a tormented man, solitary and avaricious, burdened with repressed homosexuality and a surplus of creative enthusiasm. Michelangelo’s acts of self-representation and his pivotal role in constructing his own myth are compellingly unveiled. Antonio Forcellino is one of the world’s leading authorities on Michelangelo and an expert art historian and restorer. He has been involved in the restoration of numerous masterpieces, including Michelangelo’s Moses. He combines his firsthand knowledge of Michelangelo’s work with a lively literary style to draw the reader into the very heart of Michelangelo’s genius.
Author: Charles Heath Wilson
Publisher: London, J. Murray
ISBN:
Category : Artists
Languages : en
Pages : 670
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Book Description
Author: Marjorie O'Rourke Boyle
Publisher: BRILL
ISBN: 9004477489
Category : History
Languages : en
Pages : 293
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Book Description
Senses of Touch anatomizes the uniquely human hand as a rhetorical figure for dignity and deformity in early modern culture. It concerns a valuational shift from the contemplative ideal, as signified by the sense of sight, to an active reality, as signified by the sense of touch. From posture to piety, from manicure to magic, the book discovers touch in a critical period of its historical development, in anatomy and society. It features new interpretations of two landmarks of western civilization: Michelangelo's fresco of the Creation of Adam and Calvin's doctrine of election. It also accords special attention to the typing of women as sensual creatures by using their hands as a heuristic. Its alternative interpretations explore in theory and in practice the sensuality, the creativity, and the plain utility of hands, thus integrating biology and culture.
Author: Michael Viktor Schwarz
Publisher: Böhlau Wien
ISBN: 3205217330
Category : Art
Languages : en
Pages : 433
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Book Description
Giotto is considered by many to be the founder of modern painting. This thesis is discussed and modified in the present volume on an empirical basis. What emerges is that Giotto's impact cannot be reduced simply to the introduction of the study of nature. Rather, his art was involved in the development of pictorial idioms that were attuned to the skills and interests of their audiences. The new approaches in his painting contributed in particular to the possibility of examining and communicating psychological, narrative and allegorical content of great complexity outside the media of language and text, which not only changed the face of European art but certainly contributed to the intellectual opening of Western societies.
Author: Jafree Ozwald
Publisher: Lulu.com
ISBN: 0970670117
Category : Science
Languages : en
Pages : 259
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Book Description
You are about to experience the most incredible life imaginable! There are many techniques, secrets and manifesting tools contained within this manual, which over the next 90 days will awaken the most powerful forces in the Universe that are deep inside you. An unlimited source of energy has been dormant up until now, "sleeping," waiting for the right moment in time to rise up magnificently throughout your being and ignite miracles in your life. Opening up this cosmic energy is not as difficult as you may think, yet is a metaphysical exploration that is more satisfying, loving, and empowering than anything you could imagine!
Author: Christoph Luitpold Frommel
Publisher: Getty Publications
ISBN: 1606065033
Category : Art
Languages : en
Pages : 66
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Book Description
In 1505, Michelangelo began planning the magnificent tomb for Pope Julius II, which would dominate the next forty years of his career. Repeated failures to complete the monument were characterized by Condivi, Michelangelo’s authorized biographer, as “the tragedy of the tomb.” This definitive book thoroughly documents the art of the tomb and each stage of its complicated evolution. Authored by Christoph Luitpold Frommel, who also acted as the lead consultant on the recent restoration campaign, this volume offers new post-restoration photography that reveals the beauty of the tomb overall, its individual statues, and its myriad details. This book traces Michelangelo’s stylistic development; documents the dialogue between the artist and his great friend and exacting patron Pope Julius II; unravels the complicated relationship between the master and his assistants, who executed large parts of the design; and sheds new light on the importance of Neo-Platonism in Michelangelo’s thinking. A rich trove of documents in the original Latin and archaic Italian relates the story through letters, contracts, and other records covering Michelangelo’s travels, purchase of the marble, and concerns that arose as work progressed. The book also catalogues fifteen sculptures designed for the tomb and more than eighty related drawings, as well as an extensive and up-to-date bibliography.
Author: Jessica Elizabeth Buskirk
Publisher:
ISBN:
Category :
Languages : en
Pages : 108
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Book Description
Author: Carolina Mangone
Publisher: Yale University Press
ISBN: 0300247737
Category : Art
Languages : en
Pages : 289
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Book Description
A novel exploration of the threads of continuity, rivalry, and self-conscious borrowing that connect the Baroque innovator with his Renaissance paragon Gianlorenzo Bernini (1598–1680), like all ambitious artists, imitated eminent predecessors. What set him apart was his lifelong and multifaceted focus on Michelangelo Buonarroti—the master of the previous age. Bernini’s Michelangelo is the first comprehensive examination of Bernini’s persistent and wide-ranging imitation of Michelangelo’s canon (his art and its rules). Prevailing accounts submit that Michelangelo’s pervasive, yet controversial, example was overcome during Bernini’s time, when it was rejected as an advantageous model for enterprising artists. Carolina Mangone reconsiders this view, demonstrating how the Baroque innovator formulated his work by emulating his divisive Renaissance forebear’s oeuvre. Such imitation earned him the moniker “Michelangelo of his age.” Investigating Bernini’s “imitatio Buonarroti” in its extraordinary scope and variety, this book identifies principles that pervade his production over seven decades in papal Rome. Close analysis of religious sculptures, tomb monuments, architectural ornament, and the design of New Saint Peter’s reveals how Bernini approached Michelangelo’s art as a surprisingly flexible repertory of precepts and forms that he reconciled—here with daring license, there with creative restraint—to the aesthetic, sacred, and theoretical imperatives of his own era. Situating Bernini’s imitation in dialogue with that by other artists as well as with contemporaneous writings on Michelangelo’s art, Mangone repositions the Renaissance master in the artistic concerns of the Baroque from peripheral to pivotal. Without Michelangelo, there was no Bernini.
